WEBVTT 00:10.928 --> 00:11.668 [SPEAKER_02]: What's up everybody? 00:11.688 --> 00:12.588 [SPEAKER_02]: Welcome to the stack. 00:12.688 --> 00:13.368 [SPEAKER_02]: I'm Alex. 00:13.569 --> 00:14.149 [SPEAKER_02]: I'm Justin. 00:14.709 --> 00:15.529 [SPEAKER_02]: What's up, I'm Pete. 00:15.789 --> 00:19.250 [SPEAKER_02]: And on the stack, we talk about a bunch of books that have come out this week. 00:19.310 --> 00:20.410 [SPEAKER_02]: Comic books, in fact. 00:20.450 --> 00:23.730 [SPEAKER_02]: And we want you, then, my now it's a big surprise for everybody. 00:24.230 --> 00:25.851 [SPEAKER_02]: We also spoil them. 00:25.911 --> 00:27.671 [SPEAKER_02]: So, spoiler warning for everything. 00:27.791 --> 00:36.133 [SPEAKER_03]: All your favorite instruction books for all your favorite bicycles, the wall closet inserts, anything you need. 00:36.173 --> 00:37.773 [SPEAKER_03]: We are reading the books and ranking them. 00:38.193 --> 00:54.195 [SPEAKER_02]: Let's start it off with thermos instruction manual, okay, we're gonna start it off with Batman bad seeds got them central number one DC comics We're in by Christopher Cantwell art by Jacob Phillips now like I always say if you can't can't well, you know 00:55.004 --> 01:14.853 [SPEAKER_02]: Wow, you can tell by the title this is part of the bad seeds crossover that has found giant plants courtesy poison ivy taking other Gotham city But in the midst of it among other things that are going on in this issue Jim Gordon who has been knocked down to 01:15.013 --> 01:32.559 [SPEAKER_02]: peat cop is still trying to solve murders and take care of crime as usual there's a bunch of other things going on including the doctor who is in charge of the crown of storms which is a new device that has quote unquote cured the joker and they may use it on other folks. 01:32.919 --> 01:40.706 [SPEAKER_02]: the obvious that there's more mysteries to come there is on the run from Zaz who is chasing after her in the middle of this. 01:41.107 --> 01:44.290 [SPEAKER_02]: So, your typical Gotham madness is usual. 01:44.410 --> 01:47.813 [SPEAKER_02]: I think we've been pretty positive about the bad seeds crossover is also far. 01:48.654 --> 01:51.096 [SPEAKER_02]: This is Gotham Central not by Greg 01:53.977 --> 02:03.800 [SPEAKER_02]: famously co-wrote Gotham Central back in the day, and is writing Gotham General a hospital-based book that is coming out next week. 02:04.640 --> 02:05.520 [SPEAKER_02]: But what do you think about this? 02:05.600 --> 02:08.921 [SPEAKER_02]: What do you think about the return of Gotham Central? 02:09.401 --> 02:13.823 [SPEAKER_03]: Let me say, there's nothing I believe more than the Joker being cured. 02:14.203 --> 02:15.363 [SPEAKER_03]: So that's great news. 02:15.423 --> 02:19.144 [SPEAKER_03]: Put that guy away to take him off your list. 02:19.284 --> 02:21.125 [SPEAKER_03]: He's smiling no more. 02:22.445 --> 02:23.845 [SPEAKER_03]: But I love this book. 02:23.945 --> 02:35.288 [SPEAKER_03]: I feel like Jacob Phillips R is perfect to sort of be in the same vein as the Gotham Central that's come before When reading this I was like Gordon has a big copy. 02:35.368 --> 02:48.671 [SPEAKER_03]: Yes, this is the ultimate expression of that I love the way that the story wasn't really about the poison ivy takeover It was just like them solving crimes in the all the plants are just bothering them. 02:49.291 --> 02:51.412 [SPEAKER_03]: It's great great characters 02:52.392 --> 02:55.214 [SPEAKER_03]: Great villain, great cliffhanger at the end. 02:55.314 --> 02:57.295 [SPEAKER_03]: I thought this was just fantastic. 02:57.995 --> 02:58.415 [SPEAKER_01]: Alright, great. 02:58.455 --> 02:59.356 [SPEAKER_01]: This is a blast. 02:59.456 --> 03:03.458 [SPEAKER_01]: I'm really surprised how much I'm enjoying the bad seeds arc. 03:03.918 --> 03:09.801 [SPEAKER_01]: It's cool to see how this kind of plant take over is affecting different kind of pockets of Gotham. 03:10.302 --> 03:17.325 [SPEAKER_01]: And this Gotham Central is such a great kind of reminds me of Gotham, the TV show here where we're focused on Gordon. 03:17.746 --> 03:19.286 [SPEAKER_01]: And we got Zaz in there. 03:19.326 --> 03:20.087 [SPEAKER_01]: This is just... 03:21.108 --> 03:22.790 [SPEAKER_01]: It's Mr. Zaz. 03:23.110 --> 03:25.113 [SPEAKER_03]: He doesn't like to just be called Zaz. 03:25.493 --> 03:27.656 [SPEAKER_02]: I thought we were close to clarification. 03:27.696 --> 03:29.779 [SPEAKER_02]: Though I don't think they ever explicitly said this. 03:29.819 --> 03:36.287 [SPEAKER_02]: It was pretty clear that Goth of the TV show was based on Gotham General with the amount of not accessible. 03:37.428 --> 03:38.290 [SPEAKER_02]: Gotham Central, yes. 03:38.730 --> 03:41.552 [SPEAKER_03]: Why don't I keep saying you said you love hospitals, this is the hospital. 03:41.572 --> 03:42.552 [SPEAKER_02]: I love the hospital. 03:42.712 --> 03:44.593 [SPEAKER_02]: I love the pit and I love hospitals. 03:45.454 --> 03:48.195 [SPEAKER_02]: I will particularly agree with you on Jacob Phillips Art. 03:48.315 --> 03:58.781 [SPEAKER_02]: I thought I believe he colored his own work here and it is, yeah, very much feels like Francesco Frank if he has work on Batman back in the day, including those. 03:59.577 --> 04:03.001 [SPEAKER_02]: Excellent commissioner Gordon arcs that Scott Snyder wrote for. 04:03.101 --> 04:04.122 [SPEAKER_02]: Oh, just awesome. 04:04.182 --> 04:05.163 [SPEAKER_02]: On detective comics. 04:05.524 --> 04:07.586 [SPEAKER_02]: So that could be warm fuzzy feelings of that. 04:07.666 --> 04:08.327 [SPEAKER_02]: And I agree. 04:08.907 --> 04:09.268 [SPEAKER_02]: You guys. 04:09.308 --> 04:12.411 [SPEAKER_02]: This is a really Excellently structured issue. 04:12.852 --> 04:14.934 [SPEAKER_02]: It's not even there's certainly that it's a spoiler. 04:15.034 --> 04:15.615 [SPEAKER_02]: What happens? 04:15.675 --> 04:18.538 [SPEAKER_02]: But I thought the way things come together towards the end was. 04:19.158 --> 04:21.440 [SPEAKER_02]: Really really well done in an unexpected way. 04:22.120 --> 04:23.040 [SPEAKER_02]: I'm looking forward to this. 04:23.341 --> 04:27.723 [SPEAKER_02]: I think there's only two issues of this But I would love to see more. 04:27.923 --> 04:31.345 [SPEAKER_02]: I think this is This is one of my favorite things. 04:31.505 --> 04:37.228 [SPEAKER_02]: It gothub is focusing on the people on the street the non-abbat Denizens of Gotham City. 04:37.669 --> 04:41.271 [SPEAKER_02]: It's one of the things that makes the setting so rich that it's not like 04:42.091 --> 04:45.774 [SPEAKER_02]: other comic book cities where it's all around the super heroes. 04:46.115 --> 04:48.537 [SPEAKER_02]: Gotham has so many things going out at all the time. 04:48.757 --> 04:49.057 [SPEAKER_02]: It's great. 04:49.477 --> 04:49.898 [SPEAKER_03]: Great stuff. 04:50.438 --> 04:57.264 [SPEAKER_02]: What I'm moving on, talk about six of us, number one from Dark Horse Comics, written by Tom King, art by Gabriel Hernandez. 04:57.304 --> 05:05.191 [SPEAKER_02]: While this about a TV show with six, let's call them friends, if you will, one of them died. 05:05.791 --> 05:17.980 [SPEAKER_02]: was seemingly murdered potentially and we're getting him narrating it from beyond the grave jumping throughout time to show us what led up to his murder and potentially solve it. 05:18.080 --> 05:20.021 [SPEAKER_02]: Maybe multiple murders as we go. 05:20.041 --> 05:23.424 [SPEAKER_02]: I have some thoughts about this one, but I'd love to hear from you guys. 05:23.444 --> 05:24.504 [SPEAKER_02]: See you on the context. 05:24.925 --> 05:28.047 [SPEAKER_02]: This is the team from Vision back at it again. 05:28.698 --> 05:36.961 [SPEAKER_03]: Here I thought this was based on Craig T. Nelson's coach and it's actually friends is much more of the I thought it was the single guy coming to you. 05:36.981 --> 05:38.722 [SPEAKER_03]: You're going to say the single guy. 05:38.782 --> 05:40.922 [SPEAKER_03]: That's why I don't say it's your only reference. 05:41.402 --> 05:45.464 [SPEAKER_03]: And piece by Caroline the city, what? 05:45.944 --> 05:50.646 [SPEAKER_03]: Yes, we are part of my CTV in our hearts. 05:50.686 --> 05:51.166 [SPEAKER_03]: Deep down. 05:51.666 --> 05:53.567 [SPEAKER_03]: Interesting, Alex has notes on this. 05:53.627 --> 05:54.227 [SPEAKER_03]: Pete you will first. 05:54.888 --> 05:57.110 [SPEAKER_01]: Yeah, I just thought this was a little too close. 05:57.150 --> 05:59.673 [SPEAKER_01]: I mean, this is really based off friends. 05:59.793 --> 06:05.379 [SPEAKER_01]: The story in the plane was kind of exactly what was happened to the cast of friends. 06:05.679 --> 06:10.424 [SPEAKER_01]: Actually, yeah, Matthew Perry died not in a pool, but in a hot tub. 06:10.784 --> 06:16.851 [SPEAKER_01]: So this got a little weird for me because it was somebody actually did die in real life. 06:16.931 --> 06:17.611 [SPEAKER_01]: And then I'm like, 06:18.372 --> 06:27.155 [SPEAKER_01]: I don't not sure what we're trying to say or what's going on, but it got a little weird and wonky for me when it came to that. 06:27.275 --> 06:31.877 [SPEAKER_01]: But other than that, great art, interesting story. 06:31.937 --> 06:34.598 [SPEAKER_01]: I'm just a little kind of like, wait, what? 06:36.012 --> 06:52.690 [SPEAKER_03]: see that's interesting because I love how on friends this is I feel like this is yes it's courting controversy perhaps but I thought like the story on the plane that Pee was referencing actually happened that's that's what I'm told that their lives are changing and it's 07:23.502 --> 07:47.534 [SPEAKER_02]: this is a extremely well made comic book like you said Gabriel Waltz's art is fantastic Tom King has an incredible headdoll on character and pacing even when you're jumping through time there's a you know we've been talking about this spoiled mild spoiler speed for sure you haven't watching but we were talking about how lanterns show that he co-show runs jumps through time a lot and you could really keep track of everything so that's very impressive. 07:48.294 --> 07:49.774 [SPEAKER_02]: But I got to agree with Pete here. 07:50.195 --> 08:03.697 [SPEAKER_02]: I came away feeling like this was delicious in a certain way, and I don't know that's necessarily the intent But with as far as I remember, I missed a couple of episodes, but I don't think Tom King was on friends, right? 08:04.037 --> 08:04.457 [SPEAKER_02]: Was he not? 08:04.477 --> 08:06.178 [SPEAKER_02]: He was not one of the main cast members. 08:06.218 --> 08:09.238 [SPEAKER_03]: Well, as a fan, don't we all sort of feel like we were friends? 08:10.079 --> 08:11.919 [SPEAKER_03]: Oh, yeah, Joe was my friend. 08:11.939 --> 08:14.900 [SPEAKER_03]: Yeah, who do you identify with most, Alex Gunther? 08:15.020 --> 08:15.880 [SPEAKER_03]: I'd be seeing Pete. 08:15.920 --> 08:16.700 [SPEAKER_03]: I'm gonna say Gunther. 08:18.635 --> 08:21.397 [SPEAKER_02]: Justin, are you a gunther or how do you see yourself? 08:21.557 --> 08:25.619 [SPEAKER_02]: So I'm sort of a new haircut that you got a couple of years back. 08:26.079 --> 08:26.319 [SPEAKER_03]: Yeah. 08:26.559 --> 08:27.079 [SPEAKER_03]: It's right. 08:27.160 --> 08:29.121 [SPEAKER_03]: It's changed fair. 08:30.041 --> 08:31.342 [SPEAKER_02]: Other other public figures. 08:31.462 --> 08:38.766 [SPEAKER_02]: But there's something very different in Tom King, like I'm doing a series deconstruction of Adam Strage, a fictional character that does not exist. 08:39.346 --> 08:41.167 [SPEAKER_02]: Versus, it's hard not to think. 08:42.564 --> 08:47.209 [SPEAKER_02]: he saw the news story of Matthew Perry die be like, but what if he was murdered? 08:47.309 --> 08:51.273 [SPEAKER_02]: And I'm like, uh, this gets under my skin and yucky. 08:51.373 --> 08:57.739 [SPEAKER_02]: It makes me feel yucky when I'm reading this book, which I don't, because it's exploiting a real-life story. 08:58.179 --> 08:59.561 [SPEAKER_03]: It, he wasn't a part of. 08:59.961 --> 09:03.946 [SPEAKER_02]: Yes, it feels, and this is without casting any expressions. 09:03.966 --> 09:10.633 [SPEAKER_02]: I'm just talking about what my experience, what my feeling is, while I'm reading it because I want to assume they have the best of intentions. 09:11.213 --> 09:12.895 [SPEAKER_02]: It does feel exploitative. 09:13.135 --> 09:14.277 [SPEAKER_02]: It does feel like 09:15.883 --> 09:19.347 [SPEAKER_02]: You don't know them, but I don't think, and I don't know them. 09:19.427 --> 09:26.895 [SPEAKER_02]: Like, I would not be like, I'm gonna write the true story of friends from inside, like without talking to them already. 09:26.995 --> 09:31.280 [SPEAKER_03]: I think that's really interesting because I feel like if he did know them, that would be way more fucked up. 09:32.342 --> 09:34.143 [SPEAKER_02]: He's coming if he's a different way. 09:34.584 --> 09:43.790 [SPEAKER_03]: Yes, but I don't know, I feel like it's such a public thing that I don't think and it's not going to be the same thing. 09:44.331 --> 09:45.512 [SPEAKER_03]: It's not going to be that. 09:45.552 --> 09:47.153 [SPEAKER_02]: It's not, no, it isn't. 09:47.333 --> 09:50.955 [SPEAKER_02]: But starting with exactly all the stuff that Pete laid out, it just, 09:51.956 --> 10:11.358 [SPEAKER_02]: left me with an uneasy upset feeling and not in the like who I'm intrigued to find out about this murder mystery way so much as like I feel a little gross I kind of want to take a shower I would like to be reading something else right now which is not how I want to feel when I'm reading a Tom King Gabriel Walts of Buck because I do respect and like them both as creators. 10:13.149 --> 10:19.452 [SPEAKER_03]: Well, wow, I can't wait to read more of this and dig deeper into this controversy that's going to tear us friends. 10:20.053 --> 10:21.653 [SPEAKER_03]: Four of us. 10:21.953 --> 10:25.315 [SPEAKER_02]: Yeah, eventually we'll do three podcasts like a bunch of single guys. 10:26.176 --> 10:26.636 [SPEAKER_03]: That's right. 10:26.676 --> 10:29.117 [SPEAKER_03]: And I'll say, guys, when we were talking about this, we were on a break. 10:31.565 --> 10:45.045 [SPEAKER_02]: I remember nine from Marvel written by Joshua Williams and art by Carmen Carnaro Iron Man is being attacked by two whip lashes Two whip lashes and one two a double down on the whip lash and this one 10:45.405 --> 10:50.288 [SPEAKER_02]: They did and we get a big reveal at the end here where promised the most shocking reveal of the year. 10:50.668 --> 10:57.333 [SPEAKER_02]: We find out the identity of citizen V, a secret character has been helping out Tony throughout this series so far. 10:57.513 --> 10:58.513 [SPEAKER_02]: And big spoilers here. 10:58.533 --> 10:59.234 [SPEAKER_02]: I'll get to put it out. 10:59.254 --> 11:00.014 [SPEAKER_02]: That's right. 11:00.134 --> 11:00.715 [SPEAKER_02]: It is. 11:00.735 --> 11:02.015 [SPEAKER_02]: It's a third with flash. 11:02.076 --> 11:02.796 [SPEAKER_03]: It's a third with flash. 11:02.836 --> 11:03.677 [SPEAKER_03]: It's a third with flash. 11:03.757 --> 11:04.357 [SPEAKER_03]: It's a third with flash. 11:04.377 --> 11:05.137 [SPEAKER_03]: It's a third with flash. 11:05.157 --> 11:05.838 [SPEAKER_03]: It's a third with flash. 11:05.878 --> 11:06.698 [SPEAKER_03]: It's a third with flash. 11:06.758 --> 11:07.439 [SPEAKER_03]: It's a third with flash. 11:07.459 --> 11:08.319 [SPEAKER_02]: It's a third with flash. 11:08.460 --> 11:09.260 [SPEAKER_02]: It's a third with flash. 11:09.280 --> 11:10.381 [SPEAKER_02]: It's a third with flash. 11:10.401 --> 11:11.161 [SPEAKER_02]: It's a third with flash. 11:11.221 --> 11:12.102 [SPEAKER_02]: It's a third with flash. 11:12.897 --> 11:14.019 [SPEAKER_03]: Yeah, Pete, you must love it. 11:14.039 --> 11:14.900 [SPEAKER_03]: You got one back. 11:15.081 --> 11:17.024 [SPEAKER_03]: We've lost so many boulders lately. 11:17.064 --> 11:17.785 [SPEAKER_03]: You got one back. 11:17.805 --> 11:20.750 [SPEAKER_02]: Yeah, we lost Alfred, who was back. 11:20.770 --> 11:21.091 [SPEAKER_02]: Oh, man. 11:21.171 --> 11:23.996 [SPEAKER_02]: I think we lost Foggy, who was Daredevil's Butler. 11:24.256 --> 11:25.017 [SPEAKER_02]: Oh, dear. 11:25.058 --> 11:26.360 [SPEAKER_02]: He was Tony's Butler back. 11:26.687 --> 11:29.028 [SPEAKER_03]: And I believe the Punisher is Microchhips Butler, I think. 11:29.768 --> 11:30.069 [SPEAKER_03]: Oh, man. 11:30.429 --> 11:30.929 [SPEAKER_03]: Technically. 11:31.469 --> 11:34.511 [SPEAKER_02]: Yeah, I feel like you got happy back, baby, right? 11:34.531 --> 11:35.771 [SPEAKER_02]: Everybody's happy. 11:35.831 --> 11:36.532 [SPEAKER_02]: Happy, back. 11:36.872 --> 11:39.273 [SPEAKER_02]: Yeah, that's really impactful for me as a reader. 11:39.633 --> 11:40.574 [SPEAKER_03]: Yeah, John Faber. 11:40.594 --> 11:41.394 [SPEAKER_03]: Yeah, John Faber. 11:41.494 --> 11:42.374 [SPEAKER_03]: Now, see, that's the thing. 11:42.434 --> 11:46.576 [SPEAKER_03]: I remember happy from John Faber, and when I was reading this, I was like, happy, happy. 11:46.596 --> 11:50.698 [SPEAKER_03]: I was trying to remember a comic book, happy, and I don't remember much about him. 11:50.938 --> 11:54.220 [SPEAKER_03]: Would describe him in words without comparing him to Foggy. 11:55.585 --> 11:57.966 [SPEAKER_03]: because he looks like foggy and acts like foggy. 11:58.766 --> 12:00.667 [SPEAKER_01]: And John Favre will also play foggy. 12:01.767 --> 12:05.569 [SPEAKER_03]: So it's, uh, so I don't know. 12:06.169 --> 12:08.230 [SPEAKER_03]: Pete describing without saying foggy. 12:08.270 --> 12:18.554 [SPEAKER_01]: Well, happy is, you know, well, if we talk about him not in the movies, in the comic, is that what you mean versus the movies we're talking about. 12:18.574 --> 12:20.274 [SPEAKER_01]: Yes, we're talking about comics here. 12:20.294 --> 12:21.255 [SPEAKER_01]: This is a movie book. 12:21.275 --> 12:24.416 [SPEAKER_01]: Because happy in the movie is different than happy in the comics. 12:24.636 --> 12:25.016 [SPEAKER_01]: Oh, yeah. 12:25.056 --> 12:26.978 [SPEAKER_01]: So what would be that difference specifically? 12:26.998 --> 12:29.079 [SPEAKER_01]: Yeah, I'm saying the different John forever. 12:29.119 --> 12:32.201 [SPEAKER_02]: But don't don't say, John, you can't use one thing. 12:32.221 --> 12:34.102 [SPEAKER_01]: I'm asking you not to say so, man. 12:34.302 --> 12:36.043 [SPEAKER_01]: I like John, but I've mentioned that. 12:37.424 --> 12:39.946 [SPEAKER_03]: You didn't say that every, even when we're not talking about this. 12:40.206 --> 12:40.786 [SPEAKER_01]: Yeah, it's true. 12:40.806 --> 12:41.627 [SPEAKER_01]: Swingers is great. 12:43.939 --> 13:00.258 [SPEAKER_02]: uh... i think you're probably tell that like in first of all i like this calbert and i think joshably it's writing the hell out of the yeah it's a great comment caracadera's art is really good the action is good i just wish this citizen be revealed is more impactful for me because i'm like all right that's fine 13:01.828 --> 13:24.107 [SPEAKER_01]: Yeah, but it's not like upsetting or like a who you know what I mean you're like Oh happy cool, but also I liked I really thought the art was fantastic, especially in those flashbacks the old time you look was really cool Yeah, I even though they doubled down in the whiplash and I almost thought it'd be hilarious if It's gonna be was a whiplash. 13:24.507 --> 13:26.349 [SPEAKER_01]: I still all jokes aside. 13:26.369 --> 13:27.170 [SPEAKER_01]: I had a blast with this 13:28.600 --> 13:29.401 [SPEAKER_03]: I mean I like this. 13:29.481 --> 13:36.145 [SPEAKER_03]: I'm curious why happy wood dresses citizen via feels very strange to do that Well, we're gonna get this security. 13:36.165 --> 13:41.348 [SPEAKER_01]: You know, it was it had a security for a little while I think it was a driver. 13:41.689 --> 13:44.811 [SPEAKER_01]: Was he like a boxing coach? 13:44.871 --> 13:52.516 [SPEAKER_03]: You're thinking of the movie's pee, and I really would Open you up to the comics because I don't but I will say do you like the happy character in the comics? 13:52.536 --> 13:57.819 [SPEAKER_03]: Because I actually I don't I the movie happy is only what's brings to mind with me 13:59.682 --> 14:09.026 [SPEAKER_01]: Yeah, I mean, more about that time where he was, you know, in college, and then Vince Vaughn, and then they were rooting for Rudy, and Rudy came through the run. 14:09.786 --> 14:10.686 [SPEAKER_03]: Yeah. 14:10.806 --> 14:11.547 [SPEAKER_03]: I do like this. 14:11.687 --> 14:15.588 [SPEAKER_03]: I think this, this series has such a strong take. 14:15.608 --> 14:19.850 [SPEAKER_03]: I feel like Josh Williamson is really, has been bringing big ideas to this. 14:20.130 --> 14:20.991 [SPEAKER_03]: I'm more interested. 14:21.031 --> 14:23.151 [SPEAKER_03]: I'm curious how happy we'll fold into the main story. 14:23.171 --> 14:26.473 [SPEAKER_03]: And maybe Iron Man or Tony more specifically needs help. 14:27.273 --> 14:34.136 [SPEAKER_03]: given the sort of new arch enemy that Josh has created for this new Iron Man series, which I think is cool. 14:35.016 --> 14:41.898 [SPEAKER_03]: How aim has made their own Tony Stark is such a fun idea, and they're really building the menace really well, I think, in this. 14:41.958 --> 14:46.100 [SPEAKER_01]: Yeah, especially because happy is going to grow into the new whiplash, you know, I mean. 14:47.403 --> 14:49.564 [SPEAKER_03]: I feel like we're in a, we're in a brain loop. 14:50.524 --> 14:52.024 [SPEAKER_02]: What do we have to be great? 14:52.064 --> 14:52.984 [SPEAKER_02]: How does that happen? 14:53.004 --> 14:57.766 [SPEAKER_02]: We have to move to the kingdom of Zodd, which has two issues come out this week. 14:58.246 --> 15:05.387 [SPEAKER_02]: First one is Supergirl number 17 from DC Comics, written by Sophie Campbell, art by Bruno Frenda and Joe Kinone's. 15:05.968 --> 15:15.770 [SPEAKER_02]: Supergirl has traveled back in time to Krypton before it exploded with Ersa and young Clark Kent Superboy who has been taken forward at time. 15:16.150 --> 15:25.354 [SPEAKER_02]: and now backwards in time to crypt on and they have to not do the butterfly effect thing while things of course, particularly go very wrong. 15:25.975 --> 15:29.796 [SPEAKER_02]: Um, we don't know if we want to talk about these together, I do feel like they are very different. 15:30.097 --> 15:30.797 [SPEAKER_02]: Well, no, they're not. 15:31.493 --> 15:45.562 [SPEAKER_02]: The next one is action comics one thousand one hundred and two from DC comics written by Mark Wade art by Montes which continues that story but from super boys perspective instead of super girls And wraps it up and kicks it into the next phase. 15:46.142 --> 15:47.063 [SPEAKER_02]: Which guys think about this? 15:47.687 --> 15:52.249 [SPEAKER_01]: Well, through girl number 17, I really thought these odd reveal was fun. 15:53.150 --> 15:57.592 [SPEAKER_01]: It was cool to kind of check in with all the characters that we did like steel. 15:58.352 --> 16:05.756 [SPEAKER_01]: Um, yeah, I thought it was kind of a cool, like, you know, butterfly effect like you said not messing with the timeline. 16:05.776 --> 16:12.799 [SPEAKER_01]: I always like when, you know, we kind of pick a movie when it comes to time travel and get beyond that kind of philosophy. 16:12.839 --> 16:14.700 [SPEAKER_01]: So I thought that was kind of fun. 16:15.962 --> 16:17.224 [SPEAKER_01]: You know, like I'll crap. 16:17.264 --> 16:22.636 [SPEAKER_01]: I don't know what to do here because I don't want to see I let myself see me, you know, so yeah, I thought it was cool 16:23.935 --> 16:24.736 [SPEAKER_03]: I agree. 16:25.096 --> 16:27.497 [SPEAKER_03]: I've been enjoying this. 16:27.537 --> 16:29.879 [SPEAKER_03]: These two issues specifically as part of this crossover. 16:30.419 --> 16:33.601 [SPEAKER_03]: I like this super girl focus of this crossover in general. 16:33.621 --> 16:43.227 [SPEAKER_03]: It's nice to see her get a little bit of shine in this and she does feel like the lead character sort of surprisingly I wouldn't have picked that ahead of the series or the crossover. 16:43.808 --> 16:46.329 [SPEAKER_03]: And then this feels like a nice two-parter 16:47.590 --> 16:53.992 [SPEAKER_03]: and the art on the action comics book I thought was the sort of a surprising twist to us. 16:54.452 --> 16:55.952 [SPEAKER_03]: Yes, very nice. 16:56.032 --> 17:03.114 [SPEAKER_03]: It just made it such a nice tonal partner to the Supergirl book very different but balancing it out in a nice way. 17:03.814 --> 17:12.837 [SPEAKER_02]: Well, you have people don't do mantas mantas to art for green arrow, the run the Chris content did and it is a little more in noari, a little darker. 17:13.785 --> 17:14.545 [SPEAKER_02]: I agree with you guys. 17:14.565 --> 17:16.906 [SPEAKER_02]: I thought these two parts were very fun. 17:17.386 --> 17:19.607 [SPEAKER_02]: The time travel freshened it up a little bit. 17:19.727 --> 17:28.969 [SPEAKER_02]: I did feel like haven't we seen them go back to crypto on back in time like 15 times including recently in one of the previous Superman crossers. 17:29.149 --> 17:30.329 [SPEAKER_02]: There was a little bit of that. 17:30.649 --> 17:32.410 [SPEAKER_02]: Oh my god, this is never happened before. 17:32.490 --> 17:37.151 [SPEAKER_02]: And I'm like, I don't know, if you go around the corner, you probably will bump into Superman or something. 17:37.705 --> 17:42.787 [SPEAKER_03]: Well, I feel like eventually it's going to be a little clogged by, like, he's going to be clogged in any work, like, hey, I'm here. 17:43.107 --> 17:44.148 [SPEAKER_03]: Now I'm back in time. 17:44.168 --> 17:44.948 [SPEAKER_03]: Remember? 17:45.028 --> 17:46.128 [SPEAKER_03]: Yeah, we're all part of this. 17:47.129 --> 17:48.489 [SPEAKER_02]: But there's some fun stuff going on. 17:48.769 --> 17:53.351 [SPEAKER_02]: I am curious at this point how this is going to wrap up and where this is going to leave us. 17:53.451 --> 17:56.353 [SPEAKER_02]: I don't love still the Kryptonite infection thing. 17:56.373 --> 17:57.793 [SPEAKER_02]: That's not quite working for me. 17:58.774 --> 18:02.015 [SPEAKER_02]: But yeah, there's some nice moments with Supergirl and the Supergirl issue. 18:02.035 --> 18:04.396 [SPEAKER_02]: Nice moments with Superboy and the Ash and Comics issue. 18:04.976 --> 18:05.577 [SPEAKER_02]: So there you go. 18:06.297 --> 18:12.541 [SPEAKER_02]: The carbon blade at number one from image comics written by Darcy Ben Police art by Ian Bertram. 18:12.561 --> 18:15.983 [SPEAKER_02]: This is the team from precious metal and little bird. 18:16.323 --> 18:16.903 [SPEAKER_02]: That's right. 18:16.984 --> 18:17.764 [SPEAKER_02]: Really, really loved. 18:18.585 --> 18:27.290 [SPEAKER_02]: I hear this is a book about a carbon plate and somebody gets the carbon plate of the use the carbon plate and that's what's going on. 18:28.154 --> 18:31.036 [SPEAKER_01]: Well, take it easy, but yes, okay. 18:31.077 --> 18:35.200 [SPEAKER_02]: If you want to describe more about the plot, describe it, but don't use the words, John Fevero. 18:35.360 --> 18:37.222 [SPEAKER_02]: Okay, go ahead. 18:37.302 --> 18:41.505 [SPEAKER_02]: Oh, man, this is a really happy story. 18:41.866 --> 18:43.947 [SPEAKER_01]: This is a really sad start. 18:43.987 --> 18:46.129 [SPEAKER_01]: This really starts this guy's life sucks. 18:47.130 --> 18:51.153 [SPEAKER_01]: Things are kind of all over and he has kind of like one. 18:52.575 --> 18:58.211 [SPEAKER_01]: last kind of hard to play here, which is, you know, it's fat and destiny, which is this blade kind of 19:00.155 --> 19:03.236 [SPEAKER_01]: quote unquote calling to him and saving him. 19:03.316 --> 19:04.016 [SPEAKER_01]: So we'll see. 19:04.076 --> 19:08.818 [SPEAKER_01]: But man, crazy set up the art is so tripped out and fantastic. 19:09.178 --> 19:12.679 [SPEAKER_01]: Such a cool unique world that you kind of get sucked into. 19:13.779 --> 19:16.760 [SPEAKER_01]: Yeah, I was it was very riveting. 19:18.480 --> 19:24.282 [SPEAKER_01]: I just felt like a really kind of checked out to reality and really ended this world in such a unique way. 19:24.722 --> 19:27.043 [SPEAKER_01]: I think they've just established such a kind of 19:28.143 --> 19:40.494 [SPEAKER_01]: a reputation with their earlier work so man I was just really happy to kind of jump back into their kind of creativity and storytelling so yeah really moved and pressed by this first issue. 19:41.175 --> 19:43.057 [SPEAKER_03]: I love that you checked out of reality. 19:43.157 --> 19:43.637 [SPEAKER_03]: What was Alan? 19:44.478 --> 19:54.630 [SPEAKER_01]: Well, you know, it's just sometimes a book so good, you kind of just kind of your world melt away and you kind of join this one, you know what's the checkout time for that is that usually like 11 a.m. or when. 19:55.050 --> 19:55.291 [SPEAKER_02]: Yeah. 19:55.411 --> 19:57.433 [SPEAKER_03]: Well, you can ask for late checkout of reality in there. 19:57.453 --> 19:58.334 [SPEAKER_02]: Oh, you can do it every time. 19:58.354 --> 19:58.775 [SPEAKER_03]: Yeah, yeah. 19:58.935 --> 20:01.398 [SPEAKER_02]: Did you know you could check out from reality on your phone now? 20:02.165 --> 20:03.965 [SPEAKER_03]: Wow, I didn't mean it. 20:04.366 --> 20:08.927 [SPEAKER_03]: And honestly, you can keep the keycard and no one even cares anymore of a reality. 20:09.047 --> 20:09.647 [SPEAKER_01]: No, even by the way. 20:09.667 --> 20:10.427 [SPEAKER_01]: That's that true. 20:10.867 --> 20:11.487 [SPEAKER_01]: That's not true. 20:11.507 --> 20:13.948 [SPEAKER_01]: You get charged extra up, you don't turn in the keycard. 20:14.388 --> 20:15.529 [SPEAKER_01]: Gorge it, that's not true. 20:16.009 --> 20:19.149 [SPEAKER_02]: Gorge is art in the book, absolutely beautiful. 20:19.249 --> 20:23.030 [SPEAKER_02]: Like I was kind of indicating, this story is very hard to hold on to. 20:23.191 --> 20:24.831 [SPEAKER_02]: It's incredibly surreal. 20:24.951 --> 20:28.192 [SPEAKER_02]: And I was definitely thinking back, I don't necessarily mind it. 20:29.052 --> 20:49.520 [SPEAKER_02]: but i was thinking back to little bird which really just had a very strong relationship hook in the middle and this doesn't quite have that yet yeah i am absolutely going to keep reading this because i just love looking at it and i like what Darcy Van Polgis is doing but i don't know i'm not quite sure what's happening in the story here 20:50.453 --> 21:00.459 [SPEAKER_03]: I mean, same, there's still really like the art reflects the high emotionality of the scenes, even though I don't know what the larger thrust of the narrative is, but I still like it. 21:00.680 --> 21:07.564 [SPEAKER_03]: And I feel like the panels are big in this and it really serves an art which is really cool. 21:08.654 --> 21:19.498 [SPEAKER_02]: It's worth it for the whole month number one from Odie Press written by Christian Ward art by Sammy Kavella now talk to Christian Ward a couple of weeks back It runs back at this point about this book. 21:19.538 --> 21:23.759 [SPEAKER_02]: So if you want an in-depth chat about it, go listen to that maybe time passes differently 21:24.159 --> 21:26.241 [SPEAKER_03]: when you talk to Chris. 21:26.681 --> 21:43.116 [SPEAKER_02]: So after some sort of unspecified apocalypse type situation, a family is living in a very fancy house, all by themselves, very technologically fixed, they've been told the time works differently outside, so they can't leave. 21:44.157 --> 21:49.041 [SPEAKER_02]: And as you can probably imagine things start to go wrong in very interesting and surprising ways. 21:49.541 --> 22:02.458 [SPEAKER_02]: One of the things that I really love about this issue beyond the world building here at just the architectural way that Sabi Kavella lays it out is that Christian Ward doesn't waste any time getting through this plot. 22:02.518 --> 22:04.701 [SPEAKER_02]: This is not a slow burn what's going on. 22:05.161 --> 22:07.985 [SPEAKER_02]: It just hits the ground running particularly right at the end of the issue. 22:08.589 --> 22:35.843 [SPEAKER_01]: yeah sure does it's really impressive um yeah like you said the layout of the home and all that the art is so just fantastic and it's got such a unique vibe and kind of cool look to it um yeah I was really impressed um and what a like kind of cool last couple of pages really kind of sell this whole like hey whatever you do don't go outside hey don't go outside and then 22:39.110 --> 23:04.942 [SPEAKER_03]: uh... they did such a great job of setting things up and then delivering a really yeah really clean store i feel like christian word has been doing so many books so many like uh... creator owned individual stories that are crossing genres all the time this feels like some hard sci-fi where i'm like who interesting who would have that happens yes oh it's happening oh nice uh oh and that's what i wanted to happen like it's has such a satisfying build to it 23:08.927 --> 23:11.690 [SPEAKER_01]: Man, I love that emotional rollercoaster you brought us on. 23:11.710 --> 23:12.330 [SPEAKER_01]: That was lovely. 23:12.730 --> 23:13.471 [SPEAKER_03]: That was my coaster. 23:15.593 --> 23:22.258 [SPEAKER_02]: Clayface, Celebrity Dirt, number three from DC Comics, written by Jude Ellison S. Doyle, Art by Fran Galan. 23:22.738 --> 23:31.524 [SPEAKER_02]: Now Clayface is trying to figure out who has taken his regular face, non- Clayface, and is also making other Clayfaces. 23:31.564 --> 23:35.006 [SPEAKER_02]: We delve deeper into that mystery, this issue. 23:35.807 --> 23:41.951 [SPEAKER_02]: And there's just, I think, great character work going on here as well as some gross body horror at the same time. 23:42.452 --> 23:44.153 [SPEAKER_02]: I am really digging this series. 23:45.367 --> 24:08.087 [SPEAKER_01]: yeah agreed i love the look of this the the browns and the kind of light colors really smartly pop was with the clay face kind of character uh uh really impressive kind of like two tones at once kind of thing that do such a great job of this kind of dark and creepy at times makes it feel more complex the story which i really like 24:08.828 --> 24:12.891 [SPEAKER_01]: Um, and then the clay face kind of fight was just so fun. 24:12.911 --> 24:24.498 [SPEAKER_01]: Um, but yeah, just really impressed with the kind of look and feel to this, but kind of feels like uh, the animated series in all the right ways, but, uh, yeah, this is an interesting story. 24:24.538 --> 24:26.900 [SPEAKER_01]: I'm, I'm in, I'm, I live. 24:27.702 --> 24:33.364 [SPEAKER_03]: Oh, you're all in, just like DC wants you to be really nice toe in the corporate line as usual. 24:33.905 --> 24:41.308 [SPEAKER_03]: I like the horror of this, the back and forth of identity that we're looking at both in all the different clay faces. 24:42.048 --> 24:55.154 [SPEAKER_03]: I feel like you would expect this story to be like more of a detective, let me find the clay face, the missing clay face, but instead it's like less throw all the clay at all the walls and see where the clay lands kind of a thing. 24:56.141 --> 25:07.808 [SPEAKER_03]: But that makes it sort of changes the metaphor to be more about the drug of it all and sort of the Hollywood as the drug kind of a thing and we're getting a lot of bigger ideas here and that's really nice. 25:08.895 --> 25:28.328 [SPEAKER_02]: Yeah, as well as specifically this issue of questions about identity, I don't remember if we met her earlier, but there's a trans character that's plays a major role in this issue and there's some fascinating takes I think comparing Trans identity to clay faces identity how things can be amorphous and change there. 25:29.268 --> 25:31.068 [SPEAKER_02]: and I'll tell you ultimately find yourself. 25:31.269 --> 25:33.409 [SPEAKER_02]: So cool stuff, very smartly.d. 25:33.989 --> 25:34.209 [SPEAKER_03]: Yes. 25:34.529 --> 25:35.369 [SPEAKER_03]: Marvel Gold 76. 25:35.489 --> 25:41.190 [SPEAKER_02]: Marvel Gold for Marvel, written by Stephanie Phillips, art by Matt Aback and Booze of Backcom. 25:41.290 --> 25:49.352 [SPEAKER_02]: Now, this is a odd one as you may be a Marvel does a bunch of usually 50th anniversary issues. 25:49.412 --> 25:51.812 [SPEAKER_02]: So they'll have like the Spider-Woman's 50th. 25:51.852 --> 25:54.313 [SPEAKER_02]: There was a rocket rocket raccoon. 25:54.333 --> 25:54.713 [SPEAKER_02]: Excuse me. 25:55.293 --> 26:00.719 [SPEAKER_03]: Racket Raccoon, I don't know, which is that Racket Raccoon, yeah, whatever, whatever. 26:01.059 --> 26:03.482 [SPEAKER_02]: I was on the last week of just getting my seedlings back. 26:03.502 --> 26:04.503 [SPEAKER_03]: Yeah, yeah, yeah. 26:04.563 --> 26:06.826 [SPEAKER_03]: Anyway, you didn't speak all last week, right? 26:06.846 --> 26:17.157 [SPEAKER_02]: That's the only word I assume somebody, one of the bead counters over at Barrel was like, Hey, I don't think we could release a 50th anniversary issue for any of the following characters. 26:17.837 --> 26:35.972 [SPEAKER_02]: bullseye star lord nova jack of hearts what do we do about that in somebody is like what if they were all in the same book what if Fathers hired bullseye for some reason to hunt down these other guys what would happen like that's a golden idea and that same what Marvel gold is and I'll tell you what there's a lot of 26:36.652 --> 26:40.214 [SPEAKER_02]: hate when this was announced online because people were like, oh, that's stupid. 26:40.234 --> 26:41.094 [SPEAKER_02]: Why do they get together? 26:41.715 --> 26:43.656 [SPEAKER_02]: I actually hope they continue this. 26:43.716 --> 26:45.717 [SPEAKER_02]: Like I hope they do a Marvel movie. 26:45.757 --> 26:51.200 [SPEAKER_02]: 77 next year, just, I don't know how successful this issue was, but I do love the idea. 26:51.320 --> 26:55.962 [SPEAKER_02]: Like, what if there were a bunch of issues having an ad averse where you tried to figure out a story with them? 26:56.683 --> 26:57.123 [SPEAKER_02]: That's cool. 26:58.984 --> 27:00.405 [SPEAKER_03]: Yes, I go like, you go. 27:01.272 --> 27:05.736 [SPEAKER_01]: Well, I was going to say I agree with the newly backed Zelbatron here. 27:05.756 --> 27:07.758 [SPEAKER_01]: I thought this was a great idea. 27:07.778 --> 27:11.421 [SPEAKER_01]: I'd love to see more of this such a kind of unique bunching of characters. 27:12.202 --> 27:18.288 [SPEAKER_01]: I thought the bullseye reveal in this was a hysterical, really fun page-turn moment. 27:18.308 --> 27:21.831 [SPEAKER_01]: Yeah, maybe say I love comics out loud. 27:21.891 --> 27:25.595 [SPEAKER_01]: When he says bullseye, I was like, hell, yeah, I'm having fun. 27:26.235 --> 27:29.556 [SPEAKER_01]: I thought this was cool, interesting story, fun twists and turns. 27:30.036 --> 27:37.139 [SPEAKER_01]: Bullseye is a real menace, and they get that in this issue, and I thought it was a fun idea, well executed. 27:37.499 --> 27:39.440 [SPEAKER_01]: I was surprised how much I enjoyed this. 27:40.460 --> 27:42.601 [SPEAKER_03]: How do you think Thanos first heard about Bullseye? 27:43.081 --> 27:47.323 [SPEAKER_03]: See, like, reading the police blotters, chatting with people, and they're deviled. 27:47.643 --> 27:49.264 [SPEAKER_01]: Maybe he's a little blind. 27:49.424 --> 27:52.625 [SPEAKER_01]: Or it's like, oh, crime in your area, you know what I mean? 27:53.298 --> 27:57.343 [SPEAKER_02]: Yeah, but the way to be clear, I don't know that this necessarily made a lot of sense. 27:57.503 --> 27:59.926 [SPEAKER_02]: I just like generally the idea of Marvel Gold. 28:00.793 --> 28:02.154 [SPEAKER_03]: No, you're busted, Alex. 28:02.174 --> 28:05.015 [SPEAKER_03]: This time, they know it's calling up Bullseye. 28:05.135 --> 28:17.740 [SPEAKER_03]: I mean, like, hey, I know every person in the galaxy because I had the physical and you're the one I need for this mission to fuck around on Earth for a little bit and kill this one magic dude. 28:18.220 --> 28:24.003 [SPEAKER_03]: So it's a wild premise, but once you get on board with it, which I did as well as Alex, but Alex, 28:25.127 --> 28:25.547 [SPEAKER_03]: loves it. 28:26.748 --> 28:31.710 [SPEAKER_03]: I really did enjoy this story and it's funny to see them talking to each other. 28:32.390 --> 28:33.670 [SPEAKER_02]: Yeah, it's weird. 28:33.690 --> 28:40.533 [SPEAKER_02]: I don't know if I told you guys, but my wife and I are marriages on the rocks now because I was like, I want to bury Marvel gold instead. 28:40.573 --> 28:42.954 [SPEAKER_02]: I want to make it 50 years with Marvel gold. 28:43.534 --> 28:44.034 [SPEAKER_02]: Oh, man. 28:44.514 --> 28:45.855 [SPEAKER_02]: I think that's beautiful. 28:46.455 --> 28:47.335 [SPEAKER_02]: Thank you. 28:47.355 --> 28:49.256 [SPEAKER_02]: Thank you very much for your support. 28:49.416 --> 28:50.116 [SPEAKER_02]: I appreciate it. 28:50.337 --> 28:51.137 [SPEAKER_01]: I don't support this. 28:51.557 --> 28:54.980 [SPEAKER_02]: Fixation number one from I need to be written by Abbey Chase. 28:55.000 --> 29:01.285 [SPEAKER_02]: So back to a lot of my or never never Cold that I don't know Go back to white. 29:01.566 --> 29:06.650 [SPEAKER_02]: No For now comic concept to be clear 29:07.150 --> 29:11.095 [SPEAKER_02]: The excitation is the latest title of the IDW crime line. 29:11.315 --> 29:25.792 [SPEAKER_02]: It is about two fans who would a all-expects page trip to go back to the town where their favorite vampire series, I think Twilight was filmed for a cast reunion and anniversary experience, except 29:26.546 --> 29:42.493 [SPEAKER_02]: people are being murdered inside of the house and it's something that the studio is trying to suppress as they go, the danger is still there's shady cast members, there's cast members that hooked up, there's these fans who are stuck in the middle. 29:42.833 --> 29:48.476 [SPEAKER_02]: I think we're going to really positive about the IDW crime line in general, how do you feel about this new title? 29:51.979 --> 29:58.765 [SPEAKER_03]: This one I was like, ah, it felt like it was a little bit of a slower story and it's a longer issue of one. 29:59.726 --> 30:03.429 [SPEAKER_03]: I feel like it built, it took a while to build, but it really stacked. 30:03.930 --> 30:09.535 [SPEAKER_03]: The tension was slowly ratcheting up and it stacked the murders really nicely, I thought. 30:10.782 --> 30:16.971 [SPEAKER_03]: and the cover-up that's happening around them to make me feel like, no, I'm actually really caught up in this now, suddenly. 30:17.051 --> 30:20.677 [SPEAKER_03]: So, I do think it works despite being a slow start. 30:22.145 --> 30:47.098 [SPEAKER_01]: uh... this was a kind of too scary for my taste uh... but the night time art was really cool uh... for scary comic like a the kind of tone and stuff that they did when when all the night time seems or happening and the use of kind of like the red they did it in a lighter color that really made it pop so all the blood uh... kind of stuff seemed really cool um... yet to me i had this kind of like 30:47.818 --> 30:59.705 [SPEAKER_01]: At least the nighttime scenes did have this kind of like a kind of paper girls, but nightmare world kind of style to me But yeah, I thought the art was really impressive 31:00.878 --> 31:12.660 [SPEAKER_02]: I agree with you about the slow start and I think that comes down to the fans not really being involved in any of the murder crime things or particularly interested in that part of it. 31:12.901 --> 31:14.241 [SPEAKER_02]: Yeah. 31:14.921 --> 31:15.181 [SPEAKER_02]: Yeah. 31:15.401 --> 31:18.982 [SPEAKER_02]: It plays a little more like they're having a fan experience period. 31:19.142 --> 31:23.963 [SPEAKER_02]: So I assume they will become a little more central in the second issue, but 31:24.983 --> 31:27.125 [SPEAKER_02]: I enjoyed the characters. 31:27.265 --> 31:32.448 [SPEAKER_02]: I thought they were very clearly drawn from experience fan girls that rang very true. 31:32.468 --> 31:32.809 [SPEAKER_02]: Yes. 31:34.330 --> 31:39.533 [SPEAKER_02]: And I do like the cast that is being set up around literally the cast of this Vampire series. 31:39.593 --> 31:40.354 [SPEAKER_02]: I thought it was cool. 31:41.254 --> 31:42.735 [SPEAKER_02]: So I dug all of that. 31:42.975 --> 31:44.997 [SPEAKER_02]: I'm definitely on board for the second issue. 31:45.017 --> 31:45.637 [SPEAKER_02]: But I agree. 31:45.677 --> 31:51.561 [SPEAKER_02]: I think they need to get to the danger and the investigation or whatever is going on a little quicker. 31:55.080 --> 31:55.641 [SPEAKER_03]: Digger to dug it. 31:56.441 --> 31:56.621 [SPEAKER_02]: Yeah. 31:57.042 --> 31:57.802 [SPEAKER_02]: Isn't that the same thing? 32:01.045 --> 32:03.147 [SPEAKER_02]: Like, I'm just like currently a jogger to... 32:03.307 --> 32:04.388 [SPEAKER_02]: I previously enjoy it. 32:04.548 --> 32:07.030 [SPEAKER_01]: I'm just enjoying a dig-dug reference. 32:07.050 --> 32:08.451 [SPEAKER_01]: Would Justin, while were you going to say? 32:08.592 --> 32:11.314 [SPEAKER_02]: Yeah, as we always read every book, we either go digger to dug it. 32:11.354 --> 32:14.016 [SPEAKER_02]: Like, are you currently a jogger to just previously enjoy it? 32:14.056 --> 32:16.038 [SPEAKER_02]: Which doesn't preclude currently enjoy it. 32:16.922 --> 32:21.024 [SPEAKER_03]: they dug an arcade game from the mid 80s at best. 32:21.604 --> 32:26.446 [SPEAKER_03]: I was going to say we don't even know if our fan girls are going to be solving the mystery. 32:26.466 --> 32:33.409 [SPEAKER_03]: They're so far outside of the story right now that I'm like, are they going to help or are they just going to be victims or scream? 32:33.549 --> 32:33.929 [SPEAKER_03]: I don't know. 32:34.529 --> 32:37.130 [SPEAKER_03]: So I just need that next issue to see what's happening. 32:38.786 --> 32:54.393 [SPEAKER_02]: All right, moving on to Barbara Garret, Gordon breakout number five from DC Comics written by Marie Cotimaki, art by Ammon K. Newhall Pan, Barbara Gordon is in a supermax facility trying to solve who is killing people, probably vandal savage though. 32:54.853 --> 33:15.696 [SPEAKER_02]: this issue gives a swirl that we the readers knew as happening with Barbara Gordon didn't necessarily know as happening um we had a little bit of discussion if I recall in our patreon discord about people jumping off this title feeling like the title is dragging on the mystery a little bit too long how do you feel about that? 33:17.025 --> 33:30.301 [SPEAKER_03]: I get that, and I think it's probably what you just said when you were setting up the book is that we know we're a little bit ahead of Barbara, and I think that's tough in any story A, but B, Barbara's meant to be ahead of us. 33:30.541 --> 33:33.285 [SPEAKER_03]: She's a genius, especially about crime. 33:34.086 --> 33:36.287 [SPEAKER_03]: Um, but I, I'm really liking this book. 33:36.367 --> 33:42.853 [SPEAKER_03]: I feel like just total process, uh, take, we're so close up to everything in this. 33:42.893 --> 33:45.235 [SPEAKER_03]: It feels like we're trapped in there with her. 33:45.255 --> 33:53.042 [SPEAKER_03]: Um, every scene has something where it's truly like a cinematic close up on something, whether it's a face or an object or something. 33:53.482 --> 33:58.307 [SPEAKER_03]: And I like that intimacy and sort of us being boxed in just like her. 33:59.550 --> 34:00.170 [SPEAKER_01]: Yeah, J.T. 34:00.190 --> 34:05.293 [SPEAKER_01]: Sizzle loves when he gets high people's head, so he loves and they close up, you know what I mean? 34:05.393 --> 34:06.694 [SPEAKER_03]: That's why I like this frame here. 34:06.714 --> 34:11.496 [SPEAKER_03]: We're so close to Pete's face, Alex is facing a mess, so There we go, now it's Hawkins. 34:11.856 --> 34:12.857 [SPEAKER_03]: He might have an astral. 34:13.477 --> 34:13.977 [SPEAKER_03]: Oh, boy. 34:14.698 --> 34:19.680 [SPEAKER_01]: Yeah, man, if people want to jump off a book, I'm not going to tell people what to do with their lives. 34:19.920 --> 34:20.981 [SPEAKER_03]: No, you have to decide. 34:21.001 --> 34:23.862 [SPEAKER_03]: You have to make them shove their faces into a peak, come on. 34:24.003 --> 34:24.883 [SPEAKER_03]: That's a lot of order for it. 34:25.043 --> 34:28.485 [SPEAKER_01]: No way, man, but I really thought this was cool. 34:28.605 --> 34:34.109 [SPEAKER_01]: I liked the kind of yellow tones for their prison kind of vibe, but thought there was really neat. 34:34.489 --> 34:35.530 [SPEAKER_01]: I love the art. 34:36.510 --> 34:40.153 [SPEAKER_01]: Yeah, I can understand people being like barbro, catch up already. 34:41.253 --> 34:44.095 [SPEAKER_01]: But yeah, I thought this was the solidish. 34:44.776 --> 34:51.200 [SPEAKER_02]: And I just want to mention, for anybody who has jumped off the book, please leave your address in the comments below. 34:51.280 --> 34:53.141 [SPEAKER_02]: Pete's going to visit you in particular reason. 34:53.501 --> 34:57.811 [SPEAKER_03]: shove your little nose right back into it so you town the staple mother fuckers. 34:57.851 --> 34:59.033 [SPEAKER_03]: That's the way pink doesn't 35:00.215 --> 35:04.698 [SPEAKER_02]: Dube Quest number four from Marvel written by Ryan North, Art by Francesco Mobie. 35:05.518 --> 35:15.285 [SPEAKER_02]: Doom has been doing a little bit of a quantum leap situation if you jump into other bodies, trying to correct the timeline so that varia becomes number one. 35:15.685 --> 35:17.426 [SPEAKER_02]: Thus far, he's been on that Titanic. 35:17.446 --> 35:18.887 [SPEAKER_02]: He's been George Washington. 35:19.347 --> 35:26.752 [SPEAKER_02]: This issue, he reconnects with his old love Valeria and Richard's been an entirely different Valeria and decides, you know what? 35:27.320 --> 35:28.641 [SPEAKER_02]: Let's give it a try, baby. 35:28.901 --> 35:31.543 [SPEAKER_02]: Let's live out our lives and see what happens. 35:31.583 --> 35:33.604 [SPEAKER_02]: And you can see where it's going. 35:33.684 --> 35:38.548 [SPEAKER_02]: But it plays out really beautifully as a horrible tragedy or a romantic tragedy. 35:38.808 --> 35:40.289 [SPEAKER_02]: I just love this series. 35:40.429 --> 35:43.071 [SPEAKER_02]: Every issue is completely different. 35:43.551 --> 35:48.855 [SPEAKER_02]: Right in north just as a master's hold on Dr. Jesus and his character. 35:48.875 --> 35:50.836 [SPEAKER_02]: I thought this was fantastic. 35:51.697 --> 35:51.957 [SPEAKER_01]: Well. 35:53.439 --> 35:55.560 [SPEAKER_01]: I also thought this was fantastic. 35:56.040 --> 36:01.102 [SPEAKER_01]: I was like so close to getting a rom-com and I couldn't believe it was happening the whole time. 36:01.603 --> 36:05.304 [SPEAKER_01]: And you know, spoilers but dooms gonna be doomed, you know. 36:05.924 --> 36:14.188 [SPEAKER_01]: But this made me really think about the movie and I'm hoping that we do get something that is a big swing like this. 36:14.308 --> 36:14.828 [SPEAKER_01]: We're like, 36:15.809 --> 36:17.991 [SPEAKER_01]: We kind of really got inside Doomshead. 36:18.031 --> 36:20.753 [SPEAKER_01]: We saw this whole relationship play out. 36:21.334 --> 36:35.668 [SPEAKER_01]: And as a reader, I was like, Doom, what the fuck bro, you know you're not going to be satisfied with this, but the fact that he kind of went all the way through was so extra heartbreaking and extra Doom to me that, yeah, it was an interesting journey. 36:35.868 --> 36:39.932 [SPEAKER_01]: But, sorry, when you say the movie, you mean practical magic, too, right? 36:40.652 --> 36:52.943 [SPEAKER_01]: uh... electric boogaloo no i mean the only the for us to stay uh... ventures movie that is coming up that's not it's a bar tomb do they in that movie that you're referring to do they put the line in the coconut 36:53.898 --> 36:55.960 [SPEAKER_02]: So if it's a good movie, you got to. 36:57.181 --> 37:00.364 [SPEAKER_01]: We're all over the place. 37:00.404 --> 37:04.048 [SPEAKER_03]: You have an audience in your house right now who knows what you're talking about. 37:04.148 --> 37:05.149 [SPEAKER_02]: Yeah, they're cool. 37:05.189 --> 37:06.730 [SPEAKER_02]: They're right on the other side of my screen. 37:06.770 --> 37:08.131 [SPEAKER_02]: They will not leave me apart. 37:08.852 --> 37:09.373 [SPEAKER_02]: That's cool. 37:09.393 --> 37:10.333 [SPEAKER_02]: I like your guys. 37:10.353 --> 37:11.414 [SPEAKER_02]: You have too much to do. 37:12.175 --> 37:15.979 [SPEAKER_03]: Before you start, do you have Kidman do the MC speech right before you get it? 37:16.439 --> 37:19.222 [SPEAKER_03]: Except change pot with the word movies to podcasts. 37:19.677 --> 37:29.732 [SPEAKER_02]: yeah she was doing that director actually she was like kind of a place for magic while she was uh uh you know she was wondering if he was good to cry in a place like this the zalbin home 37:32.273 --> 37:33.833 [SPEAKER_03]: What do you think about this book, Justin? 37:34.793 --> 37:36.214 [SPEAKER_03]: Great question. 37:36.434 --> 37:50.757 [SPEAKER_03]: I mean, it's very interesting reading this in comparison to the storyline going on over in the Captain America book, where Doom recently was trapped in hell with Cap and Valeria who hates him there. 37:51.317 --> 37:57.218 [SPEAKER_03]: And we get to see that, and that's very like we get reference to this as a piece of continuity and then they have sort of a fight. 37:58.382 --> 38:11.209 [SPEAKER_03]: This is a much more intimate, like Ryan North, of course, gets in under the hood and to the emotions of this and makes just a great, if you needed to say to some, who's going to see the doomsday will be you? 38:11.569 --> 38:19.053 [SPEAKER_03]: If someone says, who is Dr. Doom, toss them this comic, because this is such a great indicator thrown in the face. 38:19.113 --> 38:23.396 [SPEAKER_03]: And it's totally, and I've put their hands down to the stable gloves. 38:24.743 --> 38:27.084 [SPEAKER_03]: That's the only way you get into read that shit, right? 38:27.124 --> 38:30.086 [SPEAKER_03]: Pete, my our comic book enforcer. 38:30.786 --> 38:33.447 [SPEAKER_03]: Because I do think this really tells the story. 38:33.767 --> 38:36.569 [SPEAKER_03]: I thought it was a great primer on Doom. 38:36.589 --> 38:41.071 [SPEAKER_03]: I don't think it's funny the way he's like, hey, I named my daughter after you. 38:41.171 --> 38:42.712 [SPEAKER_03]: Not my daughter, but another one. 38:42.732 --> 38:45.333 [SPEAKER_03]: I was like, oh, weird statement. 38:46.929 --> 38:52.013 [SPEAKER_02]: Anyway, great book and I also want to shout out for Chesco Babies layouts throughout here. 38:52.033 --> 38:58.238 [SPEAKER_02]: There's a bunch of double-page spreads where you have doom and malaria in the center and their lives going around them. 38:58.659 --> 39:01.521 [SPEAKER_02]: But I thought that was so cool, just really, really well-todd. 39:01.981 --> 39:02.302 [SPEAKER_00]: Okay. 39:02.922 --> 39:04.083 [SPEAKER_02]: All right, what do we move on a book? 39:04.383 --> 39:06.145 [SPEAKER_02]: And this is pretty exciting, actually, Pete. 39:06.245 --> 39:09.207 [SPEAKER_02]: I believe this is based on your life. 39:09.388 --> 39:12.350 [SPEAKER_02]: This is like a biopic of your story. 39:12.510 --> 39:20.156 [SPEAKER_02]: Clive Barker's Help Raise Her Resurrection, the odinastic ritual that the one for Booms Studios by Zack Thompson, Art by Gavin Mitchell. 39:20.196 --> 39:22.178 [SPEAKER_02]: Now, Pete, how did this work? 39:22.198 --> 39:25.321 [SPEAKER_02]: Did they pay you for the life rights to make this book? 39:25.341 --> 39:26.422 [SPEAKER_02]: Or what exactly happened? 39:26.642 --> 39:27.362 [SPEAKER_02]: You're just telling us. 39:27.683 --> 39:30.825 [SPEAKER_01]: The covers on this are so insanely scary. 39:32.046 --> 39:44.029 [SPEAKER_01]: I pay through so many, and it kept getting creepier, I wanted to read the book less and less as these covers won by, because there's some really intense, legit scary covers in this. 39:44.649 --> 39:45.730 [SPEAKER_02]: Kind of mentioned. 39:46.190 --> 39:51.811 [SPEAKER_02]: While you guys were doing the stack last week, I was actually in an airport, back from Florida. 39:51.891 --> 39:56.793 [SPEAKER_02]: We were supposed to fly off at like 7.30 and it's 10 minutes off at 130 in the morning. 39:56.813 --> 39:57.933 [SPEAKER_02]: Wow, that's up to 4.30. 39:58.713 --> 40:16.732 [SPEAKER_02]: just like that was just like that was very frustrating and upsetting the thing that was more upsetting is I didn't get to hear your review p of the previous hell razor book which I was died to be there for well uh did you love it did you love the last one were you like hit that sweet spot for me nope 40:17.559 --> 40:36.451 [SPEAKER_03]: Interesting, so we can't say I didn't he kept saying I'd hit that was like his Somebody who usually does masturbate with a puzzle box while you have to untie it up No Alex masturbates with a puzzle and not a puzzle Oh, it's two a puzzle. 40:36.511 --> 40:42.435 [SPEAKER_03]: Okay, like a 500 piece puzzle Something about the work turns him on. 40:42.695 --> 40:43.556 [SPEAKER_03]: It's me taking a while 40:45.137 --> 40:57.661 [SPEAKER_01]: The art, though, they kind of like all black panels, I think was really kind of a cool start the way they kind of like Blacked out the rest of the panels and just kind of had the story in the center. 40:57.701 --> 41:04.683 [SPEAKER_01]: We almost gave it this kind of like you're reading this under your covers kind of look Which I appreciated as someone who's scared of their shit. 41:05.403 --> 41:13.425 [SPEAKER_01]: I felt like they did a good job at the start of this kind of like setting it up And then the kind of villain reveal is the splash page out in the art kind of stays after that 41:13.935 --> 41:20.317 [SPEAKER_01]: So uniquely designed, the art is really impressive what I was scared of, listen, this did not like it. 41:21.797 --> 41:36.981 [SPEAKER_03]: These, I mean, my take on the last issue we talked about was, if you don't know what Hellraiser was, you'd be like, what, this was to be scary, these boxes, and like, the characters around the Hellraiser stuff are fucked up and terrifying, and the previous issue in this one. 41:37.441 --> 41:58.945 [SPEAKER_03]: In a way, in the twists are really well done, like we follow this guy's path as he sort of becomes a monster through isolate the classic in cell story that we've seen a couple of times before in our lives, so like that's well done and then it's like I got to figure out this box so a sort of thin tooth monster will come and 41:59.305 --> 41:59.966 [SPEAKER_03]: eat me or whatever. 42:00.226 --> 42:09.796 [SPEAKER_03]: It's sort of like hell razor's a we by point is my hell razor's a weird idea and these comics only pinpoint how weird the idea of hell razor has been had they pinhead it. 42:10.236 --> 42:13.640 [SPEAKER_03]: But as a horror comic I thought this was was great and scary. 42:13.720 --> 42:15.702 [SPEAKER_03]: The chatterer is a fucks up concept. 42:16.723 --> 42:26.227 [SPEAKER_02]: Yeah, I loved Clive Barker, like I read a ton of Clive Barker back the day, but I don't know how hell-raiser very specifically past me by. 42:26.247 --> 42:27.068 [SPEAKER_02]: There was something about it. 42:27.108 --> 42:28.228 [SPEAKER_02]: I was like, no, thank you. 42:28.869 --> 42:29.609 [SPEAKER_02]: I'm good here. 42:29.649 --> 42:30.169 [SPEAKER_02]: Yeah. 42:30.249 --> 42:36.572 [SPEAKER_02]: And I read so many other things for him and watched other movies, but I just was not into it and I didn't get it. 42:37.753 --> 42:38.653 [SPEAKER_02]: But I agree with you. 42:38.693 --> 42:41.154 [SPEAKER_02]: I mean, not to echo everything that you said now, Justin. 42:41.254 --> 42:45.416 [SPEAKER_02]: But I do think the intense focus on how insells act 42:45.576 --> 42:58.191 [SPEAKER_02]: towards women in our society, and how online heps that up to a disturbing level is only amplified by the chatter and all of these things going on in the hellraiser world. 42:58.311 --> 43:02.155 [SPEAKER_02]: So good stuff, upsetting stuff, but very well done. 43:02.175 --> 43:03.157 [SPEAKER_03]: Great upsetting stuff. 43:04.018 --> 43:10.420 [SPEAKER_02]: Yeah, the Fury of Firestorm, number six from DC Comics, written by Jeff Thebeer, Art by Raphael Deletory. 43:10.880 --> 43:15.181 [SPEAKER_02]: Now, Firestorm, the Firestorm Matrix, has gone out of control. 43:15.782 --> 43:21.643 [SPEAKER_02]: We've gotten some big revelations about the origin of Firestorm courtesy of Martin Stein. 43:22.143 --> 43:26.925 [SPEAKER_02]: And now he and Firebird, I want to say, I don't know why I keep forgetting your name. 43:27.645 --> 43:39.830 [SPEAKER_02]: Whatever it is, Lady Firestorm, let's say, and Roddy Raymond are all inside the Firestorm Matrix here, and we get what seems like a resolution to the first Ark, which I just think about this issue. 43:41.647 --> 43:42.788 [SPEAKER_03]: I've been really enjoying this. 43:43.008 --> 43:46.010 [SPEAKER_03]: I feel like the arts been really nice. 43:46.070 --> 44:00.118 [SPEAKER_03]: I love the way that we flash between the main action and sort of firestorms, Jason's perception and the way that, wow, it's like classic comics versus very modern comic art, which is really cool. 44:00.818 --> 44:02.679 [SPEAKER_03]: And I think this is a good firestorm story. 44:02.699 --> 44:04.580 [SPEAKER_03]: It's hard to get a good firestorm story. 44:04.621 --> 44:08.623 [SPEAKER_03]: I feel like often Miss Handle, they're just like sort of confusingly done. 44:08.943 --> 44:12.245 [SPEAKER_03]: And I think this has just a clear intention that I like. 44:12.325 --> 44:16.408 [SPEAKER_03]: And I'm really like the way this issue ends and sets us off in a new direction. 44:18.029 --> 44:20.010 [SPEAKER_01]: Yeah, I grew with that. 44:20.291 --> 44:25.034 [SPEAKER_01]: The art isn't impressive, especially the flashback, kind of like old time you stuff. 44:25.174 --> 44:28.876 [SPEAKER_01]: And the kind of last panel, flash forward 44:30.950 --> 44:41.996 [SPEAKER_01]: ripped firestorm is kind of intriguing and given me hope that maybe we'll get some more interesting stories and stuff by your hawk, by your hawk, by your hawk, by your hawk. 44:42.776 --> 44:52.781 [SPEAKER_02]: I really like this and I've liked this increasingly every issue, Jeff Lamar is doing a really good job of diving into the origins of firestorm and reassess again. 44:53.281 --> 44:55.663 [SPEAKER_02]: So I think you could read these first six issues 45:01.539 --> 45:29.549 [SPEAKER_02]: The Punisher number eight from Marvel Written by Benjamin Percy, art by Jose Luis Sours, this is the second part of the Big Guns crossover with Deadpool, and a bunch of stuff going on here, but the main thing is that Deadpool's severed body parts are turning into horrific flesh dead pools and going crazy, Punisher is trying to kill him while also getting a time gun for unknown reasons, could it be to go back in time and prevent his family for being killed. 45:30.987 --> 45:31.827 [SPEAKER_02]: I'd throw it out at that. 45:31.847 --> 45:33.008 [SPEAKER_03]: I'd see, he does something else. 45:33.268 --> 45:33.948 [SPEAKER_03]: That's fucked up. 45:34.768 --> 45:36.349 [SPEAKER_02]: Yeah, I'm going to go back and tell her. 45:36.649 --> 45:39.929 [SPEAKER_02]: He's like, oops, I forgot to pay for a burger yesterday. 45:40.270 --> 45:41.130 [SPEAKER_02]: Here you go. 45:41.170 --> 45:41.810 [SPEAKER_03]: He's on this. 45:41.850 --> 45:42.790 [SPEAKER_03]: He doesn't want to be a criminal. 45:42.830 --> 45:44.951 [SPEAKER_03]: Otherwise, he'd have to turn the gun on himself, famously. 45:45.151 --> 45:46.891 [SPEAKER_03]: Mmm, famously. 45:46.931 --> 45:48.612 [SPEAKER_02]: Pete, you've been loving this crossover. 45:48.912 --> 45:49.812 [SPEAKER_01]: Yes, I have. 45:50.072 --> 45:50.632 [SPEAKER_01]: Thank you. 45:51.032 --> 45:56.314 [SPEAKER_01]: I love the Deadpool, Punisher, back and forth. 46:00.775 --> 46:01.716 [SPEAKER_01]: I really enjoy it. 46:01.796 --> 46:03.757 [SPEAKER_01]: This is a fun event. 46:03.817 --> 46:07.378 [SPEAKER_01]: The cover does a good job of getting you excited for the insides. 46:07.799 --> 46:09.660 [SPEAKER_01]: The mini-meas are freaking leans. 46:09.680 --> 46:13.241 [SPEAKER_02]: This is your seed deadpools insides here as the people are. 46:13.902 --> 46:21.806 [SPEAKER_01]: Yeah, the mini-meas are kind of creeping me out, but yeah, I'm here for the back and forth with Frank and Wade. 46:23.046 --> 46:27.669 [SPEAKER_01]: But yeah, this is just kind of a blast fun over the top event that I 46:31.342 --> 46:35.684 [SPEAKER_03]: I just feel like they should be focusing more on the tiny bad pools, running a mock. 46:35.744 --> 46:42.267 [SPEAKER_03]: This story, like Aaron keeps you in dead pool and then there's little flesh goobs coming out of him. 46:42.287 --> 46:47.109 [SPEAKER_03]: And I'm like, that should be the, it was just like, there's a time, but I was like, time gun. 46:47.149 --> 46:48.710 [SPEAKER_03]: We got a lot going out of it. 46:49.250 --> 46:50.470 [SPEAKER_03]: We need all that stuff for. 46:51.111 --> 46:51.911 [SPEAKER_03]: So that's crazy. 46:51.951 --> 47:00.455 [SPEAKER_03]: It's also like so much symbiots stuff happening that now dead pools sort of leaking symbiots is a funny coincidence, I guess. 47:01.028 --> 47:02.228 [SPEAKER_02]: Yeah, there's some fun bits in here. 47:02.268 --> 47:06.309 [SPEAKER_02]: There's one, it's very silly, but blind to Alan interrogating, puttisher. 47:06.709 --> 47:08.470 [SPEAKER_02]: Oh, he's at the speech that it comes back. 47:08.530 --> 47:10.310 [SPEAKER_02]: And he escaped like 10 minutes ago. 47:10.871 --> 47:12.411 [SPEAKER_02]: Hello, that's very silly. 47:12.431 --> 47:14.511 [SPEAKER_02]: Yeah, I don't know. 47:14.791 --> 47:20.993 [SPEAKER_02]: I am not the biggest puttisher or deadpool guy, but I find myself enjoying this crossover as well. 47:21.833 --> 47:28.135 [SPEAKER_02]: The folk of Dunie Hollow, number one from Ignition Presswork by Jeremy Hahn, art by Alex Linn's, 47:29.297 --> 47:39.435 [SPEAKER_02]: as following a woman who has gone into the woods, she's camping out and of course there's some odd things happening in the woods and naked ladies, some giants, et cetera, et cetera. 47:39.475 --> 47:40.056 [SPEAKER_02]: You know the drill. 47:40.677 --> 47:41.018 [SPEAKER_01]: Oh yeah. 47:41.859 --> 47:42.561 [SPEAKER_02]: You know the drill. 47:43.597 --> 47:44.959 [SPEAKER_01]: I thought this was fun. 47:44.979 --> 47:56.248 [SPEAKER_01]: I really thought I was a little worried when I saw the cover because it looked creepy But this wasn't too scary that it freaked me out But the last panel was fun and intense. 47:56.349 --> 47:59.671 [SPEAKER_01]: So yeah, I thought this was enjoyable But not too gruesome. 48:00.332 --> 48:06.778 [SPEAKER_01]: I had a great kind of vibe to it Salad start and yeah, I'm really excited to read more. 48:06.798 --> 48:09.120 [SPEAKER_01]: I thought this was a successful first dish 48:09.680 --> 48:10.761 [SPEAKER_03]: Yeah, really like the art. 48:10.781 --> 48:14.002 [SPEAKER_03]: It feels like this is a first step into a larger world. 48:14.022 --> 48:18.044 [SPEAKER_03]: The type story feels like Jeremy Han has a lot planned for this. 48:19.184 --> 48:31.009 [SPEAKER_03]: So like yeah, we're just getting a lot of the weirdness drops here as we are in the main character shoes trying to figure out what the devil is happening in this hollow, doony hollow. 48:31.550 --> 48:32.410 [SPEAKER_02]: Yeah, if you will. 48:32.897 --> 48:36.083 [SPEAKER_02]: I mean take away is camping's bad never go camping. 48:36.383 --> 48:37.085 [SPEAKER_02]: Oh man. 48:37.365 --> 48:38.928 [SPEAKER_03]: Oh, and it's camping Alex. 48:39.208 --> 48:39.910 [SPEAKER_03]: No, come on. 48:39.950 --> 48:41.412 [SPEAKER_02]: It's camping, but regular camping 48:42.753 --> 48:44.914 [SPEAKER_02]: You don't you don't ever camp too many bugs. 48:45.454 --> 48:49.256 [SPEAKER_02]: I used to camp actually all the time when I was young, but my family doesn't like going outside. 48:49.337 --> 48:50.577 [SPEAKER_02]: So I don't do that anymore. 48:50.997 --> 48:52.058 [SPEAKER_03]: Oh, yeah. 48:52.238 --> 48:52.718 [SPEAKER_03]: It's crazy. 48:52.758 --> 48:54.839 [SPEAKER_03]: I was just in the woods for us so much. 48:54.879 --> 48:56.640 [SPEAKER_02]: Yeah, too many bugs out there for real. 48:56.680 --> 48:57.201 [SPEAKER_02]: They don't like it. 48:57.361 --> 48:59.262 [SPEAKER_03]: Is it Nicole who's the problem, Kidman? 48:59.782 --> 49:03.824 [SPEAKER_02]: Yeah, she keeps using her practical magic to put the lime in the coconut. 49:04.104 --> 49:05.485 [SPEAKER_02]: Oh my god. 49:05.945 --> 49:07.266 [SPEAKER_03]: I like everything. 49:07.526 --> 49:08.447 [SPEAKER_03]: Break from reality. 49:10.207 --> 49:35.859 [SPEAKER_02]: That better robbing year one dynamic duo is number two from DC Comics written by Mark Wade Art by Chris Samney now as Batman continues to train robbing there is a gang of kid ruffians real apple doubling gang if you will running loose on the street Gotham cat woman is getting embroiled with them as well and Dick Grayson is going undercover with the gang to 49:39.400 --> 49:41.662 [SPEAKER_02]: leading to a pretty tense moment at the end of this issue. 49:42.383 --> 49:46.547 [SPEAKER_02]: You know, a masterful team that knows what they're doing with this sort of thing. 49:46.567 --> 49:49.990 [SPEAKER_03]: Truly, perfect book, except for this giant issue I have. 49:50.591 --> 49:53.994 [SPEAKER_03]: So tell me, this is Batman Robin Year 1. 49:54.314 --> 49:56.356 [SPEAKER_03]: And what do we get on like the third page? 49:56.957 --> 49:58.819 [SPEAKER_03]: I look like Shrek. 50:00.220 --> 50:03.881 [SPEAKER_03]: It's wreck, yeah, is this Batman Robin year's wreck? 50:04.181 --> 50:08.582 [SPEAKER_03]: Because I don't think that motherfucker was in a movie in Batman Robin year one. 50:08.602 --> 50:11.223 [SPEAKER_03]: We got Catwoman in her 1950s clothes. 50:11.763 --> 50:13.963 [SPEAKER_03]: And wreck is hanging around. 50:14.343 --> 50:23.405 [SPEAKER_02]: It's weird that you're pointing that out with the more messed up thing is they've moved up the timeline so the movie, the wings were going to see when they got shot was wreck. 50:23.685 --> 50:25.966 [SPEAKER_03]: Yeah, I don't like it. 50:26.166 --> 50:28.407 [SPEAKER_03]: I'm not saying you're, I'm taking point, 50:31.088 --> 50:35.251 [SPEAKER_03]: which, which part of Shrek do you think the Wayne's loved the most? 50:35.812 --> 50:42.837 [SPEAKER_03]: Do you think they, well, they, the reason they got killed, they left the movie early and they were like, that little troll is disgusting. 50:42.857 --> 50:44.919 [SPEAKER_03]: Holy talk is about his ripping ass. 50:45.680 --> 50:48.122 [SPEAKER_03]: Is that Joe Cooler with a gun pointing at us? 50:49.042 --> 50:51.745 [SPEAKER_02]: Don't get, Joe Cooler with a cable. 50:52.908 --> 50:53.789 [SPEAKER_00]: Yeah, oh my god. 50:53.849 --> 50:55.531 [SPEAKER_02]: Well, that's books, not your chill, right? 50:55.691 --> 50:56.052 [SPEAKER_02]: Jerko. 50:56.072 --> 50:56.472 [SPEAKER_02]: Don't chill. 50:56.492 --> 50:57.694 [SPEAKER_02]: Because they also, they changed it. 50:57.714 --> 51:00.096 [SPEAKER_02]: So they go to see Shrek and they come to Jerko. 51:00.196 --> 51:01.578 [SPEAKER_03]: Did you kill the Jerko? 51:01.598 --> 51:04.441 [SPEAKER_03]: Yeah, but I thought you guys were going to do that. 51:04.481 --> 51:05.542 [SPEAKER_03]: Nothing matters anymore. 51:05.602 --> 51:06.303 [SPEAKER_03]: Nothing matters anymore. 51:08.662 --> 51:26.251 [SPEAKER_01]: I thought that kind of last panel reveal was a fun cliffhanger, but like you said, this is in great hands, Markway and Chris Samney know what we're doing, so this is a really awesome but I was very touched and moved because Alfred was alive in this comic, so I was having a great time. 51:26.712 --> 51:29.013 [SPEAKER_01]: Yeah, and one of your brothers is back yet again. 51:29.373 --> 51:30.394 [SPEAKER_03]: Actually, I think Pete's right. 51:30.414 --> 51:35.937 [SPEAKER_03]: I think Joe Camel is the name of the camel and George Joe Camel is not too cool and he wears sunglasses. 51:36.197 --> 51:37.978 [SPEAKER_02]: Snoopy's so cool. 51:38.739 --> 51:39.779 [SPEAKER_02]: It's not too cool. 51:40.100 --> 51:41.280 [SPEAKER_03]: I mean, that's what I really meant. 51:41.760 --> 51:47.824 [SPEAKER_02]: Sure, not so Snoopy kills the way it's after Billy's track. 51:48.304 --> 51:50.866 [SPEAKER_02]: It is weird though, just talking about the Joe Camel. 51:50.966 --> 51:55.669 [SPEAKER_02]: It's weird that what was it marble or who was Joe Camel for? 51:56.724 --> 51:57.585 [SPEAKER_02]: Cam for Camel. 51:57.625 --> 51:58.005 [SPEAKER_02]: Camel. 51:58.025 --> 52:00.866 [SPEAKER_03]: Camel, Sigmund, cheese, surprise, are you serious? 52:01.447 --> 52:04.848 [SPEAKER_03]: Well, he's got an iron brim on smoking, well, Alex and I are. 52:05.469 --> 52:08.190 [SPEAKER_03]: Plus, Joe Chill, Joe Camel. 52:08.230 --> 52:11.752 [SPEAKER_03]: Well, Joe's the Camel, that ain't turning it gun. 52:12.332 --> 52:13.113 [SPEAKER_03]: I killed the Wains. 52:13.133 --> 52:14.153 [SPEAKER_03]: I killed the Wains. 52:14.474 --> 52:16.995 [SPEAKER_03]: Yeah. 52:17.075 --> 52:19.216 [SPEAKER_02]: At the point, there says, three shots. 52:19.756 --> 52:20.337 [UNKNOWN]: Yeah. 52:20.597 --> 52:22.038 [SPEAKER_02]: Ha-ha-ha. 52:24.213 --> 52:24.493 [SPEAKER_02]: All right. 52:24.533 --> 52:24.973 [SPEAKER_02]: Thank you. 52:24.993 --> 52:25.273 [SPEAKER_02]: Thank you. 52:25.293 --> 52:25.513 [SPEAKER_02]: Thank you. 52:25.533 --> 52:26.174 [SPEAKER_02]: Thank you. 52:26.194 --> 52:26.494 [SPEAKER_02]: Thank you. 52:26.534 --> 52:26.994 [SPEAKER_02]: Thank you. 52:27.034 --> 52:27.554 [SPEAKER_02]: Thank you. 52:27.574 --> 52:27.774 [SPEAKER_02]: Thank you. 52:27.794 --> 52:28.134 [SPEAKER_02]: Thank you. 52:39.507 --> 52:40.447 [SPEAKER_02]: Come on, look at this. 52:40.787 --> 52:42.688 [SPEAKER_01]: Come on, this cover is amazing. 52:42.708 --> 52:44.829 [SPEAKER_01]: Look at this cool, that's cover. 52:44.889 --> 52:45.709 [SPEAKER_01]: This is so cool. 52:45.989 --> 52:47.090 [SPEAKER_01]: This is a great issue. 52:47.130 --> 52:51.211 [SPEAKER_01]: This rock that was really impressed with all that happened in this issue. 52:51.352 --> 52:52.312 [SPEAKER_01]: So much happened. 52:52.372 --> 52:53.752 [SPEAKER_01]: It happened so fast. 52:54.253 --> 52:57.874 [SPEAKER_01]: I almost wanted it to slow down because it was such a kind of like, 52:58.388 --> 52:59.891 [SPEAKER_01]: everything just kind of kept going on. 52:59.931 --> 53:00.972 [SPEAKER_01]: I was like, let's enjoy this. 53:00.993 --> 53:01.754 [SPEAKER_01]: This is fun. 53:01.794 --> 53:05.240 [SPEAKER_01]: Let's not fast forward this, but great art, great story. 53:05.280 --> 53:06.562 [SPEAKER_01]: This kicked so much ass. 53:07.804 --> 53:10.148 [SPEAKER_01]: Yeah, an amazing team, amazing cover. 53:11.359 --> 53:13.181 [SPEAKER_03]: Yeah, I love this title. 53:13.501 --> 53:14.422 [SPEAKER_03]: It's just a lot of fun. 53:14.542 --> 53:15.803 [SPEAKER_03]: We're having a lot of fun here. 53:16.203 --> 53:23.210 [SPEAKER_03]: We get to right with her on an unlikely mission that she is not quite equipped for but still does a great job. 53:32.998 --> 53:59.682 [SPEAKER_03]: read Richards and Sue take it so serious like if the fly to fix the goop drum like there's no other way to beat this little jar that she has to fly to get these seeds from a kid but it's still a fun story and I like the way at least at this crossover has been able to expand out and give us a lot of weird stories that feel germane to the title at hand and not just jambed in crossover issues so that's fun 54:01.073 --> 54:24.809 [SPEAKER_02]: Next up, Star Trek, 60th anniversary special number one from I-D-W, written by David Gerald, Dana Gould, Brian Michael Bendis, Ryan North, Dave Baker, David Walker, Mike McAnne, Megan Kamerina, Chris Fenuglio, and Christopher Kentwell, Art by JP Busio, Megan Levins, Michael Gato, Derek Charm, Nicole Gow, 54:30.332 --> 54:45.109 [SPEAKER_02]: Isaac Sanchez Gazales and for the title this is celebrating all aspects of Star Trek or most aspects of Star Trek as we tell short stories from various parts of the franchise ranging from 54:46.030 --> 55:02.748 [SPEAKER_02]: Star Trek the next generation to Star Trek Academy to enter prize even gets a shout out in there lower decks Yeah, and it all ends with a story teasing a Christopher Cantwell's upcoming run on the main Star Trek title Pete I was surprised to hear on the live show. 55:02.788 --> 55:04.390 [SPEAKER_02]: This is another one that you really enjoy 55:04.776 --> 55:06.116 [SPEAKER_01]: Yeah, I was really impressed with this. 55:06.156 --> 55:11.478 [SPEAKER_01]: A lot of times when you get a celebration comic, you get a collection of stories and not all of them hit. 55:11.858 --> 55:25.922 [SPEAKER_01]: But I was really impressed by the selection of stories here, just ten stories, you get 66 pages, you really get some great bang for your buck and they did such a great job of celebrating all the different aspects of Star Trek. 55:26.322 --> 55:32.189 [SPEAKER_01]: you know, like first it starts off cartooning and kind of fun and then get serious and then does a lot of cool stuff. 55:32.610 --> 55:35.213 [SPEAKER_01]: I was really impressed with the Michael red story. 55:35.233 --> 55:41.120 [SPEAKER_01]: I thought that was really kind of very Michael red and and silly and fun in all the kind of tripped out way. 55:41.701 --> 55:42.822 [SPEAKER_01]: But yeah, just like 55:43.483 --> 55:54.246 [SPEAKER_01]: really impressed with the different kind of takes and stories and it was fun to see just all the different art concepts and everything and celebrated it in such a great way. 55:54.766 --> 56:08.909 [SPEAKER_01]: Yeah, I was just super impressed by the not only the amount of stories and artists on this thing but also just the amount of great storytelling, amazing art, stuff that really just kind of blows you well, blows you away and celebrate something in a great way. 56:09.623 --> 56:10.884 [SPEAKER_03]: Yeah, it's a strong mix. 56:10.984 --> 56:18.249 [SPEAKER_03]: It's a lot to balance because the fandom and the breadth of shows and movies and everything is so broad from Star Trek. 56:18.269 --> 56:24.354 [SPEAKER_03]: I want to shout out the next generation story, the Dave Baker and Nicole Gow was awesome. 56:25.315 --> 56:25.835 [SPEAKER_03]: Love that. 56:25.915 --> 56:30.719 [SPEAKER_03]: I love the Ryan North homage to the cartoon was very dope. 56:30.739 --> 56:31.059 [SPEAKER_03]: Yeah. 56:31.960 --> 56:35.282 [SPEAKER_03]: But let's give it up for the Su-Lu story by Bendis. 56:35.602 --> 56:36.423 [SPEAKER_03]: Oh, yeah. 56:36.443 --> 56:37.384 [SPEAKER_01]: That was a Su-Lu story. 56:37.424 --> 56:38.064 [SPEAKER_01]: It was awesome. 56:38.104 --> 56:39.205 [SPEAKER_03]: It was very badass. 56:39.585 --> 56:43.346 [SPEAKER_03]: super specific, great combo of writer and artist, really like that. 56:43.746 --> 56:51.249 [SPEAKER_01]: But also the second story, the engineers dilemma is such a lost love, heartbreaking, beautiful story as well. 56:52.189 --> 56:59.812 [SPEAKER_02]: I'll give a shout out to Mike McKan's story where he does sort of a season six of Lower Decks, which as a huge fan of Lower Decks. 56:59.872 --> 57:00.632 [SPEAKER_02]: It was very fun. 57:00.692 --> 57:01.833 [SPEAKER_02]: He's the creator of the show. 57:01.913 --> 57:06.554 [SPEAKER_02]: If you don't know to have him come in and be like, sure, if it continued here to hear us what would happen was 57:08.955 --> 57:12.177 [SPEAKER_02]: And I thought Christopher Catwell's kick-off was really interesting. 57:12.237 --> 57:18.300 [SPEAKER_02]: I'm curious to see what he does on that title because there's a big surprising thing that happens there 57:18.963 --> 57:19.724 [SPEAKER_02]: Yeah. 57:19.744 --> 57:20.604 [SPEAKER_02]: So definitely pick this up. 57:20.624 --> 57:29.971 [SPEAKER_02]: If you're a Star Trek fan, next up, Chachoo, number two from the image comics written by a Montevilani art by Mariana Agnazi, now we did talk to a Montevilani about the first issue. 57:30.011 --> 57:32.432 [SPEAKER_02]: So you can listen to that interview in the podcast feed. 57:32.813 --> 57:40.038 [SPEAKER_02]: But this is a noir story about a young girl bonding with her Chachoo, her uncle as they head on the road. 57:41.103 --> 57:47.813 [SPEAKER_02]: and become not exactly embroiled in mystery but particularly this issue are heading towards a mystery as they go. 57:48.695 --> 57:51.219 [SPEAKER_02]: I think we're very positive about the first issue. 57:51.259 --> 57:55.105 [SPEAKER_02]: How do you think things held up or not in issue too? 57:56.079 --> 58:14.261 [SPEAKER_01]: uh i'm still really liking this cool cover i really love the the art and the kind of story telling this this we get a little bit more new are i'm a worried at the beginning i was like oh this is great she's with her uncle they're gonna bond uh but now i'm a little worried that maybe 58:14.781 --> 58:17.943 [SPEAKER_01]: the uncle is kind of lying to her and telling her things. 58:17.963 --> 58:19.264 [SPEAKER_03]: Definitely some lying going on. 58:19.325 --> 58:27.130 [SPEAKER_01]: Yeah, I'm not happy because I was like, oh man, you know, I want to show this to my niece and I'm a runk on this will be great. 58:27.150 --> 58:29.552 [SPEAKER_01]: And I'm like, oh no, don't make the uncle the bad guy. 58:29.792 --> 58:30.993 [SPEAKER_01]: You'll spoil all my plans. 58:31.113 --> 58:35.156 [SPEAKER_01]: But the look of this, the storytelling is really impressive. 58:35.236 --> 58:39.700 [SPEAKER_01]: So I'm really enjoying this with my agenda side. 58:41.497 --> 58:42.718 [SPEAKER_03]: I love the art. 58:42.738 --> 58:46.300 [SPEAKER_03]: I still don't quite know what the drive of the story is. 58:46.340 --> 58:53.783 [SPEAKER_03]: It feels a little laundry and I want to get to the to really a strong spine for this because I like a lot of the elements. 58:54.584 --> 58:56.685 [SPEAKER_03]: It just feels like it's a little bit floating. 58:58.560 --> 58:59.080 [SPEAKER_02]: I hear that. 58:59.100 --> 59:20.293 [SPEAKER_02]: I thought this was much denser in terms of the dialogue than the first issues which the dialogue's good and the characters are good but the first issue really stood back and let Marriott Agnazi do a little more of the work there and this one was much more like sitting in a diner and having a conversation and again good conversation interesting dialogue. 59:21.033 --> 59:21.913 [SPEAKER_02]: But I agree with you. 59:21.973 --> 59:43.720 [SPEAKER_02]: It does feel like like I was indicated earlier that we have these two characters on one side And they're headed towards this inevitability But we don't quite see them connecting yet and I think it'll wrap up the next issue But we shall see size two out more Star Trek with Star Trek deviations ever more number one from IDW written by Claudia Gray art by Andy Price. 59:43.741 --> 59:48.202 [SPEAKER_02]: This is very firmly set in the continuity of Star Trek strange new worlds 59:48.742 --> 59:54.507 [SPEAKER_02]: So if you haven't seen that, it riffs off some big things that are happening or happened over on that show. 59:55.047 --> 01:00:02.293 [SPEAKER_02]: But basically the doctor and Benga has a daughter that he keeps in the transport buffer because otherwise she would die. 01:00:03.013 --> 01:00:17.565 [SPEAKER_02]: Previously, she, if I remember the episode correctly and I kind of don't, but she channeled a story that she loved and the entire ship became basically like a fantasy medieval world through that. 01:00:18.345 --> 01:00:25.687 [SPEAKER_02]: Um, here, the same sort of thing happens, except with Edgar Allen post stories leaking out all over the ship. 01:00:26.447 --> 01:00:41.531 [SPEAKER_02]: Um, as somebody is watching Star Trek saves, the world's in understores going on here, I dug this and I thought like the way that they incorporated Edgar Allen post stories to all work together with the Star Trek setting was pretty cool, leads to a pretty emotional climax. 01:00:47.538 --> 01:00:57.883 [SPEAKER_03]: Yeah, it made me want to go watch and catch up on that a show that I'm like I got a catch up on this show, but I just haven't I don't know. 01:00:57.923 --> 01:00:58.123 [SPEAKER_03]: I know. 01:00:58.143 --> 01:01:05.847 [SPEAKER_03]: Well, that's one of the reason why it's not the top of my list is because you're like, oh, yeah, definitely do that But I I didn't enjoy this. 01:01:05.887 --> 01:01:11.370 [SPEAKER_03]: I think the art is just the artist is perfectly cast here to really bring this story to life, Andy Price 01:01:12.488 --> 01:01:36.823 [SPEAKER_03]: it's really nice price so nice the price is nice but and even though I don't know these characters from the show I do think that this the emotional story really hit especially since I have such a once you know the Star Trek universe I feel like you can sort of drop into any story that's well done yeah I thought the cover was awesome I really loved the art 01:01:39.979 --> 01:01:49.184 [SPEAKER_01]: You know, Star Trek is more science-driven, and this is more magical, and monsters kind of just the way these two worlds kind of came together. 01:01:49.224 --> 01:01:50.644 [SPEAKER_01]: I thought was really impressive. 01:01:52.085 --> 01:01:59.709 [SPEAKER_01]: Yeah, I thought this was very touching, heartbreaking ending that I loved and pressed. 01:01:59.749 --> 01:02:05.952 [SPEAKER_01]: Yeah, I might not know all the ins and outs, but I still very much had a great time and enjoyed the art. 01:02:06.786 --> 01:02:09.468 [SPEAKER_02]: And I will say one last thing before we move on. 01:02:09.488 --> 01:02:11.729 [SPEAKER_02]: I maybe it is already and I missed it. 01:02:11.829 --> 01:02:18.673 [SPEAKER_02]: But I like the idea of star trek deviations as what if for the Star Trek franchise, if that's the direction of the want to go. 01:02:18.893 --> 01:02:19.573 [SPEAKER_02]: That's going on. 01:02:19.593 --> 01:02:22.055 [SPEAKER_02]: I would love to see more of that. 01:02:23.035 --> 01:02:27.276 [SPEAKER_02]: name of the watch number five for booms to do as written by Sarah Galley, art by Henning. 01:02:27.296 --> 01:02:35.098 [SPEAKER_02]: This is the final issue of this series about two communities, one crunchy granola community, the other one, a high end cold sack. 01:02:36.119 --> 01:02:37.639 [SPEAKER_02]: They are connected by a tunnel. 01:02:37.739 --> 01:02:47.302 [SPEAKER_02]: Somebody was shot in the middle of the tunnel and that has led to a spiraling mystery over the course of the series that all comes to ahead this issue in rather explosive fashion. 01:02:48.282 --> 01:02:52.846 [SPEAKER_02]: As usual, I think Sarah Galley really nailed the landing here with this mystery. 01:02:52.926 --> 01:03:07.677 [SPEAKER_02]: Great characters, fun mystery, fun setting, and really surprising ending to it when it's an interesting direction, so if you did miss this series, I would very much recommend to either go back and pick up the individual issues or wait for the trade and pick that up. 01:03:09.062 --> 01:03:13.624 [SPEAKER_03]: Yeah, I was surprised by both the sort of backstory reveal. 01:03:14.164 --> 01:03:17.205 [SPEAKER_03]: And then what happened as a result of that was double bang. 01:03:17.405 --> 01:03:18.786 [SPEAKER_03]: Double got beyond this one. 01:03:19.306 --> 01:03:20.267 [SPEAKER_03]: So that was cool. 01:03:20.807 --> 01:03:22.508 [SPEAKER_03]: And yeah, it was a nice ending. 01:03:22.528 --> 01:03:26.549 [SPEAKER_03]: I don't know, I immediately thought, how do we revisit this world? 01:03:26.589 --> 01:03:27.870 [SPEAKER_03]: It tied up so nicely. 01:03:27.890 --> 01:03:33.612 [SPEAKER_03]: I don't know exactly how we go back, but I just really enjoyed the way this was written. 01:03:35.433 --> 01:03:40.835 [SPEAKER_03]: the very well, the constructed and finite universe that was created of these two towns. 01:03:41.995 --> 01:03:43.755 [SPEAKER_01]: Yeah, I thought it was very interesting. 01:03:43.775 --> 01:03:49.757 [SPEAKER_01]: You know, you know, on the news, you see something about like, oh, a house blew up at a neighborhood or whatever. 01:03:49.777 --> 01:03:52.238 [SPEAKER_01]: And I got one book that's kind of where they got the idea for this. 01:03:52.578 --> 01:03:54.379 [SPEAKER_03]: Sorry, I really like what news you're watching. 01:03:55.439 --> 01:03:56.879 [SPEAKER_03]: Is this a York PA thing? 01:03:58.100 --> 01:04:00.000 [SPEAKER_01]: WG, GAL, man. 01:04:01.681 --> 01:04:02.081 [SPEAKER_03]: WGAL? 01:04:02.601 --> 01:04:02.841 [SPEAKER_01]: Yeah. 01:04:03.940 --> 01:04:06.342 [SPEAKER_01]: What the local news, W.J.L. 01:04:06.682 --> 01:04:09.704 [SPEAKER_02]: Yeah, another house blew up tonight as usual. 01:04:09.724 --> 01:04:12.286 [SPEAKER_03]: People are asking why Pete? 01:04:13.066 --> 01:04:13.526 [SPEAKER_01]: Why? 01:04:13.807 --> 01:04:15.328 [SPEAKER_01]: I clearly was the neighborhood watch. 01:04:15.448 --> 01:04:18.049 [SPEAKER_01]: They, you know, they're the ones blowing up houses. 01:04:18.590 --> 01:04:21.312 [SPEAKER_01]: If you don't like the neighbors, they'll blow you up, man. 01:04:21.372 --> 01:04:24.194 [SPEAKER_02]: So, you have a bunch of a neighborhood to watch anymore. 01:04:24.234 --> 01:04:25.054 [SPEAKER_02]: If they blow up on that. 01:04:25.074 --> 01:04:26.635 [SPEAKER_01]: Yeah, they keep blowing up all the houses. 01:04:26.895 --> 01:04:28.176 [SPEAKER_01]: No, it's one of the neighborhood. 01:04:28.476 --> 01:04:29.017 [SPEAKER_01]: Watch. 01:04:30.683 --> 01:04:57.628 [SPEAKER_02]: uh... yet this is insane and uh... scary and a couple levels but uh... yet the comic here is uh... very interesting and uh... gets intense did you go out on how to read yeah because i think this book is not scary i mean i don't want to like uh... i get scared about weird things so i guess i don't want to be too dismissive of it really i've just surprised it uh... you found this scary that's all 01:04:58.682 --> 01:05:05.723 [SPEAKER_01]: But you don't think it's scary to have kind of like somebody who's looking and watching and judging and then maybe blowing people up. 01:05:05.743 --> 01:05:15.365 [SPEAKER_03]: People you have a that person who's always standing behind you and standing and like looking through your blind subtly like we see them all the time I feel like I know that I know the Pete watcher. 01:05:15.885 --> 01:05:17.026 [SPEAKER_02]: Right the specter right. 01:05:17.466 --> 01:05:18.826 [SPEAKER_03]: Yeah, because the kids. 01:05:19.186 --> 01:05:19.346 [SPEAKER_02]: Yeah. 01:05:19.686 --> 01:05:19.986 [SPEAKER_02]: Cool. 01:05:21.486 --> 01:05:22.367 [SPEAKER_02]: Oh, they're there again. 01:05:22.967 --> 01:05:23.167 [SPEAKER_01]: Yeah. 01:05:23.607 --> 01:05:24.447 [SPEAKER_01]: Right behind you, Pete. 01:05:24.858 --> 01:05:42.387 [SPEAKER_01]: yeah yeah fun uh yeah i don't worry they only come out if you drink more than one beer and even for someone so comfortable with houses blowing up it's weird that you found this to be scary i guess yeah 01:05:43.194 --> 01:06:08.139 [SPEAKER_02]: Odin number four from image comics written by Margarita Bennett and James talk of the fourth art by Latizia Katanichi We are following a bunch of white supremacists in a journalist who had been going through the frozen Iceland Not Iceland but Norway to the icy lads of Norway To try to encounter Norse gods and just as our journalist starts to deny it oops 01:06:08.979 --> 01:06:17.727 [SPEAKER_02]: In fact, there is a giant naked woman who wants to just want to laugh, you know, physical comedy guys, it's important comedy. 01:06:18.908 --> 01:06:25.253 [SPEAKER_02]: This is another one that folks in our Patreon discord patreon.com slash comic book club. 01:06:25.874 --> 01:06:28.416 [SPEAKER_02]: We're talking a bit about like, add their out. 01:06:28.676 --> 01:06:30.078 [SPEAKER_02]: They don't want to read this anymore. 01:06:30.118 --> 01:06:35.362 [SPEAKER_02]: This is, I believe, before this issue where they felt like it's just white supremacists. 01:06:36.375 --> 01:06:52.537 [SPEAKER_02]: getting punished and they want more to it doesn't have the same richness they feel as other gt for books in particular how are you guys feeling with this issue same time I love to see whispers you know racist people get their fucking come upings i think i never get tired of that 01:06:53.178 --> 01:06:59.502 [SPEAKER_02]: Yeah, to be clear, the people in the discord are not like, oh man, they're more about like they don't like this guy. 01:07:00.282 --> 01:07:04.325 [SPEAKER_02]: They feel like there's nothing more going on in this book. 01:07:04.905 --> 01:07:09.208 [SPEAKER_02]: And I do feel like personally this issue is for sure a turd there. 01:07:10.452 --> 01:07:12.334 [SPEAKER_03]: Yes, well, and I hear that. 01:07:12.594 --> 01:07:15.076 [SPEAKER_03]: I sort of wish it happened. 01:07:15.376 --> 01:07:28.367 [SPEAKER_03]: What happens in this issue happened one issue earlier like I think and I don't know I guess we'll see how long the series ends up being and what the next sort of twist in it is but it was a lot of like this isn't real. 01:07:28.387 --> 01:07:28.928 [SPEAKER_03]: This isn't real. 01:07:28.948 --> 01:07:29.428 [SPEAKER_03]: This is real. 01:07:29.448 --> 01:07:29.749 [SPEAKER_03]: This is real. 01:07:29.769 --> 01:07:30.149 [SPEAKER_03]: This is real. 01:07:30.489 --> 01:07:35.392 [SPEAKER_03]: And we get that scene here and I wish that had come last issue, but I do think it is good. 01:07:35.472 --> 01:07:42.396 [SPEAKER_03]: I like the art and this is well it suits the sort of hard, hewn, normic backdrop we get here. 01:07:43.036 --> 01:07:48.039 [SPEAKER_03]: I thought, what do you guys think of the fact that the Odin's wife wants to laugh? 01:07:50.220 --> 01:08:07.254 [SPEAKER_01]: is that I have an idea but I'm curious if you guys understand what was happening here I mean, I think it clearly the idea is old as the worst and you know, she just needs to kind of, you know, laugh a little bit of life, yeah, and it's important in relationship 01:08:10.336 --> 01:08:18.144 [SPEAKER_02]: I haven't looked up Norris Smith recently, but I kind of assumed that is something from Norris Smith that they were playing with, but you think it's something different, just. 01:08:18.445 --> 01:08:27.314 [SPEAKER_03]: I think it's the idea was comedy is something that this heart far right people struggle with. 01:08:28.134 --> 01:08:31.978 [SPEAKER_03]: Like, everything is just being mean and we get that here, it's just like, 01:08:32.579 --> 01:08:35.162 [SPEAKER_03]: cruelty or just being crass and there's no actual. 01:08:35.302 --> 01:08:47.095 [SPEAKER_03]: So that that would be a very difficult test is maybe the meta reason why that is the challenge for the group of white supremacists who are out in the cold. 01:08:48.036 --> 01:08:48.377 [SPEAKER_03]: I don't know. 01:08:48.417 --> 01:08:49.878 [SPEAKER_03]: That was just my take. 01:08:51.968 --> 01:09:04.735 [SPEAKER_02]: Eventurizing in Furno number five from IDW, written by Christian Ward, art by Robert Kerry, don't worry, Pete, we're almost done with this block of books, but this is the final issue, block of things that creep you out, I mean. 01:09:05.195 --> 01:09:06.296 [SPEAKER_02]: Oh, okay. 01:09:06.316 --> 01:09:12.319 [SPEAKER_02]: So this is the final issue here to the SQL series set a couple hundred years after the original event horizon. 01:09:12.439 --> 01:09:17.602 [SPEAKER_02]: There's kind of an age-old kind of a devil, kind of people who are getting blown up. 01:09:17.642 --> 01:09:21.164 [SPEAKER_02]: Venturizing as teeth now and just trying to bite you, and that's pretty scary. 01:09:21.945 --> 01:09:28.133 [SPEAKER_02]: What do you guys think about the wrap up here and knowing that there is a trilogy capper coming soon? 01:09:28.694 --> 01:09:28.974 [SPEAKER_01]: Ooh. 01:09:29.875 --> 01:09:32.339 [SPEAKER_01]: Well, I thought this was an impressive amount of red. 01:09:32.419 --> 01:09:34.982 [SPEAKER_01]: I mean the blood and guts in this... 01:09:36.173 --> 01:09:38.474 [SPEAKER_01]: a comic is impressively off the charts. 01:09:38.534 --> 01:09:39.875 [SPEAKER_01]: I mean, this is Gory's shit. 01:09:40.656 --> 01:09:49.481 [SPEAKER_01]: And that dude spider who's kind of held together by guts and blood is really kind of burnt into my skull. 01:09:49.721 --> 01:09:57.426 [SPEAKER_01]: But yeah, great use of color, great use of shading, art really takes us to another level. 01:09:58.126 --> 01:10:02.669 [SPEAKER_01]: This is a crazy cool adventure, crazy gross and interesting character designs. 01:10:03.649 --> 01:10:06.931 [SPEAKER_03]: How do you feel about the cover feed that this guy offering you two spiders? 01:10:08.452 --> 01:10:09.373 [SPEAKER_01]: Not into it bro. 01:10:09.833 --> 01:10:17.419 [SPEAKER_03]: I don't know on either one which spider do you want to choose you have to choose one And you one of them lives in your I would kind of or slap them both. 01:10:17.519 --> 01:10:28.206 [SPEAKER_02]: You know, I mean I would try to carry it to me Because you wanted to drink a green puddle because you thought it would turn you into a teenage man Ninja turtle don't you think or somebody had to do a spider maybe it would make you spider man? 01:10:28.637 --> 01:10:33.439 [SPEAKER_01]: all that I should be more open to because it's maybe it's a radio active spiderman. 01:10:34.179 --> 01:10:37.320 [SPEAKER_01]: Yeah, I just feel like that's the numbers are not my favorite. 01:10:37.340 --> 01:10:42.402 [SPEAKER_02]: You know, I mean, spiders are just so we think that green puddle, the numbers are higher. 01:10:42.422 --> 01:10:43.583 [SPEAKER_02]: Yep, spider. 01:10:44.103 --> 01:10:47.125 [SPEAKER_01]: Yeah, because what's making it green, it's got to be the secret of losing it. 01:10:47.165 --> 01:10:48.725 [SPEAKER_03]: You can spot the use of the eyes. 01:10:48.765 --> 01:10:49.506 [SPEAKER_03]: Yeah, yeah. 01:10:49.546 --> 01:10:50.866 [SPEAKER_03]: He's got those eyes for losing it. 01:10:50.886 --> 01:10:55.889 [SPEAKER_01]: The spider was like radioactive, like clearly glowing and radioactive then. 01:10:56.269 --> 01:10:56.729 [SPEAKER_01]: Oh, yeah. 01:10:56.789 --> 01:10:57.490 [SPEAKER_01]: Yeah, yeah, yeah. 01:10:57.510 --> 01:10:57.870 [SPEAKER_03]: Totally. 01:10:57.930 --> 01:11:02.972 [SPEAKER_03]: See, this is why all summer long, I've been laying nude on the ground at dusk. 01:11:03.052 --> 01:11:07.534 [SPEAKER_03]: Coping a radioactive mosquito would give finally give me my blood sucking powers. 01:11:07.554 --> 01:11:07.694 [SPEAKER_03]: Wow. 01:11:09.356 --> 01:11:16.622 [SPEAKER_02]: No, dude you say is that just for a more service or something like okay because like your face They could just bite your face. 01:11:17.143 --> 01:11:31.517 [SPEAKER_03]: No, but I want the file on to have the full landing strip where they can come in on whatever I'll meet they want you know Wow, that is just brutal That is that's why you kind of get to get waxed today, sir 01:11:32.858 --> 01:11:47.433 [SPEAKER_03]: surface area for my uh... mosquito guys uh... yes i am trying to get mosquito power how do you know that brizl i ever get this summer uh... you saw it on tiktok it's a little you fact uh... uh... you said 01:11:50.235 --> 01:11:51.376 [SPEAKER_03]: Yes, this book. 01:11:51.476 --> 01:11:54.919 [SPEAKER_03]: I feel like this last issue felt a little bit rushed. 01:11:55.139 --> 01:11:55.980 [SPEAKER_03]: I wanted a little bit. 01:11:56.340 --> 01:12:05.347 [SPEAKER_03]: It's crazy to say after five it four other issues and then the previous series of people being tortured in different fucked up ways But this just felt a little rush. 01:12:05.387 --> 01:12:08.009 [SPEAKER_03]: I felt like I needed a sixth issue to really 01:12:09.550 --> 01:12:16.335 [SPEAKER_03]: Because there actually is a lot of plot happening and there's a continuity here that we are going to revisit in the final series. 01:12:16.395 --> 01:12:21.098 [SPEAKER_03]: So I think this needed one more issue to just like get us to where it needs to be. 01:12:22.287 --> 01:12:29.609 [SPEAKER_02]: Well, here's something that did get a six-issue just brutal number six from ignition press written by Dennis Hopeless, aren't by Brahm level. 01:12:29.749 --> 01:12:32.970 [SPEAKER_02]: Now, I've been kind of pitching this the same way every issue, though. 01:12:33.150 --> 01:12:40.952 [SPEAKER_02]: I also have a caveat in that it's not quite correct, but it's kind of a master's of the universe situation where if he man and Shiva, 01:12:41.617 --> 01:12:57.281 [SPEAKER_02]: had two kids, the big shocker that happened to issues back is they both died and pastor powers along to their kids, or maybe not as my dad out in this issue, leading to a final competition kind of with the big villain. 01:12:58.041 --> 01:13:08.944 [SPEAKER_02]: I thought this series was a great, just so beautifully drawn, incredible character designs throughout, but like we talked to Dennis a couple of weeks back, a couple of months back, 01:13:09.844 --> 01:13:28.750 [SPEAKER_02]: about the series, just really, really beautifully done character work, like really the main focus was the emotion of this family and what this family is going through, and everything else is kind of just happening around it, and he didn't lose focus on that all the way through the end, and that's very lovable. 01:13:30.977 --> 01:13:31.758 [SPEAKER_01]: I agree with that. 01:13:31.878 --> 01:13:37.043 [SPEAKER_01]: I'm upset that you took the part about the amazing character design because I then my notes as well. 01:13:37.503 --> 01:13:38.664 [SPEAKER_01]: Yeah, cool cover. 01:13:39.085 --> 01:13:41.847 [SPEAKER_01]: Maybe very excited for the insides. 01:13:41.867 --> 01:13:45.510 [SPEAKER_01]: I love the choices being made in these comic. 01:13:45.590 --> 01:13:46.691 [SPEAKER_01]: The great art. 01:13:47.833 --> 01:13:50.315 [SPEAKER_01]: Yeah, just impressive dialogue. 01:13:50.715 --> 01:13:54.799 [SPEAKER_01]: Love the brother and sister kind of working together, twin power stuff. 01:13:55.660 --> 01:13:55.860 [SPEAKER_01]: Um. 01:13:56.680 --> 01:13:57.981 [SPEAKER_01]: Thanks for the hope, Dennis. 01:13:58.521 --> 01:14:01.202 [SPEAKER_01]: I love the positivity on this comic as well. 01:14:01.562 --> 01:14:06.925 [SPEAKER_01]: I thought what this was very touching in all the right ways so very very impressed by this 01:14:07.764 --> 01:14:28.583 [SPEAKER_03]: Yeah, the brown rebel art being sort of in the style of Saturday morning cartoons from back in the day I think is really nice and gives us the false indication this is going to be some sort of light-hearted, he-man-asked venture when really this is a heavy emotional story about legacy what we pass on from parent to child. 01:14:29.484 --> 01:14:34.527 [SPEAKER_03]: how he to feel worthy in a world where it's hard to be anything of note. 01:14:35.288 --> 01:14:41.532 [SPEAKER_03]: And you really feel that along with the characters, the sacrifice that the sister makes at the end of last issue. 01:14:41.992 --> 01:14:44.294 [SPEAKER_03]: And how she's like, I'm fucked throughout this whole issue. 01:14:44.334 --> 01:14:44.854 [SPEAKER_03]: I'm fine. 01:14:44.874 --> 01:14:46.115 [SPEAKER_03]: I'm like, this lady's dying. 01:14:46.475 --> 01:14:49.097 [SPEAKER_03]: Somebody, the other friend is like, we got to help her. 01:14:49.137 --> 01:14:50.638 [SPEAKER_03]: You can see her nose bone. 01:14:52.399 --> 01:14:56.781 [SPEAKER_03]: And the way that that ends, I thought, was just very well done. 01:14:57.001 --> 01:15:00.443 [SPEAKER_03]: It's fun, eventually, while still being emotionally heavy. 01:15:01.423 --> 01:15:01.703 [SPEAKER_02]: Oh, yeah. 01:15:02.203 --> 01:15:07.806 [SPEAKER_02]: Of the earth, number five, for image comics, written by Chris Condon and Andrew Eric, art by Charlie Adelard. 01:15:07.826 --> 01:15:09.687 [SPEAKER_02]: This is about a woman who visits her grandma. 01:15:09.787 --> 01:15:13.048 [SPEAKER_02]: Only defined she's been taken in by some sort of oil monster. 01:15:13.508 --> 01:15:17.590 [SPEAKER_02]: And she's been working with a oil guide to try to figure out what's going on. 01:15:17.710 --> 01:15:21.632 [SPEAKER_02]: But the oil got him, the oil got him. 01:15:24.952 --> 01:15:41.903 [SPEAKER_03]: uh... the oil did get them now this is the uh... queen in black that i think we've been really much and because i was doing this i was like this is some real vent of shit right here like old school horror group yeah the use of the black panels and the darkness it's really impressive 01:15:42.577 --> 01:15:43.197 [SPEAKER_03]: Well done. 01:15:43.598 --> 01:15:46.299 [SPEAKER_03]: I was really sad to see our oil guy go. 01:15:46.879 --> 01:15:52.082 [SPEAKER_03]: I guess he's maybe not technically fully dead, but there's a pretty good chance he is. 01:15:53.242 --> 01:16:05.209 [SPEAKER_03]: When he has been this great counter pose for the two-hander that we have here between him and the- and the- the daughter, the granddaughter who's been running from something, we still haven't figured out exactly what that is. 01:16:05.969 --> 01:16:08.930 [SPEAKER_03]: We do have more issues of this, which is exciting, so 01:16:10.333 --> 01:16:31.720 [SPEAKER_01]: enjoying it great uh... tense horror yeah yeah very intense or scary shit but uh... i'd look away a couple times because that it was uh... too much you could choose which book gives gives you nightmares yeah you guys do a great job of adding that into the stocky to each of the thank you 01:16:32.062 --> 01:16:32.943 [SPEAKER_01]: Yeah, I look back. 01:16:32.983 --> 01:16:36.566 [SPEAKER_01]: I finished the combat, but sometimes it's too, you know, you've got to kind of like, oh, man. 01:16:36.586 --> 01:16:37.747 [SPEAKER_02]: Because it's different than a movie. 01:16:37.807 --> 01:16:39.169 [SPEAKER_02]: Like, a movie keeps going. 01:16:39.209 --> 01:16:41.030 [SPEAKER_02]: You can look away and then when you look back. 01:16:41.070 --> 01:16:43.393 [SPEAKER_02]: It's done, but the comic of paddle still there. 01:16:43.913 --> 01:16:44.974 [SPEAKER_01]: It sure is, buddy. 01:16:45.675 --> 01:16:47.116 [SPEAKER_01]: But sometimes it's just too much. 01:16:47.136 --> 01:16:50.179 [SPEAKER_01]: You've got to look, you know, we're considering your eyes. 01:16:50.199 --> 01:16:51.180 [SPEAKER_03]: You could just cover the panel. 01:16:51.961 --> 01:16:52.201 [SPEAKER_01]: Yeah. 01:16:52.701 --> 01:16:54.383 [SPEAKER_02]: That's a good way to cut it out of the book. 01:16:55.502 --> 01:17:05.386 [SPEAKER_03]: Pete, what if we set up a bunch of comics around you so every time you look to way, there's just another hell razor or something like that happened to be as well. 01:17:05.406 --> 01:17:20.491 [SPEAKER_02]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, 01:17:23.592 --> 01:17:29.815 [SPEAKER_02]: who was in some sort of spy organization trying to find out what's going on in a corporation that was a giant. 01:17:29.835 --> 01:17:33.717 [SPEAKER_02]: Again, to cue building, she was exploring that further. 01:17:33.757 --> 01:17:35.918 [SPEAKER_02]: Her partner disappeared in the cue building. 01:17:36.398 --> 01:17:46.122 [SPEAKER_02]: And meanwhile, she was trying to figure out how to get inside potentially to rescue him, leading to a point where she fell down a staircase last at the end of the issue. 01:17:46.602 --> 01:17:49.764 [SPEAKER_02]: Now, in this issue, of course, we go to a fantasy avatar 01:17:52.725 --> 01:18:00.069 [SPEAKER_02]: Where a young girl is sneaking into a dojo to learn to use her fighting powers, which are stronger than all of the men combined. 01:18:01.710 --> 01:18:08.794 [SPEAKER_02]: That was very confusing for most of the reading time here, even though it's gorgeously done at the story is done. 01:18:09.255 --> 01:18:16.018 [SPEAKER_02]: It does, in fact, loop back, but it makes me feel slightly insane that there's only one more issue of this comic book after this. 01:18:16.639 --> 01:18:16.979 [SPEAKER_01]: Wow. 01:18:17.759 --> 01:18:18.600 [SPEAKER_01]: One more issue. 01:18:19.100 --> 01:18:19.320 [SPEAKER_02]: Yeah. 01:18:20.061 --> 01:18:20.281 [SPEAKER_02]: Huh. 01:18:20.699 --> 01:18:22.559 [SPEAKER_02]: And any additional thoughts, guys? 01:18:22.900 --> 01:18:27.141 [SPEAKER_01]: Well, I agree if you had the egg vibes from the last airbender for sure. 01:18:27.581 --> 01:18:29.841 [SPEAKER_01]: The look of this book is fantastic. 01:18:30.161 --> 01:18:32.922 [SPEAKER_01]: Love it all the blue tone, super chill vibes. 01:18:34.042 --> 01:18:40.684 [SPEAKER_01]: Yeah, the story is enjoying and the ghost form fights, sequence pretty sick, bro. 01:18:41.858 --> 01:18:49.424 [SPEAKER_03]: Yeah, I mean, I agree, it's going to be hard to bring this together, but I do trust this team to do it, so that part is cool. 01:18:50.585 --> 01:19:00.393 [SPEAKER_03]: And you know, that kid not to discredit Alexander Grant's work on this, but Matt Kent really wears his influences on his sleeve and a lot of books that he does. 01:19:00.433 --> 01:19:04.157 [SPEAKER_03]: So like, I appreciate going full on into the avatar. 01:19:05.038 --> 01:19:12.690 [SPEAKER_03]: World here and telling just a great standalone story that will somehow feed into the larger narrative of this three issues here 01:19:13.495 --> 01:19:17.758 [SPEAKER_02]: Yeah, a lot of it depends on the last issue and how it all comes together. 01:19:17.818 --> 01:19:21.641 [SPEAKER_02]: But just on its own, Natasha Boostess is hard, is gorgeous. 01:19:21.721 --> 01:19:25.764 [SPEAKER_02]: Yeah, yeah, you say the fights are great, the designs are great throughout. 01:19:26.225 --> 01:19:35.752 [SPEAKER_02]: I was fully into whatever was going on here, even if for the back of my head, like what this doesn't make any sense with the first issue that I've read. 01:19:36.793 --> 01:19:41.297 [SPEAKER_02]: But there's a level of confidence there for the team to be like, Oh, go with it. 01:19:41.537 --> 01:19:48.223 [SPEAKER_02]: We'll we'll get there eventually just hang in there We'll come back around So good stuff confusing stuff book good stuff. 01:19:48.584 --> 01:19:53.188 [SPEAKER_02]: That's not least Star Trek red shirts ghost of the 21st century number two from I.D. 01:19:53.428 --> 01:19:56.111 [SPEAKER_02]: W. rid my Jerry dug in art by Scott one dogs 01:19:57.271 --> 01:20:05.736 [SPEAKER_02]: There's about a master conspiracy involving red shirts going on and the people that use them and abuse them. 01:20:05.776 --> 01:20:08.097 [SPEAKER_02]: I think we're pretty positive about the first issue. 01:20:08.477 --> 01:20:10.058 [SPEAKER_02]: How to feel about issue number two. 01:20:10.725 --> 01:20:29.970 [SPEAKER_01]: well first off cool cover uh this is badass i love the last panel loved all the action and violence this was a ton of fun and uh you know she is a badass in this comic so that was very cool love the art style very different from what i kind of expected but i thought this was great 01:20:31.367 --> 01:20:47.057 [SPEAKER_03]: Yeah, I mean, for a concept that could have just been sort of a real kick around, this feels like we have a really nice story here and a story we don't really get to see much in the Star Trek world conspiracy, just some knockdown drag out fights, which is cool. 01:20:56.142 --> 01:20:59.686 [SPEAKER_03]: Yeah, but he got really squeezed in a way, I didn't expect. 01:21:00.727 --> 01:21:00.987 [SPEAKER_01]: Yeah. 01:21:01.307 --> 01:21:04.170 [SPEAKER_03]: Usually it's just like eyeballs pop out and they freeze. 01:21:04.190 --> 01:21:10.717 [SPEAKER_03]: But this guy got like sort of flattened and squeezed and sort of like, Christopher Lloyd and who frame Roger Rabbit. 01:21:11.419 --> 01:21:13.802 [SPEAKER_01]: Oh, God, geez, don't bring that up. 01:21:13.902 --> 01:21:16.004 [SPEAKER_01]: Oh, God, that was a nightmare. 01:21:16.024 --> 01:21:17.105 [SPEAKER_01]: Pete's terrified all the time. 01:21:17.726 --> 01:21:20.469 [SPEAKER_01]: Did you, you almost said this was a kick in the pants. 01:21:20.549 --> 01:21:21.630 [SPEAKER_01]: Did I get that correctly? 01:21:21.690 --> 01:21:22.411 [SPEAKER_01]: I wouldn't say that. 01:21:22.431 --> 01:21:23.973 [SPEAKER_03]: Oh, I didn't know what to say that. 01:21:24.173 --> 01:21:24.834 [SPEAKER_03]: That's your thing. 01:21:25.374 --> 01:21:27.857 [SPEAKER_03]: You and Greg Pock, that's what you twin. 01:21:28.497 --> 01:21:30.239 [SPEAKER_03]: You wouldn't touch your beard together. 01:21:30.259 --> 01:21:31.160 [SPEAKER_03]: That's why you said that. 01:21:33.678 --> 01:21:58.500 [SPEAKER_02]: form of a kick in the pants you say when you touch beards and that is it for the stack if you like to support the show and all the shows we do patreon.com slash comic book club also we do a live show every Tuesday night at 7 p.m. YouTube coming out we'd love to chat with you back comic books Apple Spotify Android with the app of your choice to subscribe to listen and follow the show comic book club live dot com for this podcast many more until next time we'll see you at the comic book club. 01:21:59.000 --> 01:22:06.844 [SPEAKER_03]: If you're nose on that staples because we're coming for you guys and you better read your Take your medicine, do your homework and get close to the camera like Alex Demand. 01:22:06.864 --> 01:22:07.064 [SPEAKER_03]: Let's go. 01:22:29.404 --> 01:22:44.089 [SPEAKER_00]: They sit on crappy couches and they let us see the moon And he's just a monkey, they'll let us special guests meet So grab your ring, hammer, don't be late for it, girls