WEBVTT 00:10.402 --> 00:19.568 [SPEAKER_01]: Hello and welcome to medium litter at the show where to long time best friends try to sharpen up their media literacy skills by talking about a new movie in theaters each week. 00:19.909 --> 00:25.813 [SPEAKER_01]: My name is Monica Scott and my co-host is Emily Fay and today we're doing a lot. 00:25.953 --> 00:28.174 [SPEAKER_01]: We're covering coyote vs. Acme. 00:28.454 --> 00:34.218 [SPEAKER_01]: We're covering finding Emily and surprise we are in person. 00:35.179 --> 00:36.040 [SPEAKER_01]: Hello Emily. 00:36.060 --> 00:36.100 [SPEAKER_01]: Hi 00:39.777 --> 00:40.437 [SPEAKER_01]: We can touch. 00:40.457 --> 00:41.258 [SPEAKER_01]: We can touch. 00:41.398 --> 00:42.299 [SPEAKER_01]: It's amazing. 00:44.040 --> 00:45.520 [SPEAKER_01]: First time we've touched in a year. 00:49.123 --> 00:54.105 [SPEAKER_01]: So we're going to get to the movies soon, but I think first we just want to cover that we're in person. 00:54.546 --> 01:00.189 [SPEAKER_01]: And maybe tell you a little bit about our experience at the Minnesota State Fair because we're just thrilled to be here. 01:00.269 --> 01:02.931 [SPEAKER_00]: Yeah, we're in person in a place that neither of us live. 01:05.337 --> 01:18.382 [SPEAKER_00]: We are in person in Minneapolis, Minnesota, which continues our trend of vacations to places that when we tell people where we're going, they go, oh! 01:18.880 --> 01:19.240 [SPEAKER_00]: Why? 01:19.260 --> 01:26.143 [SPEAKER_01]: Yeah, you can't tell anyone from LA that you're going anywhere that isn't LA or New York. 01:27.043 --> 01:28.564 [SPEAKER_00]: We went to the fair. 01:29.124 --> 01:29.504 [SPEAKER_01]: We did. 01:29.604 --> 01:35.126 [SPEAKER_01]: So this has been like a lifelong bucket list experience for me to go to the 4-H 01:37.867 --> 01:46.135 [SPEAKER_01]: Lama and Alpaca costume contest at the minute stage fair and every time I've told someone that they've been like, what do you mean? 01:46.155 --> 01:48.858 [SPEAKER_01]: And I think maybe even you had that. 01:49.438 --> 01:53.783 [SPEAKER_01]: Yeah, it's um, but it's exactly what it sounds like. 01:53.883 --> 01:58.807 [SPEAKER_01]: It truly was exactly what it sounded like, but it was an incredible experience. 01:59.795 --> 02:06.639 [SPEAKER_01]: It was 900 degrees in the calcium where it happened, but we got to see Alama dressed as a doctor. 02:06.659 --> 02:07.499 [SPEAKER_00]: Mm-hmm. 02:08.159 --> 02:10.881 [SPEAKER_01]: Which sounds like it would be one of the boring ones. 02:10.981 --> 02:14.182 [SPEAKER_01]: But in fact, it was one of the most impressive. 02:14.383 --> 02:15.223 [SPEAKER_01]: It was beautiful. 02:15.483 --> 02:18.725 [SPEAKER_01]: The llama had like these little arms that were kind of dangling in front of. 02:19.852 --> 02:34.225 [SPEAKER_01]: I can't even say it's like these arms are dangling in front of him so when he walked they moved and so then it just his goofy llama face darting around the llama It's just so well integrated into the costume 02:35.669 --> 02:37.590 [SPEAKER_00]: that I believe he was a doctor. 02:38.551 --> 02:42.434 [SPEAKER_00]: And then the kid whose llama was also was a real showman. 02:42.874 --> 02:44.936 [SPEAKER_00]: And because there are couples costumes. 02:45.256 --> 02:47.998 [SPEAKER_01]: Yes, this is between the children and their lost. 02:48.498 --> 02:51.741 [SPEAKER_00]: And so the child was injured patient. 02:54.010 --> 02:54.690 [SPEAKER_01]: Yeah, and he limped. 02:54.710 --> 02:57.272 [SPEAKER_01]: He had a crutch and he like limped across the whole. 02:57.312 --> 02:58.692 [SPEAKER_01]: He really stableed it. 02:59.573 --> 03:02.254 [SPEAKER_00]: And then there were some movie related ones too. 03:02.274 --> 03:04.495 [SPEAKER_00]: There was the very first llama. 03:04.515 --> 03:06.716 [SPEAKER_00]: It was a mama meal one. 03:06.976 --> 03:08.717 [SPEAKER_00]: It was dawn in the dynamos. 03:09.117 --> 03:12.479 [SPEAKER_00]: My favorite movie as we all know. 03:12.999 --> 03:15.000 [SPEAKER_00]: And so I was thrilled. 03:15.620 --> 03:20.141 [SPEAKER_00]: It turns out Aloma in a wig is the funniest thing you can possibly do. 03:20.281 --> 03:24.402 [SPEAKER_01]: Aloma in a long straight, blonde wig. 03:24.522 --> 03:26.583 [SPEAKER_00]: Aloma with a blunt bang. 03:28.623 --> 03:30.103 [SPEAKER_01]: Yeah, it was really good. 03:30.484 --> 03:31.784 [SPEAKER_01]: It was really, really good. 03:31.864 --> 03:35.985 [SPEAKER_01]: It was worth doing an entire trip for, I think. 03:36.025 --> 03:38.405 [SPEAKER_00]: Yeah, there was a minion's llama. 03:38.585 --> 03:40.166 [SPEAKER_00]: I think it sounds like there is over here. 03:40.826 --> 03:43.307 [SPEAKER_00]: Look, not to bully your child. 03:43.327 --> 03:45.167 [SPEAKER_00]: This wasn't the best minion's llama. 03:46.708 --> 03:47.949 [SPEAKER_00]: Yeah, also these were children. 03:48.449 --> 03:50.930 [SPEAKER_00]: It was the best minions' law I have ever seen. 03:50.970 --> 03:54.933 [SPEAKER_01]: Yeah, I think if you're not familiar with 4-H, it's children. 03:55.593 --> 03:59.455 [SPEAKER_01]: It's children with the farm animals that they are like, tending to and raising. 03:59.556 --> 04:08.001 [SPEAKER_01]: So, and the point of the contest is to demonstrate, like, how well they've taught the llama to trust them, that the llama would tolerate a costume. 04:09.942 --> 04:12.523 [SPEAKER_01]: And I think the biggest lesson, though, 04:17.143 --> 04:24.131 [SPEAKER_01]: the four age judges for the contest are judging like their criteria's agricultural. 04:24.311 --> 04:27.755 [SPEAKER_01]: It's not really like who had the wackiest. 04:28.176 --> 04:31.419 [SPEAKER_01]: Most well-it was the best showman is like not what they're considering. 04:31.539 --> 04:32.340 [SPEAKER_01]: Yeah, and they're fortunate. 04:32.360 --> 04:33.161 [SPEAKER_01]: There was a moment. 04:33.181 --> 04:34.142 [SPEAKER_01]: There was this beautiful 04:35.003 --> 04:50.895 [SPEAKER_01]: rooster costume where the the kid had made these stunning tails that like flowed really beautifully and she had hand painted them and then she lost because it actually like they didn't she didn't cover all the legs like there were some details that weren't quite as 04:53.175 --> 05:05.683 [SPEAKER_01]: integrated as I guess some of the other ones that fully covered the Lama and was so irritating to the Lama that it was like more impressive that the Lama didn't react yet they seemed to most impressed when a Lama had a balloon on it. 05:05.763 --> 05:11.487 [SPEAKER_01]: Yes but then so when the rooster lost 05:12.616 --> 05:17.201 [SPEAKER_01]: the entire crowd, booed, the child, that one. 05:17.681 --> 05:21.225 [SPEAKER_00]: Okay, I will, to give the crowd credit. 05:22.026 --> 05:29.253 [SPEAKER_00]: They, they, they booed when they announced the chicken, got a blue ribbon, which means, 05:30.114 --> 05:51.908 [SPEAKER_01]: it lost yeah so they didn't technically boo when the when the bad one one but they were they were they were booing that you know that was the implications certainly and also like i think something that's funny is that this was one of the most crowded events i have ever been to like there were 5,000 people in this stadium i have been to NBA games with less people in 05:55.390 --> 06:01.914 [SPEAKER_01]: And that was because I was going to Pelican's games, but still, it was just pretty impressive. 06:01.994 --> 06:04.476 [SPEAKER_01]: So that's the costume contest was great. 06:04.996 --> 06:07.637 [SPEAKER_00]: And then some of the llamas were being real little shit. 06:07.717 --> 06:08.618 [SPEAKER_00]: And it was really funny. 06:08.638 --> 06:11.219 [SPEAKER_01]: Some of the llamas completely freaked out and shook the costume off. 06:11.239 --> 06:12.420 [SPEAKER_01]: And it was really funny to watch. 06:13.541 --> 06:16.462 [SPEAKER_01]: And then in general, the rest of the fair has just been a delight. 06:16.483 --> 06:17.203 [SPEAKER_01]: We went twice. 06:17.283 --> 06:21.846 [SPEAKER_01]: We've eaten a lot of cheese and you know, heavy. 06:22.546 --> 06:23.508 [SPEAKER_00]: Have you fried foods? 06:23.950 --> 06:25.814 [SPEAKER_00]: I had a pickle hard-saltzer. 06:25.834 --> 06:27.338 [SPEAKER_01]: She had a pickle hard-saltzer. 06:28.180 --> 06:29.623 [SPEAKER_00]: I bought a wooden bear from a man. 06:30.828 --> 06:35.271 [SPEAKER_01]: Yes, yes, there was kind of a long transaction where I'm really bought a bear from a man. 06:35.291 --> 06:36.412 [SPEAKER_00]: I bought a bear from a man. 06:37.693 --> 06:38.674 [SPEAKER_01]: That's a lumberjack. 06:39.414 --> 06:42.676 [SPEAKER_01]: A lumberjack wouldn't bear from a man with a lumberjack show. 06:44.338 --> 06:50.782 [SPEAKER_01]: So all in all, 10 out of 10, please visit the Wisconsin State Fair, or I'm sorry, I'm sorry, I'm sorry. 06:50.822 --> 06:52.844 [SPEAKER_01]: I know you're going to say, hey, that. 06:52.964 --> 06:56.726 [SPEAKER_01]: I know very well that Minnesota's hate Wisconsin, and I did not mean to do that. 06:57.967 --> 06:58.408 [SPEAKER_01]: But anyway, 06:59.208 --> 07:00.851 [SPEAKER_01]: We saw a bunch of newborn babies. 07:01.432 --> 07:02.754 [SPEAKER_00]: There's a baby barn. 07:02.814 --> 07:05.798 [SPEAKER_00]: The baby barn was a lot more important than I was doing. 07:06.319 --> 07:08.362 [SPEAKER_01]: I wanted to go back to the baby barn. 07:09.764 --> 07:14.111 [SPEAKER_01]: Sometimes I'm like, I'm going to go get a drink, and then she'd be like, I went back to the baby barn. 07:15.792 --> 07:18.454 [SPEAKER_00]: I just, the siren call of the baby barn. 07:18.474 --> 07:24.056 [SPEAKER_00]: I was like, what new little piglets have been born since last time I was in the baby barn? 07:24.116 --> 07:24.857 [SPEAKER_00]: Yeah, there's things out. 07:24.877 --> 07:25.537 [SPEAKER_00]: It was like 20. 07:26.137 --> 07:29.459 [SPEAKER_01]: Yeah, there were 21 piglets born in a day, incredible. 07:30.599 --> 07:36.142 [SPEAKER_00]: Yesterday we saw some lanterns that 90 minutes prior were inside their mom. 07:37.980 --> 07:40.302 [SPEAKER_00]: She all her guts were still coming out of her. 07:40.322 --> 07:59.217 [SPEAKER_01]: Yeah, that was actually really trouble That's like a way those goods But yeah, the baby barn was Special it was more fun to visit the baby barn than it was maybe some of the other Farmanimal barn's just because it would be like 08:00.900 --> 08:04.002 [SPEAKER_01]: meat farm, and then it would just be like a cute pig underneath. 08:04.042 --> 08:07.485 [SPEAKER_01]: And it's like, I understand that's the business, but it was like winning meat goat. 08:07.565 --> 08:10.688 [SPEAKER_00]: And it was like, oh, it's not telling me. 08:10.708 --> 08:13.430 [SPEAKER_00]: Oh, there's a, there's a butter princess. 08:13.870 --> 08:14.230 [SPEAKER_00]: Oh, yes. 08:14.430 --> 08:16.032 [SPEAKER_00]: Yeah, we learned about that. 08:16.092 --> 08:16.712 [SPEAKER_00]: That's fun. 08:16.872 --> 08:19.614 [SPEAKER_00]: There's every, every year, there's a dairy princess. 08:20.475 --> 08:28.379 [SPEAKER_00]: who gets, then her and all the finalists get their busts carved out of butter blocks live and a rotating tube. 08:29.199 --> 08:38.343 [SPEAKER_01]: Yeah, there was a really, um, I think there was an incredibly popular blacklist script like eight years ago about, called Butter, about the Butter Princess. 08:39.083 --> 08:42.985 [SPEAKER_01]: I don't know that I ever saw the movie, but I remember the blacklist script going around staying. 08:43.325 --> 08:49.548 [SPEAKER_00]: Um, but yeah, yeah, all in all, we went home and watched the, the crowning ceremony on YouTube. 08:50.047 --> 08:55.114 [SPEAKER_01]: Yeah, I think that's the funniest thing that we've developed is every time we're in person. 08:55.996 --> 09:00.562 [SPEAKER_01]: We have one or two YouTube nights where we're just, we just follow Rabbitt holes together. 09:00.582 --> 09:02.365 [SPEAKER_00]: Yeah, we just turn into boys. 09:02.405 --> 09:03.467 [SPEAKER_01]: We love YouTube. 09:06.951 --> 09:22.767 [SPEAKER_01]: Yeah, and so this this time it was we went on a deep dive on the Princess Kay of the milky way the butter princess That gets carved into butter because you see it there and you're kind of like if you're not familiar with it You're like, whoa What am I looking at? 09:22.967 --> 09:27.071 [SPEAKER_01]: What the hell is going on and because the way it's displayed it's a man 09:28.372 --> 09:37.257 [SPEAKER_01]: In a refrigerated chamber with a girl sitting with a crown on and the man is carving into butter and the chamber is 40 degrees and rotating 09:37.978 --> 09:40.959 [SPEAKER_01]: And you're just like, what have I found? 09:42.880 --> 09:46.882 [SPEAKER_00]: And then there's like a bunch of other heads of butter and you're like, who are they? 09:47.202 --> 09:49.643 [SPEAKER_00]: And then there's some blocks with photos on them. 09:50.123 --> 09:57.607 [SPEAKER_00]: And that's, it's like, those are the blocks of butter assigned to the girls who haven't been carved yet, who are yet to be carved. 09:58.147 --> 10:01.068 [SPEAKER_01]: So I think that warranted a YouTube deep dive. 10:01.168 --> 10:01.608 [SPEAKER_01]: Oh yeah. 10:01.709 --> 10:04.450 [SPEAKER_01]: You know, I can probably link some videos, actually, below. 10:05.190 --> 10:15.919 [SPEAKER_01]: one of the interest of the history or the crowning ceremony, the coronation, but can I be a better princess of our podcast? 10:16.800 --> 10:17.320 [SPEAKER_01]: Sure. 10:17.340 --> 10:19.662 [SPEAKER_00]: You can be a finalist. 10:20.243 --> 10:22.044 [SPEAKER_01]: I don't even want to be a contestant. 10:22.104 --> 10:25.727 [SPEAKER_01]: I would actually like to carve, I think it would be really fun to carve the better. 10:25.788 --> 10:27.769 [SPEAKER_01]: It looks satisfying. 10:28.610 --> 10:31.512 [SPEAKER_00]: It's probably pretty hard because it's not even 10:35.249 --> 10:40.492 [SPEAKER_01]: Great, yeah, yeah, it's kind of like, this is a kind of tough, okay. 10:40.932 --> 10:42.593 [SPEAKER_01]: But these are professional sculpted, yeah. 10:42.613 --> 10:47.136 [SPEAKER_01]: So like, yeah, I do think it's a probably a really hard maybe a work with, probably because it melts. 10:47.776 --> 10:55.120 [SPEAKER_01]: Yeah, not in that chamber, but it, yeah, really something to behold, a real, a real trait. 10:57.555 --> 11:01.197 [SPEAKER_01]: But anyways, let's move it to movies. 11:01.537 --> 11:06.839 [SPEAKER_00]: Movies like this podcast is about. 11:06.859 --> 11:17.864 [SPEAKER_01]: We, because we were a person, we were like, let's see a movie in person, which I don't know how you feel about the experience, but I was like, oh, this is actually kind of weird because we came out of the movie and I was like, I actually don't want to say anything. 11:18.084 --> 11:20.685 [SPEAKER_01]: Yeah, you know, actually let's not talk to each other. 11:20.705 --> 11:23.987 [SPEAKER_00]: Let's actually be quiet until the podcast. 11:24.167 --> 11:26.568 [SPEAKER_01]: So yesterday, we saw the movie Finding Emily, 11:27.069 --> 11:29.291 [SPEAKER_00]: We had to, because it's a part of your culture. 11:29.311 --> 11:32.334 [SPEAKER_01]: We had to, it's about me. 11:32.874 --> 11:47.527 [SPEAKER_01]: I mean, right out the gate, I think the first thing I want to say about the movie finding Emily is that with all of the hand-winging that happened this year with romcoms that we were active participants saying, yeah, we run, we run the hell out of our hands. 11:49.063 --> 11:51.505 [SPEAKER_01]: This is the one that is, we are so back. 11:51.965 --> 11:54.907 [SPEAKER_00]: Yes, this is the, this one rocks. 11:54.967 --> 12:00.791 [SPEAKER_00]: This is like the first charming one of the year, where I was actually charmed. 12:01.191 --> 12:12.239 [SPEAKER_01]: Yeah, and not only charmed, but like, I felt like I was watching this one and thinking like, this is a rom-com, I would revisit. 12:12.339 --> 12:15.561 [SPEAKER_01]: Like this could become a classic to me, where I would throw it on and be like, 12:16.769 --> 12:21.872 [SPEAKER_01]: It's fun, and it would, this is one that could become emotional wallpaper on the TV. 12:21.912 --> 12:28.516 [SPEAKER_00]: Yeah, it did feel like retro in that way, but then the story is so modern. 12:28.836 --> 12:34.720 [SPEAKER_00]: Yeah, but in a way that feels like, I feel like they did all the timely stuff very well. 12:36.088 --> 13:03.421 [SPEAKER_01]: definitely like all that it's it's kind of hard to like incorporate TikTok and all that in a way that feels like real and not just corny well yeah so yes so this movie has a pretty large like cancel culture what and I don't know how you feel that like I feel like that was the first time I've ever seen a movie actually handle the cancel culture stuff well it was definitely like 13:04.819 --> 13:06.981 [SPEAKER_00]: I feel like there must be at least one other. 13:07.021 --> 13:14.468 [SPEAKER_00]: I'm like, okay, but this was the first one where it didn't feel like, where do you wanna move you about cancel culture? 13:14.528 --> 13:15.949 [SPEAKER_00]: That's how it is. 13:15.969 --> 13:17.130 [SPEAKER_00]: I think that's what it is. 13:17.150 --> 13:19.872 [SPEAKER_00]: Like it felt like just an organic plot point. 13:19.892 --> 13:20.193 [SPEAKER_00]: Plot points. 13:20.833 --> 13:30.802 [SPEAKER_01]: Yes, and it was just like, it was a plot point, but also it didn't feel ax grindy, and nobody who was participating in the canceling, 13:31.865 --> 13:34.826 [SPEAKER_01]: was so bad. 13:34.947 --> 13:41.250 [SPEAKER_01]: Like even there was one character who was clearly supposed to be sort of the like quote-unquote woke annoying one. 13:41.930 --> 13:46.872 [SPEAKER_01]: Even she had her reasons and nothing she said was like that crazy, right? 13:46.892 --> 13:51.114 [SPEAKER_01]: Like her being mad at the dean or whatever it's called in a British school. 13:51.134 --> 13:52.455 [SPEAKER_01]: I think it was the dean. 13:53.315 --> 14:00.259 [SPEAKER_01]: Her being mad at the dean because of a breach of privacy is actually not unreasonable, right? 14:01.399 --> 14:12.042 [SPEAKER_01]: And so, having that character lead the charge, it was like, she's being annoying and she's clearly doing it for her own personal gain, but not in a way that felt so extreme. 14:12.082 --> 14:20.685 [SPEAKER_01]: It was sometimes you just feel the ledger is hand of a screenwriter being like, they're still up tight. 14:20.725 --> 14:21.625 [SPEAKER_01]: I'm gonna get him. 14:21.665 --> 14:25.207 [SPEAKER_00]: Yeah, but with her, it's like, yeah, of course the girl who's annoying 14:29.868 --> 14:30.228 [SPEAKER_01]: Of course. 14:30.729 --> 14:47.102 [SPEAKER_01]: Yeah, and as sort of, that's the time when you're supposed to be that way, and obviously, by the end of the movie, she clearly comes around, yeah, because she's in the music video in the closing credits. 14:47.122 --> 14:55.289 [SPEAKER_00]: I, there was one line in it, which is where she says that thing, which is, you know, I think everyone knows this from, 14:56.270 --> 15:23.791 [SPEAKER_00]: You know, it's one of those like how to get people to like you things of the like people like hearing their own name Oh, yes, and they say that at one point now it's like, uh-huh, yes You hearing your own name for to always And it's funny because it's like obviously the reason the name Emily was chosen was because they needed a name that like everyone has like they needed a name that believably like easily Just 400 girls on one college game this would 15:24.811 --> 15:25.072 [SPEAKER_00]: Yeah. 15:25.112 --> 15:27.433 [SPEAKER_00]: It's one of the most generic names. 15:28.213 --> 15:28.653 [SPEAKER_01]: Hey. 15:29.013 --> 15:29.394 [SPEAKER_01]: No. 15:29.714 --> 15:30.354 [SPEAKER_01]: It is. 15:30.374 --> 15:30.534 [SPEAKER_01]: It is. 15:30.574 --> 15:30.834 [SPEAKER_01]: It's true. 15:30.874 --> 15:34.476 [SPEAKER_01]: They're like. 15:34.796 --> 15:35.156 [SPEAKER_01]: Yeah. 15:35.256 --> 15:41.299 [SPEAKER_01]: I do, but Anne also is a name that can be mistaken for another name, which was an important plot point. 15:41.319 --> 15:42.240 [SPEAKER_00]: Big plot point. 15:42.440 --> 15:45.581 [SPEAKER_01]: Um, how did you feel about the female main character? 15:45.601 --> 15:49.603 [SPEAKER_01]: I really, I really liked her unique relationship to Ethics. 15:50.404 --> 15:51.084 [SPEAKER_00]: Yeah. 15:51.224 --> 15:51.864 [SPEAKER_00]: I liked it. 15:51.925 --> 15:52.285 [SPEAKER_00]: She was. 15:53.978 --> 16:00.443 [SPEAKER_00]: Like she wasn't perfect, but she was like a character that you would want to be friends with. 16:01.684 --> 16:07.568 [SPEAKER_01]: Yeah, kind of almost like, if I'm just making a little, maybe this is why I think this could be a classic. 16:07.848 --> 16:17.815 [SPEAKER_01]: Everybody tell me a little of like, classic, like, Meg Ryan characters, which is like a little daffy and a little, a little uptight. 16:17.895 --> 16:21.958 [SPEAKER_00]: Yeah, but there's like a little prickliness too, where she's not just like, 16:23.149 --> 16:26.191 [SPEAKER_01]: Sugar sweet, yes, yes. 16:26.771 --> 16:35.836 [SPEAKER_01]: Because that is like, when I think about the other two romcoms that we talked about this year, Yumi and Tuscany was two fairy tales. 16:37.076 --> 16:41.098 [SPEAKER_01]: And one night only was two evil? 16:41.398 --> 16:46.741 [SPEAKER_01]: Yeah, and like nihilistic and dark. 16:47.581 --> 16:48.122 [SPEAKER_01]: And this, 16:49.623 --> 16:56.881 [SPEAKER_01]: Like, the characters made it this land right in the middle of the scene where it, it does have a little bit of a story about quality. 16:58.267 --> 17:10.197 [SPEAKER_01]: because the idea that she achieved any success after the end of the movie is pure, purely fancival. 17:11.118 --> 17:15.902 [SPEAKER_01]: And she is essentially doing like one of the most unethical things I've ever seen as psychologist. 17:15.982 --> 17:16.603 [SPEAKER_01]: Oh, yeah. 17:17.043 --> 17:25.310 [SPEAKER_01]: The entire movie, she's like forging signatures to study the guy that she's doing her thesis on and then falls in love with. 17:25.330 --> 17:25.771 [SPEAKER_01]: Yeah. 17:27.947 --> 17:28.889 [SPEAKER_00]: It's not great. 17:28.949 --> 17:31.933 [SPEAKER_00]: Funny how little the movie grapples with the idea. 17:33.456 --> 17:40.046 [SPEAKER_00]: I guess maybe because it's like, I don't know, because it's a college paper, whatever, but. 17:41.363 --> 18:02.256 [SPEAKER_00]: Yeah, one of the things I felt that made it so good was that every relationship between characters felt very like real to me, like whether it was like the friend relationships, the brother to brother relationships, the brother to sister-in-law relationship, and then the central couple too. 18:02.856 --> 18:06.518 [SPEAKER_01]: Yeah, all of the relationships felt real and lived in. 18:10.402 --> 18:25.025 [SPEAKER_01]: The male main character, Owen, who I really loved, I did, when I first saw the trailer, I told you this yesterday, I did think this was going to be the Oasis biopic, simply because him and his brother have that haircut. 18:25.125 --> 18:33.687 [SPEAKER_00]: I did mention it in interview that his character, he was thinking, would like really love Oasis. 18:34.145 --> 18:34.886 [SPEAKER_01]: I think that's true. 18:35.226 --> 18:39.550 [SPEAKER_01]: I definitely got that vibe, especially once you hear his music, yes, you're like, oh, okay. 18:39.810 --> 18:55.525 [SPEAKER_00]: That he also is the micro genre of man that makes me go the most insane in what what? 18:57.417 --> 19:01.900 [SPEAKER_00]: I find it so hot, okay, that you're going insane. 19:01.940 --> 19:04.641 [SPEAKER_00]: That it makes me be crazy. 19:05.481 --> 19:10.744 [SPEAKER_00]: Like, that's so essentially men who look like Oasis. 19:10.984 --> 19:12.845 [SPEAKER_00]: And I'm not like an, I'm not an Oasis fan. 19:13.345 --> 19:15.166 [SPEAKER_00]: I know very little about Oasis. 19:15.366 --> 19:18.128 [SPEAKER_01]: Yeah, I feel like you don't even love British people. 19:18.508 --> 19:20.709 [SPEAKER_00]: No, but I don't. 19:21.249 --> 19:24.371 [SPEAKER_00]: But that look, like, 19:26.296 --> 19:29.956 [SPEAKER_00]: There's nothing, there's nothing more important to me. 19:31.888 --> 19:37.533 [SPEAKER_00]: Like, I think the seed was planted with Robert Schwartzman and the Princess Diaries. 19:38.313 --> 19:38.754 [SPEAKER_01]: Oh, wow. 19:38.874 --> 19:41.576 [SPEAKER_00]: I still don't ever think anyone's been hotter. 19:41.977 --> 19:42.998 [SPEAKER_01]: That's so bad. 19:43.118 --> 19:44.339 [SPEAKER_01]: Okay, yeah, I follow. 19:44.399 --> 19:47.461 [SPEAKER_00]: And then this guy, I think, is like unbelievably hot. 19:48.763 --> 19:49.503 [SPEAKER_01]: He was 25. 19:50.284 --> 19:53.046 [SPEAKER_01]: Sorry, I'm going old forever mode again. 19:53.507 --> 19:55.709 [SPEAKER_00]: But I think he is insanely hot. 19:57.310 --> 19:57.891 [SPEAKER_00]: I even like, 19:59.434 --> 20:04.350 [SPEAKER_00]: A one-time God-a-boy friend who looks like this. 20:05.838 --> 20:06.919 [SPEAKER_01]: And it turned out great. 20:06.999 --> 20:09.701 [SPEAKER_01]: And it turned out really, really good. 20:10.101 --> 20:14.044 [SPEAKER_01]: And men with that haircut are usually mentally well. 20:14.144 --> 20:17.266 [SPEAKER_00]: I just, I couldn't look. 20:17.366 --> 20:19.127 [SPEAKER_00]: It went bad and I couldn't let go. 20:19.147 --> 20:24.211 [SPEAKER_00]: Because I was like, it's like, it's like a man getting like a victorious secret model. 20:24.711 --> 20:26.752 [SPEAKER_00]: And then she starts acting fucking nuts. 20:26.832 --> 20:28.914 [SPEAKER_00]: And they're like, I can't let her go, I got it. 20:29.114 --> 20:33.457 [SPEAKER_00]: I was like, nope, I'm holding onto this with my nails. 20:36.499 --> 20:41.601 [SPEAKER_00]: But he was so cute, and I liked that he was kind of a hymnbo. 20:42.462 --> 20:53.547 [SPEAKER_01]: Yeah, well, so the hymnbo stuff is interesting because there were certain points in this movie where I was like, is this kind of like, are the class dynamics of this movie a little weird? 20:54.047 --> 20:54.768 [SPEAKER_01]: Because she's 20:56.080 --> 21:01.502 [SPEAKER_01]: I mean, I don't, you know, not to be the red-haired woke character for the movie. 21:02.103 --> 21:05.544 [SPEAKER_01]: But I want to talk about classes. 21:06.804 --> 21:11.466 [SPEAKER_01]: She is an academic who is on a student visa in another country. 21:11.546 --> 21:13.427 [SPEAKER_00]: And they do say scholarship though. 21:13.767 --> 21:14.007 [SPEAKER_00]: Yeah. 21:14.027 --> 21:16.028 [SPEAKER_00]: They do specify she's a scholarship student. 21:16.188 --> 21:19.530 [SPEAKER_01]: And he is a working class manchester boy. 21:19.550 --> 21:19.830 [SPEAKER_01]: Yeah. 21:20.935 --> 21:40.270 [SPEAKER_01]: and she takes advantage of him for a hundred minutes of this movie and then says sorry in the end and then he achieves success and then the success comes from the thing she did to him so yeah it's like perfect romcom math but there were a few minutes in the middle where I was like 21:41.637 --> 21:45.200 [SPEAKER_01]: The dynamics here are interesting. 21:45.320 --> 21:54.467 [SPEAKER_00]: Yeah, I guess, maybe that's why they, I mean, I guess there was also why there was so much writing on this was because she was a scholarship and on a visa. 21:54.507 --> 22:05.595 [SPEAKER_00]: But yeah, then later when he's on the comp, when he's on the date with Omeli, they, he does lay out the like, oh no, I never even thought of going to, 22:05.975 --> 22:26.687 [SPEAKER_00]: Yeah, university because like there was no money, you know what I'm right, but he this character like a guy who looks like this could so easily just be like you know cast as like kind of like brooding mysterious like hard to get through to, especially when the character's a musician, you know? 22:26.767 --> 22:30.189 [SPEAKER_00]: Yeah, but it's like for him to be like, he's like pretty goofy. 22:30.889 --> 22:31.870 [SPEAKER_01]: Yeah, he's really goofy. 22:31.990 --> 22:33.751 [SPEAKER_01]: I feel like this character went to the 22:35.150 --> 22:47.578 [SPEAKER_01]: Barry Kieogen in Banshee's of Innesherian School of Physical Behaviorals, because he was like talking to her and doing a lot of those physical movements that I was like, it's just so funny. 22:50.560 --> 22:55.323 [SPEAKER_01]: I love the way his clothes just hung off his little body. 22:55.423 --> 23:05.828 [SPEAKER_01]: I mean, this movie, another thing it really had going for at that, like, does I think make it more of an enduring classic than the other two, is like, the comedy really worked. 23:07.369 --> 23:12.411 [SPEAKER_01]: The joke, where he's in a field, killer, killer joke. 23:14.292 --> 23:18.463 [SPEAKER_00]: And when, like, she's like, that's her head to his heart and then has the other girl. 23:18.483 --> 23:18.703 [SPEAKER_01]: Yeah. 23:18.824 --> 23:21.570 [SPEAKER_00]: And you just, like, step it weird. 23:23.396 --> 23:33.362 [SPEAKER_01]: Yeah, I mean, he also is like, I think he, he particularly, they both were really funny, but, and maybe this is just like, I like British comedy, but like, he did have a really good timing. 23:33.502 --> 23:39.346 [SPEAKER_01]: Yeah, for comedy that was just like, it's so hard to find in rom-com for some reason. 23:39.366 --> 23:41.187 [SPEAKER_01]: Like, it's never the prior, not never. 23:41.547 --> 23:47.831 [SPEAKER_01]: And I don't want to disparage filmmakers who are getting after it in the rom-com front because we need them, too. 23:48.992 --> 23:54.299 [SPEAKER_01]: But it is so infrequent that the comedy is prioritized and without it. 23:55.256 --> 23:57.218 [SPEAKER_01]: the movies have no staying power. 23:57.298 --> 23:57.578 [SPEAKER_00]: Yeah. 23:58.138 --> 24:12.269 [SPEAKER_00]: And this was, like, I thought that the central couple, because it all, it all comes down to chemistry, and you actually giving a shit about the central couple getting together, which, like, in one night only, I, not only did I not care, I was like, I don't even get it. 24:12.389 --> 24:15.571 [SPEAKER_00]: Like, I don't even get why I would want them to be together. 24:15.872 --> 24:19.174 [SPEAKER_00]: But with this, it's like, it's a slow burn. 24:19.374 --> 24:22.376 [SPEAKER_00]: In a way, we're like, you, it's when they kiss, you're like, 24:23.337 --> 24:32.061 [SPEAKER_00]: Yeah, and he's so good at, like, before they even kiss, he, like, puts his, like, head in her, like, yeah, that's, like, swoony, you know? 24:32.081 --> 24:39.705 [SPEAKER_01]: Yeah, he had very, he had, when he wasn't doing the goofball, very cute, and I'm uncomfortable in my body movements. 24:40.506 --> 24:47.189 [SPEAKER_01]: He had very, like, tender, tender romantic movements that I thought was very sweet to watch. 24:47.289 --> 24:49.870 [SPEAKER_00]: And, like, the scene with him and his brother in the car, so cute. 24:52.052 --> 24:56.678 [SPEAKER_01]: Yeah, you know what, that reminds me that that's like connected to the comedy of the movie. 24:56.738 --> 25:07.633 [SPEAKER_01]: I think one thing this movie was like completely unaffraid to do was stay in character moments for like a full 90 seconds longer than necessary. 25:07.733 --> 25:08.334 [SPEAKER_01]: Totally. 25:08.614 --> 25:08.795 [SPEAKER_01]: And it. 25:10.052 --> 25:11.852 [SPEAKER_01]: I think it works so well too. 25:11.892 --> 25:19.394 [SPEAKER_01]: It's advantage when it did it enough times that you feel a real intimacy with all of these characters when you're watching it. 25:19.414 --> 25:22.235 [SPEAKER_01]: You're just like, oh, there's the, you know, him and his brother have this bit. 25:22.395 --> 25:26.576 [SPEAKER_01]: And like, yeah, it's the bit with her and her roommate. 25:26.696 --> 25:28.577 [SPEAKER_01]: Every bit with them was really sweet. 25:29.837 --> 25:38.179 [SPEAKER_01]: And I get where movies don't take the time to do that and they're definitely chunks of this movie that I felt were felt a little long to me. 25:38.999 --> 25:45.110 [SPEAKER_01]: Like, I was aware of the time passing in the middle of the movie, but... 25:46.600 --> 25:57.227 [SPEAKER_01]: It kind of doesn't matter, because by the end, because they spent all this time making me love the way the characters connected to each other, by the end, I was just like, well, so happy for everyone. 25:57.267 --> 25:57.467 [SPEAKER_01]: Yeah. 25:58.468 --> 26:00.569 [SPEAKER_00]: The podcast stuff was all really funny. 26:00.710 --> 26:03.912 [SPEAKER_01]: The podcast stuff was really, I love representation and movies. 26:03.972 --> 26:15.720 [SPEAKER_00]: And I love how clearly like that character was, which I'm sure this exists on college campus as a worldwide, like some girl who was trying to be call her daddy. 26:16.500 --> 26:37.951 [SPEAKER_01]: Yes, immediately it was like okay, she's well, it's like funny because she was doing a mix of like Alex Cooper But also like something else just doing like a journalistic like breaking news thing But about like boring stuff that happens on the college campus, which you know, perhaps that's happening on campuses everywhere I I'm certainly not tapped into the community. 26:38.091 --> 26:38.832 [SPEAKER_00]: Hey, me neither 26:40.333 --> 26:41.173 [SPEAKER_01]: And thank you to us. 26:43.195 --> 26:44.196 [SPEAKER_01]: Um, okay. 26:44.336 --> 26:47.938 [SPEAKER_01]: Do you have any other thoughts about finding Emily? 26:48.359 --> 26:49.860 [SPEAKER_00]: No, it was just really cute. 26:49.880 --> 26:52.442 [SPEAKER_00]: I was, I was charmed beginning to end. 26:52.502 --> 26:52.802 [SPEAKER_00]: Yeah. 26:53.463 --> 26:54.743 [SPEAKER_00]: Um, or 26:56.566 --> 27:04.149 [SPEAKER_00]: Hipp to pit as they said about the cows at the fair and I think everyone should go see it. 27:04.549 --> 27:08.250 [SPEAKER_01]: I do think everyone should go see it and I actually think nobody has gone to see it. 27:08.330 --> 27:08.791 [SPEAKER_01]: I know. 27:09.091 --> 27:17.494 [SPEAKER_01]: Like when I opened up letterboxed, I was the only person that was reviewing it in my like circle of people that I follow. 27:17.574 --> 27:17.894 [SPEAKER_01]: Yeah, no. 27:17.974 --> 27:18.674 [SPEAKER_00]: People got to see it. 27:18.714 --> 27:19.535 [SPEAKER_00]: It's so cute. 27:19.595 --> 27:20.075 [SPEAKER_00]: Including 27:21.100 --> 27:27.324 [SPEAKER_01]: professional film critics that I follow like nobody had touched it for some reason and it's a really nice movie. 27:27.524 --> 27:48.156 [SPEAKER_00]: No, this is the first rom-com in that I can think of that I've seen in theaters and I don't even know how long we're like actually like it got like you know yeah the you me and Tuscany was like cute and whatever totally enjoyable but like not sticky no where's like this one I really like 27:48.880 --> 27:49.640 [SPEAKER_01]: It got in there. 27:49.660 --> 27:50.040 [SPEAKER_00]: Yeah. 27:50.800 --> 27:51.721 [SPEAKER_01]: Yeah, definitely. 27:51.741 --> 27:57.042 [SPEAKER_01]: Um, speaking of old-pervert, yes. 27:57.862 --> 27:58.222 [SPEAKER_01]: Go on. 27:58.982 --> 28:03.483 [SPEAKER_01]: We're not covering this movie today because you didn't see it, but we saw idiots. 28:03.643 --> 28:04.103 [SPEAKER_00]: Hmm. 28:04.703 --> 28:06.864 [SPEAKER_01]: And I just want to say that O.C. 28:06.904 --> 28:09.164 [SPEAKER_01]: Jackson, Jr. might be my Cooper Hoffman. 28:09.804 --> 28:10.445 [SPEAKER_00]: Really? 28:10.685 --> 28:12.305 [SPEAKER_01]: I just every time he's on screen, I'm like, 28:13.413 --> 28:16.877 [SPEAKER_01]: I love this man so much, so cute. 28:17.598 --> 28:19.701 [SPEAKER_01]: I want to take a large bite out of him. 28:20.362 --> 28:22.965 [SPEAKER_00]: Surely he's like 31 or 2. 28:23.145 --> 28:25.268 [SPEAKER_01]: I frankly have no idea how old this. 28:26.329 --> 28:26.710 [SPEAKER_01]: Wow. 28:27.230 --> 28:30.695 [SPEAKER_01]: And, you know, hopefully listeners have no idea how old I am. 28:32.046 --> 28:32.927 [SPEAKER_01]: It's all a mystery. 28:33.327 --> 28:36.349 [SPEAKER_00]: We're both 19, or 16, you don't know. 28:38.330 --> 28:43.833 [SPEAKER_00]: But, yeah, I was just using, you calling yourself an author, right? 28:43.953 --> 28:45.054 [SPEAKER_01]: I could've got that. 28:45.494 --> 28:49.357 [SPEAKER_01]: I just love Ojej Jackson, and he is very, it is like not a perfect movie. 28:50.157 --> 28:52.939 [SPEAKER_01]: We're seeing, because it's like a fun enough comedy. 28:53.059 --> 28:54.000 [SPEAKER_01]: I wanted to see it. 28:54.020 --> 28:55.641 [SPEAKER_01]: Yeah, and you probably will still. 28:55.681 --> 28:56.641 [SPEAKER_01]: I'm sure it'll still be out. 28:56.701 --> 28:56.842 [SPEAKER_01]: Yeah. 28:57.962 --> 29:02.264 [SPEAKER_01]: Um, but it is he really every time he was like being funny. 29:02.304 --> 29:07.526 [SPEAKER_01]: I was like, you know, I was that mean where the ladies like looking with the heavy brow. 29:11.748 --> 29:19.231 [SPEAKER_00]: Um, oh, also we were the only people with either for finding Emily except one lady came and late and then an MC employee came and sat. 29:19.652 --> 29:21.615 [SPEAKER_00]: That halfway through with his broom. 29:22.076 --> 29:31.191 [SPEAKER_01]: The AMC employee who was just supposed to clean the theatre when it was over, but watched an hour of the movie, my heart goes out to him. 29:33.170 --> 29:35.311 [SPEAKER_00]: I showed you an Alex how to do entourage. 29:35.812 --> 29:38.293 [SPEAKER_01]: Oh yeah, we had no way, I didn't even know that existed at all. 29:38.313 --> 29:41.435 [SPEAKER_01]: So married couple who wasn't in each other's entourage. 29:41.775 --> 29:43.516 [SPEAKER_01]: I don't know that everybody even knows what that is. 29:43.556 --> 29:46.878 [SPEAKER_00]: I don't know, I think that because of that, you actually could just get an old. 29:47.118 --> 29:49.620 [SPEAKER_00]: Your marriage is illegal if you're not on entourage. 29:50.120 --> 29:51.281 [SPEAKER_01]: That's the final step. 29:51.301 --> 29:56.204 [SPEAKER_01]: To be fair, our AMC, our dual AMC A-list subscriptions. 29:57.510 --> 29:59.313 [SPEAKER_01]: has been much shorter than our marriage. 30:00.094 --> 30:00.835 [SPEAKER_01]: Okay, fair enough. 30:01.075 --> 30:02.457 [SPEAKER_01]: So it came after. 30:02.477 --> 30:14.273 [SPEAKER_01]: But yes, we are now in each other's entourage and we can get, we don't have to coordinate, I've been making Alex hold both phones when he makes the reservation and now we don't have to do that anymore thanks to you. 30:15.402 --> 30:17.484 [SPEAKER_00]: That's all I wanted, it's not a great fault to me. 30:17.524 --> 30:19.925 [SPEAKER_01]: That's all I wanted. 30:20.726 --> 30:22.547 [SPEAKER_01]: But let's move on to the main event. 30:22.808 --> 30:23.088 [SPEAKER_01]: Yes. 30:23.388 --> 30:32.635 [SPEAKER_01]: Hi, Ody versus Acme, baby versus Acme, which is the movie we've all been waiting years for because it almost didn't get released. 30:32.995 --> 30:34.656 [SPEAKER_01]: Yeah, did you know it wrapped in 2022? 30:34.696 --> 30:39.200 [SPEAKER_01]: I don't think I knew that it had that is wrapped in a long time ago. 30:39.700 --> 30:41.201 [SPEAKER_01]: So long ago. 30:42.362 --> 30:43.143 [SPEAKER_01]: And so, okay. 30:43.703 --> 30:46.106 [SPEAKER_01]: Do you remember what happened with it? 30:47.167 --> 30:52.572 [SPEAKER_00]: I wasn't at the first victim of the tax write-off shelving things. 30:53.153 --> 30:55.195 [SPEAKER_00]: So it was actually like the third. 30:55.335 --> 30:55.635 [SPEAKER_00]: Okay. 30:55.675 --> 30:59.259 [SPEAKER_00]: So what it was, it wasn't like bat growner brothers. 30:59.319 --> 31:01.781 [SPEAKER_01]: Yeah, Warner Brothers and Discovery Merge. 31:02.842 --> 31:13.764 [SPEAKER_01]: David Zazlov is put in place and his first order of business, usually when a new executive gets put in charge of a studio, this is not really what happens. 31:13.804 --> 31:17.825 [SPEAKER_01]: Like, usually it's, they just try to have good will towards the movies that are already in production. 31:18.225 --> 31:30.508 [SPEAKER_01]: And for some reason, Zazlov was like, I'm going to do these three movies as a like failed business expense so that they could get some money back on taxes, not even all of the money. 31:31.668 --> 31:34.469 [SPEAKER_01]: because that's just not how that taxed their works with business. 31:36.169 --> 31:45.191 [SPEAKER_01]: But, you know, it is, it saves you the marketing cost, essentially, which can be as much as the movie costs. 31:45.872 --> 31:56.414 [SPEAKER_01]: Like, I know Barbie was the example I heard on the Planet Money episode I listened to about this, this morning, where Barbie cost 142 million to make, and 150 million to market. 32:00.202 --> 32:07.064 [SPEAKER_01]: So like, I don't think it's good, but what essentially was as lofted was he can back girl. 32:07.164 --> 32:08.745 [SPEAKER_01]: He can't some other superhero thing. 32:08.765 --> 32:11.826 [SPEAKER_01]: I don't remember the name of, sorry, to the superheroes out there. 32:12.786 --> 32:16.828 [SPEAKER_01]: And then the third thing, like a month later, was coyote versus acme. 32:17.428 --> 32:21.231 [SPEAKER_01]: This was the one that had the biggest reaction from people. 32:21.251 --> 32:26.876 [SPEAKER_00]: Because I feel like a bunch of people who had seen it already were like, it's actually really good. 32:27.036 --> 32:27.917 [SPEAKER_00]: Yeah, and done. 32:28.137 --> 32:28.398 [SPEAKER_01]: Yeah. 32:28.458 --> 32:28.658 [SPEAKER_00]: Yeah. 32:29.639 --> 32:30.860 [SPEAKER_01]: It's really good and done. 32:32.421 --> 32:35.344 [SPEAKER_01]: And so then there became a bidding war. 32:35.644 --> 32:41.649 [SPEAKER_01]: And then, but I don't know why they waited so long to release it since then. 32:41.689 --> 32:41.909 [SPEAKER_01]: Yeah. 32:42.790 --> 32:45.594 [SPEAKER_01]: But essentially catch up entertainment bought it for 50 million. 32:45.634 --> 32:47.576 [SPEAKER_00]: Which like what is that? 32:48.037 --> 32:48.978 [SPEAKER_00]: Catch up entertainment? 32:49.018 --> 32:49.258 [SPEAKER_00]: Yes. 32:49.739 --> 32:51.942 [SPEAKER_00]: It's just one of the bits just a small studio. 32:51.962 --> 32:52.242 [SPEAKER_00]: Okay. 32:52.402 --> 32:53.163 [SPEAKER_00]: A small district mirror? 32:53.183 --> 32:54.605 [SPEAKER_00]: I don't think I've ever seen him before. 32:54.665 --> 32:56.848 [SPEAKER_01]: Well, I'll tell you they're also doing the Rolling Loud movie. 32:58.209 --> 33:01.370 [SPEAKER_01]: Oh, the weird soul is rolling loud for me. 33:01.690 --> 33:02.191 [SPEAKER_01]: OK. 33:04.091 --> 33:11.394 [SPEAKER_01]: But it's yeah, I'm sure you've seen the production company before, but I can't remember what else they've done. 33:12.754 --> 33:16.416 [SPEAKER_01]: But they ended up winning the bidding war and they're the ones who distributed it. 33:16.876 --> 33:18.977 [SPEAKER_01]: But like four years later, I don't know why. 33:20.977 --> 33:22.598 [SPEAKER_01]: But now that I've seen the movie, 33:24.327 --> 33:36.235 [SPEAKER_01]: I do have to say, I can understand, I don't think it's good, but I can understand why a studio executive looked at this movie and was like, this is a children's cartoon made into an adult courtroom drama. 33:36.335 --> 33:37.896 [SPEAKER_01]: I don't really get how to sell this. 33:38.436 --> 33:42.939 [SPEAKER_00]: I guess I would just be like, just look at who framed Roger Rabbit. 33:43.853 --> 33:48.976 [SPEAKER_01]: Yeah, I mean, you know, kind of, except that is an example of 20, 30 years ago. 33:49.236 --> 33:53.218 [SPEAKER_01]: I know, but it's just like, and marketing is so different. 33:53.358 --> 33:54.078 [SPEAKER_01]: Yeah. 33:54.578 --> 33:59.080 [SPEAKER_01]: But I agree that like, there's Roger Rabbit, there's cool world. 33:59.120 --> 34:04.703 [SPEAKER_01]: There are examples of this type of like adult crossover animation. 34:04.723 --> 34:10.066 [SPEAKER_01]: I don't know if it's really loony tunes, it's like, well, loony tunes isn't, 34:11.109 --> 34:20.237 [SPEAKER_00]: blue-y, you know, like looney tunes, I think, because it's just a cultural thing. 34:21.278 --> 34:24.241 [SPEAKER_01]: Yeah, it's not kids with all these taz tattoos. 34:25.582 --> 34:28.645 [SPEAKER_01]: Well, so that's, I want to talk about that for a little while. 34:29.385 --> 34:31.367 [SPEAKER_01]: What is your relationship to looney tunes? 34:31.387 --> 34:33.549 [SPEAKER_01]: Like when were you watching that as a kid? 34:34.230 --> 34:36.572 [SPEAKER_01]: Because this is maybe where our age difference shows up, I wonder. 34:39.074 --> 34:46.737 [SPEAKER_00]: You know, I know I did see a bunch of loony kids as a kid, but I'm like, where, like, it wasn't necessarily home, you know? 34:46.797 --> 34:49.058 [SPEAKER_00]: It's like, I think sometimes they would just put it on. 34:49.199 --> 34:55.881 [SPEAKER_00]: Like, I always was in like after school programs until my mom could, I feel like they would put it on there. 34:55.961 --> 34:57.382 [SPEAKER_00]: And like, interesting. 34:57.442 --> 34:59.083 [SPEAKER_01]: You know, you weren't watching it at home. 34:59.783 --> 35:02.144 [SPEAKER_00]: Maybe, no, I think I did a little bit. 35:02.164 --> 35:05.126 [SPEAKER_00]: But I think that was, but not that much. 35:05.886 --> 35:06.146 [SPEAKER_01]: No. 35:09.568 --> 35:34.715 [SPEAKER_01]: Nickelodeon had, I think, for most of the 90s Nickelodeon had full rights to the LiniTunes cartoon to like the television syndication of LiniTunes cartoons, and it was slightly different than the Saturday morning versions, although they did play on Saturday morning network shows, but, like, this just really got me thinking about 35:36.125 --> 35:39.108 [SPEAKER_01]: Like, well, what is the relationship to loony tunes? 35:39.128 --> 35:41.230 [SPEAKER_01]: They're cultural icons, yes. 35:41.951 --> 35:54.883 [SPEAKER_01]: But I grew up watching them every morning before school and every day after school and on Saturdays and at night, like, it was constantly syndicated, I did not have that. 35:55.744 --> 36:02.973 [SPEAKER_01]: and outside of that, all the Hannah Barbara cartoons, like Yogi Bear, you know what? 36:03.213 --> 36:10.481 [SPEAKER_00]: They did play that stuff on Cartoon Network at certain times when I was... 36:11.442 --> 36:11.883 [SPEAKER_00]: Yes. 36:12.163 --> 36:16.747 [SPEAKER_00]: So I definitely like, Jetsons, flutes, stones, all that stuff. 36:17.327 --> 36:26.655 [SPEAKER_01]: It's interesting though because like, in a lot of ways, we might be the last generations that like spent a lot of time with this content. 36:26.815 --> 36:27.055 [SPEAKER_00]: Yeah. 36:27.075 --> 36:30.578 [SPEAKER_00]: Because I think, where they really were just like omnipresent. 36:32.639 --> 36:38.942 [SPEAKER_01]: And like, one streaming was introduced, I just don't think kids, you'd have to put it on on purpose. 36:38.982 --> 36:39.302 [SPEAKER_01]: Yeah. 36:39.483 --> 36:45.105 [SPEAKER_01]: And I was never necessarily doing that Nickelodeon was the only thing that showed kids programming. 36:45.426 --> 36:51.989 [SPEAKER_01]: So therefore, I watched whatever Nickelodeon was playing and I didn't really, I didn't have a lot of questions about it. 36:53.790 --> 37:06.478 [SPEAKER_01]: But once it became something you had to opt into, I can completely understand why no kids would go for cartoons that when I was watching them, we're 30 years old. 37:06.498 --> 37:07.119 [SPEAKER_01]: Yeah, yeah. 37:08.364 --> 37:11.808 [SPEAKER_01]: The Looney Tunes ran from like 1940 to 69. 37:11.948 --> 37:13.891 [SPEAKER_01]: Since then. 37:14.231 --> 37:18.216 [SPEAKER_01]: And I was in the 90s watching it like it was new content. 37:18.436 --> 37:27.387 [SPEAKER_00]: I mean, it's almost like when I picture Looney Tunes, it literally like the first thing that pops into my brain is the mall. 37:28.263 --> 37:33.625 [SPEAKER_00]: because I feel like as a kid, it was like, just everything in the mall was looting to us. 37:34.305 --> 37:34.766 [SPEAKER_01]: Yeah. 37:34.786 --> 37:38.187 [SPEAKER_01]: Like there was just simply so much looney to us for sale. 37:38.567 --> 37:40.168 [SPEAKER_01]: Everything was looting to us. 37:40.488 --> 37:43.589 [SPEAKER_01]: Did you have a, did you ever go to a Warner Brothers store? 37:43.789 --> 37:45.670 [SPEAKER_01]: The way the Disney store is, that was gone. 37:46.390 --> 37:48.470 [SPEAKER_00]: that was gone before my time. 37:48.690 --> 37:51.811 [SPEAKER_01]: Man, the Beverly Center, but it sounded like there was a word about it. 37:51.831 --> 37:52.571 [SPEAKER_01]: It sounds awesome. 37:52.591 --> 37:54.031 [SPEAKER_00]: It was sick as hell. 37:54.151 --> 37:59.492 [SPEAKER_01]: There was a whole thing where you could like go into Marvin the Martians little like spaceship in there. 37:59.512 --> 38:02.013 [SPEAKER_01]: Because the Disney store was also used to have that, right? 38:02.033 --> 38:05.033 [SPEAKER_01]: They used to have Disney stores used to be like so cool. 38:05.113 --> 38:06.934 [SPEAKER_01]: Immersive experience, essentially. 38:06.954 --> 38:13.555 [SPEAKER_01]: And they, you know, everything, surprise, everything's gotten worse every year and every business 38:16.075 --> 38:26.382 [SPEAKER_01]: Most necessary component parts and immersion is not really what companies spend money on anymore, but Yeah, the Warner Bros. store rocked and had all the Disney. 38:26.503 --> 38:39.792 [SPEAKER_01]: I mean, had all the um, Lini Tunes merch, but I just yeah, the Lini Tunes were so ever present to me that I was watching this movie thinking like well 38:41.487 --> 38:51.611 [SPEAKER_01]: If you make a looney tunes movie now and this nailed the comedy of the lead to so perfectly and I was still thinking kids have no connection to these characters. 38:51.671 --> 38:54.312 [SPEAKER_01]: Yeah, this movie isn't really for kids. 38:55.962 --> 39:14.129 [SPEAKER_01]: partially because it's a wily coyote movie and most of his communication is with signs so you automatically have to be old enough to read yes there were a lot of kids in the 745 showing I was at though and they did they did seem to be enjoying it yeah 39:15.102 --> 39:25.744 [SPEAKER_01]: Yeah, I listen to I listen to the hosts of the big picture talk about it and they both have like young gish kids and they were both like yeah, my kids didn't get it again. 39:25.764 --> 39:26.864 [SPEAKER_01]: They thought it was too scary. 39:27.404 --> 39:32.505 [SPEAKER_00]: So I just like okay, well, so it's like this kid there need a girl grow. 39:32.826 --> 39:40.127 [SPEAKER_01]: The hell up to your old um, but they were pretty young, but it it's just funny to picture parents being like, 39:41.848 --> 39:43.549 [SPEAKER_01]: I guess I'll take my kid to this. 39:43.769 --> 39:44.310 [SPEAKER_01]: Yeah. 39:44.430 --> 39:48.432 [SPEAKER_01]: I'm a kid being like watching Aaron Brockovich. 39:48.592 --> 39:53.856 [SPEAKER_00]: I don't say like the kids in my theater were probably like I don't know seven and up. 39:54.236 --> 39:56.277 [SPEAKER_00]: Yeah, I would say like ten eight to ten. 39:57.765 --> 40:01.128 [SPEAKER_00]: it's I think any movies are hard for kids under that age. 40:01.468 --> 40:01.728 [SPEAKER_01]: True. 40:01.848 --> 40:07.973 [SPEAKER_00]: You know, like it's not like there's ever a perfect movie that's guaranteed to make like a five-year-old sit and enjoy it. 40:08.253 --> 40:10.215 [SPEAKER_00]: Movies are hard for like little kids. 40:10.475 --> 40:12.196 [SPEAKER_01]: What was your first movie in a theater? 40:12.216 --> 40:13.557 [SPEAKER_01]: Did have we talked about this before? 40:13.717 --> 40:14.138 [SPEAKER_00]: No. 40:14.538 --> 40:16.820 [SPEAKER_00]: I, I would need to look up the years. 40:17.220 --> 40:19.722 [SPEAKER_00]: I, I think I might have been babe too. 40:26.765 --> 40:31.670 [SPEAKER_00]: Ants, bugs life, okay, or babe too. 40:32.251 --> 40:33.172 [SPEAKER_01]: Okay, interesting. 40:33.332 --> 40:34.353 [SPEAKER_01]: Mine was a little mermaid. 40:35.114 --> 40:35.995 [SPEAKER_00]: That's a really good one. 40:36.275 --> 40:37.877 [SPEAKER_00]: Yeah, it's a really good first movie. 40:37.977 --> 40:40.900 [SPEAKER_01]: Yeah, and my mom always said that I would sat in the front row. 40:41.200 --> 40:45.665 [SPEAKER_01]: Like for some reason, I think maybe that was the only seat we could get, that I sat, and I was like, 40:46.747 --> 40:54.072 [SPEAKER_01]: Like jaw open, eyes wide, the whole movie is as I had simply never seen anything like that before. 40:54.292 --> 41:02.157 [SPEAKER_00]: Oh no, I know that Bug's life wasn't my first movie because Bug's life I just have a memory of because I got lice. 41:02.917 --> 41:16.205 [SPEAKER_00]: While seeing bugs like from the chair and then from them from then on my mom always brought like a towel to put over the back of my chair I like that your eyes are darkening as you say this like you're going into this. 41:16.245 --> 41:26.492 [SPEAKER_00]: I'm sort of flashback A lot of things are coming together about my specific fears and why I put all my clothes in the freezer when I get back from the movie theater 41:27.212 --> 41:29.394 [SPEAKER_00]: Okay, didn't know that about you at all. 41:30.295 --> 41:31.996 [SPEAKER_00]: Mmm. 41:32.016 --> 41:32.897 [SPEAKER_00]: Do you actually do that? 41:32.917 --> 41:33.257 [SPEAKER_00]: Yeah, I do. 41:34.918 --> 41:36.459 [SPEAKER_00]: I'm so scared of getting bad books. 41:36.620 --> 41:37.660 [SPEAKER_01]: That's really cool. 41:38.601 --> 41:47.568 [SPEAKER_00]: My mom came over once and she opened my freezer because she was going to be mean to me about how I never have food in my fridge in freezer and then she saw the clothes I'm there and she was like, Emily, she saw the clothes and then she was like, she's not well. 41:47.628 --> 41:48.209 [SPEAKER_01]: I need to let this go. 41:48.229 --> 41:54.754 [SPEAKER_01]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha 41:56.903 --> 42:00.396 [SPEAKER_00]: But I feel like the kids because some of them were like in front of me it was like 42:01.668 --> 42:08.750 [SPEAKER_00]: They were liking things that were different than the jokes that, you know, maybe I was laughing at. 42:08.770 --> 42:14.532 [SPEAKER_00]: Which I think is great, but it's like, yeah, they were liking the original Loonie-Tune style jokes. 42:14.892 --> 42:20.794 [SPEAKER_00]: We're like, there was, you know, one of the times when like, while he kept doing a thing. 42:21.014 --> 42:21.374 [SPEAKER_00]: Yeah. 42:21.494 --> 42:24.275 [SPEAKER_00]: And I think it was when he was like jumping over the cliff or something. 42:24.475 --> 42:26.936 [SPEAKER_00]: And at one point, she just goes, he's gonna follow again. 42:28.916 --> 42:29.816 [SPEAKER_00]: He's gonna follow you. 42:29.836 --> 42:30.817 [SPEAKER_00]: You're so right, girl. 42:32.057 --> 42:34.098 [SPEAKER_01]: It's like, you got it, you get the joke. 42:36.160 --> 42:40.902 [SPEAKER_00]: Yeah, but, you know, I mean, my cat is named Bugs because he looks like Bugs Bunny. 42:41.703 --> 42:51.548 [SPEAKER_00]: So that just shows how like, in my head they are, like, they're modern, like, folk-tail figures. 42:51.728 --> 42:52.869 [SPEAKER_00]: Yeah. 42:53.129 --> 42:58.132 [SPEAKER_00]: They're like the, the cunning spider is actually just, 42:59.238 --> 43:01.360 [SPEAKER_00]: A different guy who is a loony, too. 43:01.380 --> 43:04.443 [SPEAKER_01]: And that's so funny. 43:04.463 --> 43:07.145 [SPEAKER_01]: I, yeah, that's interesting. 43:08.786 --> 43:25.341 [SPEAKER_01]: I, I don't think I have any interest in revisiting old loony, too, and yeah, and actually, you know, famously don't like watching animation that much, which is funny, because I, I'm here to admit, I come from an animation family. 43:26.114 --> 43:26.855 [SPEAKER_00]: Maybe that's why. 43:27.716 --> 43:29.538 [SPEAKER_01]: That's to make myself sound like a netbo baby. 43:30.439 --> 43:32.881 [SPEAKER_01]: But my uncle was an animator. 43:33.642 --> 43:37.186 [SPEAKER_01]: And my dad was also for a little while. 43:38.367 --> 43:40.929 [SPEAKER_01]: And on many things that you've all seen. 43:42.587 --> 43:43.828 [SPEAKER_01]: So, you've all seen it. 43:44.328 --> 43:46.509 [SPEAKER_01]: His name is Kent Butterworth, my uncle, looking up. 43:47.109 --> 43:59.254 [SPEAKER_01]: He, but, like, so I grew up knowing the names, like Chuck Jones and Texas Avery and like all these, like, old, lonely, two-and-say-animate, yes. 44:00.075 --> 44:03.476 [SPEAKER_01]: And then now that I'm an adult, I want nothing to do with animation. 44:03.516 --> 44:06.558 [SPEAKER_00]: So it's very interesting that this movie works its way into my heart. 44:07.278 --> 44:10.259 [SPEAKER_00]: Does it make it an easier pill to swallow 44:12.240 --> 44:39.655 [SPEAKER_01]: people yeah I think maybe yeah I think I think yes I like stuff to exist in a world I'm like familiar with him here something which I like fantasy you know I like like game of thrones and stuff right that's all fantasy yeah oh world I'm familiar right but for some reason yeah animation can frequently just turn my brain off but I couldn't believe how much 44:41.177 --> 44:51.206 [SPEAKER_01]: Compassion I was feeling for Wiley Coyote, like they made him a character that I was like, wow, I really feel for this guy. 44:51.226 --> 44:55.590 [SPEAKER_01]: There were like very, like, uh, moments. 44:55.970 --> 45:04.798 [SPEAKER_01]: Truly, it was really well constructed and it's cool to think about like how much work would have to go into. 45:06.175 --> 45:21.928 [SPEAKER_01]: essentially taking a fully non-verbal character and communicating all these like quite complex emotions and giving him an arc, giving him an arc and yeah I was really impressed by it. 45:22.008 --> 45:23.450 [SPEAKER_01]: I also no offense to your cat. 45:23.510 --> 45:30.796 [SPEAKER_00]: I was sort of relieved bugs wasn't in this too much but if but if it was my bugs you would have wanted him in it more, right? 45:31.196 --> 45:31.496 [SPEAKER_01]: Yes. 45:32.825 --> 45:35.886 [SPEAKER_01]: But that's because your Bugs doesn't talk so much. 45:36.347 --> 45:38.228 [SPEAKER_00]: No, he only talks a little. 45:39.568 --> 45:41.889 [SPEAKER_01]: I think Bugs Bunny is like, fine. 45:42.530 --> 45:44.951 [SPEAKER_01]: Just controversial statement. 45:45.611 --> 45:48.332 [SPEAKER_01]: Coming out the gate, saying Bugs Bunny is fine. 45:48.592 --> 45:57.056 [SPEAKER_01]: But he, I like that this is a wily coyote movie and that Bugs wasn't in it till kind of toward the middle and that. 45:57.076 --> 45:57.937 [SPEAKER_00]: It was a cameo. 45:58.477 --> 46:05.422 [SPEAKER_01]: Yeah, and the same at Daffy had a cameo to, Daffy is intended to be chaos brought in to the loony tunes. 46:05.462 --> 46:14.587 [SPEAKER_01]: So it is funny to sort of give, to give Daffy a grounded reason for being the chaos agent. 46:14.627 --> 46:15.188 [SPEAKER_01]: Yeah. 46:15.848 --> 46:19.911 [SPEAKER_00]: And then it's like, there's like just enough like Tweety Bird. 46:19.931 --> 46:21.072 [SPEAKER_00]: Yeah. 46:21.172 --> 46:22.272 [SPEAKER_00]: Okay, I have a question. 46:22.292 --> 46:23.533 [SPEAKER_00]: Okay. 46:23.553 --> 46:27.556 [SPEAKER_00]: So do you remember when you first learned that Tweety is a boy? 46:28.853 --> 46:29.314 [SPEAKER_00]: Right now. 46:31.696 --> 46:37.562 [SPEAKER_01]: Well, I mean, I can't say that I thought about Tweetie's gender ever. 46:37.943 --> 46:41.246 [SPEAKER_00]: It really turned my world upside down. 46:41.707 --> 46:44.850 [SPEAKER_00]: Like, and I know that's not a unique experience. 46:45.010 --> 46:45.771 [SPEAKER_00]: That's crazy. 46:45.811 --> 46:48.774 [SPEAKER_00]: I think it's because when I was a kid, 46:49.947 --> 46:50.927 [SPEAKER_00]: Okay, well, it's two things. 46:51.127 --> 46:53.648 [SPEAKER_00]: One, little, little, little cutie. 46:53.788 --> 46:59.829 [SPEAKER_00]: Yeah, like tiny, the tiny little, tiny little, cute, high voice, cutie, eyelash, eyelashes. 46:59.849 --> 47:03.930 [SPEAKER_00]: Oh, yeah, big eyelash, big eyelash, big eyelash, big eyelash. 47:03.950 --> 47:14.032 [SPEAKER_00]: Big eyelash, and at the time, Tweety was on like every single thing for girls, that they made it like everything was too deep. 47:14.052 --> 47:14.352 [SPEAKER_00]: Yeah, yeah. 47:14.892 --> 47:15.072 [SPEAKER_00]: And, 47:16.152 --> 47:24.697 [SPEAKER_00]: Then maybe my mom and she was like, oh, do we do this a boy and I was like, it truly like, you know, you know, you guys want some assurances. 47:24.757 --> 47:28.579 [SPEAKER_00]: Something crazy and then like there's, you know, they're in like a tunnel. 47:28.659 --> 47:29.399 [SPEAKER_00]: That was me. 47:30.540 --> 47:33.421 [SPEAKER_00]: I, like, I couldn't put the pieces together. 47:33.441 --> 47:34.422 [SPEAKER_01]: That's so funny. 47:34.442 --> 47:35.082 [SPEAKER_00]: To make that, 47:36.573 --> 47:42.138 [SPEAKER_01]: make sense to me, but yeah, yeah, what were we talking about yesterday? 47:42.198 --> 47:43.840 [SPEAKER_01]: Hello Kitty is actually girl. 47:44.040 --> 47:51.126 [SPEAKER_01]: Yeah, a little girl and that it's like every every few years, everyone learns that again and is like furious, which is my fear. 47:51.146 --> 47:53.629 [SPEAKER_00]: I'm kind of like why is that part of the lore? 47:54.547 --> 47:59.352 [SPEAKER_01]: Yeah, I'm, I'm not here to tell, like, the Santa Barbara corporation. 47:59.392 --> 48:01.094 [SPEAKER_01]: What to do with their jobs. 48:01.254 --> 48:04.097 [SPEAKER_01]: But it's confusing that Hello Kitty is a girl. 48:04.217 --> 48:06.119 [SPEAKER_01]: It's just a human human. 48:06.139 --> 48:06.499 [SPEAKER_01]: Yeah. 48:07.400 --> 48:11.044 [SPEAKER_01]: Yeah, Tweety, Tweety boy, Tweety is a boy. 48:11.064 --> 48:13.606 [SPEAKER_01]: Are there, who's a girl, Looney Tune? 48:14.866 --> 48:18.950 [SPEAKER_01]: Lola Bunny was new, so I feel like she doesn't count. 48:19.030 --> 48:27.257 [SPEAKER_00]: Kind of the the girl's skunk that Pepella Pew is being victim, which, yeah, which was, yeah, one of the funniest jokes. 48:27.297 --> 48:37.086 [SPEAKER_01]: Yeah, the one of the funniest jokes in Coyote vs. Acme was about predators and then they show predators for a, um, yeah, who is the girl? 48:37.186 --> 48:40.009 [SPEAKER_00]: I guess the granny, the granny. 48:40.029 --> 48:40.889 [SPEAKER_01]: Yeah. 48:41.750 --> 48:42.611 [SPEAKER_01]: But is that it? 48:43.031 --> 48:43.612 [SPEAKER_01]: That's crazy. 48:43.672 --> 48:46.714 [SPEAKER_01]: Yeah, no, no, like the wacky ones like girls. 48:47.434 --> 48:50.237 [SPEAKER_01]: Like I don't, I don't think any of the original ones. 48:50.277 --> 48:54.140 [SPEAKER_01]: I'm trying to think of an original one that's a girl and I don't think there is one. 48:54.160 --> 48:57.842 [SPEAKER_01]: So I get why Tweety Bird would be on girl stuff because it is the most girl. 48:57.863 --> 49:03.127 [SPEAKER_00]: It's like original Shakespeare production, where it's like no women, but bugs bunny and drag often. 49:03.147 --> 49:10.152 [SPEAKER_01]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no 49:11.380 --> 49:15.302 [SPEAKER_01]: Now I really want to figure out a girl, there isn't one, I can't, I can't, I can't do it. 49:15.782 --> 49:22.546 [SPEAKER_00]: But yeah, so it's no who framed Roger Rabbit. 49:23.907 --> 49:24.667 [SPEAKER_00]: I don't need it to be. 49:24.767 --> 49:26.548 [SPEAKER_00]: But I did really like it. 49:27.028 --> 49:33.132 [SPEAKER_00]: It's very similar vein of like serious real-world issue through the lens of tunes. 49:33.752 --> 49:34.192 [SPEAKER_00]: Yes. 49:35.953 --> 49:40.055 [SPEAKER_00]: This, this one was very timely with the big corporations owning 49:41.730 --> 49:46.474 [SPEAKER_01]: Yeah, and what is the word for when they planned obsolescence? 49:46.875 --> 50:04.411 [SPEAKER_01]: So, I this morning read the New Yorker piece that this is, this is the most monocushion I've ever done, but so this movie is based off of a New Yorker piece from 1990 called Coyote versus Acme. 50:04.975 --> 50:11.336 [SPEAKER_01]: And it is formatted like a completely dry, but it's like a fiction humor. 50:11.676 --> 50:21.598 [SPEAKER_01]: It's a completely dryly written opening statement for a lawsuit where the lawyer is representing Wiley Coyote against Act Me. 50:21.638 --> 50:23.218 [SPEAKER_01]: And it includes the rocket skates. 50:23.298 --> 50:23.938 [SPEAKER_01]: That's so funny. 50:23.998 --> 50:25.759 [SPEAKER_01]: And that is the origin of this movie. 50:25.819 --> 50:26.579 [SPEAKER_01]: Oh my God. 50:26.599 --> 50:26.919 [SPEAKER_01]: Oh my God. 50:27.339 --> 50:30.520 [SPEAKER_01]: And it is so, I read the whole thing in a certain brain. 50:30.540 --> 50:32.680 [SPEAKER_01]: I was like, this is actually kind of boring. 50:34.161 --> 50:35.121 [SPEAKER_00]: to dry. 50:35.821 --> 50:40.384 [SPEAKER_01]: Perhaps a little too dry, punch it up in the movie. 50:40.864 --> 50:44.947 [SPEAKER_01]: But a very funny idea to follow. 50:45.067 --> 50:48.529 [SPEAKER_01]: And very funny to make a whole movie with Wiley Coyote as the main character. 50:48.549 --> 50:49.329 [SPEAKER_00]: Yeah. 50:49.909 --> 50:54.152 [SPEAKER_01]: And yeah, for it to be about a court court. 50:54.172 --> 50:55.573 [SPEAKER_01]: Yeah, it's a courtroom drama. 50:55.653 --> 50:56.113 [SPEAKER_01]: That's wise. 50:56.433 --> 50:57.814 [SPEAKER_01]: So I've said Aaron Brock of it. 50:57.854 --> 51:02.177 [SPEAKER_00]: It's like he reminds me of how people come to me. 51:02.678 --> 51:07.801 [SPEAKER_00]: And it's like this goes deeper than you could even imagine. 51:07.841 --> 51:08.922 [SPEAKER_01]: Yes, yes. 51:09.423 --> 51:13.326 [SPEAKER_01]: Even they have to go all the way to Washington, D.C. 51:13.766 --> 51:16.708 [SPEAKER_01]: I thought that John Cena looked very handsome in this. 51:17.308 --> 51:18.689 [SPEAKER_01]: I mean, he's always beautiful. 51:18.910 --> 51:19.270 [SPEAKER_01]: Yeah. 51:19.290 --> 51:20.631 [SPEAKER_00]: But I think he looks good a little... 51:22.432 --> 51:24.556 [SPEAKER_00]: Less bulky. 51:25.156 --> 51:25.637 [SPEAKER_01]: Sure. 51:25.938 --> 51:27.540 [SPEAKER_01]: Maybe there was a different cut of suit. 51:27.560 --> 51:27.680 [SPEAKER_01]: Yeah. 51:27.720 --> 51:27.921 [SPEAKER_01]: Yeah. 51:29.316 --> 51:31.417 [SPEAKER_01]: He seems so wonderful. 51:31.537 --> 51:33.839 [SPEAKER_01]: It just always like him and stack. 51:33.879 --> 51:38.101 [SPEAKER_01]: So he's like a fun, yeah, the wrestling, pro wrestling, I think really does. 51:38.601 --> 51:42.724 [SPEAKER_01]: Yeah, he's like incredible training for acting. 51:43.704 --> 51:53.290 [SPEAKER_01]: And if you have the heart for it to transition into, you know, holding on acting, there's really the sky's the limit with like what you're able to do. 51:53.850 --> 51:55.131 [SPEAKER_00]: And will forte was like, 51:56.011 --> 52:01.596 [SPEAKER_00]: I thought great casting because something about the way he looks and speaks and all that is so cartoonish. 52:02.497 --> 52:06.260 [SPEAKER_00]: Like so he sort of exists on a spectrum between man and cartoon. 52:06.700 --> 52:10.243 [SPEAKER_01]: Yes, so having him interact with cartoon in the real world. 52:10.583 --> 52:13.866 [SPEAKER_01]: I like that the movie didn't spend too much time. 52:13.886 --> 52:17.309 [SPEAKER_01]: I think that movies like this could get easily bogged down into like 52:19.452 --> 52:39.540 [SPEAKER_01]: Here's the rules of this universe, like he references like, oh, these are tune products and it's just kind of easily understood that like this is just a world where we're familiar with cartoons and that is just stuff that exists and yeah, really and he is the right person to sell that. 52:39.660 --> 52:46.243 [SPEAKER_01]: Yes, but at the same time, I just have to say this is the correct use of Martha Kelly. 52:47.163 --> 52:48.645 [SPEAKER_01]: Yeah, I love her. 52:49.106 --> 53:03.182 [SPEAKER_00]: So I didn't know she was in this and I was so happy when she first showed up and everything every single one of her lines really made me laugh Yes, she had the funniest lives of the movie which she's like 53:04.610 --> 53:11.233 [SPEAKER_01]: They're trying to do something and she's like, I have a mini golf turning it this weekend, so I'm probably not going to be there on Monday. 53:12.233 --> 53:13.173 [SPEAKER_00]: So good. 53:13.273 --> 53:16.194 [SPEAKER_01]: This is the most absurd character moments. 53:16.635 --> 53:17.875 [SPEAKER_01]: Her delivery is so funny. 53:17.895 --> 53:23.957 [SPEAKER_01]: I, I never, I didn't know who she was before baskets had you seen her before the show. 53:23.977 --> 53:25.738 [SPEAKER_00]: Oh, no, because baskets was like, 53:26.959 --> 53:27.379 [SPEAKER_00]: her first. 53:27.459 --> 53:32.863 [SPEAKER_00]: She had, she did comedy in Austin, then had like sort of been like, okay, this isn't happening. 53:32.963 --> 53:39.728 [SPEAKER_00]: Yeah, but Zach Alfinakis, like, remembered her and was like in broader and to do baskets. 53:40.429 --> 53:41.509 [SPEAKER_00]: I had no idea. 53:41.529 --> 53:44.832 [SPEAKER_00]: Yeah, so she like was not. 53:46.115 --> 54:00.154 [SPEAKER_01]: Yeah, it's interesting because like obviously her delivery and her look and everything about her is so specific and I think that euphoria was a mistake like because they 54:01.222 --> 54:07.684 [SPEAKER_01]: I think there is an instinct to try to subvert the expectation of what she's like. 54:08.125 --> 54:16.608 [SPEAKER_01]: And it kind of sucks when people like, I actually just want her to be what she's like, which is what she is in baskets and what she is in this movie. 54:18.518 --> 54:19.339 [SPEAKER_00]: No, she was so funny. 54:19.359 --> 54:22.101 [SPEAKER_00]: He's me advocating for just let Martha Kelly remark the Kelly. 54:22.121 --> 54:23.383 [SPEAKER_01]: Let her do her thing. 54:23.583 --> 54:26.325 [SPEAKER_01]: Also her outfits, honestly, we're kind of sick. 54:26.546 --> 54:27.486 [SPEAKER_01]: I don't know if you noticed. 54:27.507 --> 54:35.314 [SPEAKER_01]: I don't know if she had like, she had like, cool, like, office Westernware. 54:36.808 --> 54:37.809 [SPEAKER_00]: I didn't know that. 54:37.849 --> 54:38.589 [SPEAKER_01]: Look up the pics. 54:38.689 --> 54:40.250 [SPEAKER_01]: I was Martha Kelly in this movie. 54:40.410 --> 54:49.056 [SPEAKER_00]: I thought it was really smart to include right up front that line about Lana Condor being his niece. 54:49.797 --> 54:50.117 [SPEAKER_00]: Yeah. 54:52.224 --> 54:54.185 [SPEAKER_00]: Oh, you know, that's just why she here. 54:54.545 --> 55:03.869 [SPEAKER_00]: Well, and just because like, you know, anytime you have a situation like that, if you don't have a reason for them not to get together, people are gonna be like, romance. 55:04.009 --> 55:05.610 [SPEAKER_00]: Yeah, they're gonna get together. 55:05.770 --> 55:07.070 [SPEAKER_00]: Yeah, that's so right. 55:07.351 --> 55:20.036 [SPEAKER_00]: So like, by just being like, because you're my niece and it's like great, great, if that and the bud, they can hang out the whole time and no one, no one even worry about who we don't want anyone to kiss, please don't kiss. 55:22.337 --> 55:23.718 [SPEAKER_01]: Yeah, that was really smart. 55:23.798 --> 55:27.722 [SPEAKER_01]: I was a really like I never watched the summer I turned pretty Was that what she's from? 55:28.422 --> 55:29.263 [SPEAKER_00]: No, no boys. 55:29.683 --> 55:30.824 [SPEAKER_01]: She's from Tull the boys. 55:30.864 --> 55:31.265 [SPEAKER_01]: I loved you. 55:31.285 --> 55:32.005 [SPEAKER_01]: Yes, sorry. 55:32.085 --> 55:39.471 [SPEAKER_00]: There was are the same in my head there I I I liked Tull the boys. 55:39.491 --> 55:40.492 [SPEAKER_00]: I've loved before. 55:40.512 --> 55:44.876 [SPEAKER_00]: I Just could not watch the summer I turned pretty 55:45.336 --> 55:47.098 [SPEAKER_01]: Well, I have not attempted either. 55:47.118 --> 55:48.259 [SPEAKER_01]: I think it was true. 55:48.339 --> 55:48.719 [SPEAKER_01]: It was true. 55:48.739 --> 55:49.399 [SPEAKER_01]: It was true. 55:49.560 --> 55:51.641 [SPEAKER_01]: It was too like... Why? 55:51.901 --> 55:52.402 [SPEAKER_00]: Yeah. 55:52.562 --> 55:54.364 [SPEAKER_00]: Which is like sometimes I like sometimes I don't. 55:54.384 --> 55:56.966 [SPEAKER_00]: I've been liking Sterling Point, but like... Yeah. 55:57.006 --> 56:00.068 [SPEAKER_00]: But no... Lowla tongue from that was the girl in forbidden fruit. 56:00.108 --> 56:00.489 [SPEAKER_01]: Yes. 56:01.389 --> 56:01.770 [SPEAKER_01]: Um... 56:02.530 --> 56:15.416 [SPEAKER_01]: Sorry that I mixed them up and the two shows don't get mad at me, you're not you're not a way I'm simply not a YA person, but I thought her character was really fun. 56:15.456 --> 56:24.541 [SPEAKER_00]: Like I I liked Plucky young lawyer because it was very self-aware plucky young lawyer 56:25.221 --> 56:32.124 [SPEAKER_01]: Everything in this movie was just so self-aware and like, expertly deployed in a non-corny way. 56:32.204 --> 56:35.045 [SPEAKER_00]: Self-aware, yet not overly cynical. 56:35.785 --> 56:37.926 [SPEAKER_01]: Yeah, and that's tough to do. 56:37.946 --> 56:41.528 [SPEAKER_01]: Yeah, but they were like, 56:43.225 --> 56:45.646 [SPEAKER_00]: Just so many good jokes. 56:45.686 --> 56:55.812 [SPEAKER_00]: Like when they reveal, when they reveal the last part of his plan, it's to have, have stew with the lawyer. 56:56.212 --> 56:58.033 [SPEAKER_00]: Well, it's like, because that's the initial term. 56:58.053 --> 57:04.237 [SPEAKER_00]: But then, yeah, when there's like one of the long moments you just see, he wrote, run her with Kevin. 57:04.897 --> 57:05.918 [SPEAKER_00]: And you go, oh! 57:06.958 --> 57:07.659 [SPEAKER_00]: It's nice. 57:08.799 --> 57:10.240 [SPEAKER_00]: Nearly coyote is nice. 57:10.320 --> 57:11.800 [SPEAKER_00]: It's his friend. 57:12.581 --> 57:13.901 [SPEAKER_00]: Yeah, it's really good. 57:13.961 --> 57:23.465 [SPEAKER_00]: The one line that really got me was when the granny toon is like they said he ran off with his therapist. 57:23.505 --> 57:26.647 [SPEAKER_00]: But I don't think so because his therapist was a penguins. 57:27.927 --> 57:28.888 [SPEAKER_00]: Really got it. 57:31.462 --> 57:33.243 [SPEAKER_00]: Yeah, that's really good. 57:33.423 --> 57:44.708 [SPEAKER_00]: I thought it was really funny to just because I know I knew that Peter Laurie, I don't know anything about the actor, but I know that he was in a lot of old cartoons, just because he had a very distinct face. 57:45.209 --> 57:50.992 [SPEAKER_00]: So to just have him be a character, in a movie in 2026 is so funny. 57:51.552 --> 57:53.473 [SPEAKER_00]: Like that is really, really good. 57:54.473 --> 57:58.094 [SPEAKER_01]: Yeah, and also, like, I barely had context for that way. 57:58.114 --> 57:58.414 [SPEAKER_01]: Oh, I know. 57:58.435 --> 58:02.456 [SPEAKER_01]: I know, like, I have more than average information about old animation. 58:02.476 --> 58:04.657 [SPEAKER_00]: But, yeah, but I was just kind of like, I know. 58:04.677 --> 58:06.337 [SPEAKER_00]: Yeah, like, I recognize the face. 58:06.357 --> 58:10.259 [SPEAKER_01]: That guy was in a lot of old cartoons for some reason. 58:10.279 --> 58:12.699 [SPEAKER_01]: I recognize the face and the voice. 58:12.759 --> 58:13.180 [SPEAKER_01]: Yeah. 58:13.900 --> 58:15.320 [SPEAKER_01]: It's like, that's really good. 58:15.340 --> 58:16.581 [SPEAKER_01]: That's so fun. 58:17.621 --> 58:19.081 [SPEAKER_00]: Yeah, that's really smart. 58:19.162 --> 58:23.343 [SPEAKER_00]: Porky, pig, being there like I'm here for the pantsless modeling. 58:24.963 --> 58:25.703 [SPEAKER_00]: Very good. 58:27.004 --> 58:30.525 [SPEAKER_01]: Yeah, yeah, it was all the jokes you kind of want. 58:31.145 --> 58:41.508 [SPEAKER_01]: Like it's interesting, it feels like they went to the, um, it feels like they went to the, like, I don't know, I don't know, though that it's even possible to do this, but it feels like they went to the writers of Lonety Tunes. 58:42.368 --> 58:44.949 [SPEAKER_01]: TV, and we're like, what's the stuff you can't do? 58:44.969 --> 58:45.589 [SPEAKER_01]: Let's stress it. 58:45.609 --> 58:46.810 [SPEAKER_01]: Let's stress it. 58:47.470 --> 58:48.130 [SPEAKER_00]: Yeah. 58:48.210 --> 58:50.371 [SPEAKER_00]: Like, yeah, Pepe LaPue's a predator. 58:50.451 --> 58:51.752 [SPEAKER_00]: Pork and Picked doesn't wear pants. 58:51.772 --> 58:52.572 [SPEAKER_00]: Let's hit it all. 58:52.652 --> 58:53.632 [SPEAKER_00]: Let's hit all the stuff. 58:53.932 --> 58:58.294 [SPEAKER_00]: Very funny when John Cena does his opening statement, and then he's like, God bless the troops. 58:58.394 --> 58:59.575 [UNKNOWN]: God bless. 59:00.175 --> 59:02.476 [SPEAKER_01]: And then we'll four day with the pouring the water. 59:02.496 --> 59:03.456 [SPEAKER_01]: That really got me too. 59:04.796 --> 59:07.818 [SPEAKER_01]: The fog horn leg horn being the CEO. 59:07.918 --> 59:08.678 [SPEAKER_01]: Oh my gosh. 59:11.913 --> 59:19.079 [SPEAKER_00]: Is like no one laughed during because you're like, oh my god, when he like hits himself in the head, and he's like, you're a, don't you grade yourself? 59:19.539 --> 59:20.740 [SPEAKER_00]: You're a race trainer. 59:20.760 --> 59:25.104 [SPEAKER_00]: Like you're, you're like, so evil. 59:26.325 --> 59:31.789 [SPEAKER_00]: Yeah, which is similar to who Frambrow Jarabba, remember the villain ends up being a tune? 59:32.370 --> 59:35.232 [SPEAKER_01]: I have to admit, I've never seen the Frambrow Jarabba. 59:35.392 --> 59:36.773 [SPEAKER_00]: Monaco, you love it. 59:37.014 --> 59:38.675 [SPEAKER_01]: I thought it was too scary when I was little. 59:39.356 --> 59:46.221 [SPEAKER_00]: Well, when the villain, when his tune eyes first come out, that did scare me a lot. 59:46.261 --> 59:47.242 [SPEAKER_00]: That really stuck with me. 59:47.502 --> 59:53.847 [SPEAKER_01]: But he is also a cartoon that is trying to kill all the, all the cartoons. 59:53.887 --> 59:54.148 [SPEAKER_00]: Yeah. 59:55.509 --> 01:00:01.434 [SPEAKER_01]: You know, I didn't see who framed Roger Rabbit as a kid, but I did see cool world, which is arguably, 01:00:03.440 --> 01:00:05.982 [SPEAKER_01]: way less appropriate for kids. 01:00:06.042 --> 01:00:08.664 [SPEAKER_01]: Also, we feel like my uncle worked on cool. 01:00:09.385 --> 01:00:11.626 [SPEAKER_00]: Is that the one with the blue face? 01:00:12.565 --> 01:00:16.448 [SPEAKER_00]: I don't remember it, oh, maybe it's got the sexy lady. 01:00:16.528 --> 01:00:18.970 [SPEAKER_00]: I've seen the Jeff of the sexy lady. 01:00:19.010 --> 01:00:22.653 [SPEAKER_01]: Yeah, and she's like blonde and like, yes, you know. 01:00:22.733 --> 01:00:23.934 [SPEAKER_01]: I have seen that. 01:00:24.474 --> 01:00:26.836 [SPEAKER_01]: Do you feel like that's what a sexy lady is. 01:00:28.077 --> 01:00:31.960 [SPEAKER_01]: Do you think I kind of have been bodied in a little bit there? 01:00:32.921 --> 01:00:33.941 [SPEAKER_01]: Yeah, I saw that. 01:00:34.742 --> 01:00:37.585 [SPEAKER_01]: kind of a lot as a kid. 01:00:38.285 --> 01:00:39.867 [SPEAKER_01]: But no, who framed Roger Rabbit. 01:00:39.887 --> 01:00:41.388 [SPEAKER_01]: I was also scared of the Disney Land Ride. 01:00:41.809 --> 01:00:43.530 [SPEAKER_01]: The Roger Rabbit Disney Land Ride. 01:00:43.550 --> 01:00:46.072 [SPEAKER_01]: I thought it was scary. 01:00:46.112 --> 01:00:56.542 [SPEAKER_00]: So that movie, the reason it's so similar is because it's in the, it's in LA, real LA when there was still the trolley system. 01:00:57.202 --> 01:01:05.284 [SPEAKER_00]: And they are trying to knock down completely empty out and knock down tune town to build a freeway. 01:01:05.304 --> 01:01:07.285 [SPEAKER_00]: Where it is. 01:01:08.105 --> 01:01:10.206 [SPEAKER_00]: So that's them, yeah. 01:01:10.326 --> 01:01:14.927 [SPEAKER_00]: So it's, again, very real world issues. 01:01:15.127 --> 01:01:17.528 [SPEAKER_00]: That's then, yeah. 01:01:18.968 --> 01:01:20.129 [SPEAKER_00]: But it's more of like a noir. 01:01:21.009 --> 01:01:23.850 [SPEAKER_01]: Yes, because this is more of like a 90s legal drama. 01:01:24.724 --> 01:01:26.545 [SPEAKER_01]: This is a 90-year-old trauma. 01:01:26.726 --> 01:01:28.947 [SPEAKER_01]: Did you see Space Jam or have any relationship? 01:01:28.967 --> 01:01:30.889 [SPEAKER_00]: I've never seen Space Jam. 01:01:31.229 --> 01:01:33.191 [SPEAKER_01]: I watched Space Jam a lot as a kid. 01:01:33.211 --> 01:01:35.753 [SPEAKER_00]: I do remember people being really in the Space Jam. 01:01:35.873 --> 01:01:39.936 [SPEAKER_01]: I think it was, I think it got syndicated really early or something. 01:01:39.976 --> 01:01:51.045 [SPEAKER_01]: Like it was on TV a lot because I don't think that's the sort of thing I would have sought out, though, is funny to, it's like that 90s NBA moment that like, 01:01:52.226 --> 01:01:55.428 [SPEAKER_01]: You know, I just feel like launched a thousand t-shirts, you know what I mean? 01:01:55.468 --> 01:02:03.772 [SPEAKER_00]: Yeah, I mean, I do, even I who, you know, I'm not a sports girl, but even I is a child. 01:02:03.832 --> 01:02:11.376 [SPEAKER_00]: We don't say who we do, I was obsessed with shack, because of shazan. 01:02:12.597 --> 01:02:15.779 [SPEAKER_00]: I mean, I saw shazan, but I think I just thought it was so like, 01:02:17.141 --> 01:02:18.302 [SPEAKER_00]: He was just so everywhere. 01:02:18.322 --> 01:02:22.848 [SPEAKER_00]: I feel like MBA players at the time were very just sort of like everywhere. 01:02:22.868 --> 01:02:25.511 [SPEAKER_00]: So they sort of became like characters of the culture. 01:02:25.531 --> 01:02:27.032 [SPEAKER_00]: And his was like, 01:02:28.296 --> 01:02:51.173 [SPEAKER_00]: Really big guy who's also nice and fun and I was just like he's so big, but also cool and I can't remember if I told this on the podcast yet, but he's so big, but also When I when I got my first American girl doll which was one of the like just like me, you know, which uh 01:02:52.730 --> 01:03:13.861 [SPEAKER_00]: kid actually looked more like me but just one and they give you a little book where you're supposed to like write out everything about her okay and in theory you're supposed to write you're supposed to like make up things about her like she's a different person from you but when it asked what's what's my my name is meaning her I just but Emily they haunt it 01:03:15.462 --> 01:03:16.723 [SPEAKER_00]: And then it was just all me. 01:03:17.204 --> 01:03:22.388 [SPEAKER_00]: And there was one page where I was like the celebrities I would most like to hang out with. 01:03:22.908 --> 01:03:24.650 [SPEAKER_00]: Number one, Hillary Dove. 01:03:25.911 --> 01:03:26.211 [SPEAKER_00]: Two? 01:03:26.611 --> 01:03:26.992 [SPEAKER_00]: Shack. 01:03:27.892 --> 01:03:30.555 [SPEAKER_00]: And then I just didn't fill in three to five. 01:03:31.015 --> 01:03:32.236 [SPEAKER_00]: That's just the only two. 01:03:32.836 --> 01:03:33.757 [SPEAKER_00]: That's all I need. 01:03:33.817 --> 01:03:35.719 [SPEAKER_00]: Hillary Dove and Shack. 01:03:35.739 --> 01:03:37.180 [SPEAKER_01]: You're dreamed in our party. 01:03:37.200 --> 01:03:38.441 [SPEAKER_01]: I don't even know her name. 01:03:41.337 --> 01:03:42.818 [SPEAKER_01]: That is so funny. 01:03:43.238 --> 01:03:45.119 [SPEAKER_01]: I wonder what they would talk about at my party. 01:03:45.960 --> 01:03:50.923 [SPEAKER_01]: You know, I also feel like you are a size where I don't think you and Shack can talk. 01:03:52.204 --> 01:03:52.824 [SPEAKER_01]: You know what I mean? 01:03:52.844 --> 01:03:54.045 [SPEAKER_01]: It would be too small. 01:03:54.685 --> 01:03:56.346 [SPEAKER_00]: There would be a lot of shout. 01:03:56.466 --> 01:03:57.587 [SPEAKER_00]: We would have to project. 01:03:58.428 --> 01:04:03.531 [SPEAKER_00]: You know, we would just have to, like, I would have to really be using my diaphragm. 01:04:04.191 --> 01:04:07.273 [SPEAKER_01]: I think he would still be taller than you, sitting in a chair. 01:04:08.454 --> 01:04:08.834 [SPEAKER_01]: Maybe. 01:04:09.427 --> 01:04:10.308 [SPEAKER_01]: That's really funny. 01:04:10.408 --> 01:04:10.828 [SPEAKER_00]: Yeah. 01:04:13.511 --> 01:04:16.213 [SPEAKER_00]: My Hillary doesn't shacked in her party. 01:04:17.975 --> 01:04:19.376 [SPEAKER_00]: And what would they talk about? 01:04:19.436 --> 01:04:20.377 [SPEAKER_00]: I don't know. 01:04:20.537 --> 01:04:27.403 [SPEAKER_00]: And here I am, a grown woman who didn't even have interest in going to the Hillary Duff come back door. 01:04:27.744 --> 01:04:28.725 [SPEAKER_00]: Yeah, that's fair. 01:04:28.745 --> 01:04:30.827 [SPEAKER_00]: A lot of... 01:04:32.328 --> 01:04:35.451 [SPEAKER_00]: I've been really fascinated by the TikToks of women going to that though. 01:04:36.332 --> 01:04:40.594 [SPEAKER_01]: I had, she's like so past, I was too old, but she became famous. 01:04:40.654 --> 01:04:47.976 [SPEAKER_01]: So I really have no relationship with her at all, other than maybe a tabloid character at some point. 01:04:50.017 --> 01:04:51.338 [SPEAKER_01]: So I don't have anything to say to that. 01:04:52.715 --> 01:04:53.496 [SPEAKER_00]: Okay, that's okay. 01:04:53.516 --> 01:04:54.818 [SPEAKER_00]: You don't have to come to my dinner party. 01:04:54.838 --> 01:04:56.420 [SPEAKER_00]: You don't want to. 01:04:56.860 --> 01:04:59.684 [SPEAKER_00]: I wasn't on those sheets so I don't think I've been invited actually. 01:05:01.186 --> 01:05:02.808 [SPEAKER_00]: I'm going to go back and find it in right. 01:05:03.329 --> 01:05:05.211 [SPEAKER_00]: Monica. 01:05:06.553 --> 01:05:07.274 [SPEAKER_01]: Number three. 01:05:07.354 --> 01:05:09.978 [SPEAKER_01]: Monica. 01:05:10.138 --> 01:05:10.919 [SPEAKER_01]: Um, okay. 01:05:13.250 --> 01:05:17.493 [SPEAKER_01]: Where do we want to go from here with Coyote versus Acme? 01:05:17.693 --> 01:05:20.595 [SPEAKER_01]: I'm going to be in close to the end of my thoughts on it to be honest. 01:05:20.775 --> 01:05:22.377 [SPEAKER_00]: The road owner was so cute. 01:05:23.037 --> 01:05:27.380 [SPEAKER_00]: I've never really considered him like a cutie pie before, but he was so cute in this. 01:05:27.580 --> 01:05:36.647 [SPEAKER_01]: I don't remember in the cartoons they're ever being like head-on shots of the road runner like there are and the like, you know, road runner like approaches the microphone in. 01:05:37.825 --> 01:06:05.019 [SPEAKER_01]: in Congress to make a statement and yeah the head-on shots of roadrunner were kind of like much cute than I remember the roadrunner being although the beak really had lip filler vibes yeah or like he got a lip lift yes he got a lip lift before his big moment in Congress a beak lift a beak lift um he was so cute he was really cute I I did have a little 01:06:07.098 --> 01:06:18.487 [SPEAKER_00]: I remember him saying, meep, meep, but they had it as beep, me too, but also he was saying meep, meep. 01:06:18.507 --> 01:06:22.490 [SPEAKER_00]: Like if you list that, so I think that was like a weird mistake. 01:06:23.381 --> 01:06:24.422 [SPEAKER_00]: what a weird mistake. 01:06:24.502 --> 01:06:25.142 [SPEAKER_01]: I know. 01:06:25.182 --> 01:06:32.006 [SPEAKER_01]: But I was like, when he meet me, he was saying me meet me. 01:06:32.046 --> 01:06:35.849 [SPEAKER_01]: This is going to get cut out as like, this is why women shouldn't ever get me 01:06:38.853 --> 01:06:57.144 [SPEAKER_01]: Someone's going to quit this like he's your dumb bitch is talking about me When he said when they said is he your friend and you went meet me Yeah, and then he said like are you coming back? 01:06:57.664 --> 01:06:59.345 [SPEAKER_01]: Yeah, yeah, again. 01:06:59.365 --> 01:06:59.825 [SPEAKER_01]: I'm like so 01:07:01.746 --> 01:07:15.469 [SPEAKER_01]: shocked that this movie made me feel, it's funny that I felt so much more for the road runner and Wiley Coyote than I did for any of the characters in the dog's door. 01:07:15.509 --> 01:07:20.630 [SPEAKER_01]: These characters literally cannot die, but I care way more about this dog than that dog. 01:07:20.650 --> 01:07:28.252 [SPEAKER_00]: They cannot die, they do not speak the same language as me, but like their friendship and way more to me. 01:07:30.215 --> 01:07:46.510 [SPEAKER_01]: It's just so interesting how you really do have to make, I mean, this is not the smartest thing I've ever said, but like you really have to make your audience feel something for your characters before you put them in danger. 01:07:46.750 --> 01:07:48.491 [SPEAKER_00]: Yeah, it's true. 01:07:48.892 --> 01:07:49.933 [SPEAKER_00]: And in this one, it's like, 01:07:51.961 --> 01:07:55.223 [SPEAKER_00]: It's not even real danger, but it's just like prolonged suffering. 01:07:55.644 --> 01:08:12.474 [SPEAKER_01]: Yeah, yeah, and even it's funny to like have had such an emotional experience for while like I already, even though I know he can't die, but it's like the way they took us into his little cave, and you see his life, and you're just like, 01:08:13.374 --> 01:08:15.216 [SPEAKER_00]: I don't want him to have to live like this. 01:08:15.236 --> 01:08:15.756 [SPEAKER_01]: I know. 01:08:16.116 --> 01:08:18.839 [SPEAKER_01]: Even though he remains evil, you know what? 01:08:18.919 --> 01:08:20.900 [SPEAKER_00]: Connection between this and finding only. 01:08:20.920 --> 01:08:21.280 [SPEAKER_00]: OK. 01:08:21.701 --> 01:08:22.201 [SPEAKER_00]: Finally. 01:08:22.582 --> 01:08:24.823 [SPEAKER_00]: Someone is being studied without their consent. 01:08:26.585 --> 01:08:36.072 [SPEAKER_00]: Someone is being studied and put into bad situations, set up to be in bad situations without their knowledge. 01:08:36.092 --> 01:08:39.115 [SPEAKER_01]: OK. Well, if there are any film festivals that will just 01:08:42.083 --> 01:08:49.705 [SPEAKER_01]: I think we have some pretty solid double feature ideas. 01:08:49.725 --> 01:09:01.247 [SPEAKER_00]: And also like, the Wiley didn't have to win me over because in the beginning, for quite a while, he was being kind of a huge asshole. 01:09:01.967 --> 01:09:05.568 [SPEAKER_01]: I thought he was really funny though when he was like in the office, being annoying. 01:09:05.728 --> 01:09:06.788 [SPEAKER_01]: He was, but I was like, 01:09:07.895 --> 01:09:08.815 [SPEAKER_00]: You're being difficult. 01:09:09.495 --> 01:09:10.556 [SPEAKER_00]: This man is trying to help you. 01:09:11.316 --> 01:09:12.957 [SPEAKER_00]: And you're being really difficult right now. 01:09:13.377 --> 01:09:14.117 [SPEAKER_00]: Let's rain it in. 01:09:14.637 --> 01:09:15.957 [SPEAKER_00]: Let's rain it in a little bit. 01:09:17.138 --> 01:09:21.179 [SPEAKER_00]: But it was really funny when they were in the motel and the bell, the fight over the bell. 01:09:22.179 --> 01:09:22.679 [SPEAKER_00]: Yes. 01:09:23.280 --> 01:09:31.162 [SPEAKER_00]: I wish the animation, I'm not the first to say this, but it's like, I wish it had looked flatter. 01:09:32.508 --> 01:09:45.680 [SPEAKER_01]: Oh, interesting actually quite like you like it looked a little three a little 3D, but not Like, you know, we did Blueie and 3D now They do Blueie and 3D. 01:09:45.760 --> 01:09:51.726 [SPEAKER_01]: No, but they did do like a the new the Blueie movie Sorry another another person I just learned as a girl 01:09:53.313 --> 01:09:54.053 [SPEAKER_01]: Oh, that's funny. 01:09:54.194 --> 01:09:55.594 [SPEAKER_01]: I've never seen an episode of a movie. 01:09:55.614 --> 01:10:02.618 [SPEAKER_00]: Oh, me neither, but I saw someone online be like, my kid didn't know Blueie was a girl and I was like, I didn't know Blueie was a girl. 01:10:02.638 --> 01:10:04.138 [SPEAKER_01]: I mean, why would I, but I didn't know. 01:10:04.158 --> 01:10:09.361 [SPEAKER_01]: But Blue, typically for like a character for kids is boy. 01:10:09.381 --> 01:10:11.562 [SPEAKER_01]: We're the boy pink girls. 01:10:11.822 --> 01:10:12.702 [SPEAKER_00]: Massing through that. 01:10:12.762 --> 01:10:13.163 [SPEAKER_00]: Yeah. 01:10:13.183 --> 01:10:14.083 [SPEAKER_01]: Blue's ceiling. 01:10:14.543 --> 01:10:17.825 [SPEAKER_01]: Gender really is a construct for animated dogs. 01:10:18.085 --> 01:10:20.006 [SPEAKER_01]: I mean, with the Blueie movie trailer came out, 01:10:22.952 --> 01:10:24.093 [SPEAKER_01]: What the fuck is this? 01:10:24.153 --> 01:10:26.836 [SPEAKER_01]: Is it because it's like a full CG blue-y and so forth? 01:10:26.856 --> 01:10:30.219 [SPEAKER_00]: Yeah, that's why would you not just do the thing that it is? 01:10:30.639 --> 01:10:31.620 [SPEAKER_00]: I have no idea. 01:10:32.261 --> 01:10:32.941 [SPEAKER_01]: Maybe A.I. 01:10:32.981 --> 01:10:38.667 [SPEAKER_01]: needed to be involved for them to, you know, please shareholders. 01:10:40.608 --> 01:10:42.549 [SPEAKER_00]: Yeah, they don't care if they make any money on the movie. 01:10:42.629 --> 01:10:46.290 [SPEAKER_00]: AI is just paying them to make blue-y weird. 01:10:47.351 --> 01:10:51.993 [SPEAKER_00]: They say, dear, how much money do you need to make blue-y weird? 01:10:52.013 --> 01:10:56.614 [SPEAKER_00]: I was really obsessed with this one, like, it only exists on DVD. 01:10:56.915 --> 01:10:58.895 [SPEAKER_00]: It was like 36 minutes on DVD. 01:10:58.935 --> 01:10:59.916 [SPEAKER_00]: So it wasn't like a movie. 01:10:59.956 --> 01:11:00.716 [SPEAKER_00]: It wasn't a show. 01:11:01.196 --> 01:11:05.178 [SPEAKER_00]: And it was like, 3D computer animated pop-i. 01:11:09.681 --> 01:11:11.582 [SPEAKER_00]: And I was like, oh, the sex. 01:11:14.163 --> 01:11:16.544 [SPEAKER_00]: That sounds so weird. 01:11:17.305 --> 01:11:25.149 [SPEAKER_00]: I don't even know how I ended up with this thing, but it was like him at C as he is wanted to do. 01:11:25.249 --> 01:11:26.670 [SPEAKER_01]: It's really so classic. 01:11:26.910 --> 01:11:35.254 [SPEAKER_00]: And he thinks his dad abandoned him, but his dad actually got taken by like scary-looking 01:11:38.809 --> 01:11:51.682 [SPEAKER_00]: And so then he like finds his dad and he's like mad at him and he's like, no, it wasn't even my fall Okay, okay, I like this dairy-looking mermaid How in what way were they scary? 01:11:52.223 --> 01:11:54.205 [SPEAKER_00]: They were like kind of green monster. 01:11:54.265 --> 01:11:57.748 [SPEAKER_00]: You like oh If I remember correctly 01:11:58.744 --> 01:12:00.244 [SPEAKER_00]: I don't think I've ever seen a scary room. 01:12:00.264 --> 01:12:09.066 [SPEAKER_00]: I would be like, but I highly doubt anyone's ever posted pictures of the scary mermaids from this specific DVD. 01:12:09.466 --> 01:12:17.047 [SPEAKER_01]: The internet and its ability to find the one other person who watched the one weird episode of the other thing that you watched. 01:12:17.067 --> 01:12:18.207 [SPEAKER_01]: I think that's so funny. 01:12:18.567 --> 01:12:20.308 [SPEAKER_01]: Did you own that DVD? 01:12:20.368 --> 01:12:21.428 [SPEAKER_01]: I didn't. 01:12:21.448 --> 01:12:23.308 [SPEAKER_01]: It sounded a little like a library thing. 01:12:23.848 --> 01:12:26.449 [SPEAKER_00]: No, this was, this was one we own. 01:12:28.329 --> 01:12:29.431 [SPEAKER_00]: I gotta look next time. 01:12:29.571 --> 01:12:31.253 [SPEAKER_00]: I won't let my mom throw anything away. 01:12:31.774 --> 01:12:32.475 [SPEAKER_01]: Oh cool. 01:12:32.515 --> 01:12:33.557 [SPEAKER_00]: She really hates it. 01:12:33.817 --> 01:12:34.779 [SPEAKER_00]: I would as well. 01:12:34.799 --> 01:12:38.524 [SPEAKER_00]: But every time I go over, she's like, I can't get rid of this and I'm like, no, I can't get rid of this. 01:12:39.245 --> 01:12:39.486 [SPEAKER_00]: No! 01:12:41.288 --> 01:12:41.829 [SPEAKER_01]: Okay. 01:12:42.470 --> 01:12:42.971 [SPEAKER_01]: Well, yeah. 01:12:44.633 --> 01:12:48.817 [SPEAKER_01]: That is, that's probably really annoying. 01:12:49.137 --> 01:12:50.679 [SPEAKER_00]: I don't mean to side with your mom. 01:12:51.720 --> 01:13:04.611 [SPEAKER_00]: But yeah, I liked that, while it was kind of difficult, because I feel like one of the things that kind of separated loony tunes from Disney was that the loony tunes are kind of evil. 01:13:05.492 --> 01:13:08.034 [SPEAKER_00]: Like none of them are just like a nice normal guy. 01:13:08.955 --> 01:13:15.981 [SPEAKER_01]: Yeah, they do have like a little bit of a darker streak to them and it is it is quite funny. 01:13:18.343 --> 01:13:25.148 [SPEAKER_01]: I think that the loony tunes were mostly made in response to Mickey Mouse. 01:13:26.789 --> 01:13:31.453 [SPEAKER_01]: But and I learned today that Porky Pig was the first loony tune. 01:13:32.014 --> 01:13:33.335 [SPEAKER_00]: That is so interesting. 01:13:33.994 --> 01:13:38.535 [SPEAKER_01]: I feel like he's kind of not like the most interesting of the guys available. 01:13:39.195 --> 01:13:40.455 [SPEAKER_00]: He's really not. 01:13:40.475 --> 01:13:43.856 [SPEAKER_01]: I mean, like, bugs is obviously the ring leader. 01:13:43.876 --> 01:13:46.996 [SPEAKER_01]: Yeah, I just find bugs to have too big of a personality. 01:13:47.116 --> 01:13:47.396 [SPEAKER_01]: Sure. 01:13:47.417 --> 01:13:49.277 [SPEAKER_01]: He's sorry. 01:13:49.297 --> 01:13:51.277 [SPEAKER_01]: Sorry, bugs, you're too much. 01:13:51.337 --> 01:13:54.958 [SPEAKER_01]: Yeah, he's probably some sort of sociopath. 01:13:54.978 --> 01:13:58.799 [SPEAKER_00]: Then Taz is just also too much. 01:13:59.259 --> 01:14:00.419 [SPEAKER_00]: People like, 01:14:01.790 --> 01:14:05.371 [SPEAKER_00]: Tass was a real identity in the 90s and early 90s. 01:14:05.471 --> 01:14:06.471 [SPEAKER_00]: I remember that. 01:14:06.591 --> 01:14:07.952 [SPEAKER_01]: I do remember that. 01:14:07.992 --> 01:14:16.694 [SPEAKER_01]: Tass and Marvin the Martians were too that were like really important to a really certain type of guy in my school session. 01:14:16.834 --> 01:14:18.535 [SPEAKER_00]: And that guy's girlfriend. 01:14:18.715 --> 01:14:21.736 [SPEAKER_00]: Yeah. 01:14:21.916 --> 01:14:24.877 [SPEAKER_00]: Like I just feel like there were lots of like matching 01:14:29.924 --> 01:14:35.089 [SPEAKER_00]: But Taz, I'm kind of like, yeah, I don't need to be dealing with all that. 01:14:35.550 --> 01:14:40.655 [SPEAKER_01]: Yeah, I was happy he was only on screen, you know, that we referenced him, he exists. 01:14:40.895 --> 01:14:44.158 [SPEAKER_01]: I understand why he wasn't there and it's not good. 01:14:44.759 --> 01:14:53.067 [SPEAKER_01]: This isn't a good character, but as a kid, my favorite always was Speedy Gonzalez, but I get why we don't have him. 01:14:54.433 --> 01:14:54.854 [SPEAKER_01]: It's bad. 01:14:55.174 --> 01:14:56.075 [SPEAKER_00]: Thank you for saying that. 01:14:56.216 --> 01:15:00.482 [SPEAKER_01]: It's bad to have a little mouse in a somber, saying a reba, a reba. 01:15:01.680 --> 01:15:08.403 [SPEAKER_00]: You know, unless he was so cute to me, I think he was kind of full of it. 01:15:08.723 --> 01:15:10.464 [SPEAKER_01]: Yeah, but he's not in this movie at all. 01:15:10.504 --> 01:15:16.067 [SPEAKER_01]: So I think they were, yeah, I could definitely pick up from them being like, let's not touch that with a 10 phone. 01:15:16.087 --> 01:15:16.787 [SPEAKER_01]: Because, no. 01:15:16.847 --> 01:15:18.928 [SPEAKER_00]: Well, Looney chooses from a time. 01:15:19.429 --> 01:15:20.289 [SPEAKER_00]: From a time. 01:15:20.369 --> 01:15:26.972 [SPEAKER_00]: He has some stuff that they would like to cut out of, we're leaving in the past. 01:15:27.072 --> 01:15:27.773 [SPEAKER_00]: The history. 01:15:30.140 --> 01:15:34.685 [SPEAKER_00]: When Sylvester looked really sad, when they mentioned that Tweetie was missing. 01:15:35.285 --> 01:15:39.790 [SPEAKER_01]: Yeah, that was sad, but also I found myself going, who's that cat again? 01:15:39.850 --> 01:15:44.794 [SPEAKER_01]: Ha ha ha ha ha ha ha ha He's one that did not stick with me. 01:15:44.855 --> 01:15:46.977 [SPEAKER_01]: I was that cat. 01:15:47.017 --> 01:15:49.199 [SPEAKER_00]: His oven was like, oh yeah, there's like a cat. 01:15:49.519 --> 01:15:53.063 [SPEAKER_00]: I feel like I watched a lot of Tweetie and Sylvester. 01:15:54.120 --> 01:15:59.621 [SPEAKER_01]: Yeah, I really, it's funny because I just feel like any looting tunes I watched and it was all of it. 01:16:00.261 --> 01:16:02.362 [SPEAKER_01]: I had no control over what I was watching. 01:16:02.462 --> 01:16:03.982 [SPEAKER_01]: Yeah, no, it's just whatever was being heard. 01:16:04.002 --> 01:16:10.863 [SPEAKER_00]: I feel like they, they probably played that a lot because Tweety was such an icon of the moment. 01:16:11.323 --> 01:16:18.765 [SPEAKER_00]: Um, I, there was someone else where I was like, oh, where I went, oh, 01:16:19.509 --> 01:16:21.051 [SPEAKER_00]: I'm sure you made both of those sounds. 01:16:21.991 --> 01:16:22.452 [SPEAKER_00]: I can't. 01:16:22.912 --> 01:16:33.982 [SPEAKER_00]: I mean, Tweety, I did very funny when John Cena when Tweety was like, I thought, I thought, he's like, you taught you, I'm not paying you that tick you. 01:16:34.123 --> 01:16:38.607 [SPEAKER_01]: And John Cena just generally proves to be so gay, I'm not anything. 01:16:38.747 --> 01:16:39.047 [SPEAKER_00]: Yeah. 01:16:39.347 --> 01:16:41.129 [SPEAKER_01]: It's what makes him seem really wonderful. 01:16:41.549 --> 01:16:43.431 [SPEAKER_01]: Yeah. 01:16:43.911 --> 01:16:45.493 [SPEAKER_01]: I wish him all the success in the world. 01:16:46.490 --> 01:16:47.952 [SPEAKER_01]: Please continue to be in stuff. 01:16:47.972 --> 01:16:49.153 [SPEAKER_00]: No, he's really great. 01:16:49.213 --> 01:16:50.414 [SPEAKER_00]: I like peacemaker. 01:16:50.434 --> 01:16:54.318 [SPEAKER_00]: That is the most shocking thing for your eyes. 01:16:54.478 --> 01:16:55.379 [SPEAKER_01]: Really like it. 01:16:56.080 --> 01:16:57.662 [SPEAKER_01]: I've never seen a single episode. 01:16:57.682 --> 01:16:58.142 [SPEAKER_00]: Isn't that great? 01:16:58.222 --> 01:16:59.724 [SPEAKER_01]: I think you would really like it. 01:16:59.824 --> 01:17:00.245 [SPEAKER_01]: Yeah. 01:17:00.385 --> 01:17:01.986 [SPEAKER_00]: It's like, it's really good. 01:17:02.046 --> 01:17:03.428 [SPEAKER_00]: He's really good in it. 01:17:03.448 --> 01:17:05.190 [SPEAKER_00]: It is so funny. 01:17:05.570 --> 01:17:06.411 [SPEAKER_00]: Love the guy. 01:17:06.431 --> 01:17:06.531 [SPEAKER_00]: Love. 01:17:10.917 --> 01:17:11.337 [SPEAKER_00]: I don't know. 01:17:11.938 --> 01:17:15.220 [SPEAKER_00]: Yeah, this was a really fun movie. 01:17:15.281 --> 01:17:17.042 [SPEAKER_00]: I liked all the jokes about the carrot festival. 01:17:17.823 --> 01:17:18.543 [SPEAKER_00]: Carrot festival. 01:17:18.703 --> 01:17:19.144 [SPEAKER_00]: Good. 01:17:19.564 --> 01:17:21.606 [SPEAKER_01]: And I like- That's something that we would play out to. 01:17:22.106 --> 01:17:25.509 [SPEAKER_00]: That's something that we would fly out to a random city to go to. 01:17:26.150 --> 01:17:27.170 [SPEAKER_00]: At your suggestion. 01:17:27.190 --> 01:17:28.652 [SPEAKER_00]: We love doing that. 01:17:28.672 --> 01:17:30.353 [SPEAKER_00]: You would be like, Hitch. 01:17:32.635 --> 01:17:33.676 [SPEAKER_00]: The carrot festival. 01:17:36.458 --> 01:17:41.043 [SPEAKER_01]: And you'd go, you love every second of these weird wild trips. 01:17:42.885 --> 01:17:48.010 [SPEAKER_00]: When I was a kid, I, when I heard about that thing that if you eat enough carrots, you can turn yourself orange. 01:17:48.971 --> 01:17:50.193 [SPEAKER_00]: I was like trying to do that. 01:17:50.673 --> 01:17:51.013 [SPEAKER_01]: Why? 01:17:51.033 --> 01:17:52.495 [SPEAKER_01]: I don't even just feel like cool. 01:17:53.056 --> 01:17:55.278 [SPEAKER_01]: So you heard that and thought, oh, that's good. 01:17:55.338 --> 01:17:56.119 [SPEAKER_01]: And I should do it. 01:17:56.399 --> 01:17:57.800 [SPEAKER_00]: I think I just like wanted. 01:17:59.400 --> 01:18:00.382 [SPEAKER_00]: attention. 01:18:00.723 --> 01:18:02.026 [SPEAKER_01]: Okay, I do relate to that. 01:18:02.086 --> 01:18:09.863 [SPEAKER_00]: And so, yeah, I mean, I think every, it's, did you have to think to where you were always wishing like, God, I wish I, I wish I would faint in the middle of class. 01:18:10.547 --> 01:18:12.147 [SPEAKER_01]: I wanted to break my arm. 01:18:12.187 --> 01:18:14.128 [SPEAKER_01]: Yes, so fucking bad. 01:18:14.148 --> 01:18:14.948 [SPEAKER_00]: Okay, yes. 01:18:15.188 --> 01:18:17.368 [SPEAKER_00]: I wanted to break something, and I never did. 01:18:17.468 --> 01:18:18.509 [SPEAKER_00]: I never broke something. 01:18:18.529 --> 01:18:19.309 [SPEAKER_00]: I never broke something. 01:18:19.349 --> 01:18:25.210 [SPEAKER_01]: But I would sleep on the, because like there was a kid in my class who said that they fell out of their bed and broke their arm. 01:18:25.550 --> 01:18:32.811 [SPEAKER_01]: So I would try to fall asleep on the very edge of my bed so that I could fall out and break my arm and it never happened. 01:18:32.831 --> 01:18:35.912 [SPEAKER_01]: And also now I'm realizing maybe that kid lied and something bad happened. 01:18:37.073 --> 01:18:42.617 [SPEAKER_00]: I mean, my friend's brother did actually break his arm falling out of their bed, though it was a fun bed. 01:18:42.797 --> 01:18:44.518 [SPEAKER_00]: I think that's an important detail. 01:18:44.538 --> 01:18:46.500 [SPEAKER_01]: Yeah, I was just in a normal twin bed. 01:18:46.680 --> 01:18:52.004 [SPEAKER_00]: When I was in kindergarten, I got like pneumonia randomly. 01:18:52.404 --> 01:18:55.326 [SPEAKER_00]: And had to be like in the hospital for three days for some reason. 01:18:56.147 --> 01:19:01.711 [SPEAKER_00]: And I was like, you cannot tell me shit when I was like walking back into school. 01:19:02.231 --> 01:19:03.992 [SPEAKER_00]: I thought like, everyone, I was like, 01:19:04.853 --> 01:19:18.198 [SPEAKER_00]: Everyone, we're gonna have so many questions for me and everyone's gonna be like, oh my god, you were in the hospital But no one knew or cared But I was like, I'm gonna be the bell of the fucking ball. 01:19:18.578 --> 01:19:25.101 [SPEAKER_01]: I was in the hospital for three days That's so funny and we're learning so much about you today. 01:19:25.121 --> 01:19:25.141 [SPEAKER_01]: I 01:19:28.197 --> 01:19:30.798 [SPEAKER_01]: They just, I just wanted to be special. 01:19:31.339 --> 01:19:37.041 [SPEAKER_01]: Yeah, it is funny that kids who had casts, it just seemed so cool. 01:19:37.361 --> 01:19:41.643 [SPEAKER_01]: And now I'm like, it was probably gross and itchy. 01:19:41.723 --> 01:19:44.684 [SPEAKER_00]: Oh, it definitely was, but they also loved it. 01:19:45.264 --> 01:19:49.546 [SPEAKER_00]: It wasn't like, oh, if you didn't have a cast you saw it, a cast was awesome, but if you did, you understood it wasn't. 01:19:49.846 --> 01:19:53.388 [SPEAKER_00]: The kids with casts were flunting that shit. 01:19:53.788 --> 01:19:54.868 [SPEAKER_00]: I mean, it was rude. 01:19:54.888 --> 01:19:56.449 [SPEAKER_01]: They just couldn't hide it, probably. 01:19:57.810 --> 01:19:59.811 [SPEAKER_01]: I don't know, you might be reading into that. 01:19:59.911 --> 01:20:04.273 [SPEAKER_00]: No, no, they weren't plotting. 01:20:04.413 --> 01:20:05.154 [SPEAKER_01]: That's so funny. 01:20:05.234 --> 01:20:11.758 [SPEAKER_01]: I did crack a rib when I was in seventh grade, but they don't give you a cast for that. 01:20:12.178 --> 01:20:16.721 [SPEAKER_00]: So nobody knew you just have to walk around going, oh, oh, oh, oh, yeah. 01:20:17.381 --> 01:20:22.905 [SPEAKER_01]: And then I just couldn't run in PE, but I just seemed kind of like a loser. 01:20:26.907 --> 01:20:30.470 [SPEAKER_00]: I think that just is something about, I think that here's the thing. 01:20:30.750 --> 01:20:39.638 [SPEAKER_00]: I think if that behavior continues as an adult where you're like, I want to be in the hospital for attention, that's a personality disorder. 01:20:40.098 --> 01:20:48.926 [SPEAKER_00]: I think as a kid, everyone just has that because you're trying to figure out who you are as a person and you just want attention, but you don't know how to get it. 01:20:49.226 --> 01:20:52.849 [SPEAKER_01]: That is the premise of, um, I'm sick of myself. 01:20:52.969 --> 01:20:53.770 [SPEAKER_00]: I got to watch that. 01:20:54.070 --> 01:21:00.471 [SPEAKER_01]: Yeah, the filmmaker who made the drama made a movie called I'm sick of myself where lady keeps escalating injuries to herself. 01:21:01.452 --> 01:21:02.972 [SPEAKER_01]: Get attention from people. 01:21:03.612 --> 01:21:04.452 [SPEAKER_00]: It's very funny. 01:21:04.632 --> 01:21:09.694 [SPEAKER_00]: And then I used to then it switched to in high school. 01:21:10.254 --> 01:21:15.255 [SPEAKER_00]: I would dream of while I was sitting in the Starbucks on Montana Avenue that someone... 01:21:15.295 --> 01:21:16.555 [SPEAKER_00]: Okay, doxing yourself. 01:21:17.075 --> 01:21:18.476 [SPEAKER_00]: Doxing my child self. 01:21:20.616 --> 01:21:24.139 [SPEAKER_00]: a really hot man gets hit by a car right outside the window. 01:21:24.159 --> 01:21:25.539 [SPEAKER_00]: This is what you desire to happen. 01:21:25.559 --> 01:21:25.800 [SPEAKER_00]: Yes. 01:21:26.520 --> 01:21:28.542 [SPEAKER_00]: And then I run out of it. 01:21:28.562 --> 01:21:33.705 [SPEAKER_00]: And I'm first there and I cradle his head and you're a teenager. 01:21:33.745 --> 01:21:34.806 [SPEAKER_00]: Yeah. 01:21:35.086 --> 01:21:37.748 [SPEAKER_01]: So you probably were like the most attractive you've ever been. 01:21:37.828 --> 01:21:41.270 [SPEAKER_01]: Not like, sort of, you've been through into, yeah. 01:21:41.590 --> 01:21:45.013 [SPEAKER_00]: I had everything really figured out at this point. 01:21:46.654 --> 01:21:47.815 [SPEAKER_00]: Looks nice. 01:21:48.795 --> 01:21:53.717 [SPEAKER_00]: Everything was exactly how it should be, and then he would have all of them with me. 01:21:53.737 --> 01:22:00.460 [SPEAKER_00]: Yeah, that would have been an appropriate answer for step-by-step-by. 01:22:03.918 --> 01:22:18.889 [SPEAKER_00]: Okay, well sort of a loony tune's asking hip-eye car really is it's funny that the like loony tunes I think informed a lot of how we fantasy I think it's also really nice that a lot of the times when Wiley Coyote is hurt. 01:22:19.289 --> 01:22:28.095 [SPEAKER_00]: That's when roadrunner comes up and is like two inches from his face Yeah, not even he's just like Hey, yeah, he's checking on him. 01:22:28.135 --> 01:22:28.856 [SPEAKER_00]: It's nice. 01:22:28.896 --> 01:22:29.937 [SPEAKER_01]: Yeah, they have a dynamic. 01:22:30.397 --> 01:22:31.758 [SPEAKER_00]: Yeah, that's all it is 01:22:34.861 --> 01:22:36.563 [SPEAKER_00]: How do you feel about landing here? 01:22:36.583 --> 01:22:38.665 [SPEAKER_00]: Yeah, I feel like that's pretty good. 01:22:38.685 --> 01:22:44.230 [SPEAKER_00]: I'm gonna think of if we have anything else to say about Minnesota or the fair. 01:22:45.150 --> 01:22:46.912 [SPEAKER_01]: I think it'll probably come next week. 01:22:47.292 --> 01:22:48.033 [SPEAKER_00]: Oh, that's true. 01:22:48.053 --> 01:22:50.876 [SPEAKER_00]: Definitely trying to eat some more cheese curds while in the city. 01:22:51.196 --> 01:22:51.656 [SPEAKER_00]: Yes. 01:22:52.777 --> 01:22:53.038 [SPEAKER_00]: But. 01:22:56.103 --> 01:22:57.765 [SPEAKER_00]: Do you remember what we're doing next week? 01:22:57.785 --> 01:22:58.745 [SPEAKER_01]: We'll probably have to. 01:22:58.765 --> 01:23:01.007 [SPEAKER_01]: I don't look it up later. 01:23:01.067 --> 01:23:01.628 [SPEAKER_00]: I know. 01:23:01.688 --> 01:23:02.949 [SPEAKER_00]: We're going to surprise you guys. 01:23:03.390 --> 01:23:04.150 [SPEAKER_00]: I don't remember. 01:23:04.170 --> 01:23:10.776 [SPEAKER_00]: I think we'll be back to just one movie because it was like last week was when it was like crazy. 01:23:10.816 --> 01:23:12.358 [SPEAKER_01]: Yeah, this has been really intense. 01:23:12.418 --> 01:23:12.778 [SPEAKER_01]: Yeah. 01:23:13.098 --> 01:23:19.404 [SPEAKER_00]: But I think we're back to there being like one sort of clear main movie of the week for the next few weeks. 01:23:20.345 --> 01:23:22.066 [SPEAKER_00]: Um, yeah. 01:23:22.226 --> 01:23:22.547 [SPEAKER_00]: So. 01:23:24.473 --> 01:23:25.855 [SPEAKER_00]: That's been medium, literate. 01:23:27.658 --> 01:23:32.726 [SPEAKER_00]: I'm Emily Fay, my co-host is Monica Scott, and you can... 01:23:36.282 --> 01:23:39.024 [SPEAKER_00]: Watch all the episodes on YouTube if you're listening to this. 01:23:39.244 --> 01:23:57.216 [SPEAKER_00]: This would maybe be the one to watch because we're in person in person touching touching We're touching and You can follow us on Instagram on TikTok You can review us on Apple podcasts or Spotify 01:24:00.339 --> 01:24:01.480 [SPEAKER_00]: I think that's it, right? 01:24:02.060 --> 01:24:03.662 [SPEAKER_01]: I think that you nailed it. 01:24:03.802 --> 01:24:04.502 [SPEAKER_01]: Okay. 01:24:04.522 --> 01:24:05.323 [SPEAKER_01]: And we nailed it. 01:24:05.603 --> 01:24:07.345 [SPEAKER_01]: And we didn't get way off topic. 01:24:07.685 --> 01:24:09.747 [SPEAKER_00]: Ah, I mean, we kind of did it. 01:24:10.007 --> 01:24:11.648 [SPEAKER_01]: But thank you for listening. 01:24:11.708 --> 01:24:17.833 [SPEAKER_01]: If you liked that episode, please send it to a friend because that's the best way for people to find a new podcast. 01:24:18.314 --> 01:24:23.378 [SPEAKER_01]: Even though this episode might be insane for first listen for somebody, but thank you for listening. 01:24:23.518 --> 01:24:24.539 [SPEAKER_01]: We will see you next week. 01:24:24.859 --> 01:24:25.259 [SPEAKER_01]: Bye. 01:24:34.164 --> 01:24:37.852 [SPEAKER_01]: media and literature was created and produced by Monica Scott and Emily Fay. 01:24:38.414 --> 01:24:43.064 [SPEAKER_01]: Our theme music was composed by Christian Larson and Technical Health is from Alex Luchin. 01:24:44.006 --> 01:24:46.933 [SPEAKER_01]: Thank you so much for listening and we will see you at the movies.