WEBVTT 00:28.110 --> 00:44.307 [SPEAKER_00]: Hello everybody, hello small screen sessions that's the podcast we're on today That's the one Sometimes we get confused when people have 20 podcasts. 00:44.747 --> 00:47.270 [SPEAKER_00]: I'm your host Amanda I'm here with Steven Travis. 00:47.290 --> 00:47.870 [SPEAKER_00]: Hi guys. 00:48.631 --> 00:50.513 [SPEAKER_02]: Hello hello 00:52.030 --> 01:15.589 [SPEAKER_00]: uh we're talking about midnight mass we had a little hideous for a few weeks just you know life stuff happens summer it's summer it's life we do this for fun we're not this is not a salaried position so when there's delays there's delays right yeah 01:16.127 --> 01:16.347 [SPEAKER_00]: true. 01:16.987 --> 01:17.388 [SPEAKER_00]: It's true. 01:18.088 --> 01:23.030 [SPEAKER_00]: I weren't episode three tonight, which is called book three Proverbs. 01:23.390 --> 01:24.250 [SPEAKER_00]: I'm on trivia. 01:26.731 --> 01:27.612 [SPEAKER_00]: I am on trivia. 01:27.632 --> 01:38.176 [SPEAKER_00]: Oh, we're going to talk about coffee because, you know, there was some coffee drinking in this episode that I feel was relevant to the plot. 01:39.362 --> 01:40.623 [SPEAKER_00]: Travis is your partner. 01:40.663 --> 01:41.464 [SPEAKER_00]: I'm like, look at it. 01:42.884 --> 01:46.067 [SPEAKER_02]: No, that's just my shitty connection. 01:46.107 --> 01:47.968 [SPEAKER_02]: No, that's just the AC kick on. 01:47.988 --> 01:49.729 [SPEAKER_02]: So somebody this house will burn down. 01:49.769 --> 01:52.811 [SPEAKER_02]: Hopefully I've already got it. 01:52.891 --> 01:53.231 [SPEAKER_02]: No. 01:54.402 --> 01:55.242 [SPEAKER_02]: I'm looking at my notes. 01:55.302 --> 01:55.702 [SPEAKER_02]: Coffee? 01:55.722 --> 01:56.242 [SPEAKER_02]: What? 01:56.282 --> 01:56.662 [SPEAKER_02]: Coffee? 01:56.702 --> 01:56.943 [SPEAKER_02]: Coffee? 01:57.363 --> 01:57.703 [SPEAKER_02]: Coffee? 01:59.443 --> 02:07.305 [SPEAKER_00]: They were just, father Paul was drinking coffee in several scenes and then led to submission. 02:07.405 --> 02:09.645 [SPEAKER_00]: So I stuck with coffee. 02:09.745 --> 02:13.066 [SPEAKER_00]: So really, we're just going to talk about coffee drinks, espresso drinks. 02:13.566 --> 02:19.467 [SPEAKER_00]: I'm going to describe the contents of the cup of coffee drink. 02:19.507 --> 02:21.468 [SPEAKER_00]: And I want you to tell me what coffee drink it is. 02:21.488 --> 02:22.128 [SPEAKER_00]: Okay. 02:23.895 --> 02:32.762 [SPEAKER_00]: So, so if we're going to start easy, okay, so if we're thinking of a coffee cup, and what's in the coffee cup? 02:33.803 --> 02:39.007 [SPEAKER_00]: Equal parts, espresso, steamed milk, and milk foam, what's that called? 02:39.767 --> 02:40.248 [SPEAKER_01]: Latte! 02:40.868 --> 02:41.248 [SPEAKER_01]: Latte! 02:42.670 --> 02:43.530 [SPEAKER_00]: Equal parts! 02:45.692 --> 02:46.533 [SPEAKER_00]: Equal parts! 02:52.607 --> 02:59.751 [SPEAKER_00]: If I were to say a spresso, lots of milk and a little bit of foam, that would be a lot to add to it. 03:00.011 --> 03:00.231 [SPEAKER_01]: Yeah. 03:00.731 --> 03:01.011 [SPEAKER_00]: Okay. 03:02.132 --> 03:02.892 [SPEAKER_00]: How about this one? 03:03.512 --> 03:05.774 [SPEAKER_00]: A spresso and then a bunch of hot water. 03:07.294 --> 03:08.335 [SPEAKER_00]: Do you know what that one's called? 03:08.895 --> 03:09.916 [SPEAKER_01]: Can't we have an Americano? 03:11.076 --> 03:11.656 [SPEAKER_00]: Americano. 03:11.676 --> 03:11.977 [SPEAKER_00]: Yeah. 03:13.411 --> 03:21.657 [SPEAKER_00]: Yeah, I didn't know that, so a lot of times if you go to like a fancy coffee shop and you offer a you sound cool. 03:21.797 --> 03:23.138 [SPEAKER_00]: I'm ordering an americano. 03:23.218 --> 03:24.699 [SPEAKER_00]: You're paying mostly just for water. 03:26.681 --> 03:29.343 [SPEAKER_00]: I didn't really, I didn't know that until today. 03:31.484 --> 03:36.688 [SPEAKER_00]: How about a spresso whiskey and some cream? 03:37.749 --> 03:38.290 [SPEAKER_00]: What do we call it? 03:38.310 --> 03:39.110 [SPEAKER_01]: Well Irish coffee. 03:39.951 --> 03:41.432 [SPEAKER_01]: Yeah. 03:42.092 --> 03:42.733 [SPEAKER_00]: Irish coffee. 03:45.797 --> 03:48.278 [SPEAKER_00]: Ooh, okay, this is probably my favorite. 03:48.959 --> 03:53.361 [SPEAKER_00]: What if you pour some espresso over some ice cream? 03:53.381 --> 03:55.222 [SPEAKER_00]: Do you guys know what that's called? 03:58.264 --> 03:59.264 [SPEAKER_02]: Uh, I do not. 04:00.785 --> 04:01.566 [SPEAKER_00]: It's really good. 04:01.646 --> 04:03.987 [SPEAKER_00]: If you've ever had it, it's called an afagato. 04:04.723 --> 04:06.164 [SPEAKER_01]: I forgot, I don't know, what a huff. 04:06.884 --> 04:07.825 [SPEAKER_00]: I forgot. 04:08.125 --> 04:08.626 [SPEAKER_01]: I forgot. 04:08.726 --> 04:09.426 [SPEAKER_01]: I forgot. 04:10.287 --> 04:12.968 [SPEAKER_00]: A-F-O-G-A-T-O. 04:13.168 --> 04:14.469 [SPEAKER_00]: It's kind of a dessert. 04:14.549 --> 04:15.110 [SPEAKER_01]: Exactly. 04:15.770 --> 04:16.451 [SPEAKER_00]: Exactly. 04:16.991 --> 04:27.758 [SPEAKER_00]: Somehow you can put some scoops of vanilla ice cream and then nice little glass and then pour a hot pull of espresso over it and it's tasty. 04:28.999 --> 04:34.162 [SPEAKER_00]: You get the melty ice cream and that sweetens the espresso. 04:35.589 --> 04:37.530 [SPEAKER_00]: Let's all be fancy and have one of those. 04:40.672 --> 04:47.417 [SPEAKER_00]: Um, this one I didn't know either espresso and then just a bunch of steamed milk, no foam. 04:47.437 --> 04:49.958 [SPEAKER_01]: I'm going to flat light. 04:50.859 --> 04:56.923 [SPEAKER_00]: Yes, really popular in Australia and New Zealand apparently flat white night. 04:57.744 --> 04:59.305 [SPEAKER_00]: Yeah, let's have a flat white. 05:05.079 --> 05:18.235 [SPEAKER_00]: And then this one, that's right, uh, a spresso and just a little bit of milk foam, no steamed milk, just a spresso and a little bit of foam. 05:21.728 --> 05:22.828 [SPEAKER_01]: Wasn't that a flat weight? 05:23.989 --> 05:27.750 [SPEAKER_00]: No, the flat weight was a, was a steamed milk with no foam. 05:27.990 --> 05:28.471 [SPEAKER_00]: Oh, okay. 05:28.911 --> 05:32.932 [SPEAKER_00]: This is espresso with a little bit of foam, but no steamed milk. 05:33.693 --> 05:34.413 [SPEAKER_01]: And a mochi out of? 05:35.033 --> 05:37.834 [SPEAKER_00]: It is with the fuck, how do you know that? 05:39.255 --> 05:45.017 [SPEAKER_00]: And again, I just, I'm familiar with the term like caramel mochi out of because of Starbucks. 05:45.890 --> 05:51.435 [SPEAKER_00]: And that's nowhere near what this is, because I know that Starbucks isn't like, traditional. 05:52.156 --> 05:54.999 [SPEAKER_01]: There's a lot of funny dining, Italian places downtown where I live. 05:55.079 --> 06:03.407 [SPEAKER_01]: So if I like to stuff myself and then I have to walk home, get me some sort of coffee thing at the end of the meal. 06:04.122 --> 06:07.244 [SPEAKER_00]: Yeah, I mean, there's more from different parts of the world. 06:07.364 --> 06:11.347 [SPEAKER_00]: Those are the main ones I think that people might be more most familiar with. 06:11.687 --> 06:20.152 [SPEAKER_00]: There's something else called a cortado, which is almost the same thing as a flat weight, but it's in Spain. 06:21.353 --> 06:26.737 [SPEAKER_00]: There's a Kanpana, which is popular in Cuba, and that's espresso with a one-to-cream. 06:26.757 --> 06:28.958 [SPEAKER_00]: Oh, yeah. 06:29.619 --> 06:31.400 [SPEAKER_01]: Yeah, Turkish and Greek style golf is. 06:32.053 --> 06:33.134 [SPEAKER_00]: There's so much. 06:33.234 --> 06:34.235 [SPEAKER_00]: There's a lot of coffee. 06:35.637 --> 06:38.379 [SPEAKER_02]: And yet it all sounds the exact same. 06:38.780 --> 06:41.442 [SPEAKER_02]: It all sounds like it's less good with something. 06:42.360 --> 06:44.521 [SPEAKER_00]: Yeah, I mean, it isn't espresso with something. 06:44.601 --> 06:48.001 [SPEAKER_00]: I'd say a part from the Afogado. 06:48.061 --> 06:55.743 [SPEAKER_00]: I mean, I like Mocha, which that's espresso steamed milk with like some kind of chocolate element because then that covers up the coffee. 06:56.944 --> 06:58.844 [SPEAKER_00]: They're covers up the flavor of the coffee. 06:59.664 --> 07:03.165 [SPEAKER_00]: Especially Starbucks coffee, which is like diesel to me. 07:03.185 --> 07:04.505 [SPEAKER_00]: Yeah. 07:05.666 --> 07:06.266 [SPEAKER_00]: I don't know. 07:06.646 --> 07:10.347 [SPEAKER_00]: Small screen sessions at gbils.com let us know your favorite coffee drink. 07:11.548 --> 07:13.089 [SPEAKER_00]: do you have a favorite coffee? 07:13.650 --> 07:16.132 [SPEAKER_02]: If we haven't talked about them all now, I mean, do we cover all of them? 07:16.172 --> 07:17.473 [SPEAKER_02]: Is there any other thing? 07:17.513 --> 07:22.777 [SPEAKER_00]: There's so many depending, well, depending on where you go in the world, I mean, that doesn't touch on like. 07:23.919 --> 07:40.044 [SPEAKER_00]: any of the like ice coffee or cold brew options or drip coffee or more over or French press or the moka pot that's the other Italian thing. 07:41.265 --> 07:47.927 [SPEAKER_00]: I always think of espresso as so old world, but like the actual espresso machine wasn't being used that much. 07:49.374 --> 07:50.935 [SPEAKER_00]: until way after like 1900. 07:51.035 --> 07:53.856 [SPEAKER_00]: And then like 1940s. 07:54.696 --> 07:56.557 [SPEAKER_00]: I just think of it as this like ancient thing. 07:56.597 --> 07:58.998 [SPEAKER_00]: That's how that's how the original coffee was. 07:59.138 --> 07:59.378 [SPEAKER_00]: No. 07:59.398 --> 08:01.199 [SPEAKER_00]: I learned a lot today. 08:01.519 --> 08:02.839 [SPEAKER_00]: Learn about coffee trivia. 08:04.000 --> 08:05.080 [SPEAKER_02]: So I'm learning it too. 08:05.500 --> 08:05.821 [SPEAKER_02]: Yeah. 08:06.321 --> 08:06.941 [SPEAKER_02]: Who knew? 08:07.401 --> 08:08.041 [SPEAKER_02]: I didn't know. 08:08.482 --> 08:08.762 [SPEAKER_02]: I did. 08:09.742 --> 08:10.242 [SPEAKER_02]: You did. 08:10.282 --> 08:11.023 [SPEAKER_02]: That's my trigger. 08:15.942 --> 08:19.664 [SPEAKER_00]: Well, yeah, I want to know everybody's favorite coffee drink. 08:20.304 --> 08:24.727 [SPEAKER_00]: Maybe this will be the new X-body spray quiz. 08:25.327 --> 08:27.368 [SPEAKER_00]: You know everybody's favorite coffee drink this round. 08:29.229 --> 08:34.211 [SPEAKER_00]: Well, under episode three folks, book three Proverbs. 08:36.132 --> 08:37.753 [SPEAKER_00]: I took a lot of notes for this episode. 08:37.893 --> 08:39.434 [SPEAKER_00]: I felt like there was a lot going on. 08:40.215 --> 08:43.796 [SPEAKER_00]: A lot of emotional things happening. 08:44.337 --> 08:44.877 [SPEAKER_00]: We begin. 08:46.692 --> 08:53.296 [SPEAKER_00]: with father Paul, who was hanging out in the church and then goes to confess his sins. 08:54.196 --> 09:04.222 [SPEAKER_01]: He does like, there's like pre-confession three, the anticipation of Confucian, and then he's like, let me take a deep breath. 09:05.741 --> 09:22.427 [SPEAKER_01]: Both be a Lord in here by a mission transmission, although it's not a tradition, but I need your permission to send my lives of a mission, and I'd like to avoid the road to British and my right-of-retions proposition is pre-absolution, so please just ignore my pre-meditation, so I can provide a form of nutrition and investing itself as an indisposition to decompidations superstition be damned. 09:24.648 --> 09:26.309 [SPEAKER_01]: I know it is like he's in genes. 09:29.445 --> 09:33.167 [SPEAKER_01]: Oh, Steve, I could, I could weeks to come up with that. 09:34.768 --> 09:37.290 [SPEAKER_01]: And it's just lazy suffix rhymes, you know. 09:37.350 --> 09:38.991 [SPEAKER_01]: Fair invitation and inquisition. 09:39.011 --> 09:41.252 [SPEAKER_00]: Checkmark, okay. 09:41.312 --> 09:42.974 [SPEAKER_00]: We've caught this episode. 09:43.574 --> 09:44.494 [SPEAKER_00]: We're done, guys. 09:45.135 --> 09:45.515 [SPEAKER_00]: Good. 09:47.136 --> 09:53.180 [SPEAKER_01]: But you just want to point out that Catholic Confession requires penance and there are no minority report pre-gov curve outs. 09:55.579 --> 10:02.205 [SPEAKER_00]: I mean, he's basically setting up in the backstory of why we're here, right? 10:02.226 --> 10:03.407 [SPEAKER_00]: Yeah. 10:03.467 --> 10:11.014 [SPEAKER_00]: Months New Year goes on this trip and old boy, nobody knew how bad he was. 10:12.415 --> 10:17.020 [SPEAKER_00]: And he would sometimes wander off from his group. 10:18.537 --> 10:19.098 [SPEAKER_01]: Uh-huh. 10:19.538 --> 10:20.980 [SPEAKER_00]: He's so droopy. 10:21.441 --> 10:22.061 [SPEAKER_00]: There he goes. 10:22.101 --> 10:22.402 [SPEAKER_00]: Yeah. 10:23.243 --> 10:24.424 [SPEAKER_00]: Yes. 10:24.464 --> 10:25.245 [SPEAKER_00]: Exactly how it was. 10:25.846 --> 10:29.810 [SPEAKER_00]: So what's with the, I don't, I didn't look this up, but what's with the, we're putting prayers. 10:30.211 --> 10:33.575 [SPEAKER_00]: We write little prayers on pieces of paper and stuff them into the dirt wall. 10:33.615 --> 10:34.436 [SPEAKER_00]: I'm thinking this, please. 10:34.456 --> 10:35.297 [SPEAKER_00]: This is the boiling wall. 10:36.038 --> 10:36.799 [SPEAKER_02]: The dirt wall. 10:38.987 --> 10:41.128 [SPEAKER_00]: It's going to be so littered there. 10:41.688 --> 10:42.708 [SPEAKER_00]: It's just going to be full. 10:42.888 --> 10:45.489 [SPEAKER_00]: Yeah, you know. 10:45.509 --> 10:56.912 [SPEAKER_02]: It has occurred to me that I'm somehow the most Christian person in this podcast, which I'm not at all, but like Steve has like got the fire of the non-believer. 10:56.992 --> 10:59.192 [SPEAKER_02]: You are raised Amanda like, I don't know. 10:59.272 --> 10:59.772 [SPEAKER_02]: I didn't know. 11:00.053 --> 11:01.313 [SPEAKER_00]: I didn't go up with religion. 11:02.253 --> 11:11.959 [SPEAKER_02]: Like clearly, like nothing, like every time I talk to you about religion, it's like talking to someone about like, you just, you know, nothing about like nothing. 11:12.039 --> 11:13.380 [SPEAKER_00]: I mean, it's amazing. 11:13.460 --> 11:17.903 [SPEAKER_00]: I enjoy learning, so like, I've learned a lot because of this. 11:18.643 --> 11:22.266 [SPEAKER_00]: And other things like when people make references, but like, 11:23.963 --> 11:42.368 [SPEAKER_00]: I was in college and came home for Christmas once and I was up late and flipping channels and on the history channel there was a show about like Like who was the real Jesus and it was like a historical show and I'm like get the fuck out of here. 11:42.408 --> 11:47.350 [SPEAKER_00]: There was a real Jesus Because I always just thought I'm like these are these story books 11:48.227 --> 11:48.587 [SPEAKER_00]: Right? 11:48.987 --> 11:51.588 [SPEAKER_00]: These are storybooks that people like. 11:52.248 --> 11:55.029 [SPEAKER_01]: Oh, he's obsessed with that, is director Paul Verovin. 11:56.149 --> 11:57.129 [SPEAKER_00]: Oh, my goodness. 11:57.850 --> 12:01.891 [SPEAKER_01]: Well, like, Lannigan, you think? 12:01.951 --> 12:02.911 [SPEAKER_00]: I think he knows a lot. 12:02.951 --> 12:15.174 [SPEAKER_00]: So yeah, I was not raised with this being forced upon me or having to learn about it or viewing it as a child and then viewing it differently as an adult. 12:16.375 --> 12:17.215 [SPEAKER_02]: So the dirt wall. 12:19.725 --> 12:21.026 [SPEAKER_00]: That's what brought this time. 12:21.126 --> 12:22.086 [SPEAKER_00]: There's a wall there. 12:22.186 --> 12:23.047 [SPEAKER_00]: It's important. 12:23.647 --> 12:25.028 [SPEAKER_00]: People are putting messages in it. 12:25.088 --> 12:32.372 [SPEAKER_00]: And I was like, and think about, is this is like that one bridge in Europe, where then they have to come and cut off all those locks all the time and there's so much litter. 12:32.392 --> 12:33.893 [SPEAKER_00]: That's all I could think about. 12:33.933 --> 12:38.376 [SPEAKER_00]: It's people stuffing these pieces of paper and then there's going to be litter everywhere at this historical site. 12:38.717 --> 12:42.503 [SPEAKER_02]: She's after chewed gum in those prostitutes. 12:43.264 --> 12:46.249 [SPEAKER_00]: I don't know, prayers, hope, dreams, whatever. 12:46.269 --> 12:48.012 [SPEAKER_00]: The people are putting them in there. 12:48.512 --> 12:50.055 [SPEAKER_02]: The dirt, all right. 12:53.633 --> 13:01.098 [SPEAKER_00]: Yeah, anyway, uh, and so then Father Paul saying, I, these are not lies by omission. 13:01.118 --> 13:04.460 [SPEAKER_00]: I am going to lie to everybody in this town for their benefit. 13:04.480 --> 13:05.700 [SPEAKER_00]: Because this is so important. 13:06.100 --> 13:13.065 [SPEAKER_00]: I'm going to do it because the miracles and the miracles that are to come for them. 13:13.125 --> 13:15.006 [SPEAKER_00]: Like he really believes in this. 13:15.066 --> 13:15.726 [SPEAKER_00]: Like this is clear. 13:15.766 --> 13:17.007 [SPEAKER_00]: Like, I'm so sorry. 13:20.649 --> 13:22.430 [SPEAKER_00]: I have to because this is so important. 13:22.490 --> 13:23.811 [SPEAKER_00]: This is more important than that. 13:24.692 --> 13:37.840 [SPEAKER_02]: It's almost like he's like, I am so blameless here, but you know what, I'm going to do everybody's huge fucking favorite, but you know, technically I'm, I am going to tell some little way lies for their own benefits, but you know, go ahead and clear the air on that one. 13:38.360 --> 13:39.281 [SPEAKER_00]: Yeah. 13:39.521 --> 13:40.261 [SPEAKER_00]: Okay. 13:40.281 --> 13:41.302 [SPEAKER_02]: See, really sure of yourself. 13:41.482 --> 13:42.062 [SPEAKER_00]: He does. 13:42.202 --> 13:43.663 [SPEAKER_00]: He seems to be very sure of himself. 13:45.444 --> 13:45.665 [SPEAKER_00]: Yeah. 13:46.573 --> 13:52.875 [SPEAKER_00]: and then we we go back to everyone in the church reacting to Lisa's miracle. 13:53.335 --> 13:55.156 [SPEAKER_00]: We see Bev watching. 13:55.296 --> 13:56.556 [SPEAKER_00]: She's watching. 13:57.176 --> 13:59.157 [SPEAKER_00]: Oh, she's got her eyes on everything. 13:59.217 --> 14:07.379 [SPEAKER_00]: She's watching everyone's reaction and then Father Paul is coughing and he's unwell. 14:07.499 --> 14:08.140 [SPEAKER_00]: He leaves. 14:08.200 --> 14:09.200 [SPEAKER_00]: She follows him. 14:09.580 --> 14:10.600 [SPEAKER_01]: He has a reaction. 14:10.800 --> 14:12.501 [SPEAKER_00]: Yeah, he has a reaction. 14:12.581 --> 14:13.981 [SPEAKER_00]: He's coughing out blood. 14:16.242 --> 14:17.423 [SPEAKER_00]: and doesn't feel so great. 14:17.563 --> 14:23.687 [SPEAKER_00]: And then she turns and notices something on the wall that catches her attention. 14:23.707 --> 14:25.949 [SPEAKER_00]: And we'll leave that there for now. 14:28.510 --> 14:31.252 [SPEAKER_00]: Lisa's parents are at the doctor with her. 14:31.272 --> 14:32.993 [SPEAKER_00]: They're at the docs office. 14:33.073 --> 14:35.295 [SPEAKER_00]: And like they're like, have you ever seen this before? 14:35.315 --> 14:37.256 [SPEAKER_00]: This is a miracle, right? 14:37.276 --> 14:41.379 [SPEAKER_00]: Like they're seeking confirmation from the doctor that this like a miracle has happened. 14:42.144 --> 14:52.328 [SPEAKER_02]: and she's like, well, you know, I mean, I'd ever seen it till now, but now that I've seen it, if I've seen that miraculously, she's like, there are these things that do happen. 14:52.368 --> 14:53.468 [SPEAKER_02]: This is an unheard of. 14:54.689 --> 14:57.930 [SPEAKER_00]: Right, she's kind of like, I'm an actor of science. 14:58.030 --> 15:00.331 [SPEAKER_00]: I'm not gonna say that this was a miracle. 15:00.471 --> 15:01.772 [SPEAKER_00]: You can't, I can't say that. 15:02.432 --> 15:03.412 [SPEAKER_01]: Yeah, I really want me to. 15:03.772 --> 15:07.994 [SPEAKER_01]: Did Lisa's dad the mayor say he was on snap benefits? 15:09.133 --> 15:18.045 [SPEAKER_00]: Yeah, so that's doc says like we need to get rid of the mainland to do some tasks and scans to understand what has happened because 15:18.908 --> 15:19.808 [SPEAKER_01]: You can help other people. 15:19.928 --> 15:21.188 [SPEAKER_00]: It could help other people. 15:21.529 --> 15:24.269 [SPEAKER_00]: And they're like, look at that. 15:24.469 --> 15:25.389 [SPEAKER_00]: Yeah, that's what they say. 15:25.429 --> 15:28.810 [SPEAKER_00]: The mom says, we're paying rent in a house. 15:28.830 --> 15:31.671 [SPEAKER_00]: We used to own half our food is from snap benefits. 15:31.691 --> 15:33.011 [SPEAKER_00]: The other half is from the church. 15:33.711 --> 15:40.512 [SPEAKER_00]: And they're implying, and then she says, but it's all like, that's okay because you're our daughter. 15:40.652 --> 15:42.613 [SPEAKER_00]: I feel like they're implying that they 15:43.802 --> 15:49.826 [SPEAKER_00]: part of why they have no money is because of all the tests and all the things that they were trying to do to help her injury. 15:50.766 --> 15:51.007 [SPEAKER_02]: Yeah. 15:51.127 --> 15:52.207 [SPEAKER_00]: So now they're like, fuck that. 15:52.267 --> 15:53.328 [SPEAKER_00]: That didn't do anything. 15:53.448 --> 15:54.509 [SPEAKER_00]: So we don't want that. 15:55.089 --> 15:59.032 [SPEAKER_00]: In my hand, I'm thinking, Doc, all you need to do is contact some other people. 15:59.372 --> 16:06.136 [SPEAKER_00]: Like, if this is some crazy story that could be a case study, that shit would be paid for a minute. 16:06.616 --> 16:07.197 [SPEAKER_00]: You know what I mean? 16:07.917 --> 16:17.579 [SPEAKER_02]: I liked it when the mayor was like, it feels wrong to interrogate a miracle, is if there isn't like a whole wing of the Vatican like devoted to doing that. 16:18.039 --> 16:21.660 [SPEAKER_00]: Yeah, because he doesn't want it to be anything else. 16:21.780 --> 16:24.721 [SPEAKER_00]: We know that they're on the sleuth crew, right? 16:24.921 --> 16:27.442 [SPEAKER_02]: Like, I know they got the sleuth crew and I'm not in the club. 16:27.502 --> 16:28.742 [SPEAKER_02]: So this guy should fucking know. 16:31.993 --> 16:35.516 [SPEAKER_00]: He does not want the sleuth crew to disprove numerical. 16:35.757 --> 16:38.239 [SPEAKER_00]: Let's all just know that that's the situation. 16:40.421 --> 16:47.447 [SPEAKER_00]: And then we see the Doc's mom make it upstairs, and she's not lucid, and like that's a whole thing. 16:51.191 --> 16:55.174 [SPEAKER_00]: This next scene, the town's people gathering at the church, begging for miracles. 16:55.815 --> 16:57.517 [SPEAKER_00]: And who is at the front of the church? 16:59.065 --> 17:06.327 [SPEAKER_00]: It's Bev, Bev is now enjoying being a leading this flock, basically. 17:06.867 --> 17:09.487 [SPEAKER_02]: She's like, screaming her jeans through this whole ass. 17:09.547 --> 17:10.868 [SPEAKER_02]: It is gross. 17:11.008 --> 17:11.708 [SPEAKER_00]: Yeah. 17:11.748 --> 17:12.668 [SPEAKER_00]: She really is. 17:13.268 --> 17:14.629 [SPEAKER_00]: She is loving that. 17:15.069 --> 17:16.669 [SPEAKER_00]: She's like, let's all pray. 17:16.769 --> 17:18.450 [SPEAKER_00]: God doesn't work this way. 17:18.530 --> 17:21.230 [SPEAKER_00]: We're doing all, like, she's leading all the people. 17:22.250 --> 17:23.211 [SPEAKER_00]: It's awful. 17:23.231 --> 17:24.851 [SPEAKER_00]: Yeah. 17:26.587 --> 17:30.368 [SPEAKER_00]: I mean, every episode, there is just no doubt about Bev. 17:30.408 --> 17:31.689 [SPEAKER_00]: We know who Bev is. 17:32.469 --> 17:33.589 [SPEAKER_01]: She's a girl boss. 17:40.612 --> 17:44.793 [SPEAKER_00]: Then we're in AA and Riley talks to father Paul about Lisa. 17:47.722 --> 17:57.263 [SPEAKER_00]: What it comes down to is Riley says I want to know how you knew she could walk because it's the same thing that we talked about last time if he didn't know 17:58.724 --> 18:00.125 [SPEAKER_00]: like what was going to happen. 18:00.165 --> 18:02.446 [SPEAKER_00]: He's going to look like the biggest dick ever. 18:02.466 --> 18:06.028 [SPEAKER_02]: He wouldn't make that risk. 18:06.068 --> 18:06.649 [SPEAKER_02]: Exactly. 18:07.049 --> 18:12.232 [SPEAKER_02]: He had to know, so Riley and then like, and then the priest is like, oh, so what are you asking? 18:12.292 --> 18:14.033 [SPEAKER_02]: You know exactly what he's fucking asking. 18:14.133 --> 18:14.413 [SPEAKER_02]: Yeah. 18:15.334 --> 18:17.555 [SPEAKER_01]: And I was going to come down to feeling. 18:18.350 --> 18:32.979 [SPEAKER_00]: Yeah, but the way I felt like this was genius writing for the way that he kind of manipulates Riley here, because he says like, well, there isn't an answer that is going to satisfy you. 18:33.479 --> 18:43.705 [SPEAKER_00]: So he's like acknowledging and kind of like playing into Riley, like, well, you're smarter than me, like, you're the skeptic, and I just, I just can't say that as far as that, right? 18:44.285 --> 18:44.946 [SPEAKER_02]: I'm sorry. 18:45.086 --> 18:46.187 [SPEAKER_02]: I can't give that to you. 18:46.427 --> 18:49.249 [SPEAKER_02]: We can only give you more Neil Diamond Montage. 18:49.629 --> 18:55.674 [SPEAKER_00]: You can't say it's really nice. 18:55.914 --> 18:56.155 [SPEAKER_00]: Yeah. 18:56.175 --> 19:04.181 [SPEAKER_00]: He's kind of flattering Riley here almost to say, look, I know, you out of all the townspeople, like you're so smart. 19:04.221 --> 19:06.263 [SPEAKER_00]: So you don't buy what I'm selling. 19:07.524 --> 19:09.345 [SPEAKER_00]: You know, it's like he's kind of playing and 19:10.884 --> 19:18.753 [SPEAKER_02]: a little bit, but I think he's also just kind of, I mean, at least acknowledging like a spiritual answer is not going to satisfy this person. 19:18.893 --> 19:19.333 [SPEAKER_00]: Exactly. 19:22.228 --> 19:23.128 [SPEAKER_00]: the next day. 19:24.208 --> 19:24.949 [SPEAKER_00]: What's his name? 19:26.889 --> 19:27.329 [SPEAKER_00]: Warren. 19:27.769 --> 19:37.652 [SPEAKER_00]: Warren's walking Lisa to school and kind of hold your backpack and that's cute but then like everybody's a little creepy about her miracle and they're following her to school and it's kind of weird. 19:37.672 --> 19:41.012 [SPEAKER_00]: I don't know and that yeah that was just really weird. 19:41.513 --> 19:44.933 [SPEAKER_01]: It's very like a little brother where Alta will hear out. 19:45.374 --> 19:45.634 [SPEAKER_01]: Wow. 19:46.274 --> 19:49.575 [SPEAKER_01]: Oh brother, where art thou when they're 19:52.758 --> 19:54.442 [SPEAKER_01]: Oh, forgot to do that, isn't it? 19:54.502 --> 19:57.247 [SPEAKER_01]: Yeah, that's kind of like, that kind of, like, zombie-walking. 19:57.808 --> 20:00.994 [SPEAKER_00]: Yeah, and then we come to the Neal Diamond. 20:02.238 --> 20:21.687 [SPEAKER_00]: Ed feels the need for some more Neal Diamond, he anticipates pain from bending over and there isn't any Annie sitting there reading her paper back without glasses and he gets my back don't hurt better get up and buggy be some Neal Diamond exactly what my back is feeling better and my front is feeling frisky. 20:23.828 --> 20:25.508 [SPEAKER_00]: Yeah. 20:25.528 --> 20:28.009 [SPEAKER_02]: Don't sound blue, you know what I'm saying? 20:28.630 --> 20:29.230 [SPEAKER_01]: Yeah, I'm good. 20:32.383 --> 20:34.645 [SPEAKER_00]: I mean, yeah, that's exactly what's going on. 20:36.266 --> 20:41.370 [SPEAKER_00]: Lisa's outside Warren's window, and she's doing a little dance, and they run on it. 20:41.830 --> 20:42.290 [SPEAKER_00]: Yeah. 20:42.530 --> 20:45.272 [SPEAKER_02]: Like, sets you a little Salem's lot moment, like, don't let her in. 20:45.532 --> 20:46.053 [SPEAKER_02]: Don't let her in. 20:51.306 --> 20:56.607 [SPEAKER_00]: Yeah, so this is going to be all during this, this is the montage, this is the new diamond montage. 20:57.047 --> 21:02.149 [SPEAKER_00]: Riley is writing his list of people to make a men's that's one of the tasks from AA. 21:02.649 --> 21:07.010 [SPEAKER_00]: He sees the his ghost trauma of Natalie. 21:07.110 --> 21:09.270 [SPEAKER_00]: I think that's her name, the girl that he killed. 21:17.056 --> 21:18.758 [SPEAKER_00]: That's just what it is what it is, right? 21:18.798 --> 21:21.260 [SPEAKER_00]: That's his everyday experience. 21:21.320 --> 21:23.422 [SPEAKER_02]: Mom and Dad are jamming in the living room and you're in there. 21:23.442 --> 21:25.204 [SPEAKER_02]: It's just a bad time with your ghost. 21:25.565 --> 21:25.905 [SPEAKER_00]: Yeah. 21:26.325 --> 21:29.348 [SPEAKER_01]: I think terror bath is the name of the girl he killed. 21:30.069 --> 21:31.631 [SPEAKER_00]: Oh, who's Natalie, pun? 21:33.112 --> 21:34.933 [SPEAKER_00]: Well, that was the first person on his list. 21:35.134 --> 21:36.374 [SPEAKER_00]: So I thought that's what it was. 21:37.355 --> 21:41.398 [SPEAKER_00]: But then he, yeah, but then he goes to see Aaron. 21:42.539 --> 21:47.943 [SPEAKER_00]: And this is what I thought was interesting is that she was outside with her cup of warm beverage. 21:47.983 --> 21:50.885 [SPEAKER_00]: And then she hands one to him, like she knew he was coming. 21:51.466 --> 21:55.949 [SPEAKER_00]: So that makes me think, oh, yeah, they've been having a little talk time, and they've been getting together. 21:55.969 --> 21:57.010 [SPEAKER_00]: Because she knew. 21:57.050 --> 21:59.312 [SPEAKER_02]: Yeah, this whole meal diamond bit. 21:59.372 --> 22:00.733 [SPEAKER_02]: We see, like, the whole island. 22:00.793 --> 22:02.214 [SPEAKER_00]: It's time passing my charge. 22:02.720 --> 22:09.788 [SPEAKER_02]: Yeah, it's a time passing montage and this island that has been dying for some time seems to be coming back to life. 22:10.188 --> 22:10.689 [SPEAKER_00]: Exactly. 22:11.289 --> 22:14.293 [SPEAKER_00]: And there's happiness and there's joy and it's great. 22:14.533 --> 22:15.134 [SPEAKER_00]: I don't know. 22:16.243 --> 22:18.624 [SPEAKER_01]: And everyone is 40 and mass is packed. 22:18.984 --> 22:21.425 [SPEAKER_01]: And that must have been fucking interpretable. 22:21.465 --> 22:22.505 [SPEAKER_01]: I couldn't wait for it to be over. 22:22.865 --> 22:36.409 [SPEAKER_00]: Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh 22:38.279 --> 22:46.605 [SPEAKER_00]: To dox mom another home visit the sheriff and the sun are praying at home Mildred the dox mom tries to go upstairs again 22:48.291 --> 23:06.184 [SPEAKER_00]: And then every turn's another container of poison back to the storage room wonder what she was using that for Riley goes to another AA meeting and talks with father Paul Joe wakes up in jail again has coffee with the sheriff Hang on, do we find out what she's using the poison for in this episode? 23:06.204 --> 23:07.185 [SPEAKER_02]: I don't remember it. 23:07.385 --> 23:08.286 [SPEAKER_00]: Oh, we do. 23:08.446 --> 23:14.090 [SPEAKER_00]: I mean, I believe that I know We'll talk about it 23:15.385 --> 23:21.248 [SPEAKER_00]: Um, um, flyers are passed out for like an event for Lisa church is full again. 23:21.648 --> 23:26.350 [SPEAKER_00]: The kids are kissing more, Riley's in Erin's house building the baby's crib. 23:26.370 --> 23:29.671 [SPEAKER_00]: I mean, that was a lot. 23:31.512 --> 23:32.713 [SPEAKER_00]: Here's why I liked it. 23:32.893 --> 23:35.714 [SPEAKER_00]: See, if I know you couldn't wait for it to end, but here's what I like that. 23:36.974 --> 23:43.277 [SPEAKER_00]: I liked it because if you've ever been in a body that has pain or chronic pain and then you have a 23:46.670 --> 23:50.093 [SPEAKER_00]: a respite from that pain, that's gonna feel really fucking great. 23:50.453 --> 23:56.958 [SPEAKER_00]: So, great job at dance with your wife Annie, go on with your bad self, I'm happy for you. 23:57.938 --> 24:02.922 [SPEAKER_00]: And then Lisa's been in a wheelchair for a long time, and now she's up and running around. 24:03.002 --> 24:10.507 [SPEAKER_00]: So, I mean, I have some, like, good for them, good for them. 24:11.288 --> 24:13.590 [SPEAKER_00]: I forgot also to look up about why, 24:15.037 --> 24:19.019 [SPEAKER_00]: He's wearing the color that he's wearing in church, right? 24:19.279 --> 24:25.422 [SPEAKER_00]: We know there's gold and green and beves all about that, but now he's wearing this like blue is blueish purple thing. 24:26.183 --> 24:26.563 [SPEAKER_01]: Violet. 24:27.323 --> 24:28.624 [SPEAKER_00]: Violet, what's that for? 24:28.824 --> 24:29.965 [SPEAKER_00]: What does that signify? 24:30.525 --> 24:32.366 [SPEAKER_01]: Sundays and fairies of advance. 24:32.406 --> 24:33.767 [SPEAKER_01]: Sundays and fairies in lint. 24:34.067 --> 24:37.569 [SPEAKER_01]: Litter G's on holy Saturday except for the Easter visual. 24:37.889 --> 24:39.710 [SPEAKER_01]: Sacrament of Penance, all souls day. 24:40.703 --> 24:44.864 [SPEAKER_01]: And then sometimes funerals record a masses and then the offices for the dead. 24:45.405 --> 24:48.245 [SPEAKER_01]: Well, it is sometimes they use it sometimes. 24:48.265 --> 24:52.087 [SPEAKER_00]: But it's after lunch or during it, after Ash Wednesday, right? 24:52.187 --> 24:53.587 [SPEAKER_00]: Because they had that part. 24:53.627 --> 24:55.568 [SPEAKER_00]: So it's like okay, okay. 24:55.628 --> 24:57.068 [SPEAKER_00]: Yeah, so it would be appropriate. 24:57.168 --> 24:59.389 [SPEAKER_00]: I didn't know if it was like signifying something secret. 25:00.249 --> 25:02.130 [SPEAKER_01]: Oh, just like. 25:03.566 --> 25:07.289 [SPEAKER_00]: OK, after church, the boys are in the back getting ready. 25:07.309 --> 25:08.930 [SPEAKER_00]: Oh, there's a crowd out there. 25:09.251 --> 25:15.516 [SPEAKER_00]: We're going to need more cruits, bottles, bottles of wine, bottles of blood, whatever. 25:15.816 --> 25:20.179 [SPEAKER_00]: Warren goes back and sees Father, pouring a little from his flask into one. 25:20.720 --> 25:22.021 [SPEAKER_02]: Spike has launched a lot. 25:22.441 --> 25:24.423 [SPEAKER_02]: Now, launched a lot is going to be, hey, what's up, guy catch? 25:25.023 --> 25:25.784 [SPEAKER_02]: I'm not going to do nothing. 25:25.804 --> 25:26.765 [SPEAKER_02]: Just dump him blood in here. 25:27.185 --> 25:28.366 [UNKNOWN]: Yeah, I'm not good. 25:29.567 --> 25:29.967 [SPEAKER_02]: So, buddy. 25:31.318 --> 25:33.780 [SPEAKER_00]: Nothing, he's just like, hey, what's up? 25:33.820 --> 25:35.682 [SPEAKER_02]: He's like, Larry, he's like, Larry, tosses it to him. 25:35.702 --> 25:36.663 [SPEAKER_02]: Okay, yeah, yeah, yeah. 25:36.943 --> 25:39.706 [SPEAKER_02]: Because he doesn't think he's doing anything wrong. 25:39.726 --> 25:41.768 [SPEAKER_02]: So he doesn't really jump at all. 25:41.808 --> 25:42.729 [SPEAKER_02]: Like a guilty person. 25:42.749 --> 25:43.289 [SPEAKER_02]: Exactly. 25:43.950 --> 25:49.836 [SPEAKER_02]: He knows he's got to hide it from everybody, but he doesn't have any sense of shame or like, this is wrong. 25:50.096 --> 25:51.097 [SPEAKER_02]: Just like, oh, you got it. 25:51.177 --> 25:52.758 [SPEAKER_02]: You caught me putting the medicine in the stuff. 25:53.619 --> 26:01.545 [SPEAKER_00]: I feel like it could be so easy to say like I had to bust out the flask from the travel kit because we're so busy today. 26:01.565 --> 26:04.167 [SPEAKER_00]: I feel like that was an act. 26:04.427 --> 26:04.967 [SPEAKER_00]: Exactly. 26:05.027 --> 26:06.788 [SPEAKER_02]: And then during the sermon he's talking about 26:14.590 --> 26:26.177 [SPEAKER_00]: You know, we have these stories, or we have these things in the Bible that feel abstract or they're metaphorical, but how true miracles are not like we're all here. 26:26.257 --> 26:30.459 [SPEAKER_00]: We saw this, this was not a metaphor or abstract. 26:30.739 --> 26:36.022 [SPEAKER_00]: Like I felt like that was the thesis of what he was saying here, but then he passes out. 26:38.184 --> 26:39.284 [SPEAKER_00]: He wasn't feeling so good. 26:39.744 --> 26:40.445 [SPEAKER_00]: He passes out. 26:41.323 --> 26:48.149 [SPEAKER_02]: It's very dramatic though, like you can hear really like builds up to it like, oh, no, I'm not going to, oh, yeah, yeah, my past. 26:48.369 --> 26:50.251 [SPEAKER_00]: Yeah, I was like, I'm not feeling so good. 26:50.291 --> 26:50.752 [SPEAKER_00]: Sorry. 26:50.772 --> 26:59.379 [SPEAKER_00]: And then I'm going to go along and get bring up the intensity of of the sermon and then in the bypass. 27:00.340 --> 27:04.184 [SPEAKER_00]: And then we cut back to the origin story thing here, where he talks about. 27:06.067 --> 27:25.901 [SPEAKER_01]: I'm just going to say it's so funny that only one person reacts to Paul's call and response cat the altar bit with a hesitant, no, no, it's not even, it's your little baptist, no panic nostrils here, no better, how many times five great Paul wakes his brow with a holy hanky, it's just not going to be too catholic, man. 27:27.137 --> 27:29.919 [SPEAKER_00]: And then he reassures him when the mayor does that. 27:29.959 --> 27:31.860 [SPEAKER_00]: Like father Paul reassures him. 27:31.880 --> 27:33.421 [SPEAKER_00]: He has to okay to react that way. 27:34.923 --> 27:37.605 [SPEAKER_02]: It's okay that you can borrow from an evangelical brethren. 27:39.946 --> 27:42.809 [SPEAKER_00]: Like you had some emotion there. 27:42.829 --> 27:50.995 [SPEAKER_00]: Yeah, we're back to the father and confession. 27:51.015 --> 27:53.657 [SPEAKER_00]: And he's talking about the journey of Saul. 27:56.065 --> 27:58.286 [SPEAKER_00]: So this is what I kind of thought was interesting. 27:58.306 --> 28:10.031 [SPEAKER_00]: So he's telling this journey of Saul, who was a guy, and then took the same journey out into the desert, and then became a follower of Jesus, and then he became a apostle Paul, and I'm like, oh, okay. 28:10.331 --> 28:12.012 [SPEAKER_00]: So that's why you chose your fake name. 28:13.292 --> 28:13.812 [SPEAKER_00]: I get it. 28:13.952 --> 28:16.333 [SPEAKER_02]: Right, because he sees himself as an apostle. 28:16.714 --> 28:17.854 [SPEAKER_02]: Yes. 28:18.494 --> 28:22.916 [SPEAKER_00]: Yes, Saul was turning the Paul to the journey of the death. 28:26.585 --> 28:29.387 [SPEAKER_01]: Yeah, I'm just going to swap out the first kind of to that. 28:31.188 --> 28:33.489 [SPEAKER_00]: Sure, why not? 28:34.510 --> 28:41.854 [SPEAKER_00]: So that's your take to Travis is that, yeah, you see, he's equating himself taking this journey that to be in a puzzle. 28:44.655 --> 28:47.197 [SPEAKER_02]: Yeah, he can use himself as in the puzzle. 28:48.984 --> 29:01.137 [SPEAKER_00]: And he talks about, oh, he wandered out into the desert that's had these really bad sandstorms lately that have uncovered ruins and he found himself in the spad storm and he wandered into a cave. 29:03.759 --> 29:04.360 [SPEAKER_00]: It's very interesting. 29:04.380 --> 29:05.801 [SPEAKER_01]: I do have a question for both of you. 29:05.822 --> 29:11.768 [SPEAKER_01]: Any of you all got like a pristine Bible doily, but will absolutely not count on its painting walls. 29:15.287 --> 29:28.635 [SPEAKER_01]: So I've seen like a scene where it seems like they tried to create atmosphere with like the the Bible Doily but then also like the distress to look at the the walls. 29:28.775 --> 29:35.579 [SPEAKER_01]: Okay, here's here's our like creating atmosphere like Yeah, look a little bit of numbers with that set decoration 29:36.157 --> 29:50.961 [SPEAKER_00]: I agree with you and I've actually wondered about this because obviously like Bev did her thing and they built the rec center but then you're leaving that actual church that you're spending that much time in like rotting like what's the clock? 29:51.261 --> 29:51.701 [SPEAKER_00]: That's true. 29:51.721 --> 29:52.361 [SPEAKER_00]: That's true. 29:52.441 --> 29:57.382 [SPEAKER_01]: Two thousand's Peter went imports the sheek mess that's good. 29:57.482 --> 30:00.023 [SPEAKER_00]: Yeah. 30:01.063 --> 30:18.458 [SPEAKER_02]: Yeah, no questions, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, 30:24.098 --> 30:26.400 [SPEAKER_02]: But Bev is ultimately self-serving. 30:26.460 --> 30:33.604 [SPEAKER_02]: She's ultimately, it's in this for herself and the power that it gives her, and we are, she's a money lottery, and we are, you know what she's saying? 30:33.624 --> 30:39.768 [SPEAKER_00]: Right, I just think she wouldn't like time, so she just spend so much time there. 30:39.788 --> 30:43.050 [SPEAKER_00]: I think she'd want it like night cleaner and nicer. 30:43.070 --> 30:45.111 [SPEAKER_00]: I get it, I get what you're saying. 30:45.592 --> 30:47.373 [SPEAKER_01]: I bet she would if she could get someone into it. 30:48.827 --> 30:50.308 [SPEAKER_01]: Yeah, that's true. 30:50.728 --> 30:51.409 [SPEAKER_01]: That's true. 30:51.829 --> 30:52.129 [SPEAKER_00]: Yeah. 30:53.910 --> 30:55.651 [SPEAKER_00]: Then, you know, they're back. 30:55.871 --> 31:02.835 [SPEAKER_00]: Doc checks in, checks out father inside his little college thing, telling them that he's okay. 31:02.875 --> 31:05.196 [SPEAKER_00]: He's probably fighting off something he needs to rest. 31:06.297 --> 31:10.099 [SPEAKER_00]: And then this is interesting because he tells her 31:12.130 --> 31:17.300 [SPEAKER_00]: Thank you, you take care of everyone on the island. 31:17.340 --> 31:20.726 [SPEAKER_00]: You're a comfort to people and I'm proud of you. 31:22.235 --> 31:28.178 [SPEAKER_00]: This is a big moment, obviously I didn't know the first watch through at the time. 31:29.018 --> 31:30.319 [SPEAKER_00]: Because he's her father. 31:30.459 --> 31:32.700 [SPEAKER_00]: So he's like, I'm proud of you. 31:33.060 --> 31:37.782 [SPEAKER_00]: And the way he says it, even though they're not close, obviously, I don't know. 31:37.822 --> 31:39.863 [SPEAKER_00]: His tone is not really that creepy. 31:40.163 --> 31:41.544 [SPEAKER_00]: And she doesn't look freaked out or anything. 31:41.564 --> 31:42.724 [SPEAKER_00]: And she's just like, oh, thank you. 31:43.965 --> 31:50.089 [SPEAKER_02]: Yeah, but he's also like, to me, it seems like he's like drawing comparisons between the two of them, like, Oh, you're kind of like me. 31:50.249 --> 31:51.350 [SPEAKER_02]: Oh, absolutely. 31:51.710 --> 31:55.533 [SPEAKER_02]: We're both administering to like people in different ways. 31:55.553 --> 32:01.697 [SPEAKER_00]: Yeah, it's definitely approval because he sees that she is having the qualities that he values. 32:02.518 --> 32:02.678 [SPEAKER_01]: Yeah. 32:02.718 --> 32:06.921 [SPEAKER_01]: My favorite thing was Dr. Goening recommending fluids to a vampire. 32:07.622 --> 32:07.802 [SPEAKER_01]: Yeah. 32:10.177 --> 32:14.238 [SPEAKER_02]: Well, I like that the second, she says dehydrated bevelic snaps in the actions. 32:14.258 --> 32:15.679 [SPEAKER_02]: She's like, I'd be going to get water. 32:15.699 --> 32:17.520 [SPEAKER_02]: Like, she hears that word of like, Pavlov. 32:17.540 --> 32:18.700 [SPEAKER_02]: She's like, like, acts. 32:19.120 --> 32:19.300 [SPEAKER_01]: Yeah. 32:19.480 --> 32:23.562 [SPEAKER_01]: And then he's like, now I'm good, because there's only one kind of liquid that vampires want. 32:27.753 --> 32:36.458 [SPEAKER_02]: By the way, our friend Dave did call me out for like spoiling the show in our first episode, looked at those vampires in it, and I was like, dude, I don't know that it's really a mystery to people. 32:37.198 --> 32:38.719 [SPEAKER_02]: That's easy to be obvious from the get. 32:39.019 --> 32:41.340 [SPEAKER_01]: You think it wasn't as easy to like first watch to me? 32:41.680 --> 32:42.541 [SPEAKER_00]: It was to me. 32:42.781 --> 32:45.822 [SPEAKER_00]: I didn't know because I didn't know anything about the show. 32:45.862 --> 32:47.183 [SPEAKER_00]: I didn't read anything. 32:47.543 --> 32:52.686 [SPEAKER_00]: Travis, when you suggested that I walked it, I had zero idea. 32:53.046 --> 32:54.487 [SPEAKER_00]: So it was a mystery for me. 32:55.458 --> 32:57.778 [SPEAKER_02]: we did forget to mention at the start of this episode. 32:57.798 --> 32:59.139 [SPEAKER_02]: That's a spoiler episode, guys. 32:59.179 --> 32:59.999 [SPEAKER_02]: I'm going to spoil that. 33:00.499 --> 33:02.099 [SPEAKER_00]: Yes, I already did it. 33:02.119 --> 33:03.299 [SPEAKER_00]: I didn't call it out yet. 33:04.240 --> 33:09.741 [SPEAKER_01]: I've been knowing many significant others, because I'll be walking a show and then I'll shift my position. 33:09.801 --> 33:12.961 [SPEAKER_01]: And they'll look over it, me and be like, oh, you already fucking know what happens. 33:12.981 --> 33:15.002 [SPEAKER_00]: Yes, exactly. 33:15.102 --> 33:16.582 [SPEAKER_01]: I just moved, and that's all. 33:16.662 --> 33:20.663 [SPEAKER_01]: Like, I just shifted my attention to our start, like you're my phone, and they're like, fuck you. 33:20.943 --> 33:21.763 [SPEAKER_01]: Yeah, yeah. 33:21.783 --> 33:22.883 [SPEAKER_01]: Sorry, can't help it. 33:23.223 --> 33:24.805 [SPEAKER_00]: So exactly how it is in my husband. 33:24.845 --> 33:26.927 [SPEAKER_00]: He's like five steps ahead and I'm like shut them out. 33:26.947 --> 33:32.393 [SPEAKER_00]: You can't react to anything because then I know by you reacting to something that that changes something. 33:34.035 --> 33:34.495 [SPEAKER_00]: I got it. 33:34.696 --> 33:37.639 [SPEAKER_02]: Police, you'll behave you're to match my viewing needs. 33:38.920 --> 33:39.821 [SPEAKER_01]: I do my best, man. 33:39.861 --> 33:40.282 [SPEAKER_01]: Really do. 33:44.507 --> 33:48.048 [SPEAKER_00]: uh, Sheriff finds a Bible and his son's backpack. 33:48.489 --> 33:49.429 [SPEAKER_00]: That's interesting. 33:50.069 --> 33:50.609 [SPEAKER_00]: That's all this. 33:50.629 --> 33:51.830 [SPEAKER_02]: That's a sign, poured. 33:52.230 --> 33:52.590 [SPEAKER_00]: Yeah. 33:53.150 --> 33:53.791 [SPEAKER_02]: Yeah. 33:54.031 --> 34:00.473 [SPEAKER_00]: Uh, then like holy shit, the meat and potatoes of this episode, at least to me, Lisa goes to see Joe. 34:01.193 --> 34:10.317 [SPEAKER_00]: This scene y'all, this scene is one of the best scenes, I think I've, I can say, for any TV show, it's amazing to me. 34:11.433 --> 34:13.675 [SPEAKER_02]: very well acted from both of them. 34:13.755 --> 34:19.180 [SPEAKER_02]: Well set, I'm going to let the way that he is like barking at the door and like who the fuck? 34:19.240 --> 34:20.040 [SPEAKER_02]: Who's bothering me? 34:20.060 --> 34:31.330 [SPEAKER_02]: And then we see him like leap back when he opens the door like something bit him but we don't we don't even see what he sees but we know who it is right away and it's all that's all so pull back we're getting a whole room for this. 34:31.350 --> 34:34.733 [SPEAKER_02]: A lot of really great direction choices where he just let the actors act. 34:35.354 --> 34:48.240 [SPEAKER_01]: I like that a lot too, so we know there's going to be the confrontation, we know Joe's reaction are even before he opens the door and I'm like, here we go and then it hits like a, you know, like a wrestling company stage play that has the pull out. 34:48.360 --> 34:52.482 [SPEAKER_01]: So like you got the band through like Lisa's stage right, you got Joe's stage left. 34:52.962 --> 35:13.147 [SPEAKER_01]: They're almost standing in the wings, but then again, the second side, there's like a meticulous detail decor for the sad setting, and like Joe has like our vanilla oil and his very symmetrical beard and cloth collils and leases of braids are immaculate, and I just wanted this to be a lot more messy, but it was really well acted, I like it all. 35:13.187 --> 35:15.048 [SPEAKER_01]: It was still Netflix unfortunately. 35:17.508 --> 35:19.471 [SPEAKER_00]: Uh, it's also so accurate. 35:19.531 --> 35:20.913 [SPEAKER_00]: I really like the writing. 35:20.933 --> 35:22.315 [SPEAKER_00]: I like the dialogue. 35:25.248 --> 35:32.370 [SPEAKER_00]: I, the first time I watched this, I was a little surprised by what she was saying. 35:33.430 --> 35:39.332 [SPEAKER_00]: And between the first time I watched this and now I've just experienced a lot more grief in my life. 35:39.612 --> 35:48.695 [SPEAKER_00]: And I felt like what she was saying hit so much harder for me about like thinking about wanting him to suffer. 35:50.580 --> 35:52.381 [SPEAKER_00]: It's just so honest, right? 35:52.922 --> 35:54.663 [SPEAKER_00]: Like, she's being very honest. 35:55.123 --> 35:58.685 [SPEAKER_00]: Like, like, wanting, I don't know. 35:58.765 --> 36:11.873 [SPEAKER_00]: I think if you're a victim of something, or if you're, like, just, you know, like, she's living in this town with this guy that did this thing, whether, I'm a person or not, but he was the cause of it. 36:11.953 --> 36:12.854 [SPEAKER_00]: So you're angry. 36:12.894 --> 36:14.815 [SPEAKER_00]: Like, you have to deal with a lot of anger. 36:16.142 --> 36:18.443 [SPEAKER_00]: And she's a great person. 36:18.463 --> 36:27.409 [SPEAKER_00]: I don't think she's an evil person, but she's still gonna, people still may have these thoughts or fantasies about, someone who did them wrong, suffering. 36:29.330 --> 36:31.411 [SPEAKER_02]: And what's out with, I'll go ahead, Steve. 36:31.832 --> 36:32.212 [SPEAKER_02]: Now you do. 36:33.540 --> 36:48.973 [SPEAKER_02]: Okay, so I don't know like I've I've never been in an accident like this where I've been paralyzed You know, I you know her perspective is her own and plus she's still a child and so she's dealing with things Childishly so like I don't judge her harshly for any of this 36:50.122 --> 37:07.326 [SPEAKER_02]: But as far as the whole Christian thing goes, it's like, I'm gonna come in and forgive you, but I'm gonna do both sides of my mouth here because I'm gonna tell you that I hate you because I want you to suffer, fuck you, I want your life to be awful and look, it is, your life sucks. 37:07.466 --> 37:08.926 [SPEAKER_02]: Look how shitty your life is. 37:08.946 --> 37:09.306 [SPEAKER_02]: Yeah. 37:09.626 --> 37:11.346 [SPEAKER_02]: But I forgive you. 37:11.366 --> 37:16.127 [SPEAKER_02]: I couldn't have forgiven you if I hadn't had this miracle and everyone would have fucking crossed my mind. 37:16.487 --> 37:18.908 [SPEAKER_02]: Because since I've had the miracle, 37:19.628 --> 37:21.209 [SPEAKER_02]: now I can forgive you. 37:21.430 --> 37:23.011 [SPEAKER_02]: Oh, but also fuck you. 37:23.031 --> 37:23.712 [SPEAKER_00]: Yeah. 37:23.832 --> 37:24.072 [SPEAKER_00]: No. 37:24.372 --> 37:24.732 [SPEAKER_00]: Okay. 37:25.433 --> 37:31.078 [SPEAKER_00]: My read on this of why I forgive you is because she doesn't want it on her. 37:31.598 --> 37:38.484 [SPEAKER_00]: She's saying I'm forgiving you because I don't want to be the one that you blame for fucking over your own life. 37:39.345 --> 37:40.285 [SPEAKER_00]: It's not on me. 37:40.966 --> 37:41.807 [SPEAKER_00]: It's on you. 37:42.507 --> 37:43.948 [SPEAKER_00]: I'm not responsible for that. 37:44.289 --> 37:45.390 [SPEAKER_00]: That's how I read it. 37:46.491 --> 37:46.831 [SPEAKER_01]: Well, 37:48.820 --> 37:52.504 [SPEAKER_01]: I'm, I mean Travis, this can't, like my note literally just says this. 37:52.584 --> 37:58.651 [SPEAKER_01]: By the end of the scene, Lisa professes love and forgiveness, but it's transactional in the most Catholic way possible. 37:58.791 --> 37:59.212 [SPEAKER_00]: Yes. 37:59.652 --> 38:02.115 [SPEAKER_01]: I'll feel, let's hate if you feel more guilt. 38:02.396 --> 38:03.917 [SPEAKER_01]: That is so enough fucking healthy. 38:04.358 --> 38:05.859 [SPEAKER_01]: And that was my childhood. 38:06.640 --> 38:06.941 [SPEAKER_00]: Yeah. 38:07.945 --> 38:13.728 [SPEAKER_00]: I absolutely agree with you because that's part of what I thought is like the forgiveness is self-serving. 38:14.248 --> 38:24.333 [SPEAKER_00]: It's to help her, like, not feel bad when she sees him out there on the street, like a third time. 38:24.653 --> 38:25.114 [SPEAKER_02]: Yeah. 38:25.374 --> 38:26.334 [SPEAKER_02]: Yeah. 38:26.354 --> 38:27.495 [SPEAKER_02]: She was okay with that before. 38:27.795 --> 38:28.135 [SPEAKER_00]: Yes. 38:28.576 --> 38:30.497 [SPEAKER_00]: And like this gave her the courage to do it. 38:31.038 --> 38:38.884 [SPEAKER_00]: The other part that I thought was accurate about like kind of like someone who's experiencing grief at the hands of someone is just saying like you stole from me. 38:39.025 --> 38:40.546 [SPEAKER_00]: You stole that time from me. 38:40.566 --> 38:42.187 [SPEAKER_00]: So it's great line. 38:42.247 --> 38:42.808 [SPEAKER_02]: Yeah. 38:42.868 --> 38:43.408 [SPEAKER_02]: Yeah. 38:43.428 --> 38:43.749 [SPEAKER_02]: Yeah. 38:47.872 --> 38:55.717 [SPEAKER_00]: When something like that happens, those are things that are taken away from you, the possibilities of the future, all of that. 38:55.757 --> 38:56.658 [SPEAKER_00]: That's taken away. 38:58.379 --> 39:01.341 [SPEAKER_00]: So yeah, just in both of them, we're just so good. 39:01.541 --> 39:05.203 [SPEAKER_00]: Oh my god, it just was one of the best scenes I've ever seen. 39:05.263 --> 39:11.987 [SPEAKER_00]: And so deep, like how we're talking about all these things about her religion and you can be bold. 39:12.067 --> 39:13.788 [SPEAKER_00]: And yeah, I don't see her as this 39:17.906 --> 39:23.752 [SPEAKER_00]: Maybe that's again the hypocrisy, maybe we would say, of Christianity or Catholicism. 39:25.633 --> 39:25.834 [SPEAKER_00]: Yeah. 39:26.674 --> 39:27.795 [SPEAKER_01]: At the first or the last time. 39:28.236 --> 39:28.736 [SPEAKER_00]: Exactly. 39:29.437 --> 39:30.738 [SPEAKER_00]: I mean, that's the whole show, right? 39:30.758 --> 39:32.119 [SPEAKER_00]: We're pointing out these flaws. 39:34.041 --> 39:40.127 [SPEAKER_00]: Oh, and then we go right into, uh, fucking bed at the school and another... 39:40.207 --> 39:41.488 [SPEAKER_02]: Her most nauseating. 39:41.828 --> 39:43.070 [SPEAKER_00]: This was, yeah. 39:45.006 --> 39:51.969 [SPEAKER_00]: She's usually like, I hate her so good, but this was almost too much where I wanted to just vomit all over. 39:52.029 --> 39:52.850 [SPEAKER_00]: It was like gross. 39:54.070 --> 39:56.131 [SPEAKER_02]: Because she's so feelin' herself at this point. 39:56.251 --> 40:03.415 [SPEAKER_02]: And so she knows she's violating these American norms that mattered in 2020, maybe they don't in 2020, 40:12.975 --> 40:21.901 [SPEAKER_02]: Yeah, and it's just going to use her own position to like guilt everybody and just railroad the conversation so that she can do what she wants to do. 40:23.802 --> 40:26.884 [SPEAKER_01]: Yeah, Hassan's trying to explain Islam to ignorant Beth. 40:26.944 --> 40:40.513 [SPEAKER_01]: And when she realizes that she's out of her element dining and she retreats to the not the time or place argument, Hassan's ready with the I agree that there will never be an appropriate time in this place public school message. 40:41.466 --> 40:42.454 [SPEAKER_00]: Yeah, um... 40:45.883 --> 40:49.484 [SPEAKER_00]: He just reminds me of just a straight out debate, right? 40:49.924 --> 41:00.268 [SPEAKER_00]: He has his time where he goes and says he what he wants to say, and then there's shots of the other people around the room going like, oh, okay, the Muslim sounds reasonable. 41:00.388 --> 41:02.268 [SPEAKER_00]: That sounds reasonable, okay. 41:02.709 --> 41:09.211 [SPEAKER_00]: But then she takes over again and then takes it farther and her, I guess, debate. 41:09.431 --> 41:11.011 [SPEAKER_00]: And then they're literally clapping. 41:11.392 --> 41:12.992 [SPEAKER_00]: They're literally clapping for her. 41:20.347 --> 41:33.114 [SPEAKER_00]: And I am frustrated a bit here because Travis, again, it's the same thing that you've pointed out in every DM episode, is that she has this position in the town where then nobody does shit. 41:33.374 --> 41:43.960 [SPEAKER_00]: I mean, Erin tries a little bit here, but every time Bev cuts her off, it's not like anyone else stands up and says, cut it out, like this is against the law, possibly depending 41:45.202 --> 41:45.702 [SPEAKER_00]: They're right. 41:45.722 --> 42:02.353 [SPEAKER_02]: And if she was, if she was the librarian, if she was like a health official, if she was like almost anybody else in that community, they would afford her some respect, but not the same indulgences that they give her because they let her. 42:03.322 --> 42:08.266 [SPEAKER_02]: be like this mouthpiece for the Lord, so they think they're going to yell at her. 42:08.286 --> 42:10.808 [SPEAKER_02]: It's like they're being blasphemous. 42:10.908 --> 42:11.149 [SPEAKER_02]: Yeah. 42:11.509 --> 42:17.474 [SPEAKER_00]: And even when Erin tries to stand up to her, she makes a caveat to the rest of the room. 42:17.514 --> 42:19.535 [SPEAKER_00]: Like I go to the same church as you guys. 42:19.576 --> 42:20.937 [SPEAKER_00]: So you know where I stand. 42:21.357 --> 42:23.819 [SPEAKER_00]: And yeah, so she's she's scared. 42:23.859 --> 42:27.302 [SPEAKER_00]: So she has to like give that caveat. 42:27.582 --> 42:30.465 [SPEAKER_00]: And like the sheriff can't be the one to 42:32.999 --> 42:36.423 [SPEAKER_00]: Because then everybody's just going to hate him and be like you're retaliating against her. 42:36.443 --> 42:38.045 [SPEAKER_00]: It sucks. 42:38.065 --> 42:39.727 [SPEAKER_00]: He isn't just really shitty position. 42:40.558 --> 42:44.421 [SPEAKER_02]: And he's so like when he's like if I was given out the caron like you wouldn't like it. 42:44.441 --> 42:46.563 [SPEAKER_02]: She's like I would be just fine with that. 42:46.583 --> 42:49.525 [SPEAKER_02]: And of course he has to like just be like oh you're right. 42:49.565 --> 42:54.849 [SPEAKER_02]: I'm but I'm I assume that everybody knows she'd be shit and breaks. 42:55.150 --> 42:56.050 [SPEAKER_02]: She'd be shit and breaks. 42:56.090 --> 43:01.054 [SPEAKER_00]: Yeah and then she even says and I'm so sorry that you have that opinion of me. 43:01.174 --> 43:02.515 [SPEAKER_00]: Let you would think that of me. 43:02.736 --> 43:04.217 [SPEAKER_02]: Oh my god bitch. 43:09.498 --> 43:15.182 [SPEAKER_00]: anything else about this episode, or I mean, seen about Bev. 43:17.864 --> 43:19.305 [SPEAKER_01]: No, I don't want to talk about it anymore. 43:19.585 --> 43:21.747 [SPEAKER_00]: Yeah, so you're like so mad. 43:23.008 --> 43:26.050 [SPEAKER_00]: So then Erin is venting to Riley after, like, 43:27.151 --> 43:28.512 [SPEAKER_01]: We'll sort it and walk into it here. 43:28.772 --> 43:30.034 [SPEAKER_00]: A little bit, yeah. 43:30.834 --> 43:32.336 [SPEAKER_00]: Yep, if you talk to her. 43:32.356 --> 43:35.478 [SPEAKER_01]: You can see, there's this huge contrast here. 43:35.498 --> 43:50.512 [SPEAKER_01]: So in low light, Kate Seagull displays like a range of emotions, like a human being, just enhanced by the shadows and the conviction that she's feeling, she's conveying human emotion, her brow wrinkles, her cross-feet crinkle, it's charming, I think you contrast that with... 43:51.392 --> 43:53.153 [SPEAKER_01]: Z. Gielford is Riley. 43:54.474 --> 43:56.315 [SPEAKER_01]: He's not expressionless because he's haunted. 43:56.355 --> 44:00.418 [SPEAKER_01]: He's fucking poises his own face with boy Botax and the entire minute he's secrets. 44:02.159 --> 44:17.208 [SPEAKER_01]: If you look up the images online, he posted the Instagram one, so like all these fucking facial edemas and everyone's like, oh, watch Botax and the papers are like, oh, well, we don't know that that's the case. 44:18.572 --> 44:21.494 [SPEAKER_01]: But I'm pretty sure that's the case because his face is not fucking move. 44:23.076 --> 44:29.781 [SPEAKER_00]: I mean, that's a little bit of the character, like he's haunted and vacant a little bit, but I agree with you. 44:30.082 --> 44:43.413 [SPEAKER_00]: And there's a lot of, there's some science now, like people trying to study whether the lack of expression in modern acting because of cosmetic procedures is then affecting 44:47.976 --> 44:58.523 [SPEAKER_00]: of like recognizing emotion and then responding to emotion because there's such a lack of it on the human face in film now, which is this. 44:58.803 --> 45:04.226 [SPEAKER_02]: I'm sorry to say that people are not watching the film enough for that to matter because they're watching fucking YouTube. 45:06.347 --> 45:10.490 [SPEAKER_00]: Well, but then those people are getting it to, especially the popular ones. 45:12.672 --> 45:13.232 [SPEAKER_00]: What's that? 45:13.292 --> 45:14.192 [SPEAKER_00]: What's that, Travis? 45:14.212 --> 45:18.454 [SPEAKER_00]: That was a little, you're like, I'm sick of hearing about people watching YouTube. 45:18.994 --> 45:20.814 [SPEAKER_00]: These damn people in their YouTube. 45:21.914 --> 45:38.299 [SPEAKER_02]: Well, I mean, I mean, if you're talking about people using film as a way to be a window, both to the past and to their own society and learn more about the world beyond themselves, that's just not happening as much as it used to because people are watching YouTube, but people watching TikTok. 45:38.339 --> 45:39.359 [SPEAKER_02]: And I think that's a problem. 45:39.979 --> 45:42.021 [SPEAKER_00]: So yeah, I got to. 45:42.362 --> 45:45.605 [SPEAKER_01]: Last time I went to the movies people were doing that at the movies. 45:45.946 --> 45:58.699 [SPEAKER_02]: Oh my fucking god Yeah, because people are also losing like the sense of what's you know just normal decorum and public Yeah, it sucks ain't great. 45:58.979 --> 45:59.280 [SPEAKER_00]: Yeah 46:03.038 --> 46:12.746 [SPEAKER_00]: While he caused himself a coward and she very firmly tried some, which I thought was cute and nice, she's a nice person, then I really like her. 46:13.106 --> 46:13.807 [SPEAKER_00]: I like her character. 46:13.827 --> 46:15.668 [SPEAKER_01]: She's like, don't do that. 46:15.748 --> 46:17.170 [SPEAKER_01]: Don't talk about yourself like that. 46:17.230 --> 46:18.671 [SPEAKER_00]: Yeah, but she's just the same thing. 46:18.691 --> 46:20.252 [SPEAKER_01]: Not my friend Riley, like that. 46:20.392 --> 46:23.034 [SPEAKER_01]: You know, it's so fucking high school movie dialogue. 46:23.275 --> 46:30.020 [SPEAKER_00]: It was funny and she, they made her joke about it because she's like, I'll kick your ass and then she kicks him and it was his thigh and it was cute. 46:30.060 --> 46:30.581 [SPEAKER_00]: It was cute. 46:32.923 --> 46:33.363 [SPEAKER_00]: they tried. 46:34.804 --> 46:42.609 [SPEAKER_00]: Back at the Docs House, Mildred is lucid and describes coming out of the darkness and recognizing her daughter. 46:42.629 --> 46:46.411 [SPEAKER_02]: Does she request a meal diamond? 46:48.652 --> 46:50.113 [SPEAKER_00]: No. 46:50.153 --> 46:51.154 [SPEAKER_00]: She doesn't. 46:51.274 --> 46:52.255 [SPEAKER_00]: But it's sweet. 46:53.776 --> 46:57.538 [SPEAKER_00]: Sarah hugs her and she's like mom because she knows and I think 46:58.648 --> 47:21.825 [SPEAKER_00]: they have a moment they do they have a sweet moment and i think this is the dream for any person who is a caretaker or has a loved one with all simmers right to be recognized by them to see their loved one lucid and then like recognize them so that's that's a lot and stay and stay and lucid yeah exactly exactly 47:27.439 --> 47:48.289 [SPEAKER_00]: he is funny I think telling his story and in a little bit of an uncouth way and front of the father but basically father calls out Riley to say like, Riley you are the person who can tell Joe that he isn't unforgivable, right? 47:48.349 --> 47:51.951 [SPEAKER_01]: Yeah, don't bullshit me Riley, I can hand you a knowledge show with a bullshit plan to do. 47:52.902 --> 47:55.363 [SPEAKER_02]: I'm gonna say bullshit four times, so you know that I'm cool. 47:55.603 --> 47:58.104 [SPEAKER_00]: Yeah, and then what do you about? 47:58.284 --> 48:02.125 [SPEAKER_01]: Watch me turn around the chair and sit like a cool teacher. 48:02.385 --> 48:09.628 [SPEAKER_00]: Oh, that would have been amazing if he just pulled the chair and flipped it around and then sat down, put his elbows on the back like... 48:09.968 --> 48:12.609 [SPEAKER_01]: I even sit on the crapper backers like his dangerous minds. 48:12.849 --> 48:13.249 [SPEAKER_02]: Yeah. 48:13.569 --> 48:15.389 [SPEAKER_02]: He's like, I'm wearing hoodies, guys. 48:15.449 --> 48:16.550 [SPEAKER_02]: Look, I keep wearing hoodies. 48:19.512 --> 48:24.295 [SPEAKER_00]: he's he's drinking more coffee and in the scene of why I Travis. 48:25.235 --> 48:27.917 [SPEAKER_02]: Okay, kind of. 48:28.417 --> 48:30.338 [SPEAKER_01]: Um, so it's just an unstable, right? 48:30.478 --> 48:31.359 [SPEAKER_00]: Yeah, exactly. 48:31.599 --> 48:33.000 [SPEAKER_00]: But who do you think is making it? 48:34.621 --> 48:35.541 [SPEAKER_02]: Bev with a poison? 48:35.581 --> 48:37.202 [SPEAKER_02]: Is that your implied? 48:37.843 --> 48:38.183 [SPEAKER_00]: Yeah. 48:38.263 --> 48:38.783 [SPEAKER_02]: Yeah. 48:38.803 --> 48:41.805 [SPEAKER_02]: Why would Bev be poisoning the priest that she loves so much? 48:42.463 --> 48:50.367 [SPEAKER_00]: because she sees what's going on with the miracle that he gave and wants to know if he's for real. 48:50.667 --> 48:51.988 [SPEAKER_00]: She is testing him. 48:52.928 --> 48:54.449 [SPEAKER_00]: She is testing him. 48:56.630 --> 48:57.590 [SPEAKER_00]: It's fucked up. 48:58.391 --> 48:58.711 [SPEAKER_01]: Yeah. 48:58.991 --> 49:00.071 [SPEAKER_00]: That's my thing. 49:00.091 --> 49:01.252 [SPEAKER_00]: That's what I think it is. 49:01.412 --> 49:03.933 [SPEAKER_00]: Is that she wants to know for sure. 49:03.953 --> 49:07.115 [SPEAKER_02]: I mean, I can't remember. 49:08.434 --> 49:17.958 [SPEAKER_02]: But there was, there was a reason why we get that shot of her with the fucking fatal, lethal poison or whatever in this episode. 49:17.978 --> 49:25.321 [SPEAKER_02]: And that's the only thing that happens in this episode where someone gets sick and dies and he seems otherwise and was fine before this episode. 49:25.381 --> 49:30.703 [SPEAKER_00]: Does it in the same way that the dog died where these like coughing up phony blood and stuff? 49:30.983 --> 49:32.604 [SPEAKER_00]: I don't know, they made it look the same. 49:32.624 --> 49:36.706 [SPEAKER_02]: Yeah, I think you just sold me on this, but wow, is she a fucking nut? 49:36.766 --> 49:37.026 [SPEAKER_00]: Yeah. 49:37.426 --> 49:48.033 [SPEAKER_00]: She's even nutty here on the second go around for me because I did not know that's what happened on this first go around I didn't know that on this go around but now that you've made that case. 49:48.073 --> 49:48.933 [SPEAKER_02]: I think it's pretty convincing. 49:49.153 --> 49:50.134 [SPEAKER_02]: What do you think Steve? 49:51.675 --> 49:54.156 [SPEAKER_01]: Yeah, I think that's I don't know. 49:54.256 --> 49:56.057 [SPEAKER_01]: I don't remember what happens in the rest of the series. 49:56.478 --> 49:57.138 [SPEAKER_00]: Yeah, we'll see. 49:57.198 --> 49:59.579 [SPEAKER_01]: I mean, maybe an episode of the time. 49:59.960 --> 50:00.320 [SPEAKER_01]: Yeah, that 50:00.898 --> 50:01.879 [SPEAKER_00]: I mean, yeah, I'm wrong. 50:02.559 --> 50:03.140 [SPEAKER_01]: No, that rings me. 50:03.160 --> 50:06.483 [SPEAKER_00]: I have some more points for when we get towards the end of the episode, too. 50:07.484 --> 50:12.708 [SPEAKER_00]: But Riley tells Joe, yeah, I don't feel like he gives bad plan to shoot. 50:12.768 --> 50:15.951 [SPEAKER_00]: He keeps a cash and I think what he says is true. 50:16.031 --> 50:20.836 [SPEAKER_00]: He's like, you came tonight and for tonight, like, that's thought, like, that's all you can do. 50:21.076 --> 50:26.320 [SPEAKER_00]: You know, um, they leave and, you know, yeah, 50:29.710 --> 50:38.740 [SPEAKER_00]: This whole thing about Joe Hatingbev and her money laundering and then the signs that she was at the REC Center, that was kind of funny. 50:40.021 --> 50:42.284 [SPEAKER_00]: But then he's shocked and surprised. 50:43.894 --> 50:45.936 [SPEAKER_00]: to find himself where he is, right? 50:45.996 --> 50:52.243 [SPEAKER_00]: Because he thinks himself so worthless or dead or does or he's working on it. 50:52.303 --> 50:58.009 [SPEAKER_00]: But now that he's crawled out of it a little bit, he's like, whoa, like what the fuck? 50:58.349 --> 51:01.613 [SPEAKER_00]: I never thought I'd be in this building or like hanging out with you guys. 51:02.630 --> 51:04.351 [SPEAKER_02]: And when he walks away that scene, I'm like he's gonna die. 51:04.371 --> 51:18.356 [SPEAKER_00]: He's gonna die, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's dead, he's 51:18.556 --> 51:43.424 [SPEAKER_00]: Their whole conversation about Joe's sister and he couldn't leave the island even like when she died and he wanted to go see her but he feels like he could do it now because he's in a better place and they're contemplating like what life looks like for them as people and if anything will change, Riley says like the stuff around them might not change but they might become different so that things feel different. 51:46.902 --> 52:08.131 [SPEAKER_00]: I just I think that's an important acknowledgment also from like a grief side of things is that like no like the the things like the grief never goes away what changes like the container it's in or like what's around it and then your feelings towards it to just felt like that was a good a good line 52:14.655 --> 52:40.647 [SPEAKER_02]: uh... i think he's doing some of the best acting on the on the series really like him i look his name up i don't know it ordinarily for the record but i like him in this in the show he does a good job i mean he was blasted in tears out of this fucking face with the pleases he i know yeah he's so great yeah he shows range in these just few episodes we just watch so far you know pretty pretty it's specially compared 52:44.133 --> 52:44.373 [SPEAKER_00]: Yes. 52:46.073 --> 52:46.573 [SPEAKER_00]: Exactly. 52:46.613 --> 52:47.694 [SPEAKER_02]: Yeah, he's doing a good work. 52:49.294 --> 52:50.974 [SPEAKER_00]: The sheriff's son wants to go to church. 52:51.514 --> 52:52.675 [SPEAKER_00]: Saw this coming, right? 52:54.275 --> 52:55.675 [SPEAKER_00]: All my friends are going. 52:55.995 --> 52:57.856 [SPEAKER_00]: It's the cool thing to do, dad. 52:57.876 --> 53:00.836 [SPEAKER_01]: It's immediately after called a prayer. 53:01.776 --> 53:02.957 [SPEAKER_00]: Yeah, that's right after. 53:03.017 --> 53:09.618 [SPEAKER_00]: So I think that makes his dad feel a little like, oh, but no, he said to straight up no. 53:10.890 --> 53:17.115 [SPEAKER_00]: It is, but it's not like a super authoritarian, like fuck you know, like they talk about it. 53:17.716 --> 53:18.476 [SPEAKER_00]: And he does. 53:18.576 --> 53:23.340 [SPEAKER_01]: It's another YouTube debate about does God do a protection or does God do a genocide? 53:23.681 --> 53:24.241 [SPEAKER_00]: Exactly. 53:24.601 --> 53:32.088 [SPEAKER_00]: So I wrote down the sheriff calls out the same BS about God healing Lisa, but not others and how hypocritical it is and that's not how it works. 53:32.748 --> 53:35.290 [SPEAKER_00]: We learned that in the wife died of pancreatic cancer. 53:35.751 --> 53:38.353 [SPEAKER_00]: He's tried to protect his son from how much that sucked. 53:40.518 --> 54:04.589 [SPEAKER_00]: and and he says he's pleading he says it's not magic yeah exactly but it's not magic it's vampires but he says to him like we can talk more about tomorrow like he doesn't totally shut him down he he's angry and it's a no but he still I don't he still has a little leeway there 54:07.718 --> 54:13.240 [SPEAKER_00]: because the sun does say like you didn't, I had no part of these decisions about moving here, et cetera, et cetera. 54:14.280 --> 54:21.702 [SPEAKER_02]: Yeah, and I like that he pushes back on his son who sounds like, you know, everybody goes, like I'm the only one, it's not true. 54:21.802 --> 54:23.082 [SPEAKER_02]: Like there's a bunch of people that don't go. 54:23.203 --> 54:28.884 [SPEAKER_02]: Like you're, you think you're wanting to follow the crew, but it's just because of you, you're around in the moment. 54:29.904 --> 54:30.305 [SPEAKER_00]: Exactly. 54:30.525 --> 54:34.726 [SPEAKER_00]: He's friends with Warren and Warren loves Lisa, so it's like, 54:35.717 --> 54:40.980 [SPEAKER_00]: But also like why don't oh wait no, he's the what's his job? 54:41.180 --> 54:42.061 [SPEAKER_00]: What's Warren's job? 54:42.341 --> 54:43.322 [SPEAKER_00]: He's the priest boy. 54:43.402 --> 54:45.483 [SPEAKER_00]: What's his what is that he's the priest boy? 54:46.784 --> 54:48.625 [SPEAKER_00]: Blinking and what's that fault? 54:48.685 --> 54:51.907 [SPEAKER_02]: He's the boy that he's the boy that tends to the priest literally. 54:54.288 --> 55:02.153 [SPEAKER_00]: Yeah, so I mean Yeah, he to him it does feel like everyone's going everyone's doing it and he wants to be a part of it 55:06.358 --> 55:23.844 [SPEAKER_00]: father comes home and then like there's a fucking bunch of people in his cabin house cottage someone's working on the plumbing bibs talking with them about a party and he's not very well and he starts frothing at the mouth and passes out and dies and everybody's shocked. 55:25.504 --> 55:30.046 [SPEAKER_02]: It's like everyone's having like this like kind of like businessy kind of conversation he just blows in and dies. 55:30.066 --> 55:30.206 [SPEAKER_02]: Yeah. 55:31.797 --> 55:32.557 [SPEAKER_00]: It falls down. 55:32.577 --> 55:33.557 [SPEAKER_00]: It makes it all down to him. 55:33.837 --> 55:34.818 [SPEAKER_02]: It makes it all down to him. 55:34.838 --> 55:35.838 [SPEAKER_02]: It makes it all down to him. 55:35.858 --> 55:36.598 [SPEAKER_01]: It makes it all down to him. 55:36.618 --> 55:37.958 [SPEAKER_01]: It makes it all down to him. 55:37.978 --> 55:39.179 [SPEAKER_02]: It makes it all down to him. 55:39.279 --> 55:40.479 [SPEAKER_02]: It makes it all down to him. 55:40.499 --> 55:41.819 [SPEAKER_02]: It makes it all down to him. 55:41.839 --> 55:44.140 [SPEAKER_02]: It makes it all down to him. 55:44.180 --> 55:45.200 [SPEAKER_02]: It makes it all down to him. 55:45.240 --> 55:46.800 [SPEAKER_02]: It makes it all down to him. 55:46.820 --> 55:47.700 [SPEAKER_02]: It makes it all down to him. 55:47.720 --> 55:48.400 [SPEAKER_02]: It makes it all down to him. 55:48.440 --> 55:49.261 [SPEAKER_02]: It makes it all down to him. 55:49.301 --> 55:51.301 [SPEAKER_01]: It makes it all down to him. 55:51.561 --> 55:52.861 [SPEAKER_02]: It makes it all down to him. 55:52.881 --> 55:54.282 [SPEAKER_02]: It makes it all down to him. 55:54.302 --> 55:55.222 [SPEAKER_02]: It makes it all down to him. 55:55.242 --> 55:56.202 [SPEAKER_02]: It makes it all down to him. 55:56.222 --> 55:58.543 [SPEAKER_02]: It makes it all down to him. 55:58.703 --> 55:59.343 [SPEAKER_02]: It makes it all down to him. 55:59.363 --> 56:00.483 [SPEAKER_02]: It makes it all down to him 56:01.442 --> 56:14.740 [SPEAKER_00]: is it just they're also shocked like no one goes let's go get the doctor call 911 I don't know they don't have 911 but like out of the four people nobody is like like get help 56:16.154 --> 56:20.777 [SPEAKER_02]: Everybody's telling me, he's dead in like 20 seconds or something. 56:21.058 --> 56:22.238 [SPEAKER_02]: It's over pretty fast. 56:22.339 --> 56:22.639 [SPEAKER_02]: All right. 56:22.799 --> 56:24.320 [SPEAKER_02]: I feel like I don't know. 56:24.500 --> 56:24.800 [SPEAKER_02]: I don't know. 56:24.860 --> 56:39.871 [SPEAKER_02]: I mean, like maybe in the immediate aftermath, they should like once he recovers, they should be like, oh, yeah, let's get someone in here, you know, but maybe I'm just used to like TV or movie time, or I felt like the frothing and the act of dying was quite long. 56:42.193 --> 56:44.675 [SPEAKER_00]: But yeah, in reality, it was probably very quick. 56:46.287 --> 56:54.244 [SPEAKER_00]: uh... then we go back to the origin story in the cave uh... where months of your gets a little nipple from his angel 56:55.948 --> 56:57.149 [SPEAKER_00]: little nips. 56:57.189 --> 57:02.712 [SPEAKER_02]: I like that throughout all of this we're seeing, this has been happened through that whole episode. 57:02.732 --> 57:03.813 [SPEAKER_02]: We see these woodcuts. 57:04.133 --> 57:06.334 [SPEAKER_02]: Yeah, I do like talking about. 57:06.354 --> 57:08.275 [SPEAKER_02]: We're really, really drive it at home. 57:08.315 --> 57:09.656 [SPEAKER_02]: Like this is the new religion. 57:09.676 --> 57:16.040 [SPEAKER_02]: I am the new apostle, you know, this, I am, you know, again, like it's ultimately self-important. 57:16.741 --> 57:20.683 [SPEAKER_01]: And we all know how many stations of the cross there are that these represent, right? 57:21.355 --> 57:21.856 [SPEAKER_00]: No, I don't. 57:21.876 --> 57:24.298 [SPEAKER_02]: What's that mean as a non Catholic? 57:24.318 --> 57:26.661 [SPEAKER_02]: I happily don't know how many stations tell me please. 57:27.041 --> 57:27.742 [SPEAKER_01]: Yeah, it was good. 57:27.782 --> 57:44.299 [SPEAKER_01]: There's there's 14 There's already a user what's called big dog paws All one word posted original carvings and maybe ten of the analogs for the Catholic stations and the remaining work filmed for the show, but uh 57:45.639 --> 57:51.520 [SPEAKER_01]: The Station of One, Jebis is condemned to death as replaced by Pruit at the Whaling Well. 57:52.360 --> 57:58.561 [SPEAKER_01]: Station 11 is a novel by Emily St. John Mantell, who came in HBO miniseries the false short of her service material. 57:59.541 --> 58:13.764 [SPEAKER_01]: Oh, and it's also the station that sees Jebis nailed to the cross, and it's like it's crackpot, like St. Patrick's depiction of a wound between the radius and owner, like the only location for iron nails that could have suspended body weight for crucifixion. 58:14.667 --> 58:24.129 [SPEAKER_01]: And that's where the, that's where the, that's where the cut is and I don't want to do like a whole similar, really in level breakdown, but like, you could look this shit up yourself. 58:24.649 --> 58:28.490 [SPEAKER_00]: Yeah, I mean, I figured it had depth behind it. 58:28.650 --> 58:31.111 [SPEAKER_00]: It wasn't just, you know. 58:31.131 --> 58:34.732 [SPEAKER_01]: Oh, but yeah, Station 14 for Catholics, Jebus is lead in the tomb. 58:35.632 --> 58:42.574 [SPEAKER_01]: It corresponds with prayer clasping prayer hands in the background of praising Betboy, his perceived angel in the foreground. 58:43.152 --> 58:43.732 [SPEAKER_00]: Yeah. 58:44.653 --> 58:54.640 [SPEAKER_02]: And all this bit like, you know, he's he's drinking his blood and like, you know, these reversals of the sacrament like that's such a classic. 58:56.683 --> 59:21.051 [SPEAKER_02]: throughout history, like how vampires have been perceived and how Native Americans were perceived in the new world and that kind of stuff, just, and anything that was the opposite of the classic or Catholic, even rituals, automatically become sinister, as by reverse in them. 59:22.171 --> 59:25.452 [SPEAKER_00]: As he's telling the story of what's happening, 59:27.967 --> 59:42.901 [SPEAKER_00]: he's talking about, you know, getting nibbled on in the pain and feeling that and then looking up at the vampire and realizing that the vampire is an angel and then we get that even like the halo. 59:43.561 --> 59:50.844 [SPEAKER_00]: behind the hat that looks like the, like medieval, like manuscript type of, I don't know. 59:51.144 --> 59:53.084 [SPEAKER_01]: Yeah, the cave of wonders. 59:53.264 --> 59:55.065 [SPEAKER_00]: Yeah, this is exhilarating, but this, yeah. 59:55.585 --> 01:00:00.107 [SPEAKER_01]: But he isn't going to put the dye into the diamond in the rough. 01:00:00.827 --> 01:00:03.728 [SPEAKER_00]: Oh, what is that? 01:00:04.665 --> 01:00:05.685 [SPEAKER_02]: I don't know if he's just happening. 01:00:06.426 --> 01:00:06.886 [SPEAKER_02]: Oh, laden. 01:00:07.666 --> 01:00:08.307 [SPEAKER_00]: Oh, okay. 01:00:08.327 --> 01:00:09.087 [SPEAKER_00]: Yeah. 01:00:09.287 --> 01:00:10.948 [SPEAKER_00]: I know about laden too during that. 01:00:11.008 --> 01:00:12.368 [SPEAKER_00]: Yeah, this whole thing. 01:00:12.728 --> 01:00:13.629 [SPEAKER_00]: But here's my question. 01:00:13.949 --> 01:00:17.050 [SPEAKER_00]: Do you think in the moment he was really thinking that? 01:00:17.390 --> 01:00:24.413 [SPEAKER_00]: Or do you think he's adding that as, like, a retrospective now that he, like, woke up, healed? 01:00:24.813 --> 01:00:25.754 [SPEAKER_00]: Like, that's what I'm thinking. 01:00:25.794 --> 01:00:27.354 [SPEAKER_00]: I'm thinking, no, we're fucking way. 01:00:27.795 --> 01:00:27.955 [SPEAKER_00]: Like, 01:00:34.710 --> 01:00:45.859 [SPEAKER_00]: Yeah, but I think it's almost the thing of like people changing things after to then sell the story is what it feels like. 01:00:45.899 --> 01:00:47.661 [SPEAKER_02]: I don't know if it matters. 01:00:47.681 --> 01:00:48.942 [SPEAKER_02]: I don't know if it's retconning. 01:00:48.962 --> 01:00:52.765 [SPEAKER_02]: I don't know if it matters if it's after or during either way. 01:00:52.825 --> 01:00:54.447 [SPEAKER_02]: Like how many times have 01:00:55.107 --> 01:01:06.355 [SPEAKER_02]: at least I interacted with somebody where they tell some story about their life that maybe maybe you've, you know, got some horrific elements to it, but like they're like, it's all good because it all happened for a reason. 01:01:06.375 --> 01:01:10.818 [SPEAKER_02]: This was Jesus' plan and you're like, oh, it seems like a shitty plan to me, but okay. 01:01:10.838 --> 01:01:11.339 [SPEAKER_02]: Yeah. 01:01:11.499 --> 01:01:11.839 [SPEAKER_02]: Yeah. 01:01:11.879 --> 01:01:12.860 [SPEAKER_00]: That's what I'm saying. 01:01:12.920 --> 01:01:14.441 [SPEAKER_02]: Like, it involves math. 01:01:14.541 --> 01:01:16.763 [SPEAKER_02]: Jesus' plan involves math at least for a day. 01:01:16.843 --> 01:01:17.323 [SPEAKER_02]: Okay. 01:01:17.403 --> 01:01:18.344 [SPEAKER_00]: That's what I'm saying. 01:01:18.504 --> 01:01:19.464 [SPEAKER_00]: Like, it matters. 01:01:19.485 --> 01:01:19.905 [SPEAKER_00]: Like, it matters. 01:01:21.848 --> 01:01:33.807 [SPEAKER_00]: how you view it and then tell others that matters, especially it's not the same if you're just some person, but if you're literally like a religious leader with a plan. 01:01:35.938 --> 01:01:42.000 [SPEAKER_02]: But, and then even then, like, but that's like your whole worldview, that's, you're gonna frame things through that. 01:01:42.060 --> 01:01:42.520 [SPEAKER_02]: Exactly. 01:01:42.560 --> 01:01:46.000 [SPEAKER_02]: Even in the moment, even in the moment, I think that he did think it was an angel. 01:01:46.081 --> 01:01:59.544 [SPEAKER_02]: Like, he was terrified, as he said, I think he was genuinely terrified and like confused, but like, still, I think in the moment, like, he was like, this is an angel, because in his mind, what else is there that has like glowing eyes and wings? 01:01:59.584 --> 01:02:00.144 [SPEAKER_02]: That's true. 01:02:01.360 --> 01:02:17.931 [SPEAKER_01]: And I thought creature looks a bit shit, but like the sort of sapient-looking vellum wings with the light shines through kind of cells it for me because it's kind of like when you're a kid and you press a flashlight up against like the area between your thumb and forefinger. 01:02:18.311 --> 01:02:19.612 [SPEAKER_00]: Yes, I'm close. 01:02:21.727 --> 01:02:22.447 [SPEAKER_00]: absolutely. 01:02:22.467 --> 01:02:24.428 [SPEAKER_01]: That's pretty cool. 01:02:24.448 --> 01:02:24.668 [SPEAKER_00]: Yeah. 01:02:24.708 --> 01:02:30.049 [SPEAKER_00]: And then he describes, yeah, like the journey home and needing to bring him home to the island. 01:02:30.109 --> 01:02:31.850 [SPEAKER_00]: Like, oh, he woke up. 01:02:32.630 --> 01:02:33.811 [SPEAKER_00]: He was young again. 01:02:33.871 --> 01:02:34.611 [SPEAKER_00]: He was good. 01:02:35.711 --> 01:02:37.272 [SPEAKER_00]: I know where I got to take this friend. 01:02:37.292 --> 01:02:44.614 [SPEAKER_00]: I got this town back at the town. 01:02:44.734 --> 01:02:45.834 [SPEAKER_00]: These people needed help. 01:02:47.576 --> 01:02:50.639 [SPEAKER_02]: and depart from the road to Damascus, if you know what I mean? 01:02:50.719 --> 01:02:51.419 [SPEAKER_02]: Yeah. 01:02:52.180 --> 01:02:54.121 [SPEAKER_02]: Mix things up here, biblically. 01:02:54.622 --> 01:02:55.542 [SPEAKER_00]: Really, and then... 01:02:56.911 --> 01:03:14.743 [SPEAKER_00]: I don't, I was trying to remember or figure out or understand where it's like, was he saying like I walked out of there and I would just, was trying to get home and he would follow me like a pet, like that was great and then I had to put him in a trunk, you know, to get all the way home. 01:03:14.843 --> 01:03:16.724 [SPEAKER_00]: I hit him under some antiques. 01:03:17.325 --> 01:03:18.986 [SPEAKER_00]: That's how we got pet customs. 01:03:20.034 --> 01:03:21.915 [SPEAKER_02]: That was the only part that kind of threw me to him. 01:03:21.935 --> 01:03:23.876 [SPEAKER_02]: Like, can they lift, they didn't film that scene. 01:03:23.936 --> 01:03:27.578 [SPEAKER_02]: I'm trying to convince the vampire to get into a frame. 01:03:27.598 --> 01:03:30.360 [SPEAKER_00]: Just get in it, get in your home. 01:03:30.440 --> 01:03:31.560 [SPEAKER_00]: It's gonna be your home. 01:03:31.660 --> 01:03:32.161 [SPEAKER_00]: Get in. 01:03:32.501 --> 01:03:34.422 [SPEAKER_02]: I'm going to ship you by FedEx. 01:03:34.562 --> 01:03:41.226 [SPEAKER_02]: So, um, um, and then, I mean, you can't fly. 01:03:41.246 --> 01:03:43.107 [SPEAKER_01]: You're gonna have to like follow the terminated line. 01:03:43.347 --> 01:03:43.587 [SPEAKER_01]: Like, 01:03:45.299 --> 01:03:46.359 [SPEAKER_01]: just through the dark side. 01:03:46.399 --> 01:04:11.650 [SPEAKER_00]: So yeah, and then we see a father Paul slash Montenegro's bloodshot eye on the floor and everybody like just shocked and then he wakes up scaring people and here's where I was like, oh fuck because Bavs on the floor holding him, she's not calling him father Paul Hill 01:04:14.979 --> 01:04:19.462 [SPEAKER_00]: because she knew he was from the, when she saw that thing on the wall. 01:04:19.622 --> 01:04:21.404 [SPEAKER_02]: Photo, that old thing. 01:04:21.444 --> 01:04:28.168 [SPEAKER_02]: That's, that's what we end on as the news print of, what's, thank God, somebody, finally, fucking looks at a picture. 01:04:28.188 --> 01:04:31.350 [SPEAKER_02]: Wait, it's the same guy. 01:04:31.471 --> 01:04:40.357 [SPEAKER_00]: Yeah, it's been there the whole time, but like no one looked closely at it after this mysterious father Paul had come and we see what he looks like. 01:04:41.470 --> 01:04:49.077 [SPEAKER_01]: There's like a cool black light poster of John Paul II, the anti-communist who cares, lives service positive. 01:04:49.097 --> 01:04:56.003 [SPEAKER_01]: So, then Paul's confession ends, and it's a confession ends with basically, they say, hey, suck on my blood of the new and everlasting covenant. 01:04:56.383 --> 01:04:57.564 [SPEAKER_01]: It's a new covenant in town. 01:04:57.764 --> 01:04:58.064 [SPEAKER_01]: Yeah. 01:04:58.985 --> 01:05:00.467 [SPEAKER_00]: I'm coming in, it's gonna be great. 01:05:00.547 --> 01:05:01.527 [SPEAKER_00]: It's gonna be awesome. 01:05:02.288 --> 01:05:04.690 [SPEAKER_00]: We're gonna make the search critic. 01:05:06.992 --> 01:05:07.593 [SPEAKER_02]: Pretty much. 01:05:08.438 --> 01:05:26.072 [SPEAKER_00]: Yeah, that's I think Bab is nuts and she was like trying to make sense of this leaves a miracle And if you like his he the real deal, and I think she was poisoning him to see if he's immortal Yes, right if he's if he really doesn't die or whatever like then he won't die 01:05:26.617 --> 01:05:34.181 [SPEAKER_00]: Yeah, because you say for a fuck, why is he looking like a, you know, whatever, and she was always I think you're right. 01:05:34.421 --> 01:05:39.344 [SPEAKER_00]: Making him coffee and bringing him beverages and, I don't know, giving him some poison. 01:05:40.604 --> 01:05:42.966 [SPEAKER_02]: Well now that you say that seems obvious, what's that kind of coffee? 01:05:45.767 --> 01:05:48.689 [SPEAKER_00]: No, that has a name. 01:05:48.709 --> 01:05:50.089 [SPEAKER_00]: That's the crazy bed of special. 01:05:50.109 --> 01:05:51.350 [SPEAKER_02]: What's Italian for saying? 01:05:57.836 --> 01:06:16.882 [SPEAKER_00]: I like the crazy bitch frapp is what it is oh yeah you can get that one to Starbucks Yeah, so I just feel like there was a lot going on this episode That amazing scene will Joe and Lisa and 01:06:18.490 --> 01:06:21.151 [SPEAKER_00]: I don't know, some cool development, and find us. 01:06:21.291 --> 01:06:22.192 [SPEAKER_00]: I'm maybe say happy. 01:06:22.252 --> 01:06:26.334 [SPEAKER_00]: I like seeing the people happy doing their thing. 01:06:27.774 --> 01:06:27.994 [SPEAKER_02]: Yeah. 01:06:28.034 --> 01:06:31.016 [SPEAKER_02]: Well, and we know that we're like about halfway through the season. 01:06:31.036 --> 01:06:32.516 [SPEAKER_02]: Now, he's just what seven episodes, right? 01:06:32.536 --> 01:06:35.778 [SPEAKER_02]: So we know like, yeah, it's probably going down hill pretty soon. 01:06:36.398 --> 01:06:36.958 [SPEAKER_02]: Exactly. 01:06:37.218 --> 01:06:38.459 [SPEAKER_02]: So enjoy what we can. 01:06:39.340 --> 01:06:52.312 [SPEAKER_01]: And we we also saw Vampire Jason Runland landing in the driveway looking in your windows to you because they Yeah, uh Hassan and his son are not drinking the flavor it 01:06:52.837 --> 01:06:53.578 [SPEAKER_00]: Right, exactly. 01:06:53.658 --> 01:06:59.021 [SPEAKER_00]: So he was like, they're not the first fair game problem. 01:06:59.201 --> 01:06:59.702 [SPEAKER_00]: Uh-huh. 01:07:00.242 --> 01:07:01.222 [SPEAKER_02]: Yep. 01:07:01.323 --> 01:07:01.663 [SPEAKER_02]: Right. 01:07:01.823 --> 01:07:02.163 [SPEAKER_02]: Right. 01:07:02.183 --> 01:07:02.343 [SPEAKER_02]: Right. 01:07:02.383 --> 01:07:03.384 [SPEAKER_02]: Anybody not drinking? 01:07:04.144 --> 01:07:05.305 [SPEAKER_02]: That's fair game, of course. 01:07:05.325 --> 01:07:14.051 [SPEAKER_00]: Yeah, so he that was like the jump scare out the window, which I had to like go back several times because it was so freaking dark. 01:07:14.611 --> 01:07:16.873 [SPEAKER_00]: I was like, oh, there's the outline of the face. 01:07:17.153 --> 01:07:17.453 [SPEAKER_00]: Okay. 01:07:17.792 --> 01:07:21.973 [SPEAKER_02]: I accidentally paused it like right at the exact moment, like this happened to me. 01:07:22.713 --> 01:07:31.475 [SPEAKER_02]: You know, like I didn't even, I did miss it the first time then back to it up and so, but I, but I paused it perfectly and like that face is not scary. 01:07:31.575 --> 01:07:35.516 [SPEAKER_00]: I mean, he's like, hey guys, can I come in? 01:07:35.696 --> 01:07:36.536 [SPEAKER_00]: I'm a little chilly. 01:07:37.076 --> 01:07:37.856 [SPEAKER_00]: I'm a little hungry. 01:07:38.156 --> 01:07:38.316 [SPEAKER_00]: Yeah. 01:07:38.336 --> 01:07:38.896 [SPEAKER_00]: Can I come in? 01:07:40.337 --> 01:07:40.937 [SPEAKER_02]: It's all so great. 01:07:40.977 --> 01:07:41.537 [SPEAKER_02]: It's all so great. 01:07:41.557 --> 01:07:42.177 [SPEAKER_02]: It's all so great. 01:07:43.037 --> 01:07:44.158 [SPEAKER_02]: He looks like a man of team. 01:07:44.178 --> 01:07:44.878 [SPEAKER_02]: I don't know. 01:07:44.898 --> 01:07:45.858 [SPEAKER_00]: I can't trust him. 01:07:47.250 --> 01:07:50.233 [SPEAKER_00]: But yeah, where you want to take care of them a little bit. 01:07:50.253 --> 01:07:50.873 [SPEAKER_00]: So like a mermaid? 01:07:50.893 --> 01:07:51.414 [SPEAKER_00]: It's okay. 01:07:52.675 --> 01:07:53.536 [SPEAKER_02]: It's not like that. 01:07:53.856 --> 01:07:54.517 [SPEAKER_00]: Hey, little guy. 01:07:54.537 --> 01:07:55.618 [SPEAKER_00]: Good morning. 01:07:55.638 --> 01:07:57.740 [SPEAKER_00]: A little fella, you thirsty? 01:07:58.841 --> 01:07:59.521 [SPEAKER_00]: Exactly. 01:08:00.802 --> 01:08:02.684 [SPEAKER_00]: A small screen session is at gmail.com. 01:08:03.345 --> 01:08:04.386 [SPEAKER_00]: Tell me your coffee drink. 01:08:04.506 --> 01:08:07.569 [SPEAKER_00]: Tell me was this face scary? 01:08:08.830 --> 01:08:10.511 [SPEAKER_01]: Tell me your whiskey drink and your logger drink. 01:08:12.920 --> 01:08:15.342 [SPEAKER_00]: Tell me the songs of the good times. 01:08:16.522 --> 01:08:18.104 [SPEAKER_00]: Tell me the songs of the bad times. 01:08:19.384 --> 01:08:21.686 [SPEAKER_02]: One book you're a chumba is what the she's saying. 01:08:21.706 --> 01:08:21.986 [SPEAKER_02]: Yeah. 01:08:22.006 --> 01:08:23.107 [SPEAKER_02]: What do you say? 01:08:23.127 --> 01:08:26.749 [SPEAKER_02]: So do that at which small screen sessions that do you melt like now? 01:08:26.789 --> 01:08:30.052 [SPEAKER_00]: Great anti-fascist group with a one-hit wonder. 01:08:30.972 --> 01:08:37.857 [SPEAKER_00]: Just FYI, they were good people doing things out there about don't believe the Nazis kind of music, I guess. 01:08:39.568 --> 01:08:45.130 [SPEAKER_02]: I've heard the song, it is not anti-fascist, it is pro alcohol from what I can get. 01:08:45.850 --> 01:08:46.350 [SPEAKER_02]: Oh! 01:08:46.570 --> 01:08:47.370 [SPEAKER_02]: I didn't hear anything. 01:08:47.390 --> 01:08:48.331 [SPEAKER_02]: I mean, it's all about drinking, right? 01:08:48.351 --> 01:08:49.331 [SPEAKER_00]: No, but yeah, no. 01:08:49.611 --> 01:08:52.452 [SPEAKER_00]: I meant as a band, they have tons of other songs. 01:08:52.552 --> 01:08:53.592 [SPEAKER_00]: There's other songs. 01:08:53.672 --> 01:08:54.512 [SPEAKER_00]: Not that song. 01:08:54.532 --> 01:08:56.273 [SPEAKER_02]: Oh, those songs weren't big hits. 01:08:56.293 --> 01:08:56.753 [SPEAKER_02]: Yeah. 01:08:56.933 --> 01:08:57.233 [SPEAKER_02]: Why? 01:08:57.413 --> 01:08:59.174 [SPEAKER_00]: But they made them recently. 01:08:59.214 --> 01:09:01.454 [SPEAKER_02]: The drinking song was a big one. 01:09:01.494 --> 01:09:01.814 [SPEAKER_00]: Yeah. 01:09:02.574 --> 01:09:03.035 [SPEAKER_00]: The drink. 01:09:04.035 --> 01:09:04.115 [SPEAKER_00]: Oh. 01:09:05.455 --> 01:09:06.656 [SPEAKER_00]: The drinking song was popular. 01:09:06.696 --> 01:09:07.856 [SPEAKER_00]: That was their one-hit one, Maria. 01:09:10.037 --> 01:09:11.518 [SPEAKER_02]: All right, that's it, right? 01:09:11.538 --> 01:09:14.240 [SPEAKER_00]: Yeah, good, I think we're on anything else to say, no? 01:09:16.201 --> 01:09:18.362 [SPEAKER_01]: I guess that's it. 01:09:18.382 --> 01:09:19.803 [SPEAKER_01]: Sleeves couldn't prove to us. 01:09:21.364 --> 01:09:22.845 [SPEAKER_02]: Well, I don't that, why not?