WEBVTT 00:32.880 --> 00:34.880 [SPEAKER_01]: Oh yeah, what's going on everybody? 00:34.960 --> 00:41.381 [SPEAKER_01]: It's the dashing B-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d-d 00:51.623 --> 00:55.265 [SPEAKER_00]: And we got a little C.C.Peniston in the house tonight. 00:55.285 --> 01:04.370 [SPEAKER_00]: C.C.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J.J. 01:09.453 --> 01:11.753 [SPEAKER_00]: Early nineties vibe all day. 01:11.773 --> 01:37.558 [SPEAKER_00]: Yeah, there's something about that like dance music that they had in the early nineties They they never quite wear a delivery capture even though it's been tried many of times nobody's ever really been inaccessible Like really get that sound back and you don't want to think that they don't do that I don't hear it in the song But that early nineties like they there's a lot of vocals where they kind of have an echoey sound in like the studio that yeah And they do listen they say what what 01:38.624 --> 01:41.645 [SPEAKER_00]: Yeah, we in the build and we do a tie. 01:41.865 --> 01:43.026 [SPEAKER_00]: We gonna do what you like. 01:43.246 --> 01:52.629 [SPEAKER_00]: Oh, no, it's a little bit too much echo to be honest, but like they used to just have like a sound that you just you know Are you here as if you used to do a lot. 01:52.949 --> 01:54.509 [SPEAKER_00]: No, it's too much echo. 01:54.910 --> 01:56.890 [SPEAKER_00]: It was a was a sparse map. 01:56.910 --> 02:04.513 [SPEAKER_00]: You still literally just sound like there's a little bit of echo in the booth and I love that sound and that's a little bit of what I'm talking about, but not necessarily and finally 02:05.273 --> 02:10.156 [SPEAKER_00]: But this is more of that kind of like dance track vibe that the uterine like a Rolex class I took a hip-hop class when I was in elementary school. 02:10.176 --> 02:22.523 [SPEAKER_00]: This was definitely be played in that one You know, we'd be doing the right amount in shit Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, 02:22.643 --> 02:37.124 [SPEAKER_01]: Yeah, you know, just not so much I could say about the song, but so much I could say it's it's this is one of those weird songs What when I first started DJing I thought I could play and everybody's gonna dance to you You're not not dancing to this and definitely dancing to this. 02:37.144 --> 02:37.265 [SPEAKER_00]: Yeah 02:37.605 --> 02:46.093 [SPEAKER_01]: the most part you, I myself, my mother and a lot of people will dance this, but there's this, this style of music in the 90s didn't go across everyone. 02:46.233 --> 02:49.817 [SPEAKER_01]: You would think it did, but there's definitely groups where this song doesn't work. 02:50.177 --> 02:55.022 [SPEAKER_01]: It's just to hand it to a little bit frustrated because, man, do I get down to this song? 02:55.142 --> 03:12.215 [SPEAKER_00]: I wonder if it's because like maybe it is like such a sound that's like rooted in a time period that like maybe if you missed You wouldn't be at here to like want to like move to it, but like that being said like Me and you both love a lot of 80s music and we weren't like really around for that. 03:12.435 --> 03:19.640 [SPEAKER_01]: So I mean Something about the CCC it didn't make it this song doesn't didn't cross the charts like completely I don't know. 03:19.680 --> 03:21.902 [SPEAKER_01]: Do we have to wear where it topped out at by chance? 03:21.982 --> 03:23.143 [SPEAKER_00]: I don't know what they mean 03:23.634 --> 03:50.951 [SPEAKER_01]: Like on the U.S. billboards like we're it talked out do we are we able to check where No, but I could make that a quick AI Google service to see what AI says about it and then Oh, I word that what's the highest that's yeah finally I'll figure out wording for it There's another reason as we're a searcher for that that we decided to pick this song It's that finally feeling that that finally I finally made it Finally did whatever whatever I've been trying to accomplish 03:53.698 --> 03:59.200 [SPEAKER_01]: Yeah, whether it be, oh, man, I've been trying to fix that thing in the garage. 03:59.800 --> 04:00.521 [SPEAKER_01]: Got it done today. 04:00.881 --> 04:01.421 [SPEAKER_01]: Finally. 04:01.701 --> 04:05.263 [SPEAKER_00]: CC pinnisten's finally peaked at number five on the U.S. 04:05.303 --> 04:06.083 [SPEAKER_00]: Billboard Hot 1.5. 04:06.323 --> 04:07.203 [SPEAKER_00]: Yeah, 1992. 04:07.263 --> 04:09.924 [SPEAKER_01]: It was up there, but I thought it would be a little lower. 04:10.044 --> 04:10.825 [SPEAKER_01]: Okay, I had a run. 04:11.025 --> 04:11.825 [SPEAKER_01]: Yeah, I had a run. 04:11.845 --> 04:12.866 [SPEAKER_01]: Five is decent. 04:12.906 --> 04:13.746 [SPEAKER_00]: 92 sounds about right. 04:13.766 --> 04:14.726 [SPEAKER_00]: Yeah, that's one of those two. 04:14.746 --> 04:15.847 [SPEAKER_00]: Exactly what this is fire. 04:16.627 --> 04:32.118 [SPEAKER_00]: And also that music video style was popping at that point where it's like yeah, yeah, just like kind of crazy weird graphics hell over right binding 90s neon bodies of like these guys like doing crazy dance moves and stuff and you never actually see them are just behind a screen 04:33.055 --> 04:33.755 [SPEAKER_00]: What's the vibe? 04:33.775 --> 04:35.757 [SPEAKER_00]: That's a 92 vibe right there. 04:35.777 --> 04:36.537 [SPEAKER_00]: Oh, limited. 04:37.378 --> 04:37.958 [SPEAKER_01]: Absolutely. 04:38.298 --> 04:38.859 [SPEAKER_03]: Here's a guy go. 04:41.781 --> 04:44.663 [SPEAKER_00]: Yes, yes, I don't know much else about C.C. 04:44.683 --> 04:47.124 [SPEAKER_00]: Pennacin outside of this track really to be honest. 04:47.204 --> 04:48.465 [SPEAKER_00]: You don't know. 04:48.505 --> 04:49.406 [SPEAKER_00]: Did she have other songs? 04:49.446 --> 04:50.546 [SPEAKER_01]: Oh, yeah, in the matrix. 04:51.187 --> 04:52.788 [SPEAKER_01]: You've never heard we had we got a thing. 04:52.808 --> 04:54.009 [SPEAKER_01]: Let's see if you know this one. 04:54.049 --> 04:54.969 [SPEAKER_01]: Oh, I'm intrigued. 04:55.189 --> 04:55.870 [SPEAKER_01]: Yeah, this is good. 04:55.890 --> 04:58.812 [SPEAKER_01]: Well, she's good folk 90s dance artists. 04:58.992 --> 05:00.513 [SPEAKER_01]: So I think you're gonna enjoy most of this stuff 05:02.552 --> 05:05.774 [SPEAKER_01]: This is a different song. 05:05.834 --> 05:06.815 [SPEAKER_01]: I got the wrong version. 05:06.855 --> 05:07.375 [SPEAKER_01]: Wait a minute. 05:07.475 --> 05:10.097 [SPEAKER_01]: I can't remix his man. 05:10.437 --> 05:10.958 [SPEAKER_01]: Here we go. 05:11.038 --> 05:11.458 [SPEAKER_01]: Let's do it. 05:34.695 --> 05:40.840 [SPEAKER_02]: out, out, all the best things I've been to make, yeah baby. 05:41.521 --> 05:44.944 [SPEAKER_02]: And I'm just in wait to have you by my side. 05:46.005 --> 05:47.886 [SPEAKER_02]: No, we never go around. 05:47.906 --> 05:50.469 [SPEAKER_02]: It's all the ball, we're going to see. 05:51.630 --> 05:54.792 [SPEAKER_02]: And don't you make me feel so good inside. 05:55.273 --> 05:56.134 [SPEAKER_02]: And then it's all done. 05:56.154 --> 05:58.335 [SPEAKER_02]: Here goes the break now. 05:58.355 --> 05:59.897 [SPEAKER_01]: That's why I wanted to hear what you're going. 05:59.917 --> 06:00.697 [SPEAKER_01]: You're sick of it, girl. 06:23.299 --> 06:23.799 [SPEAKER_01]: What'd you think? 06:23.919 --> 06:24.499 [SPEAKER_01]: What'd you think? 06:24.519 --> 06:25.700 [SPEAKER_00]: Oh yeah, I know that song. 06:25.840 --> 06:26.880 [SPEAKER_00]: Oh you know, okay. 06:26.900 --> 06:28.160 [SPEAKER_01]: See I thought I knew it right away. 06:28.180 --> 06:31.861 [SPEAKER_01]: Damn man, I was hoping you know how you hope you give somebody something new where they'd never heard. 06:32.421 --> 06:34.102 [SPEAKER_01]: And you're like, oh wait, what? 06:34.162 --> 06:34.842 [SPEAKER_01]: That's going on. 06:34.882 --> 06:36.362 [SPEAKER_01]: Let's go with you by playlist. 06:36.382 --> 06:37.302 [SPEAKER_00]: I don't think. 06:37.342 --> 06:38.022 [SPEAKER_00]: Yeah, yeah, all right. 06:38.122 --> 06:39.443 [SPEAKER_01]: All right, well, you know already, no. 06:39.883 --> 06:40.763 [SPEAKER_00]: Yeah, exactly. 06:41.683 --> 06:43.104 [SPEAKER_00]: But no, no, yeah, she made it. 06:43.144 --> 06:45.204 [SPEAKER_00]: It's very rooted in that time period of like a 90s. 06:45.264 --> 06:47.605 [SPEAKER_00]: He's like, this is the kind of stuff you would hear. 06:48.205 --> 06:49.445 [SPEAKER_00]: At Belly's fitness. 06:49.905 --> 06:51.025 [SPEAKER_01]: Hey, let's do one more. 06:51.045 --> 06:52.386 [SPEAKER_01]: I've never heard the song you'd never heard it. 06:53.647 --> 06:54.908 [SPEAKER_01]: It's called in the mood. 06:55.149 --> 06:56.350 [SPEAKER_01]: I'm in the mood CC. 06:56.391 --> 07:00.196 [SPEAKER_01]: It's at 121 BP and that's all the reason I think it's gonna be good for us Let's see what this sounds like. 07:00.216 --> 07:00.436 [SPEAKER_01]: Let's see 07:29.202 --> 07:30.223 [SPEAKER_01]: I like it. 07:30.243 --> 07:30.983 [SPEAKER_01]: This is the same. 07:31.003 --> 07:32.084 [SPEAKER_01]: That's groovy right there. 07:32.104 --> 07:33.965 [SPEAKER_01]: That is a good beat. 07:34.185 --> 07:35.025 [SPEAKER_01]: That's here one more time. 07:35.065 --> 07:40.068 [SPEAKER_00]: That's a good girl. 07:40.368 --> 07:41.208 [SPEAKER_01]: It's so 90's. 07:41.969 --> 07:43.289 [SPEAKER_01]: The whole thing is that beat right here. 07:43.309 --> 07:44.650 [SPEAKER_01]: It's just so nut. 07:45.731 --> 07:48.452 [SPEAKER_01]: Let's see what the breakdown sounds like in this song. 07:48.472 --> 07:49.493 [SPEAKER_01]: Then we'll give it to our finals. 07:49.533 --> 07:49.833 [SPEAKER_01]: Here we go. 08:12.137 --> 08:15.578 [SPEAKER_01]: Oh, man, just eating that 90s beat, isn't it? 08:15.598 --> 08:19.279 [SPEAKER_01]: I got it, I got it, I got it, I got it, with that piano and everything too. 08:19.299 --> 08:19.899 [SPEAKER_01]: Oh, that's true. 08:20.199 --> 08:21.039 [SPEAKER_01]: That was a little case though. 08:21.159 --> 08:30.562 [SPEAKER_00]: You know what happens, I think I've realized, like with a lot of these artists that made these kind of like dance hits were like the thing that we knew them from was like this awesome dance hit. 08:30.962 --> 08:48.235 [SPEAKER_00]: and they put out an album and they're probably at heart like an R&B singer, you know, like they would have like these ballads that they sing and then their album would be a lot of that like I want to get my songs out there I want to like get my voice here this voice and then a lot of people would just be like, but wait, that just really like that dance track is to finally again. 08:48.516 --> 08:53.960 [SPEAKER_00]: Yeah, yeah, I mean that one that's like finally and like but those are all kind of a similar sound and they got this kind of 08:55.064 --> 08:56.785 [SPEAKER_00]: 90s are the best background dancers. 08:56.805 --> 09:02.986 [SPEAKER_00]: It's like these guys get it dude that just moves back then He never should have viewed away from that, but should not have it. 09:03.087 --> 09:05.967 [SPEAKER_01]: Well, they were seeing sweaty back then Let's be really working. 09:05.987 --> 09:17.431 [SPEAKER_01]: They're working so much harder than what dancers do now But I think you see elements of it that really this song was sampled recently by DJ mustard and Travis Scott And let's just see what they got with this. 09:17.451 --> 09:20.572 [SPEAKER_01]: I'm gonna just bring it in a little a little bit hard But it's coming in fast here we go 10:03.076 --> 10:05.838 [SPEAKER_00]: I don't know, put some sugar on that right now. 10:05.918 --> 10:07.840 [SPEAKER_00]: I don't want to eat that too, man. 10:08.160 --> 10:08.741 [SPEAKER_00]: I got it. 10:08.821 --> 10:10.102 [SPEAKER_00]: Oh, it's good. 10:10.222 --> 10:20.090 [SPEAKER_00]: And you know what, there's so many times when I hear that like Travis Scott's vocals, he has such a usual sound that's become such a common thing that you hear in hip-hop nowadays. 10:20.571 --> 10:25.035 [SPEAKER_00]: And I actually would give him credit as like one of the people that really like founded that sound, I would say. 10:25.115 --> 10:27.857 [SPEAKER_00]: Like when I think of that sound, he's the first one that like comes to my mind. 10:28.097 --> 10:31.380 [SPEAKER_00]: But it's just done with like the same type of beat all the time. 10:31.560 --> 10:34.161 [SPEAKER_01]: Yeah, so you're trapped that trap beat on the road. 10:34.181 --> 10:37.082 [SPEAKER_00]: Yeah, hearing it with this different type of dance beat almost. 10:37.102 --> 10:40.283 [SPEAKER_00]: Yeah, that has like, is rooted in early 90s dance music. 10:40.323 --> 10:42.684 [SPEAKER_00]: I was like, no, dude, it works so much better for me. 10:42.704 --> 10:43.284 [SPEAKER_01]: Yeah, that was good. 10:43.624 --> 10:43.925 [SPEAKER_01]: Yeah. 10:44.105 --> 10:48.406 [SPEAKER_01]: One of the few songs I'll have to say, I might be throwing that into my, uh, get in the rotation. 10:48.606 --> 10:50.527 [SPEAKER_01]: Rotation, whole lot of loving, loving. 10:51.533 --> 10:54.898 [SPEAKER_01]: If I get a 90's group that's in the hip hop now, I think it's perfect working perfect. 10:54.918 --> 11:06.034 [SPEAKER_00]: Well, I think it blends the modern sound enough with it where like maybe that can bring some of them in and be like, but there's a lot of kids now that would hear that, I'd be like, you know, that's a dope track and then you be like, want to hear the original. 11:06.555 --> 11:12.597 [SPEAKER_00]: Toss on that original and then I'll be like, dude, I never knew about that sign And we're gonna throw it all real quick. 11:12.617 --> 11:14.477 [SPEAKER_01]: Do you have the lyrics for this song? 11:14.517 --> 11:16.038 [SPEAKER_01]: I do it It's sitting in front of me. 11:16.398 --> 11:17.158 [SPEAKER_01]: Let's get into it. 11:17.238 --> 11:19.939 [SPEAKER_01]: Let's go back to the original What we were listening to? 11:20.219 --> 11:30.582 [SPEAKER_01]: Let's hear CC sing a bit and then get into the actual lyrics like the original Diestic GAs you would have finally do because I feel like there's certain parts of this song that I'm like wait a minute I knew I had questions. 11:30.602 --> 11:31.062 [SPEAKER_01]: Let's find out 11:54.947 --> 12:04.934 [SPEAKER_02]: Let me true love, or at least to see We're round, go, go, go, skim And curly, like hair Just the way, let's send me that gins of lust 12:36.685 --> 12:52.791 [SPEAKER_01]: And I just can't describe what did she say right there before and I just can't hide I know she does want to hide it because it's finally happened to her right in front of her face Something is take a place. 12:52.871 --> 12:54.572 [SPEAKER_00]: What is taking place right in front of her? 12:54.632 --> 13:00.494 [SPEAKER_00]: Let's see if we can figure that out meeting Mr. Wright the man ever dreams the one who shows me true love 13:01.054 --> 13:07.800 [SPEAKER_00]: Or at least it seems, with brown cocoa skin, curly black hair, it's just the way it looks at me, the general loving stare. 13:07.820 --> 13:09.221 [SPEAKER_00]: She had a loving stare. 13:09.301 --> 13:09.622 [SPEAKER_00]: Yes. 13:10.022 --> 13:10.502 [SPEAKER_00]: And then now... 13:10.522 --> 13:14.906 [SPEAKER_01]: So it's basically just the manner that she's always wanted, it's finally in front of her. 13:14.986 --> 13:16.568 [SPEAKER_00]: It's happening around front of her face. 13:16.908 --> 13:18.950 [SPEAKER_00]: Now is this first time meeting? 13:19.530 --> 13:24.675 [SPEAKER_00]: Or is this like, oh, I finally figured out that this is the guy that's like Mr. Wright. 13:25.115 --> 13:27.077 [SPEAKER_00]: And that's what's finally like hit me. 13:27.397 --> 13:28.058 [SPEAKER_00]: That's a question. 13:28.198 --> 13:30.800 [SPEAKER_00]: Because I feel like those are two very different feelings. 13:31.220 --> 13:31.460 [SPEAKER_00]: Yeah. 13:31.721 --> 13:36.064 [SPEAKER_00]: That's the trust, the tracks, but which feeling is stronger and more of her powering? 13:36.585 --> 13:37.545 [SPEAKER_00]: It's debatable, I think. 13:37.646 --> 13:37.986 [SPEAKER_01]: I agree. 13:38.226 --> 13:39.367 [SPEAKER_00]: Finally, you've come along the way. 13:39.407 --> 13:40.128 [SPEAKER_00]: I feel about you. 13:40.148 --> 13:41.409 [SPEAKER_00]: It just can't be wrong. 13:41.569 --> 13:44.391 [SPEAKER_00]: If you only knew the way I feel about you, I just can't describe it. 13:44.571 --> 13:45.112 [SPEAKER_00]: Oh, no. 13:45.552 --> 13:45.812 [SPEAKER_01]: Yeah. 13:45.972 --> 13:48.975 [SPEAKER_01]: So I worry that she's, it's a little early. 13:49.075 --> 13:50.376 [SPEAKER_00]: It feels like a first meeting. 13:50.396 --> 13:50.856 [SPEAKER_01]: You know what I mean? 13:50.876 --> 13:52.558 [SPEAKER_01]: This is one of those times where it's like, oh, 13:53.345 --> 13:57.367 [SPEAKER_01]: She met him at the bar and he's hit her and then there had a great time, which is like I finally met him. 13:57.467 --> 14:05.471 [SPEAKER_00]: The last shot is like hitting her good and she's like, wait a second, this guy looks really good in this 90s neon disco light. 14:05.891 --> 14:06.391 [SPEAKER_00]: I don't know. 14:06.871 --> 14:09.372 [SPEAKER_01]: I don't know, I think it's finally finally happened. 14:09.392 --> 14:09.793 [SPEAKER_01]: Yeah, yeah. 14:09.913 --> 14:12.574 [SPEAKER_01]: I guess, you know, this premature finally happened. 14:12.794 --> 14:22.021 [SPEAKER_01]: Isn't that the word one of the probably one of the worst finally when you prematurely think of finally done arguable but also you still have that moment where you felt that though. 14:22.341 --> 14:39.873 [SPEAKER_00]: I guess it's not a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a 14:40.661 --> 14:41.962 [SPEAKER_00]: misrape, you know, whatever. 14:42.262 --> 15:04.191 [SPEAKER_00]: It happens in many different ways where you can be like in that moment it was brought X to see upon my soul and then you Look back like a month later be like that wasn't as good as I remember it feeling you know It's in turn out to be a whole thing that I thought but like you're not a lady in that moment Sometimes like you gotta always see the positive and I live with the experience that brings it to you in the now 15:07.172 --> 15:09.114 [SPEAKER_01]: What are those some other finally moments in your life? 15:09.294 --> 15:10.315 [SPEAKER_01]: Do you have any finally moments? 15:10.835 --> 15:13.778 [SPEAKER_00]: Yeah, when you finally comes in many different levels, you know? 15:14.278 --> 15:16.160 [SPEAKER_00]: Like, gradually, college was that a final one? 15:16.180 --> 15:17.401 [SPEAKER_00]: That was totally a final one. 15:17.421 --> 15:19.823 [SPEAKER_00]: About getting into college, that was a whole thing. 15:19.863 --> 15:20.944 [SPEAKER_00]: Yeah, I guess that wasn't the thing. 15:21.204 --> 15:21.825 [SPEAKER_00]: Like, you know? 15:21.865 --> 15:23.546 [SPEAKER_01]: Definitely the exit was more like, five. 15:23.666 --> 15:45.953 [SPEAKER_00]: Finally I'm getting out finally this is done finally the last day of school I mean dude every year growing up like getting that like moment was there ever a happier day I just remember like being in school pretty much like all through my schools existed that moment when like school finally gets out It's just such like a the way school system set you up with a summer 15:46.633 --> 16:15.404 [SPEAKER_00]: and be like to as summers arrived we finally did it and there's that you have that moment like yeah i feel like eighties movies or i can't even think of which one but they'll be like hey runes out and for some reason these movies was like that yeah crazy one and everybody's just like throwing like papers up in the air and stuff and like they're just like that but that's that is how you felt whether it didn't that's sorry physically look like that or not but like that was always a great finally that you could count on every year but always put it so far away you know what i mean 16:16.164 --> 16:17.084 [SPEAKER_00]: And he had to look forward to. 16:17.244 --> 16:21.705 [SPEAKER_01]: First time, I finally got laid to the end of your life. 16:22.746 --> 16:23.746 [SPEAKER_01]: That was a good one man. 16:23.766 --> 16:25.166 [SPEAKER_01]: That was a finally moment. 16:25.246 --> 16:34.888 [SPEAKER_01]: You're like, you know, I was anywhere between the ages of, you know, young, young to, you know, and semi, surprisingly young, mild adult. 16:34.988 --> 16:37.469 [SPEAKER_01]: But anyways, it was still like, wow, man. 16:37.509 --> 16:37.829 [SPEAKER_01]: This is, 16:38.229 --> 16:59.301 [SPEAKER_00]: Especially in the age that when we were like in high school where like there were all these movies that like made a huge deal Like one of my favorite movies in high school was like American by where the general like a story That movie is we must get laid Care to Kevin literally gives a whole piece of fuck into it. 16:59.361 --> 17:01.142 [SPEAKER_00]: Yeah get something that yeah like 17:01.662 --> 17:19.020 [SPEAKER_01]: That was that is what everything was and that movie was like then we also had before that was like Movies like Greece and shit where he's like I've got my condom in the fourth grade And then she's like they're like whatever I didn't know what he was even talking about when any of that stuff I remember seeing that movie when I was a kid and I didn't know he's like it broke and I was like 17:19.240 --> 17:22.362 [SPEAKER_01]: They're looking like a ring like it sure it's card. 17:22.542 --> 17:24.463 [SPEAKER_01]: Yeah, I didn't know what he said because it says that. 17:24.503 --> 17:30.667 [SPEAKER_00]: Yeah, all of that conversation whenever I've had Because I saw that right turn their grease guys. 17:30.927 --> 17:31.607 [SPEAKER_01]: We love grease. 17:31.647 --> 17:37.590 [SPEAKER_01]: We always are ready to go back to grease Anyway, another finally moment of mine. 17:38.011 --> 17:38.991 [SPEAKER_01]: You know I'm going with this. 17:39.852 --> 17:40.192 [SPEAKER_01]: What's up? 17:40.560 --> 17:40.940 [SPEAKER_00]: You don't know? 17:41.380 --> 17:42.561 [SPEAKER_01]: No, you've been waiting. 17:43.621 --> 17:50.625 [SPEAKER_01]: Say it's a drive or somebody's there before you and you've been waiting and the release finally happens. 17:52.058 --> 17:59.521 [SPEAKER_01]: And you get to let go of that piss or shit that you've been waiting for all day, how did I know you were going to write this shit? 17:59.581 --> 18:01.242 [SPEAKER_00]: Did you know I was going to shoot you? 18:01.282 --> 18:02.623 [SPEAKER_01]: So I thought you'd know, because these? 18:03.123 --> 18:07.105 [SPEAKER_00]: Well, I got excited the first part of when you said that drive and I know I did that. 18:07.125 --> 18:08.346 [SPEAKER_01]: I did that a lot extra before. 18:08.406 --> 18:13.908 [SPEAKER_00]: I was like, when you talk about that drive to Vegas because the drive to Vegas, I always think of as that finally moment. 18:13.928 --> 18:15.009 [SPEAKER_01]: We're almost there. 18:15.049 --> 18:17.490 [SPEAKER_01]: When you come over the mountain and you see the, yeah. 18:18.210 --> 18:24.892 [SPEAKER_00]: But then it's a bit of a cock-tees because you see it when you finally kind of have like Yeah, it's still like another it's a like another solid hour. 18:24.952 --> 18:30.034 [SPEAKER_00]: I almost feel like depending on the traffic And you got to go into your parking space and I Yeah, and then you still well, I mean even at that. 18:30.074 --> 18:41.638 [SPEAKER_00]: Yeah, yeah, actually the point when you get to your room is about two and a half hours It is from the time that you like and then there's always that other cock-tees when you see like you first see a hotel and it ends up being like the state line 18:42.538 --> 18:45.399 [SPEAKER_01]: Oh, yeah, it's like what's that called the closed all those at this point? 18:45.439 --> 18:45.979 [SPEAKER_01]: No, really? 18:46.019 --> 18:47.059 [SPEAKER_01]: Yeah, yeah, they closed all those. 18:47.079 --> 18:48.079 [SPEAKER_01]: They recently closed all those. 18:48.099 --> 18:50.120 [SPEAKER_01]: No, wait, because they just saw one like a year ago. 18:50.160 --> 18:51.960 [SPEAKER_03]: The United States is officially like a ghost town. 18:52.020 --> 18:52.581 [SPEAKER_01]: You drive through. 18:52.621 --> 18:53.481 [SPEAKER_00]: I saw it like a year ago. 18:53.681 --> 18:54.401 [SPEAKER_01]: I know, it's all closed. 18:54.641 --> 18:55.061 [SPEAKER_01]: Since then. 18:55.181 --> 18:56.221 [SPEAKER_01]: Yeah, they just closed everything. 18:56.241 --> 18:57.322 [SPEAKER_01]: I ran away with everything. 18:57.802 --> 18:58.462 [SPEAKER_00]: What are those like? 18:58.522 --> 18:59.782 [SPEAKER_00]: What was it park over? 18:59.822 --> 19:00.643 [SPEAKER_00]: Rendown. 19:00.923 --> 19:01.623 [SPEAKER_00]: It's flat. 19:01.923 --> 19:02.143 [SPEAKER_00]: No. 19:03.023 --> 19:05.425 [SPEAKER_00]: Plymouth no prime prime. 19:05.705 --> 19:06.245 [SPEAKER_01]: It's PR. 19:06.385 --> 19:07.846 [SPEAKER_01]: I am a prim Prim. 19:08.867 --> 19:16.752 [SPEAKER_01]: Yeah, my car broke down Prim is a street, but I mean, there's an actual like there's a motels That's the city. 19:16.892 --> 19:17.573 [SPEAKER_01]: You know what sucks. 19:17.653 --> 19:18.753 [SPEAKER_01]: I keep pretty it out people. 19:18.853 --> 19:23.256 [SPEAKER_01]: I know you guys were all saying Prim you fucking more on I guess I took me second I got it. 19:23.436 --> 19:26.879 [SPEAKER_00]: Yeah, it's buffalo bills and then there's one of that's a cross-street That's like the same thing. 19:26.959 --> 19:29.500 [SPEAKER_00]: You makes you feel like oh we've got there and then they're still like 19:32.988 --> 19:34.129 [SPEAKER_01]: My memory is slow tonight. 19:34.149 --> 19:45.356 [SPEAKER_00]: That's the one that has the, that's the one that has the, uh, the roller coaster, which every like 20th person that you might drive to Vegas with, there'll be the one ran in person that'll be like, we gotta go to the roller coaster. 19:45.376 --> 19:46.496 [SPEAKER_00]: It's like the fuck we do. 19:46.736 --> 19:48.357 [SPEAKER_00]: Oh, no, I'm not stopping for that. 19:48.437 --> 19:49.038 [SPEAKER_00]: I've been on that one. 19:49.338 --> 19:51.599 [SPEAKER_00]: And my mom has personally never, never been on that. 19:51.679 --> 19:53.701 [SPEAKER_00]: Like dude, I know what a rickety roller coaster feels like. 19:53.881 --> 19:55.101 [SPEAKER_01]: Oh, my mom's purse fell out. 19:55.141 --> 20:00.885 [SPEAKER_00]: Can we get to actually Vegas, like there's no, the effort in the time that it would take for us to like do this whole roller coaster. 20:01.125 --> 20:03.727 [SPEAKER_00]: But how many get back to the car we would have been to got in Vegas already? 20:03.907 --> 20:06.009 [SPEAKER_00]: Oh, come on, that's exactly how long it takes. 20:06.029 --> 20:06.889 [SPEAKER_00]: It whisky pizza. 20:06.929 --> 20:09.091 [SPEAKER_00]: It's like go ride the stupid roller coaster. 20:09.411 --> 20:10.672 [SPEAKER_00]: It's basically- It's not Buffalo Bills. 20:10.692 --> 20:11.813 [SPEAKER_00]: The roller coaster is not Buffalo Bills. 20:11.833 --> 20:13.214 [SPEAKER_00]: Whatever, they're the same place for me. 20:14.034 --> 20:19.298 [SPEAKER_00]: It's like the same roller coaster you'll go on that like Santa Monica Pier that's like, gets nobody excited, you know? 20:19.318 --> 20:22.640 [SPEAKER_00]: It's just like, oh, because there's a random roller coaster, we have to ride it. 20:22.960 --> 20:23.501 [SPEAKER_00]: Fuck, we don't. 20:23.561 --> 20:23.961 [SPEAKER_00]: No, I don't. 20:24.101 --> 20:24.442 [SPEAKER_00]: I'm not 12. 20:24.462 --> 20:25.222 [SPEAKER_00]: Yeah, I got you. 20:26.603 --> 20:33.605 [SPEAKER_01]: Okay, but then you actually But no, we're going back to my initial point that finally moment you must agree when you finally piss Isn't it fantastic? 20:33.765 --> 20:35.306 [SPEAKER_01]: Like that's one of the one of the greatest feelings. 20:35.486 --> 20:36.266 [SPEAKER_01]: I remember it's great. 20:36.286 --> 20:44.769 [SPEAKER_00]: Yeah Yeah, don't you don't we don't need detailed stories of You're finally pissed moments, you know All right, do you think about it? 20:44.829 --> 20:47.990 [SPEAKER_00]: CC that like hurt the first letters were names spelled penis 20:49.674 --> 20:52.557 [SPEAKER_00]: I had to occur to her like every day, I had to be a regular thing. 20:53.557 --> 20:54.138 [SPEAKER_00]: You ever noticed that? 20:55.599 --> 20:58.081 [SPEAKER_00]: Teal it, just... Yeah, see, he's he pain-est in. 21:04.567 --> 21:05.868 [SPEAKER_01]: Sounds like I'm every woman, doesn't it? 21:05.948 --> 21:06.929 [SPEAKER_01]: Is that not it? 21:06.949 --> 21:08.330 [SPEAKER_00]: This one is this. 21:31.911 --> 21:42.516 [SPEAKER_02]: Everyone, it was a have a little fun But now you come alone And write enough of my world Get my heart out feeling it I'm that special kind of girl 22:07.216 --> 22:08.098 [SPEAKER_01]: What'd she say right there? 22:08.740 --> 22:11.507 [SPEAKER_01]: My legs can't, my lips can't describe it. 22:11.788 --> 22:13.191 [SPEAKER_01]: Lips can't fuck me. 22:34.681 --> 22:52.453 [SPEAKER_00]: Oh yeah, but she's not right out to any people that like it's just the best right out type of music you can have You can do it with it's got a combination of 70s disco with 90s pop 22:53.423 --> 23:21.955 [SPEAKER_00]: that pop that like 90s dance tracks had also are a level of R&B that you definitely don't feel like they're at some point that like R&B vocals that really go for it they started like going towards the slow tracks I think I like like a Christina Aguilera song where she'd be like this is my slow song where I'm really just gonna ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah 23:23.332 --> 23:26.656 [SPEAKER_00]: In the nineties they would put that on these kinds of songs. 23:27.056 --> 23:33.203 [SPEAKER_00]: I mean, any witty who's it's not really something around the world like Something like something like that has the word word world in it 23:38.473 --> 23:41.355 [SPEAKER_00]: Yeah, yeah, like that was another example of it. 23:41.375 --> 23:54.942 [SPEAKER_01]: Yeah, and like I can't find my baby I don't know when I don't know what I'm going to be and I don't know what I can't be with my baby But I'm gonna find another way now. 23:54.962 --> 24:00.545 [SPEAKER_00]: We got to play it because otherwise it just be our bullshit singing attempts And we're not doing them justice. 24:01.126 --> 24:03.247 [SPEAKER_00]: I mean that artist ready for the world. 24:03.607 --> 24:04.127 [SPEAKER_00]: Lisa. 24:04.387 --> 24:05.368 [SPEAKER_00]: Oh Lisa's damn fields 24:35.307 --> 24:36.608 [SPEAKER_00]: Hey, get to that violin solo. 24:36.628 --> 24:37.589 [SPEAKER_00]: That's my favorite part. 24:40.651 --> 24:41.191 [SPEAKER_03]: Here it is. 24:43.032 --> 24:44.373 [SPEAKER_03]: I'm gonna see it. 24:45.334 --> 24:50.177 [SPEAKER_03]: You find it. 24:50.197 --> 24:50.617 [UNKNOWN]: Got it? 24:52.359 --> 24:53.319 [SPEAKER_01]: I'm gonna do it. 25:11.008 --> 25:12.304 [SPEAKER_03]: Did too much time 25:54.289 --> 25:54.729 [SPEAKER_00]: I got it. 25:56.470 --> 25:58.891 [SPEAKER_00]: That song is the prequel to finally. 26:00.532 --> 26:00.872 [SPEAKER_03]: Right? 26:01.593 --> 26:02.493 [SPEAKER_01]: You're fucking genius. 26:03.114 --> 26:05.035 [SPEAKER_00]: Spin around the world, you can't find her baby. 26:05.475 --> 26:07.036 [SPEAKER_00]: She doesn't know what, she doesn't know why. 26:07.656 --> 26:09.657 [SPEAKER_00]: She's like, I can't find this guy. 26:09.797 --> 26:10.958 [SPEAKER_00]: I'm looking for Mr. Wright. 26:12.318 --> 26:13.299 [SPEAKER_01]: You're genius. 26:13.519 --> 26:13.739 [SPEAKER_00]: Yeah. 26:14.519 --> 26:18.061 [SPEAKER_00]: It's like track one of the album track two is like, oh, you know what? 26:18.081 --> 26:19.162 [SPEAKER_00]: Let's dig it a little bit later. 26:19.222 --> 26:23.044 [SPEAKER_01]: You know, I don't give credit for that game. 26:25.558 --> 26:27.499 [SPEAKER_01]: Let me just chill on this for a second. 26:28.219 --> 26:30.919 [SPEAKER_01]: That's the prequel to the ass man. 26:31.119 --> 26:33.400 [UNKNOWN]: She couldn't find it. 26:33.640 --> 26:35.861 [UNKNOWN]: Been around the world. 26:35.921 --> 26:39.982 [SPEAKER_02]: It's been around the whole world. 26:53.232 --> 27:21.759 [SPEAKER_00]: that she found it and then finally my good you know right in front of her face it's so hard to believe that it she can't even believe it's like right in front of her face which is a feeling that I cannot be cooped with and I understand that I consider that because there's a lot of uh finally in life that you're like we're constantly driven by unrealistic expectations and things happening around us that you're finally 27:22.639 --> 27:41.395 [SPEAKER_00]: can be up on a level on a pedestal of which perhaps it's not unrealistic but if you don't believe that it's a finally that it's out there they know away why chase it you know what I mean why not why not why you have to chase what you can but want to believe that you can attain you know yeah I think you answered what I was going to bring up to be honest 27:42.505 --> 27:46.407 [SPEAKER_01]: Because I hate to bring things down, but my brain likes to go both sides. 27:46.627 --> 27:47.428 [SPEAKER_01]: It sees the positive. 27:47.688 --> 27:48.988 [SPEAKER_01]: I know you like to think I don't see positive. 27:49.008 --> 27:49.729 [SPEAKER_01]: I see the positive. 27:50.129 --> 27:52.170 [SPEAKER_01]: It's just that my brain equally tries to see the negative. 27:52.230 --> 27:52.931 [SPEAKER_01]: I know what's the negative. 27:52.951 --> 27:54.431 [SPEAKER_01]: It's always a young and young. 27:54.451 --> 27:55.452 [SPEAKER_01]: There's a positive negative. 27:55.492 --> 27:56.492 [SPEAKER_01]: So what's the negative? 27:56.512 --> 27:59.914 [SPEAKER_01]: The negative is possibly you don't make it. 28:00.555 --> 28:04.517 [SPEAKER_01]: Like you give your all to something and you fail. 28:05.037 --> 28:06.838 [SPEAKER_01]: Like the finally never happens. 28:07.987 --> 28:29.601 [SPEAKER_01]: but as you were just saying like it's the drive to get to that finally that that's that's really the key but like if you don't make it, what is it though that's what it is like we look at it before and that's the thing is you look at it the thing that's tough about everybody's it is will look at the top 28:30.400 --> 28:50.170 [SPEAKER_00]: point one percent of whatever the category of our it is will be like that's it I want to make it there what if it's a specified goal that you had I mean yeah I want to graduate I want to get this license like I want to like make it to the NFL or something that's big trees I'm saying it's all that's it's you're it's actually attainable 28:52.451 --> 29:00.356 [SPEAKER_01]: Like I want to get this license that the certification takes six months of studying, but then you don't actually do it And then so you feel like a failure for not getting that certification. 29:00.376 --> 29:06.980 [SPEAKER_01]: Yes, I'm talking for personal thing here where I committed myself for like three months It's something and then it's just like the other things. 29:07.000 --> 29:09.602 [SPEAKER_00]: I made it my son Yeah, you're not doing it again 29:10.102 --> 29:12.363 [SPEAKER_01]: Yeah, I could finish it, but I also don't want to anymore. 29:12.424 --> 29:15.886 [SPEAKER_01]: So it's kind of lost, it's, it's or, but I also feel back because I didn't finish what I thought it. 29:16.146 --> 29:17.287 [SPEAKER_03]: You know what, this is constant. 29:17.587 --> 29:18.547 [SPEAKER_00]: What are you saying? 29:18.647 --> 29:31.396 [SPEAKER_00]: The finally takes many forms and you're finally goals can change drastically, like based on like what you're striving for, like what everybody's like, you're your daily thing, or what your career goals are. 29:31.636 --> 29:31.736 [SPEAKER_00]: And 29:32.296 --> 29:48.373 [SPEAKER_00]: I do feel like sometimes we let the grand goal of like what we're chasing and whatever we may not be reaching on like on this day or this week is month like like beat us down too much because there's so many people out there like you know myself included have such like lofty goals that we want to accomplish and it can 29:49.154 --> 30:08.109 [SPEAKER_00]: peachy down when you're like not seeing exactly like yourself get to like the point that you keep thinking that oh well I was hoping to be doing this by then I was hoping to be doing that by then but that's when you got to like enjoy the finally that come along with it and also enjoy the fact that you're actually like making run at the finally because you know that's 30:09.089 --> 30:18.953 [SPEAKER_00]: like you have a finally that that's your mission, whether that's meeting Mr. Wright getting married, getting that job that you've always strived for like getting that certificate. 30:18.973 --> 30:23.174 [SPEAKER_00]: There's so many different ways it comes and finally he's can come in a lot of different levels. 30:23.194 --> 30:31.317 [SPEAKER_00]: You just talked about like the finally when you get out of the company is like there's a lot of like bits of happiness that like come to the company didn't piss your pants. 30:31.497 --> 30:33.118 [SPEAKER_00]: Yeah, imagine that like you know, 30:33.778 --> 30:58.205 [SPEAKER_00]: And what happens ultimately when the, even the, the most successful people in the world like do Reach like that finally moment they want to figure out the next thing and it's always good to have something to strive for And to like have a goal of the mind and knowing like what you feel like your place is for like what your mission is and like everything And I just feel like as long as you still have breath in your lungs 30:58.765 --> 31:25.871 [SPEAKER_00]: And you have a focused mission and you know and it could change your mission could change you But that's a big part of life is having like things that you want to accomplish want to achieve You know, you want to do it could be from day to day or week to week or month or a year to year and Having vision of that I think is something that is a powerful drug Because if you take all that away if you strip somebody's search for finally It's almost more depressing 31:29.410 --> 31:32.594 [SPEAKER_01]: Yeah, if you're not striving for it, finally, what are you doing? 31:32.614 --> 31:33.695 [SPEAKER_00]: Yeah, what is your being right now? 31:33.715 --> 31:34.456 [SPEAKER_00]: What is your daily purpose? 31:34.536 --> 31:35.237 [SPEAKER_00]: Yeah, yeah. 31:35.597 --> 31:36.598 [SPEAKER_00]: It's a lot more savvy, you know? 31:36.958 --> 31:37.179 [SPEAKER_01]: All right. 31:37.239 --> 31:38.040 [SPEAKER_01]: You like this remix? 32:01.270 --> 32:03.031 [SPEAKER_00]: Which is the finally C.C. 32:03.391 --> 32:04.592 [SPEAKER_00]: Whoever made that remix. 32:04.952 --> 32:07.034 [SPEAKER_01]: Yeah, that was Wayne's Soul Avengers. 32:07.374 --> 32:10.256 [SPEAKER_01]: Finally Wayne's Soul Avengers. 32:10.476 --> 32:11.376 [SPEAKER_01]: I'm not saying it again. 32:11.396 --> 32:12.077 [SPEAKER_01]: I already said it to me. 32:12.097 --> 32:12.317 [SPEAKER_01]: Gross! 32:12.477 --> 32:26.486 [SPEAKER_00]: Finally, it's about time somebody made a dope remix of this, because I mean the song was obviously fire at the gate, but it's like I bet you in this modern day and age of like remix is somebody can find something through and like set it to the atmosphere and we heard that Travis got one earlier. 32:26.606 --> 32:28.207 [SPEAKER_00]: Every remix of the song is dope, right? 32:28.647 --> 32:29.208 [SPEAKER_00]: How could you not? 32:29.568 --> 32:30.269 [SPEAKER_00]: I couldn't not be. 32:30.389 --> 32:31.410 [SPEAKER_01]: We'll find a one that I have. 32:31.430 --> 32:32.130 [SPEAKER_00]: Give me another one. 33:22.567 --> 33:30.289 [SPEAKER_01]: Oh, yeah, that was Cali, Cali Po, like the reevalent, like what they did with that man. 33:30.349 --> 33:32.870 [SPEAKER_00]: I mean, this song is undefeated with remixes. 33:32.950 --> 33:36.591 [SPEAKER_01]: It really does have a great, it has a great, what's it called? 33:36.611 --> 33:39.132 [SPEAKER_01]: The backing beat, like just heard her voice that that line. 33:39.152 --> 33:41.993 [SPEAKER_01]: And that voice came to me, whatever that is, what's that called? 33:42.853 --> 33:43.833 [SPEAKER_01]: Oh, that's the hook. 33:48.601 --> 33:55.165 [SPEAKER_00]: Yeah, the chorus, yeah, yeah, that'll work no matter what you could add that an addition with the song It's an undefeated track. 33:55.565 --> 34:02.469 [SPEAKER_00]: It works around you throw this fun music video in there anybody can remix with it You just have crazy dancing man behind the screen. 34:02.669 --> 34:02.909 [SPEAKER_00]: Yep. 34:03.549 --> 34:04.290 [SPEAKER_00]: Crazy colors. 34:04.970 --> 34:09.573 [SPEAKER_00]: I also have the samples that you use for it real quick Let's hear that Marshall Jefferson move your body 34:10.448 --> 34:11.269 [SPEAKER_00]: This is from 1986. 34:11.329 --> 34:16.092 [SPEAKER_00]: This is those violins right there, right? 34:35.541 --> 34:36.781 [SPEAKER_01]: I want to hear that one finish. 34:36.801 --> 34:38.462 [SPEAKER_01]: Like, give it to the beat, finish that real quick. 34:38.622 --> 34:39.743 [SPEAKER_01]: I don't, I think I've got to hear it. 34:39.763 --> 34:40.203 [SPEAKER_01]: I've got to hear it. 34:40.223 --> 34:40.723 [SPEAKER_00]: I've got to hear it. 34:40.743 --> 34:41.143 [SPEAKER_00]: I've got to hear it. 34:41.163 --> 34:42.404 [SPEAKER_00]: I've got to hear it. 34:42.424 --> 34:42.844 [SPEAKER_00]: I've got to hear it. 34:42.864 --> 34:43.704 [SPEAKER_00]: I've got to hear it. 34:43.744 --> 34:44.164 [SPEAKER_00]: I've got to hear it. 34:44.224 --> 34:44.725 [SPEAKER_00]: I've got to hear it. 34:44.765 --> 34:45.165 [SPEAKER_00]: I've got to hear it. 34:45.205 --> 34:45.705 [SPEAKER_01]: I've got to hear it. 34:45.725 --> 34:46.165 [SPEAKER_01]: I've got to hear it. 34:46.185 --> 34:46.605 [SPEAKER_01]: I've got to hear it. 34:46.645 --> 34:47.105 [SPEAKER_01]: I've got to hear it. 34:47.125 --> 34:47.586 [SPEAKER_01]: I've got to hear it. 34:47.606 --> 34:49.526 [UNKNOWN]: I've got to hear it. 34:49.546 --> 34:51.467 [UNKNOWN]: I've got to hear it. 34:51.487 --> 34:51.927 [SPEAKER_01]: I've got to hear it. 34:51.947 --> 34:52.387 [SPEAKER_01]: I've got to hear it. 34:52.407 --> 34:52.908 [SPEAKER_01]: I've got to hear it. 34:52.928 --> 34:53.368 [SPEAKER_01]: I've got to hear it. 34:53.388 --> 34:54.028 [SPEAKER_01]: I've got to hear it. 34:54.048 --> 34:54.508 [SPEAKER_01]: I've got to hear it. 34:54.528 --> 34:55.149 [SPEAKER_01]: I've got to hear it. 34:55.169 --> 34:55.709 [SPEAKER_01]: I've got to hear it. 34:55.749 --> 34:56.229 [SPEAKER_01]: I've got to hear it. 34:59.993 --> 35:00.433 [SPEAKER_00]: I like it. 35:00.734 --> 35:09.381 [SPEAKER_00]: You know what's cool about this is like back then that in the 80s they made those songs for the 90s Then take them and like do something more with it. 35:09.721 --> 35:19.890 [SPEAKER_00]: I didn't even know they realized it at the time But like they made this song that was just that just that bass line Move your body and then 90s for like hold up a second way to tick 35:20.470 --> 35:22.831 [SPEAKER_00]: We could actually take that and like do so much more with it. 35:22.851 --> 35:23.632 [SPEAKER_00]: And then here come C.C. 35:23.652 --> 35:29.995 [SPEAKER_00]: Pinnison music like this where they're like they use that as the general backing to like a whole another like masterpiece. 35:30.455 --> 35:31.896 [SPEAKER_00]: And then there's another one. 35:32.296 --> 35:33.057 [SPEAKER_03]: First choice. 35:33.297 --> 35:34.578 [SPEAKER_03]: Let no man put a 35:49.977 --> 36:04.467 [SPEAKER_00]: I think he's just the backing drum beat to drum day, yeah. 36:08.778 --> 36:16.343 [SPEAKER_00]: Finally, it's happened to me, I didn't know I'm a face and it just came outhearted. 36:17.043 --> 36:20.425 [SPEAKER_01]: Meaning it must be right, man, my dream. 36:20.865 --> 36:22.386 [SPEAKER_00]: Yeah, I did, but I knew love. 36:22.406 --> 36:25.768 [SPEAKER_00]: Oh, at least it seems, there you go. 36:27.549 --> 36:28.230 [SPEAKER_00]: So yeah, there you go. 36:28.250 --> 36:30.291 [SPEAKER_00]: There's some samples for you. 36:30.371 --> 36:32.973 [SPEAKER_00]: So we've given you a slew of remixes. 36:34.160 --> 36:40.144 [SPEAKER_00]: In samples that made this one of the most masterpieces of the 90s Shall we slap it out? 36:40.945 --> 36:51.713 [SPEAKER_00]: Clean snap it Oh Four slabs and three snaps. 36:52.033 --> 36:57.817 [SPEAKER_00]: Yes It's really sounds like you're just trying to not make a five slabs then It's not a five slapper. 36:58.417 --> 36:59.038 [SPEAKER_00]: It's right there 37:02.110 --> 37:05.351 [SPEAKER_00]: Is that the right there scratch yeah man right there. 37:05.411 --> 37:21.075 [SPEAKER_01]: It's right You know what it's good it's one of favorites love the line great for remixes Perfect song it's CC penistent it's great song. 37:21.115 --> 37:21.395 [SPEAKER_01]: It's good. 37:21.435 --> 37:29.357 [SPEAKER_01]: It's just not a fire It's close to it right with the one because it doesn't tell you know why going back to what I originally said It does not work at every party if it was across the board. 37:29.377 --> 37:31.278 [SPEAKER_01]: I thought we just had drama around with that's working 37:32.374 --> 37:33.276 [SPEAKER_01]: I don't know. 37:33.316 --> 37:33.858 [SPEAKER_01]: There's a reason. 37:33.998 --> 37:34.679 [SPEAKER_00]: It's just not a five. 37:35.020 --> 37:35.602 [SPEAKER_00]: It's close to it. 37:35.842 --> 37:36.524 [SPEAKER_00]: I feel like you're saying. 37:36.704 --> 37:37.145 [SPEAKER_01]: What do you got? 37:38.629 --> 37:39.892 [SPEAKER_00]: And that being said, I'm going to go. 37:46.595 --> 37:47.856 [SPEAKER_03]: You know what? 37:47.896 --> 37:49.197 [SPEAKER_03]: Because it works with everybody I met. 37:49.217 --> 37:49.697 [SPEAKER_03]: What? 37:50.717 --> 37:55.060 [SPEAKER_00]: I... Well, never be mad when I hear a CC penisting come on, okay? 37:55.120 --> 37:56.320 [SPEAKER_01]: I've been in a five-slip! 37:56.360 --> 37:58.602 [SPEAKER_01]: You've been, you've been given five-slaps at all. 37:58.622 --> 38:00.323 [SPEAKER_00]: They've given five-slaps out lately. 38:00.343 --> 38:00.843 [SPEAKER_00]: You know why? 38:00.903 --> 38:01.963 [SPEAKER_01]: Finally, dude? 38:02.084 --> 38:07.646 [SPEAKER_00]: Finally, it's given me five-slaps and I just can't deny it. 38:10.248 --> 38:15.751 [SPEAKER_00]: Finally, I'm giving me five-slaps and I just can't deny it. 38:17.920 --> 38:18.360 [SPEAKER_00]: Bye, baby! 38:18.380 --> 38:38.372 [SPEAKER_03]: I'll give you a lot of money, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,