WEBVTT 00:00.260 --> 00:02.281 [SPEAKER_05]: Last time, on Roseville Beach. 00:02.682 --> 00:09.186 [SPEAKER_03]: We're entering mid-scene into a high-steclan style to retrieve the broken pottery. 00:09.346 --> 00:12.388 [SPEAKER_03]: Blue, you were told, not to touch it. 00:12.788 --> 00:20.453 [SPEAKER_03]: You notice that not every part of this pot is as ancient as it should be. 00:21.235 --> 00:24.939 [SPEAKER_05]: Well, Alex, I might actually not need a little touch. 00:25.159 --> 00:31.044 [SPEAKER_05]: I think what would be helpful is if I got my handy Danny sledgehammer and then just hammer through the pipe. 00:31.645 --> 00:37.571 [SPEAKER_00]: You play at mortals, affairs, and you don't walk among them because you're afraid. 00:38.012 --> 00:41.475 [SPEAKER_02]: My people are driven further and further from coasts. 00:41.995 --> 00:44.116 [SPEAKER_02]: By whose hands are their face wrought? 00:44.337 --> 00:46.438 [SPEAKER_02]: We should not be playing that game, Alex. 00:47.159 --> 00:49.620 [SPEAKER_03]: How willing are you to be possessed? 00:49.760 --> 00:50.181 [SPEAKER_03]: Lou? 00:50.641 --> 00:51.542 [SPEAKER_03]: What the fuck? 00:52.162 --> 00:53.723 [SPEAKER_03]: I didn't mean for them to get hurt. 00:54.324 --> 00:57.006 [SPEAKER_05]: Yeah, yeah, yeah, that's not your fault. 00:57.546 --> 00:58.246 [SPEAKER_05]: It tricked you. 00:58.387 --> 00:59.127 [SPEAKER_05]: It does that. 00:59.627 --> 01:00.608 [SPEAKER_03]: What if we put it back? 01:01.109 --> 01:01.609 [SPEAKER_03]: Donna? 01:02.690 --> 01:04.771 [SPEAKER_03]: There are consequences for these things. 01:08.968 --> 01:10.009 [SPEAKER_03]: goes into the pot as well. 01:10.589 --> 01:16.772 [SPEAKER_05]: I promised a little girl that we would put this shadow thing back in its pot, so we're going to put the shadow thing back in its pot. 01:24.916 --> 01:35.961 [SPEAKER_04]: Mysterious light shine along the ocean bay, our two resist the thrills upon the summer 01:42.218 --> 02:08.916 [SPEAKER_04]: We'll turn the night to day Adventures on the beach, so come along and play Roseville Beach, the ghosts like to play Monsters hide, but they won't stay Roseville Beach, with the game that they found We'll turn this town right Back or right 02:16.545 --> 02:30.874 [SPEAKER_04]: Who knows, there's no broken thing that she can't fix At your surface Magic's that comes from lost powers the way she lay By me, what's? 02:31.674 --> 02:43.622 [SPEAKER_04]: Ari, on this quest for loving, good, some fishy tricks Oh, I'm a real Together, these three will surely have you transparent 02:45.664 --> 02:46.865 [SPEAKER_04]: Roseville Beach. 02:47.245 --> 02:49.027 [SPEAKER_04]: The ghosts like to play. 02:49.367 --> 02:52.489 [SPEAKER_04]: Monsters hide, but they won't stay. 02:53.070 --> 02:56.532 [SPEAKER_04]: Roseville Beach with the gang that they found. 02:56.572 --> 02:58.654 [SPEAKER_04]: We'll turn this town right. 03:16.094 --> 03:17.514 [SPEAKER_03]: We surpassed and the day has come. 03:17.694 --> 03:22.895 [SPEAKER_03]: It's June 21st, a beautiful Friday on Rosalbeach, and it is the day of the festival. 03:23.396 --> 03:27.056 [SPEAKER_03]: You all head down to the festival together. 03:27.657 --> 03:30.557 [SPEAKER_03]: Or maybe separately, but you arrive around the same time. 03:31.017 --> 03:37.019 [SPEAKER_02]: Arian has been sitting on Alex's very right and honest accusations. 03:37.479 --> 03:38.259 [SPEAKER_02]: He doesn't know. 03:38.319 --> 03:39.259 [SPEAKER_02]: He doesn't understand. 03:39.539 --> 03:41.480 [SPEAKER_02]: And it took Alex telling him they didn't know 03:44.565 --> 03:46.487 [SPEAKER_02]: Oliver, Oliver is his name. 03:47.047 --> 03:58.997 [SPEAKER_02]: And in the days and weeks leading up to this festival, Arian has done the thing that he usually does, which is swimming by the coast to see where Oliver would be. 04:00.238 --> 04:10.688 [SPEAKER_02]: And finally, hearing about this festival is just like, and this talk from Lou about inviting people and re-realizes that's a human custom. 04:10.788 --> 04:17.254 [SPEAKER_02]: You go, you find another human that whose company you enjoy and you spend time with them. 04:17.734 --> 04:21.998 [SPEAKER_02]: He does not know how to ask anybody out on a date, but he will certainly try. 04:22.018 --> 04:23.400 [SPEAKER_02]: Do you make it all the way? 04:23.940 --> 04:24.420 [SPEAKER_03]: Do you go? 04:24.541 --> 04:25.702 [SPEAKER_03]: Do you ask him on a date? 04:26.182 --> 04:43.502 [SPEAKER_02]: What I want to do is hover so close to the area to the point where everyone starts singing in order to still his heart rate because as he stands a good five to six feet away from a 04:45.664 --> 04:53.730 [SPEAKER_02]: Beachside cabin, where a lobby sailor's put equipment, sacks, crates, things like that, so it's almost like a storage facility. 04:54.150 --> 05:05.938 [SPEAKER_02]: He kind of like hovers around there and just starts like singing as a way to like still his part, this adrenaline that's coursing through his blood and just goes 05:09.634 --> 05:31.647 [SPEAKER_02]: and he's just going to stare until all of her shows up and disrupts him as he sings and it's actually very quickly on the door opens up as Oliver sort of pokes out his head and looks to laugh he looks to the right he's going to go close the door 05:32.877 --> 05:33.217 [SPEAKER_03]: Oliver. 05:34.118 --> 05:35.658 [SPEAKER_03]: It's shoot. 05:35.958 --> 05:42.101 [SPEAKER_03]: Um, uh, Reunion, Aryan, Aryan, Aryan, yes, Aryan, yeah. 05:42.581 --> 05:43.261 [SPEAKER_03]: Is everything okay? 05:44.082 --> 05:49.064 [SPEAKER_02]: Yes, I'm, I'm, I'm, Aryan, I, and he realizes I look different now. 05:50.224 --> 05:50.684 [SPEAKER_02]: How are you? 05:52.492 --> 05:54.273 [SPEAKER_03]: I mean, I'm good. 05:54.333 --> 05:55.714 [SPEAKER_03]: Is it is everything okay? 05:55.734 --> 05:57.095 [SPEAKER_03]: Should I should I be concerned? 05:57.715 --> 06:05.280 [SPEAKER_02]: No, I just I I wanted to I I wanted to ensure that you all right and we're an injured or hurt. 06:05.400 --> 06:07.621 [SPEAKER_02]: I know it's been several weeks. 06:08.482 --> 06:10.143 [SPEAKER_02]: No, I'm I'm good. 06:10.763 --> 06:16.127 [SPEAKER_02]: You see that Arian's kind of like tapping the inside of his pocket of these 06:21.759 --> 06:44.203 [SPEAKER_03]: He's just the door behind him as he sort of walks out and he's got like shorts on He's got like a loose spun up shirt that's that's buttoned down more than it's pretty revealing It's a little bit more than half way it's like tucked in and has like one side out a little bit Color flushes in an area in space where he wishes he could just dive into the devs of the ocean and in this moment he says 06:44.883 --> 07:04.433 [SPEAKER_02]: I- I- I- I believe it's- it's custom to request the company of another during such events, request the company of another during such events, and are you requesting my company? 07:05.233 --> 07:07.054 [SPEAKER_03]: During this such event the fest? 07:07.714 --> 07:07.994 [SPEAKER_02]: Yes! 07:08.655 --> 07:08.915 [SPEAKER_02]: Yes! 07:09.355 --> 07:09.615 [SPEAKER_02]: Yes! 07:09.735 --> 07:10.596 [SPEAKER_02]: That's exactly what I'm doing. 07:10.896 --> 07:11.056 [SPEAKER_02]: Yes! 07:12.017 --> 07:12.917 [SPEAKER_02]: Yeah, okay. 07:13.277 --> 07:14.378 [SPEAKER_03]: That's about it head over right now. 07:14.718 --> 07:15.478 [SPEAKER_03]: If you want to go with me. 07:16.118 --> 07:18.798 [SPEAKER_03]: A real racist for a moment. 07:18.818 --> 07:21.139 [SPEAKER_03]: It's was if you wouldn't, I'm sorry. 07:21.159 --> 07:22.459 [SPEAKER_03]: Is it, and he like looks down. 07:22.479 --> 07:26.780 [SPEAKER_03]: He's like, is it not fancy enough for fancy? 07:27.440 --> 07:27.860 [SPEAKER_03]: I don't know. 07:27.900 --> 07:31.341 [SPEAKER_03]: I just, you give me like an ancient Greek vibe. 07:32.441 --> 07:33.482 [SPEAKER_03]: I am ancient Greek. 07:33.982 --> 07:34.342 [SPEAKER_02]: Okay. 07:34.522 --> 07:34.982 [SPEAKER_02]: That, well, 07:35.608 --> 07:41.834 [SPEAKER_02]: Well, not in human race terms, but that was the time where I'm from. 07:42.374 --> 07:43.335 [SPEAKER_03]: I'll meet you halfway, okay? 07:43.475 --> 07:46.077 [SPEAKER_03]: And he like puts out his hands to promenadeum. 07:46.578 --> 07:49.020 [SPEAKER_02]: A rean accepts even though he is... 07:49.480 --> 07:53.944 [SPEAKER_02]: This is a scene he has witnessed from the ocean. 07:54.145 --> 07:57.868 [SPEAKER_02]: This is when the coasts would lap against the beaches of Greece. 07:58.288 --> 07:59.709 [SPEAKER_02]: Lovers, arm and arm. 08:00.450 --> 08:07.795 [SPEAKER_02]: Sharing and whispering sweet nothing is something that you knew and understood from afar, but never Got to touch. 08:08.175 --> 08:09.796 [SPEAKER_02]: That's not the way of the sirens. 08:12.018 --> 08:13.299 [SPEAKER_00]: Hey, looks have you invited anybody. 08:13.819 --> 08:14.059 [SPEAKER_00]: No. 08:14.500 --> 08:15.360 [SPEAKER_05]: What about auntie? 08:15.941 --> 08:16.881 [SPEAKER_00]: auntie's got a date. 08:17.362 --> 08:28.829 [SPEAKER_00]: Now she's doing that fucking thing where it again, to be clear, not her real auntie, but she is behaving in the manner thereof where she is like, oh, so um, you're gonna, you're gonna get a girlfriend, 08:29.870 --> 08:32.293 [SPEAKER_00]: No, let's see you with anybody, I'm just like, yeah, you don't. 08:32.714 --> 08:42.746 [SPEAKER_03]: Ante comes to the house where everybody is absent and has started pestering you and, in fact, has like taken you and is dragging you to this festival. 08:43.327 --> 08:44.348 [SPEAKER_00]: Oh, my God. 08:45.477 --> 08:49.098 [SPEAKER_00]: I'm gonna have to, I'm gonna have to deal with all these fucking tourists later at work. 08:49.118 --> 08:51.859 [SPEAKER_00]: Like, why do I gotta, I gotta see them out in a bow. 08:51.879 --> 08:57.942 [SPEAKER_03]: Ah, you, you, you, you, you, you, you, you, you can't, you can't stay here locked up in in your Beach House all day long. 08:58.002 --> 08:59.542 [SPEAKER_03]: Locked up in my Beach House. 09:00.023 --> 09:01.443 [SPEAKER_03]: Locked up in your Beach House. 09:01.463 --> 09:02.203 [SPEAKER_03]: That's what I said. 09:02.304 --> 09:03.064 [SPEAKER_03]: Beach House. 09:03.124 --> 09:05.525 [SPEAKER_03]: And are you on the beach or are you in the house? 09:06.045 --> 09:08.226 [SPEAKER_00]: I can walk to the beach if I want to. 09:08.346 --> 09:09.306 [SPEAKER_00]: But did you do it? 09:10.087 --> 09:11.347 [SPEAKER_00]: No, you didn't. 09:11.747 --> 09:13.748 [SPEAKER_00]: There's not a good place to throw up my cigarettes. 09:14.573 --> 09:19.237 [SPEAKER_03]: Well, and she like takes the cigarette out of your mouth that she puts it on the ground. 09:19.677 --> 09:21.039 [SPEAKER_03]: That's a fine place for it. 09:21.659 --> 09:22.620 [SPEAKER_03]: Emo, I'm not going to litter. 09:23.261 --> 09:25.823 [SPEAKER_03]: And she reaches into her pocket and pulls out another one. 09:26.183 --> 09:28.965 [SPEAKER_03]: Lights it with her figures and just like stairs there. 09:30.527 --> 09:32.889 [SPEAKER_03]: Lou, did you end up meeting Samira? 09:33.382 --> 09:46.570 [SPEAKER_05]: I think what happened is that Lou has been here all morning doing the setup, so she's in her usual white tank top, pants, work boots, sweating, in the middle of the summer sun. 09:47.390 --> 09:52.673 [SPEAKER_05]: And Samira said that she was coming, and so if they saw each other, they would see each other. 09:52.713 --> 09:55.475 [SPEAKER_05]: So Lou doesn't think that means she has to go find her. 09:55.815 --> 10:04.660 [SPEAKER_05]: Lou on the other hand though told Annie that they couldn't go together because she had to work, but that she would meet up with her when she got there. 10:04.680 --> 10:16.828 [SPEAKER_03]: I don't know how often the three of you have been to this community garden, but right along the top there's like a date made of iron and in beautiful filigree 10:20.939 --> 10:26.193 [SPEAKER_03]: And it has this fence that is rotten all along its perimeter. 10:26.764 --> 10:35.831 [SPEAKER_03]: Just past it, there is this beautiful fountain that sparkles and it makes the place smell fresh. 10:36.191 --> 10:45.799 [SPEAKER_03]: The salty air is dispeled the moment you cross this barrier and the trees here always bear fruit. 10:46.279 --> 10:53.205 [SPEAKER_03]: The garden here always tastes better than anything that could be imported to the island. 10:56.380 --> 11:05.962 [SPEAKER_03]: building where they host people that need shelter, the two people who sort of run this community garden live as well. 11:06.403 --> 11:23.367 [SPEAKER_03]: Amongst the activities you have a nice little music jam which is on a little blanket on the lawn and there's some people that are like in full, like nodded, cut off and tied shirts with like a guitar that they're jamming to some some music that they're playing 11:23.967 --> 11:41.234 [SPEAKER_03]: off on the other end, in one of the buildings, Aryan, you notice this specifically, there's a little disco hall that's been set up for a dance floor, the people over from the quote drive and not drive in, are setting up a projector for tonight with like a screen to show a film. 11:41.694 --> 11:45.416 [SPEAKER_03]: One of our hosts is directing all of these things. 11:47.010 --> 12:04.332 [SPEAKER_01]: standing with relatively broad shoulders, but relatively short form is a bronze skin person who has dark hair, but in the sunlight it seems to almost iridescent not quite the right colors, almost like you're looking at an oil slick. 12:04.592 --> 12:12.835 [SPEAKER_01]: He has a jaw that could cut this very masculine face, but with the most beautiful 70s blown out of each hair you've ever seen. 12:13.316 --> 12:19.158 [SPEAKER_01]: He was as a bit of stubble, but he has glorious eye makeup on in greens and purples. 12:19.878 --> 12:33.204 [SPEAKER_01]: I think some of the first things that are notable besides his beautiful hair is that their hands are completely covered in just eclectic rings and the rings slide over beautiful tattoos of great finds. 12:33.884 --> 12:37.947 [SPEAKER_01]: and he also wears for those of the persuasion to look at men. 12:37.967 --> 12:47.913 [SPEAKER_01]: A shirt that basically isn't buttoned, it's buttoned to his belly button and that's it and it's also a little see-through. 12:48.513 --> 12:56.858 [SPEAKER_01]: So he's doing all this work out in the sun and his sleeves are rolled up on top of that in this sheer embroidery beaded cream shirt that is barely buttoned. 12:57.659 --> 13:10.857 [SPEAKER_01]: And in absolutely vacuum form skin type bell bottoms that then explode at the hem into these kind of worn, you know, almost white fraying ends over very subtle just brown shoes. 13:10.957 --> 13:13.560 [SPEAKER_01]: But the thing about these pants is that they are 13:14.321 --> 13:19.263 [SPEAKER_01]: a floral explosion in purples and reds and greens. 13:19.283 --> 13:20.703 [SPEAKER_01]: There's a little bit of yellow in there. 13:21.303 --> 13:27.045 [SPEAKER_01]: And the longer you look, the more you realize that also tucked into all of that are serpents within the pattern. 13:27.345 --> 13:28.206 [SPEAKER_01]: But don't worry about that. 13:28.646 --> 13:42.711 [SPEAKER_01]: On his rolled-up sleeves, on each army has a band of, what looks like text probably from this distance as he's waving people that way to set out the giant corn hole set that they've got out that was clearly made for this event 13:44.231 --> 14:04.172 [SPEAKER_01]: vines on one and that an open mouth take on the other so maybe they were made maybe they just bought one They're kind of an odd match, but they've got all the bean bags and everything and he's trying to get the people to put it Not too close to the plants because if someone throws a bean bag, it will go in the plants and left step on the plants and that is we can't do that It's a garden why would you? 14:04.953 --> 14:05.693 [SPEAKER_01]: step on the plants. 14:06.334 --> 14:16.577 [SPEAKER_01]: You just continue to fluctuate between like frustrated but also this like completely golden toothy smile that is almost annoying in this summer sunlight. 14:17.377 --> 14:25.460 [SPEAKER_03]: Standing next to them, sort of helping operate all of this is famed drag queen from Rosalbeach. 14:25.560 --> 14:26.480 [SPEAKER_03]: She's retired now. 14:26.560 --> 14:30.742 [SPEAKER_03]: She's quite old her name is divine and that's simply a divine. 14:31.282 --> 14:33.663 [SPEAKER_03]: She says something to 14:34.820 --> 14:39.248 [SPEAKER_03]: this person and then retreats into the disco hall. 14:40.067 --> 14:42.488 [SPEAKER_05]: Lou, you used to work here. 14:42.508 --> 14:58.633 [SPEAKER_05]: So Lou is, I think, coming out of the equipment shed that they have here with a towel and like trying to wipe the dirt and sweat off of her, but this is just perpetually how she is after she's been working for a day. 14:58.853 --> 15:01.454 [SPEAKER_03]: Remember, how long ago it was you worked here? 15:02.074 --> 15:03.955 [SPEAKER_03]: And what specifically you did? 15:04.315 --> 15:08.496 [SPEAKER_05]: I think it was before she got the job as a repair. 15:09.090 --> 15:10.291 [SPEAKER_05]: person at the hotel. 15:11.011 --> 15:19.578 [SPEAKER_05]: So it was like really early on when she first came to Roseville Beach and she was just grunt work. 15:19.658 --> 15:32.428 [SPEAKER_05]: So she carried the heavy bag, she pushed the wheelbarrows, she wasn't necessarily like gardening, though she did learn some things about that from working here. 15:32.808 --> 15:37.131 [SPEAKER_05]: So it's been like a bit of time but I think she's still like volunteers and helps out 15:40.077 --> 15:45.820 [SPEAKER_03]: You always have your thumb on everything where you have your eye on this place. 15:46.201 --> 15:48.922 [SPEAKER_03]: You probably were the one who hired Lou though. 15:48.943 --> 15:51.104 [SPEAKER_03]: It's been years since they've worked here. 15:51.551 --> 15:56.693 [SPEAKER_03]: And you see them coming out of the shed, cleaning themselves, working, not partying. 15:57.174 --> 15:58.875 [SPEAKER_01]: Oh, Lou, is that you? 15:59.495 --> 16:00.275 [SPEAKER_01]: Oh, hey, hi! 16:00.375 --> 16:01.236 [SPEAKER_01]: Come here! 16:01.636 --> 16:02.876 [SPEAKER_01]: I'm like really sweaty. 16:02.976 --> 16:05.057 [SPEAKER_01]: Okay, oh, it comes running over. 16:05.078 --> 16:07.379 [SPEAKER_01]: Hi, that's all right. 16:07.999 --> 16:11.601 [SPEAKER_01]: What do you, um, what's, what's this? 16:11.941 --> 16:12.761 [SPEAKER_01]: Where are you working? 16:13.442 --> 16:15.863 [SPEAKER_05]: Oh, I was helping set up everything earlier. 16:15.883 --> 16:17.243 [SPEAKER_05]: I was just finishing. 16:17.784 --> 16:20.625 [SPEAKER_01]: All right, but you're, you're going to go and have fun, right? 16:21.308 --> 16:24.090 [SPEAKER_05]: Yeah, I'm supposed to beat my friend Annie around here somewhere. 16:24.110 --> 16:25.130 [SPEAKER_05]: I don't know if she's here yet. 16:26.571 --> 16:26.791 [SPEAKER_01]: Oh. 16:27.692 --> 16:29.353 [SPEAKER_01]: Well, do we like Annie? 16:29.773 --> 16:30.033 [SPEAKER_01]: Do we? 16:30.614 --> 16:31.974 [SPEAKER_01]: Do we like Annie? 16:32.615 --> 16:33.615 [SPEAKER_05]: Oh, I see where you're going. 16:33.655 --> 16:36.337 [SPEAKER_05]: Multiple people have been asking me this in like the last couple weeks. 16:36.377 --> 16:38.998 [SPEAKER_05]: So it's apparently quite become quite obvious. 16:39.018 --> 16:39.999 [SPEAKER_05]: I mean, we used to date. 16:40.699 --> 16:41.980 [SPEAKER_01]: Is this a used to? 16:42.180 --> 16:44.342 [SPEAKER_01]: We're done with that, or are you used to like maybe? 16:45.388 --> 16:53.230 [SPEAKER_05]: I feel like it was neither of those for like a really long time, but now it might be the latter. 16:53.930 --> 16:57.971 [SPEAKER_01]: Chaos reaches out and just like very delicately puts a hand on loose shoulder. 16:58.231 --> 17:10.635 [SPEAKER_01]: There's this strange effervescentness to Chaos that he just wants to gift a little bit with a touch to you, a little bit of joy that's a little infectious. 17:11.339 --> 17:15.903 [SPEAKER_03]: Can you just always have this way of bringing out the fun side of you? 17:16.444 --> 17:32.679 [SPEAKER_05]: There's like a sense of relief for the anxiety in the worry and the concern about what they know is happening in town, kind of fades away a little bit, and then the anxiety in the worry and the concern that Annie, 17:33.079 --> 17:51.790 [SPEAKER_05]: and Samira are both here and Ludenett realized Samira was into her like that and now she has to deal with that but then Annie is also here and she needs Annie to know that like she didn't know about this and she's not playing like leading her on or anything and so like that anxiety starts coming up but it's a refreshing anxiety. 17:51.810 --> 17:55.712 [SPEAKER_01]: Okay, just smiles. 17:56.733 --> 17:57.453 [SPEAKER_01]: Don't work too hard. 17:58.164 --> 17:58.424 [SPEAKER_05]: Right. 17:59.565 --> 18:00.106 [SPEAKER_05]: I have. 18:01.067 --> 18:02.268 [SPEAKER_05]: I think things to do. 18:03.109 --> 18:05.171 [SPEAKER_01]: Include and clean up if you're going to go see Annie. 18:05.571 --> 18:06.812 [SPEAKER_05]: I can't go all the way home. 18:07.353 --> 18:08.514 [SPEAKER_05]: She seemed like this she's fine. 18:08.554 --> 18:08.915 [SPEAKER_05]: It's fine. 18:08.955 --> 18:09.495 [SPEAKER_05]: It's fine. 18:09.875 --> 18:11.377 [SPEAKER_05]: This goes splash some water on your face. 18:11.637 --> 18:12.178 [SPEAKER_01]: Please. 18:12.658 --> 18:12.978 [SPEAKER_01]: For me. 18:13.499 --> 18:14.280 [SPEAKER_01]: I can do that for you. 18:14.866 --> 18:18.728 [SPEAKER_03]: As long as you've worked here, everything is watered from the fountain, right? 18:18.748 --> 18:25.210 [SPEAKER_03]: You think about, okay, I could maybe like get some water from the hose, but there's no hose. 18:25.230 --> 18:31.232 [SPEAKER_03]: And you're like, well, maybe I could use the bathroom, but the bathroom itself is like, it's an outhouse, right? 18:31.272 --> 18:32.693 [SPEAKER_03]: It's separate from the building. 18:33.093 --> 18:43.497 [SPEAKER_05]: Okay, then yeah, Lou just goes over to the fountain, sets the towel on the edge of it, scoop some water up, tosses it on her face, wife to down with the towel, then sticks the dirty towel in her back pocket. 18:43.972 --> 18:46.154 [SPEAKER_03]: Liu, you feel so good. 18:46.755 --> 18:47.655 [SPEAKER_03]: This is the day. 18:48.556 --> 18:52.379 [SPEAKER_03]: All of your fears set aside. 18:52.399 --> 18:55.262 [SPEAKER_03]: This is just, this is the place to be. 18:56.123 --> 19:06.532 [SPEAKER_03]: And then you look up and you see Annie and then you look over and you see Samira and they're both coming from opposite directions toward you. 19:07.048 --> 19:12.714 [SPEAKER_05]: I think there's a buzzing noise that starts in loose head, but then the water kind of like washes it away. 19:12.734 --> 19:15.476 [SPEAKER_05]: All right, I guess it's time. 19:15.917 --> 19:18.259 [SPEAKER_03]: If you have a scare, you can clear one. 19:18.620 --> 19:21.542 [SPEAKER_03]: If you have a injury, you can clear that instead. 19:22.063 --> 19:23.484 [SPEAKER_05]: Bye-bye, fear of heights. 19:24.932 --> 19:48.005 [SPEAKER_03]: All right, you enter into the festival, and you see everything we described before, and you see Lou at the fountain, and Oliver is still promenade, you know, as he sort of takes your hand in his other hand, blush is a little bit, and says, uh, this is your first time at one of these. 19:48.982 --> 19:49.262 [SPEAKER_03]: right? 19:49.843 --> 19:50.904 [SPEAKER_03]: Is it really that obvious? 19:51.624 --> 20:00.973 [SPEAKER_02]: A real flashes back to the screwdriver moment when he said screwdriver and like casts his gaze over and internally chastising himself. 20:01.213 --> 20:06.277 [SPEAKER_02]: I think the thing that especially clues all of her in is how wide I'd. 20:07.038 --> 20:09.360 [SPEAKER_02]: Korean is at looking at everything. 20:09.480 --> 20:19.947 [SPEAKER_02]: He drinks in every new space like he is a man in a desert seeing like an oasis for the first time. 20:20.928 --> 20:32.636 [SPEAKER_03]: Kyo, you see a young love just beginning to bloom, just beginning to bud, but being halted by a decision. 20:33.445 --> 20:55.112 [SPEAKER_01]: Kale kind of zips around this is his domain and so he feels so at home here that's like welcoming people into his living room near the gate he just kind of props himself up with one arm up and looks at the two of you you know there's a dance right you can go and shake it. 20:56.080 --> 21:03.066 [SPEAKER_02]: A dance, a re-interns to you, and you see a slim, slender framed male man. 21:03.106 --> 21:15.658 [SPEAKER_02]: We just feel a little strange to you, as one brown skin, and a real loose top blue and slightly translucent with almost like a deep reddish brown, high-waisted trouser. 21:16.138 --> 21:22.163 [SPEAKER_02]: He hears dance, and you see this strange, ethereal creature turn over to you. 21:23.067 --> 21:24.188 [SPEAKER_02]: and takes you in. 21:24.808 --> 21:34.154 [SPEAKER_02]: You are beautiful and a rean has always been drawn to a beauty and tries to memorize your features for a moment. 21:34.675 --> 21:35.015 [SPEAKER_02]: Hello! 21:35.463 --> 21:50.252 [SPEAKER_01]: KO loving being taken in kind of gives a little spin, but what you see that is unique as he kind of like playfully kind of turns on the on the gait a little bit that he's just kind of draped his arm and he kind of twists just to show off a little. 21:50.873 --> 21:55.876 [SPEAKER_01]: You see on his arms those bands of text are an ancient Greek. 21:56.776 --> 22:01.499 [SPEAKER_01]: One says Po so zone, he tone, so cello. 22:02.520 --> 22:05.382 [SPEAKER_01]: which means he who saves himself may be saved. 22:05.702 --> 22:12.668 [SPEAKER_01]: And when the other arm, it says, Thanasos Odin, Deferi, Tozan, death is no different than life. 22:13.328 --> 22:16.911 [SPEAKER_01]: And you see that serpent climbing up his chest on top of that. 22:17.451 --> 22:24.597 [SPEAKER_02]: A re-en takes all that ink in and says ancient Greek. 22:25.337 --> 22:26.938 [SPEAKER_02]: Tatus, you have a good eye. 22:27.619 --> 22:28.960 [SPEAKER_02]: Death is no different than life. 22:29.666 --> 22:33.151 [SPEAKER_01]: Yes, spoken of the one of the greatest minds of ancient Greece. 22:33.211 --> 22:34.773 [SPEAKER_01]: I just had to get a tattooed. 22:35.674 --> 22:39.499 [SPEAKER_03]: Um, I think I'm gonna go grab a drink. 22:39.639 --> 22:40.821 [SPEAKER_03]: Do you want one, R.M.? 22:41.842 --> 22:45.567 [SPEAKER_02]: Certainly, um, would you be interested in, in dancing later? 22:46.119 --> 23:06.591 [SPEAKER_02]: don't let me stop you yeah there's a brightness like he's nervous but he does look at the glittering like disco ball and there is an excitement that's like bubbling again KO your forgotten for the moment the second this alluring creature turns over to this 23:14.506 --> 23:28.312 [SPEAKER_03]: breaks eye contact with KO in fear of not having anything in common with you and walks towards the bar. 23:29.072 --> 23:29.932 [SPEAKER_01]: You're just gonna let him go. 23:29.952 --> 23:39.736 [SPEAKER_02]: A Reyn's ears perk over, he's getting a drink and he like turns over to you and eyes you up and down. 23:40.477 --> 23:40.697 [SPEAKER_02]: Well, 23:41.411 --> 23:45.652 [SPEAKER_01]: I know that look, and uh, I just would hate for you to miss your chance. 23:46.392 --> 23:48.512 [SPEAKER_01]: Just for a little lonely, I just work here. 23:48.952 --> 23:51.193 [SPEAKER_02]: You're an alluring creature, a vision. 23:51.773 --> 23:53.913 [SPEAKER_02]: One that feels so familiar. 23:54.433 --> 23:55.594 [SPEAKER_01]: Thank you, dear. 23:56.234 --> 23:56.854 [SPEAKER_01]: I'll tell you what. 23:57.974 --> 24:07.276 [SPEAKER_01]: I'd love to hear a little bit more about you, but don't let me keep you from, and he fully looks over it all over walking away unapologetically, checking him out. 24:07.876 --> 24:08.436 [SPEAKER_01]: Miss, I don't that. 24:09.093 --> 24:09.974 [SPEAKER_03]: he is wondrous. 24:10.915 --> 24:12.276 [SPEAKER_03]: You see something really odd. 24:12.636 --> 24:24.548 [SPEAKER_02]: There is a flash of something in Orion's eye when you say lose your chest and his pupils widen, but not like humans would. 24:24.988 --> 24:28.752 [SPEAKER_02]: They are slidded and widen in opposite direction. 24:29.072 --> 24:29.553 [SPEAKER_02]: Well then. 24:30.565 --> 24:31.445 [SPEAKER_01]: Kayo, does it? 24:31.965 --> 24:34.766 [SPEAKER_01]: Yes, and you are... Arian. 24:35.367 --> 24:35.847 [SPEAKER_01]: Arian. 24:36.607 --> 24:41.329 [SPEAKER_01]: Well, I trust that you know how to find beautiful treasures of the sea. 24:41.989 --> 24:44.189 [SPEAKER_02]: How can I not in the garden of Dionysus? 24:46.150 --> 24:47.170 [SPEAKER_01]: Do you understand me? 24:47.511 --> 24:53.092 [SPEAKER_01]: Kayo fully spins out like he's in his own TV show, just his own exit queue. 24:53.192 --> 24:54.713 [SPEAKER_01]: He pierades what's right out. 24:55.158 --> 25:22.912 [SPEAKER_03]: Aurean watches this flowing movement and then rushes towards Oliver and we're going to cut to Alex who has been dragged onto the property of the Garden of Dionysus by Auntie as she begins to walk over to a little stall that's been set up with handful of items on it and this is somewhat of like an artist's alley. 25:23.262 --> 25:24.626 [SPEAKER_03]: It's not art that she's selling. 25:24.827 --> 25:29.281 [SPEAKER_03]: These are pungent little food items. 25:30.353 --> 25:31.954 [SPEAKER_03]: you recognize this. 25:32.074 --> 25:48.324 [SPEAKER_03]: I like it is the smell of sardines and it is unmistakably granny's cooking as she pops out from behind the counter and auntie joins her to work this little stall for food. 25:48.984 --> 25:50.745 [SPEAKER_03]: Yeah, she's just going to grab one and granny. 25:51.206 --> 25:56.729 [SPEAKER_03]: Your hand is like held and granny looks at you and she just puts out her hand. 25:57.232 --> 25:59.633 [SPEAKER_03]: Now, Alex, you don't get something for nothing. 26:00.193 --> 26:03.875 [SPEAKER_03]: You got to pay just a little bit, or you know, the little green men are gonna come after you. 26:04.415 --> 26:07.136 [SPEAKER_00]: Oh, okay, how come, how come work? 26:07.596 --> 26:09.557 [SPEAKER_03]: Well, I mean, isn't we're not really charging? 26:09.657 --> 26:11.317 [SPEAKER_03]: It's whatever you think this is worth. 26:11.858 --> 26:12.338 [SPEAKER_00]: That's a trap. 26:12.738 --> 26:13.498 [SPEAKER_00]: I know that's a trap. 26:13.778 --> 26:14.919 [SPEAKER_00]: And she points over it on to you. 26:14.979 --> 26:16.679 [SPEAKER_00]: It's like, I have been here for two years. 26:16.699 --> 26:18.660 [SPEAKER_00]: Do you think I don't know a trap when I see one? 26:19.060 --> 26:25.923 [SPEAKER_03]: And Auntie just puts her hands up, and she shakes her head, and she crosses her arms and disappointment of you. 26:26.563 --> 26:29.644 [SPEAKER_00]: Oh, I'm sorry, if you've been, oh, good lord. 26:29.685 --> 26:34.967 [SPEAKER_00]: She takes out like $10 and just puts it there for the little thing is just like, figure it out. 26:35.167 --> 26:36.348 [SPEAKER_00]: I'm, thank you. 26:36.828 --> 26:37.508 [SPEAKER_03]: Oh, yes, thank you, thank you. 26:37.528 --> 26:41.510 [SPEAKER_03]: This is gonna go a long way to help the little dog shits, you know? 26:41.870 --> 26:43.031 [SPEAKER_03]: Thank you so much, Alex. 26:43.071 --> 26:44.872 [SPEAKER_03]: Please, please, go eat that one and come back. 26:45.852 --> 26:49.554 [SPEAKER_03]: Theo, you see somebody out of place. 26:50.132 --> 26:50.953 [SPEAKER_03]: preoccupied. 26:51.033 --> 26:52.634 [SPEAKER_03]: They're mind elsewhere. 26:53.234 --> 26:56.697 [SPEAKER_01]: Kayo kind of walks up the side alex. 26:56.777 --> 27:02.581 [SPEAKER_01]: Almost like they're just traveling in the same direction, but he fully like merges with the traffic lane. 27:03.282 --> 27:04.062 [SPEAKER_01]: Hey, you have a smoke. 27:04.703 --> 27:06.224 [SPEAKER_00]: Looks you up and down for a minute. 27:07.144 --> 27:10.407 [SPEAKER_00]: Like trying to both piece together where the hell you came from. 27:11.548 --> 27:14.530 [SPEAKER_00]: And just like figuring you out for a second. 27:16.051 --> 27:18.433 [SPEAKER_00]: And like coxer head to the side and 27:19.376 --> 27:42.673 [SPEAKER_01]: Yeah, all right, do I know you and she like, does like a little shake and like one pops up his like very elegant fingers come and just snatch one up and reaches into this jacket that he's got tighter on his waist that when you look at it, it's like this army green jacket kind of not with the vibe of the rest of his very like floral and and comfortable clothing. 27:42.793 --> 27:44.794 [SPEAKER_01]: It's it's a military jacket from the 1960s. 27:45.815 --> 27:55.945 [SPEAKER_01]: covered in patches and pins, it has been painted and altered in every place that you could possibly imagine with peace signs and gloves. 27:56.805 --> 28:03.792 [SPEAKER_01]: And he reaches into the pocket and pulls out a really unremarkable looking Zipo lighter and lights the cigarette. 28:04.250 --> 28:08.694 [SPEAKER_00]: So you're standing next to a fairly smaller mixed Asian woman. 28:08.794 --> 28:15.420 [SPEAKER_00]: She's got a body con like tank top on, and she's got a plaid sort of flannel tied around her waist. 28:15.700 --> 28:22.847 [SPEAKER_00]: Her pants are like these almost ridiculously oversized cargo pants, and you see her slip the cigarette pack back into one of the pockets on the side of her leg. 28:23.187 --> 28:27.689 [SPEAKER_00]: You see that she's like reached out and in one hand she was like feeling around her other pockets. 28:27.709 --> 28:35.513 [SPEAKER_00]: She pulls out a small little lighter that she would have got from September and she puts it back in their her pocket when she sees you've got one. 28:35.853 --> 28:44.537 [SPEAKER_00]: Her entire left arm is a full slight floral sleeve tattoo and you can see there's a much fresher one on the inside of her right arm that looks like a very ornate dagger. 28:44.918 --> 28:46.278 [SPEAKER_00]: She's like looking at you like up and down. 28:46.298 --> 28:47.719 [SPEAKER_00]: I don't recognize you. 28:48.582 --> 28:55.906 [SPEAKER_01]: Oh, I'm KO, and when they extend their hand with the cigarette in it, it's a terrible way to shake hands. 28:56.166 --> 29:09.054 [SPEAKER_01]: You also see those Greek letter tattoos on the forearms and the great fine tattoos that kind of just wrap and kind of turn to nothing before it gets to the bands. 29:09.174 --> 29:14.297 [SPEAKER_01]: But on his upper arm, you can also see a dancing skeleton on this side. 29:14.817 --> 29:15.517 [SPEAKER_00]: Nice tattoo. 29:15.958 --> 29:16.538 [SPEAKER_00]: You're one of the talk? 29:17.145 --> 29:22.787 [SPEAKER_00]: She like takes a cigarette out of her mouth and takes your hand with her cigarette in her own hand just to meet the vibe. 29:23.067 --> 29:34.330 [SPEAKER_01]: When your hand touches his, again, that almost like drinking champagne as a person, you can feel it in your fingers. 29:35.330 --> 29:36.670 [SPEAKER_00]: She like looks down at her hand. 29:37.691 --> 29:38.511 [SPEAKER_00]: She looks up at you. 29:39.311 --> 29:40.332 [SPEAKER_00]: There's her eyes a little bit. 29:41.152 --> 29:42.612 [SPEAKER_01]: Come on, it's a party. 29:46.175 --> 29:48.096 [SPEAKER_01]: No, the garden's party. 29:48.596 --> 29:49.977 [SPEAKER_01]: Anything it's divine's party. 29:50.237 --> 29:51.918 [SPEAKER_00]: What's a party unless everyone's having a good time, right? 29:52.519 --> 29:53.339 [SPEAKER_01]: Absolutely. 29:54.340 --> 29:57.602 [SPEAKER_01]: And given the name of this garden, it almost feels rude, not to, right? 29:58.162 --> 30:00.623 [SPEAKER_00]: It would be, uh, it would be blasphemy, wouldn't that? 30:01.044 --> 30:01.744 [SPEAKER_01]: We wouldn't want that. 30:02.264 --> 30:02.765 [SPEAKER_01]: And there's a... 30:03.725 --> 30:06.227 [SPEAKER_01]: Edge of seriousness in his eyes when he says that. 30:06.647 --> 30:08.608 [SPEAKER_00]: It looks like kind of no such, like, well, you know. 30:09.188 --> 30:12.290 [SPEAKER_00]: I like to think I can't, you know, I don't know the guy. 30:12.330 --> 30:14.752 [SPEAKER_00]: I'd like to think maybe he's got a little forgiveness in his heart. 30:16.111 --> 30:33.510 [SPEAKER_00]: forgiveness sure somewhere maybe you can forget it after a really long time I guess you know I got a friend he's got a really really long memory and a really long life but you know he you remember some things like that from time to time 30:34.221 --> 30:47.737 [SPEAKER_01]: uh... and she like looks pointedly down at your arm thank you'd like you i have a fact on people everyone likes me but do me a favor when you're done eating what is that smelly fish starting in your own 30:48.611 --> 30:53.173 [SPEAKER_01]: Sure, and just full bare hand takes one, he's it. 30:53.613 --> 30:57.335 [SPEAKER_01]: Hmm, sneaky little fish, and like it. 30:57.995 --> 30:58.295 [SPEAKER_01]: I'm good. 30:58.855 --> 31:04.218 [SPEAKER_01]: Tell you what, when you're done with those delectable little things, what did you go have a drink? 31:05.198 --> 31:09.800 [SPEAKER_01]: Relax, shake all that cool person energy off of you for just one evening. 31:10.372 --> 31:11.533 [SPEAKER_00]: Cool person energy. 31:11.773 --> 31:13.794 [SPEAKER_00]: Oh, is that what that is these days? 31:14.514 --> 31:15.234 [SPEAKER_00]: She's smiling. 31:15.274 --> 31:16.995 [SPEAKER_00]: She's like charmed a little bit. 31:17.536 --> 31:18.636 [SPEAKER_00]: I love the mystique deer. 31:19.276 --> 31:19.857 [SPEAKER_03]: Don't let it go. 31:20.637 --> 31:23.018 [SPEAKER_03]: The party begins to pass. 31:23.859 --> 31:27.881 [SPEAKER_03]: Kyo, you meet a lot of people at this party. 31:28.681 --> 31:38.206 [SPEAKER_03]: But these three, you are especially drawn to these three really need. 31:40.080 --> 31:48.206 [SPEAKER_03]: good party tonight. 31:48.226 --> 32:02.577 [SPEAKER_03]: We flash forward as the sun is beginning to set and the three of you are some of you very smoothly interacting through the party, some of you bumbling through it, we're gonna just make some roles to see how well we're doing. 32:04.198 --> 32:06.840 [SPEAKER_03]: A role with just goal and if you 32:09.474 --> 32:21.142 [SPEAKER_05]: roll the five for goal and I'm not rolling for a scare because I am not trying to impress Samira and I don't need capital N need to impress Annie. 32:21.642 --> 32:22.823 [SPEAKER_00]: That's a six in a fourth. 32:22.983 --> 32:23.684 [SPEAKER_00]: I rolled a four. 32:24.124 --> 32:27.366 [SPEAKER_00]: Alex is not trying to impress anybody because she has no one to impress. 32:27.967 --> 32:29.968 [SPEAKER_01]: It's two, five, one for each. 32:32.150 --> 32:36.933 [SPEAKER_03]: So Lou, the night, it's a weird one. 32:37.513 --> 32:37.974 [SPEAKER_03]: It's a good 32:38.998 --> 32:40.218 [SPEAKER_03]: It's, it's a weird one. 32:40.839 --> 32:44.220 [SPEAKER_03]: Annie's vibe and with you, Samira's vibe and with you. 32:44.840 --> 32:47.161 [SPEAKER_03]: It's not like you're all three vibeing together. 32:47.181 --> 32:52.462 [SPEAKER_03]: But you've got, you've got two, two women vibe after you. 32:52.982 --> 32:55.303 [SPEAKER_03]: And they're both kind of, five and for you. 32:56.904 --> 33:01.065 [SPEAKER_03]: Oliver and you are connected. 33:01.205 --> 33:06.186 [SPEAKER_03]: I mean, you finally stepped out of your comfort zone to actually talk with them. 33:06.266 --> 33:08.007 [SPEAKER_03]: And that's what most of the night has been. 33:08.500 --> 33:25.885 [SPEAKER_03]: has been honest, talking, you know, whether that's from the events of you saving their life or from Alex's lecture really at you or something else, Oliver and you opened up to each other. 33:26.405 --> 33:31.646 [SPEAKER_03]: But it's a very scary place to be because you could be hurt. 33:32.327 --> 33:37.268 [SPEAKER_03]: You don't know how long you're going to get to stay here and you don't know how long you're going to get to be alive. 33:38.105 --> 33:40.227 [SPEAKER_03]: please take vulnerable as a scare. 33:40.887 --> 33:44.029 [SPEAKER_03]: Alex, are you interacting with the festival at all? 33:44.569 --> 33:46.211 [SPEAKER_03]: Or are you just kind of existing at it? 33:46.871 --> 33:47.291 [SPEAKER_00]: Endring. 33:47.792 --> 33:50.554 [SPEAKER_00]: I think she's got like a good drink. 33:50.574 --> 33:51.935 [SPEAKER_00]: She's not like trying to get hammered. 33:51.955 --> 33:55.477 [SPEAKER_00]: She's like, she took chaos or it's a heart and is like, 33:55.922 --> 33:58.623 [SPEAKER_00]: having a good drink and like watching the party. 33:58.643 --> 34:00.765 [SPEAKER_00]: But she is absolutely wall-flowering. 34:01.085 --> 34:17.553 [SPEAKER_00]: And I think there's like a moment where she's just kind of like leaning against a part of the fence or something and just seeing people like dancing and getting in that like space like in each other space like that four to six inches where people have from face to face. 34:18.294 --> 34:19.414 [SPEAKER_00]: And she's like looking at it. 34:19.534 --> 34:23.797 [SPEAKER_00]: And for the first time in a really, really long time, probably because 34:24.801 --> 34:39.472 [SPEAKER_00]: She thinks of like literally just saying anything about it to Euryan, his remembering, dancing around the room with a stell, walking into the air while they were doing it. 34:40.293 --> 34:44.196 [SPEAKER_03]: Over your shoulder, you swear, you hear a stell. 34:44.936 --> 34:47.358 [SPEAKER_03]: Alex, when you turn this, no one there. 34:49.561 --> 34:51.222 [SPEAKER_03]: Okay, the party is going well. 34:51.582 --> 34:53.724 [SPEAKER_03]: It's taking a little bit longer to set up. 34:53.744 --> 35:00.107 [SPEAKER_03]: The projector, taking a little bit longer to set up some of the full activities, but people are distracted by the drinking. 35:00.127 --> 35:03.089 [SPEAKER_03]: They're distracted by the sun setting. 35:03.149 --> 35:06.171 [SPEAKER_03]: Right, there's not any bad energy at the party. 35:06.932 --> 35:09.493 [SPEAKER_03]: It just is not going as well as it could be. 35:10.334 --> 35:13.296 [SPEAKER_03]: And that's when you notice something out of place. 35:19.428 --> 35:23.910 [SPEAKER_03]: Everyone else is here to enjoy the party. 35:24.951 --> 35:35.617 [SPEAKER_03]: This man dressed head to toe in a black suit and tie, walks into the building that is yours and divides. 35:36.564 --> 35:46.631 [SPEAKER_01]: Having been mixing drinks just to kind of buy the time as things are set up that frankly he doesn't really have the attention span to even know how they get set up. 35:46.751 --> 35:49.453 [SPEAKER_01]: So he just started mixing drinks and having a nice time. 35:49.473 --> 35:53.776 [SPEAKER_01]: And he catches sight of this man. 35:55.057 --> 36:11.064 [SPEAKER_01]: and his right bubbly personality drops and he sets everything down very quickly excuses himself from any conversation that he's in and makes a straight line to where he's going. 36:12.185 --> 36:14.346 [SPEAKER_03]: You disappear for maybe five minutes. 36:14.646 --> 36:15.106 [SPEAKER_03]: Maybe. 36:15.527 --> 36:18.248 [SPEAKER_03]: And then there is a sudden disturbance 36:23.595 --> 36:33.821 [SPEAKER_03]: comes the man in black with a 19-year-old boy held by the arm definitely dragging them out of the party. 36:34.442 --> 36:36.383 [SPEAKER_03]: There is a disturbance between the two of them. 36:36.783 --> 36:45.729 [SPEAKER_03]: All of you can feel and honestly probably hear the shouting and then suddenly there is a rupture. 36:46.349 --> 36:46.909 [SPEAKER_03]: There is a 36:55.333 --> 36:59.015 [SPEAKER_03]: Kale, will you please describe what you have done to this man? 36:59.935 --> 37:06.358 [SPEAKER_01]: His feet stop moving as he drags this young man through the garden near the fountain. 37:07.038 --> 37:19.464 [SPEAKER_01]: His first step, it's like he's stuck to the grass and then the next step, his foot won't lift and from the heel of his shoe, a root springs. 37:20.344 --> 37:29.592 [SPEAKER_01]: His next step before his foot even touches the earth, shoots into the ground, seeking water in fertile soil. 37:30.252 --> 37:37.878 [SPEAKER_01]: As with every movement, he almost lurches into the shape of a twisted oak tree until he stops. 37:38.879 --> 37:56.326 [SPEAKER_01]: mid-step his arms disguised as branches of a tree, and the young man just has to pull away not from a hand, but from a twist of leaves, verdant, hopefully one day able to bear a corns and do something better for this world. 37:57.447 --> 38:08.191 [SPEAKER_03]: And the party turned silent, as everyone turns to look at you, and no one, not a single soul here, 38:09.171 --> 38:26.120 [SPEAKER_03]: In this moment, likes you instead replaced with fear, and anxiety, and joylessness, and one of them steps forward, what are you? 38:27.081 --> 38:28.882 [SPEAKER_01]: And he looks around be wildered. 38:29.422 --> 38:36.926 [SPEAKER_01]: You could almost see memories across his eyes, shapeless, shadowed, and he turns 38:38.888 --> 38:48.558 [SPEAKER_05]: I think Lou like steps out from the crowd a little bit and goes hey everybody everybody just calm down take a moment breathe Everything's good chaos been here for forever. 38:48.578 --> 38:52.802 [SPEAKER_05]: They've run this this place for forever I used to work for him. 38:53.263 --> 38:54.104 [SPEAKER_05]: He's a great guy. 38:54.244 --> 38:59.870 [SPEAKER_05]: I think everybody needs to just take a step back We've been having a lovely night 39:00.828 --> 39:29.890 [SPEAKER_02]: A rean is going to try and asswage the people's anxieties because all they saw really was someone turned into a tree And he is hoping to play this off as a magic trick and illusion Everyone, your eyes deceive me, it's clearly a trick of the mind and illusion And he's going to march towards the triangle A fine craftsmanship certainly, there's no need to panic 39:32.707 --> 39:35.588 [SPEAKER_03]: You're gonna have to roll goal and injury and scare. 39:35.828 --> 39:50.835 [SPEAKER_03]: As the crowd, almost forms a ring around you, attempting to maybe not consciously, but the very community of Roseville Beach doesn't know what to do about you. 39:51.715 --> 39:55.937 [SPEAKER_00]: I will utilize Boone to grant one to KO. 39:56.617 --> 39:58.618 [SPEAKER_01]: Okay, so I'll take the two sixes in a four. 40:00.503 --> 40:04.584 [SPEAKER_03]: The scare you're going to take here is hated. 40:05.204 --> 40:19.268 [SPEAKER_03]: As these three people, these three members of the community that you have got to know over the evening, maybe just briefly, stepped in to help you escape from this situation. 40:19.848 --> 40:38.576 [SPEAKER_03]: The three of them are dealing with the crowd as you are able to escape back into the depths of the garden where the thicket grows dense, and the sun sets its last bit of light on the island, 40:48.363 --> 40:49.043 [SPEAKER_03]: What do you want? 40:50.023 --> 40:51.284 [SPEAKER_01]: That's not your name. 40:52.124 --> 40:55.765 [SPEAKER_03]: Well, I prefer to know the name of those I'm willing to help. 40:56.105 --> 40:57.845 [SPEAKER_03]: What should I actually call you? 40:58.805 --> 40:59.025 [SPEAKER_01]: Help! 40:59.345 --> 41:00.906 [SPEAKER_01]: How would you help me? 41:01.586 --> 41:03.246 [SPEAKER_01]: What is your name, Shadow? 41:04.486 --> 41:09.247 [SPEAKER_03]: I have had many things throughout my life. 41:17.580 --> 41:28.187 [SPEAKER_03]: are quite accurate, but I did prefer one, you can call me, as modias, and what is your name? 41:28.767 --> 41:45.398 [SPEAKER_01]: Wonderful, then you can call me, ugh, fine, you can call me, you pathetics, you pathetics, you pathetics, you are in quite a predicament. 41:46.177 --> 41:49.079 [SPEAKER_03]: You've remained hidden for a long time. 41:49.980 --> 41:52.222 [SPEAKER_03]: You finally found a hole in your life. 41:53.142 --> 41:54.723 [SPEAKER_04]: But now you have to leave. 41:55.684 --> 41:56.004 [SPEAKER_04]: Again. 41:56.605 --> 41:58.266 [SPEAKER_03]: And where will you return to? 41:58.326 --> 42:00.828 [SPEAKER_03]: There is no war for you to live off of. 42:01.488 --> 42:02.649 [SPEAKER_01]: Is there a point to this? 42:03.330 --> 42:07.293 [SPEAKER_01]: He says with tears beginning to kind of pull at the corners of his eyes. 42:08.273 --> 42:10.135 [SPEAKER_03]: Of course, I apologize. 42:11.096 --> 42:12.537 [SPEAKER_03]: I can help you. 42:13.157 --> 42:14.138 [SPEAKER_03]: I can help you stay. 42:15.486 --> 42:15.946 [SPEAKER_03]: How? 42:16.527 --> 42:17.408 [SPEAKER_03]: They all hate me. 42:17.608 --> 42:17.968 [SPEAKER_03]: No. 42:18.889 --> 42:20.810 [SPEAKER_03]: They simply fear you now. 42:21.491 --> 42:22.532 [SPEAKER_03]: I'll speed it along. 42:23.713 --> 42:24.533 [SPEAKER_03]: I'll aid them. 42:24.734 --> 42:25.734 [SPEAKER_01]: They'll love you again. 42:26.555 --> 42:28.196 [SPEAKER_03]: They'll love you again. 42:29.177 --> 42:30.979 [SPEAKER_01]: I just don't want them to look at me like that. 42:31.579 --> 42:32.180 [SPEAKER_01]: And they won't. 42:32.920 --> 42:35.663 [SPEAKER_03]: They will never look at you that way again, Kyo. 42:36.223 --> 42:37.424 [SPEAKER_01]: I can ensure that. 42:38.305 --> 42:40.787 [SPEAKER_01]: I'm so old and so tired of running. 42:41.395 --> 42:52.519 [SPEAKER_03]: As it stretches across the bramble, the hedges, and the tree, it's like the tree bends down to you, offering you a hand. 42:53.460 --> 42:54.640 [SPEAKER_03]: I promise, KO. 42:55.181 --> 43:05.785 [SPEAKER_01]: In most situations, wise gods would consider this moment, but like a man in a desert searching for an oasis, KO jumps at it. 43:06.365 --> 43:07.065 [SPEAKER_03]: You take the hand? 43:11.835 --> 43:13.918 [SPEAKER_01]: He was caught up in the moment. 43:14.799 --> 43:22.188 [SPEAKER_03]: The branch twists around your arm and matches the vines of your tattoos. 43:22.689 --> 43:28.477 [SPEAKER_03]: Will you describe your divine image when your glamour is cast off? 43:29.449 --> 43:46.003 [SPEAKER_01]: The branches of the tree push into fur, and from that shadow, at first you see a leopard's paw, with sick fur, long humanoid fingers. 43:46.643 --> 44:06.260 [SPEAKER_01]: but from their shadow begins to spill and devour the spots that lead up not to more first strangely but to scales a divine figure of a serpent with a long sneak-like features, 44:10.316 --> 44:34.852 [SPEAKER_01]: with piercing radiant golden eyes and a may not of black hair, but rather of gold, and the iridescence wasn't the hair at all, but rather the scales, the green serpent that in any glimmer of light show the colors of soap bubbles. 44:35.753 --> 44:37.515 [SPEAKER_01]: of other vessence of joy. 44:37.915 --> 44:49.885 [SPEAKER_01]: And down the chest you see the hair that is framed not in laurels, but in glorious grape leaves spun into a reef. 44:50.402 --> 45:13.052 [SPEAKER_01]: that cover where there should be ears on a person, but this is a serpent, and then down the chest, you see where there was a snake tattoo, golden scales down the stomach that fade into leopard fur, leopard slags with a long whipping leopard's tail that looks like it was dipped in ink at the very end. 45:20.017 --> 45:28.020 [SPEAKER_03]: The three of you, like a beacon, watch this image that pushes through all of the other foliage. 45:28.280 --> 45:36.043 [SPEAKER_03]: It draws itself back to reveal K-O in their true form, and then the light starts to fade. 45:36.783 --> 45:48.868 [SPEAKER_03]: As it draws into your arm, into the tree, into the shadow, bit by bit. 45:50.368 --> 45:58.671 [SPEAKER_03]: Leaving you, Kayo, with just a drop of your divine essence, and the shadow disappears. 46:02.632 --> 46:13.976 [SPEAKER_03]: The crowd suddenly disperses, in a way that is as if none of them even noticed Kayo, but they don't go about the activities of the festival. 46:14.396 --> 46:16.537 [SPEAKER_03]: In fact, they do nothing. 46:17.257 --> 46:17.897 [SPEAKER_03]: They stand 46:20.713 --> 46:21.814 [SPEAKER_03]: and they do not respond. 46:22.854 --> 46:36.221 [SPEAKER_03]: Lou, Samira and Annie, who had just been chatting with you, suddenly go blank as they drop a glass on the ground and it shatters at your feet. 46:36.957 --> 46:50.827 [SPEAKER_05]: I look at Samira, fuck, this is not what September sacrificed herself for, and I look at Annie, and I like reach out, but I kind of hesitate, I don't want to touch her like this. 46:51.528 --> 46:52.529 [SPEAKER_05]: Well, this just isn't going to work. 46:52.589 --> 47:02.456 [SPEAKER_05]: You have to come back because I have something to tell you, so we're going to need to figure this out and we're going to figure out a step, and I turn around, and I go, Alex, Arion, we have a problem! 47:03.256 --> 47:04.778 [SPEAKER_02]: Be certainly too. 47:05.836 --> 47:11.598 [SPEAKER_03]: Just as you say that, the fountain starts to spoil. 47:12.298 --> 47:31.424 [SPEAKER_03]: The water bubbles a sickly green and the center tracks shifts in half and out of the center begins growing, a tree, tall, massive, hundreds of years this would take to 47:36.418 --> 47:44.428 [SPEAKER_03]: And you hear off in the distance as you look towards the west, another tree behind a Berlin town, and then a third. 47:46.080 --> 48:05.848 [SPEAKER_02]: Arian sees all of this bullshit that is happening, and runs the fucking beacon, because if there is a mess of this fucking proportion, it has to be Greek god related, so he books it. 48:06.268 --> 48:08.389 [SPEAKER_02]: Similarly to how he booked it after the Phoenix. 48:09.350 --> 48:14.452 [SPEAKER_05]: Sorry to impose loose knowledge of botany here, but what type of tree is this? 48:15.698 --> 48:22.141 [SPEAKER_03]: This tree is the exact species that grows on this island just west of here in the forest. 48:22.882 --> 48:30.325 [SPEAKER_03]: The whole island used to be forest before it was cut down to create this little spot for Roseville Beach, this little safe haven. 48:30.705 --> 48:35.808 [SPEAKER_05]: But it's not like a bearing food tree, it's just a leaf tree. 48:36.288 --> 48:38.609 [SPEAKER_00]: It's just a leaf tree, it's not a bearing food tree. 48:39.089 --> 48:41.570 [SPEAKER_00]: Alex just sees all this shit happen. 48:41.610 --> 48:43.812 [SPEAKER_00]: She just takes like a long drag from her cigarette. 48:46.480 --> 48:48.300 [SPEAKER_00]: I've got to be fucking kidding me. 48:48.881 --> 48:50.441 [SPEAKER_00]: Is Kia still there? 48:50.981 --> 48:52.341 [SPEAKER_00]: She's gonna walk up to them. 48:54.922 --> 49:00.443 [SPEAKER_01]: As the like tumultuous stuff starts to happen around the garden, he's just kind of locked in. 49:00.823 --> 49:12.146 [SPEAKER_01]: And before anyone arrives, he just lets out this beastial yell of frustration and rage and when you arrive, 49:18.217 --> 49:19.999 [SPEAKER_05]: Lewis, like, right behind A-Licks. 49:21.181 --> 49:23.003 [SPEAKER_02]: You're all... Showsen? 49:23.463 --> 49:24.885 [SPEAKER_02]: No, that's not quite what you are. 49:25.309 --> 49:26.910 [SPEAKER_02]: Blessed offspring, that's what you are. 49:27.810 --> 49:29.531 [SPEAKER_02]: In modern, that means? 49:30.191 --> 49:31.772 [SPEAKER_01]: Hello, child of the sea. 49:32.772 --> 49:33.372 [SPEAKER_01]: Friends. 49:34.253 --> 49:41.356 [SPEAKER_01]: And now you see as he speaks that silver, serpent tongue, lashes out a little further. 49:41.936 --> 49:42.196 [SPEAKER_01]: Yes. 49:43.176 --> 49:44.417 [SPEAKER_01]: Pleasure to meet you all. 49:44.917 --> 49:45.897 [SPEAKER_01]: Let me start again. 49:45.977 --> 49:49.119 [SPEAKER_01]: Yes, I am Kayo, I do love that name. 49:49.639 --> 49:51.600 [SPEAKER_01]: But I have been called many things 49:54.801 --> 49:57.482 [SPEAKER_00]: Some people just call me the grim reaper, boring. 49:57.762 --> 50:04.244 [SPEAKER_01]: The reapers lieutenant, the last cup, and yes, there is the name my father gave me. 50:04.764 --> 50:05.725 [SPEAKER_01]: Epithatus. 50:06.725 --> 50:09.286 [SPEAKER_01]: The gentle cup of desks. 50:09.306 --> 50:10.426 [SPEAKER_05]: I also go by a nickname. 50:11.127 --> 50:11.807 [SPEAKER_01]: Is it Lou? 50:12.710 --> 50:16.454 [SPEAKER_05]: Yeah, yeah, because I have a full name, so Lou is just the nickname. 50:16.694 --> 50:25.162 [SPEAKER_00]: Hey, look, it just takes about her pack of cigarettes and just like does the same thing as before, where she shakes what up to the top and like puts it towards your mouth. 50:25.710 --> 50:31.455 [SPEAKER_01]: This blackened, leopard paw reaches out to take it. 50:32.275 --> 50:39.301 [SPEAKER_01]: His left hand is still leopard-spotted, but this one is different now. 50:40.202 --> 50:42.523 [SPEAKER_01]: And he just takes it and kind of hooks it beneath the fang. 50:43.264 --> 50:47.908 [SPEAKER_00]: Alex snaps your fingers underneath it, and there's a small little flame collected amongst it. 50:48.408 --> 50:49.109 [SPEAKER_00]: Nice trick. 50:49.669 --> 50:50.570 [SPEAKER_00]: Yeah, I've got a couple. 50:51.040 --> 50:55.861 [SPEAKER_00]: You know, a couple of weeks ago, if I'd watched you do this, I probably would have just killed you right here. 50:56.461 --> 50:57.161 [SPEAKER_01]: Good luck. 50:57.821 --> 51:00.662 [SPEAKER_00]: Wouldn't be the first time that I've been asked to do something like that. 51:01.002 --> 51:02.142 [SPEAKER_05]: I have a magical hammer. 51:02.282 --> 51:02.862 [SPEAKER_05]: I could do it. 51:03.362 --> 51:03.762 [SPEAKER_05]: I'd help. 51:04.402 --> 51:04.922 [SPEAKER_00]: That's true. 51:05.403 --> 51:06.763 [SPEAKER_00]: She does have a magical hammer. 51:06.783 --> 51:08.903 [SPEAKER_01]: Ha ha ha ha ha. 51:09.443 --> 51:15.344 [SPEAKER_01]: I have survived wars more than the days that you have been alive, morsel. 51:15.364 --> 51:16.445 [SPEAKER_01]: I would not. 51:16.465 --> 51:18.445 [SPEAKER_01]: I didn't say I was going to do it, 51:19.258 --> 51:21.720 [SPEAKER_00]: Look, I'm not saying that as a threat. 51:21.740 --> 51:23.922 [SPEAKER_00]: I'm just saying, I get it. 51:24.562 --> 51:26.563 [SPEAKER_00]: She points down at your discolored pause. 51:26.583 --> 51:28.565 [SPEAKER_00]: She's like, I've seen that. 51:29.165 --> 51:30.026 [SPEAKER_00]: We've seen that. 51:30.546 --> 51:33.188 [SPEAKER_00]: He's a different kind of beast. 51:33.809 --> 51:34.669 [SPEAKER_00]: Whatever he is. 51:35.530 --> 51:42.575 [SPEAKER_00]: He knows, and she shoots like a looked at a reen that is not hostile, but just sort of like understanding. 51:43.036 --> 51:43.976 [SPEAKER_00]: He gets under your skin. 51:44.637 --> 51:45.077 [SPEAKER_00]: He waits. 51:45.898 --> 51:47.099 [SPEAKER_00]: What bargain have he struck? 51:49.400 --> 51:56.028 [SPEAKER_01]: Without explaining himself, he just starts running towards the garden to go look for divine. 51:56.997 --> 52:03.921 [SPEAKER_03]: Every step you take, chaos, the garden does not die, but corrupts behind you. 52:04.661 --> 52:09.143 [SPEAKER_03]: It becomes ill, alive, but ill. 52:10.044 --> 52:19.449 [SPEAKER_03]: The fruit grows poisonous, the water grows foul, the soil upturning itself, roots beginning 52:25.732 --> 52:31.813 [SPEAKER_03]: Divine's home, and what you see is a petrified, dry-add. 52:36.094 --> 52:39.294 [SPEAKER_01]: And he falls to her feet. 52:40.115 --> 52:46.996 [SPEAKER_01]: Tears fall not of clear, mortal tear, but of wine. 52:54.015 --> 53:14.470 [SPEAKER_03]: the entity, when as modious took the divinity from you, most of it from you, so did he take your ability to keep the dry ad away from her forest, and now it is reclaiming Rosalbeach. 53:15.411 --> 53:22.196 [SPEAKER_03]: There is no stopping us without your divinity, or without a power that is 53:23.465 --> 53:24.765 [SPEAKER_03]: extraordinary. 53:25.666 --> 53:27.907 [SPEAKER_03]: They did not lie to you. 53:28.907 --> 53:37.530 [SPEAKER_03]: This island will have one final moment to revel before their death. 53:38.810 --> 53:46.473 [SPEAKER_03]: If you can get them to do it, in that thought for the first time you 53:51.805 --> 54:01.116 [SPEAKER_03]: and the same feeling, the same attraction, Aryan, Lou, Alex, gave you that need to revel. 54:02.418 --> 54:03.639 [SPEAKER_03]: He's calling you, Kia. 54:04.360 --> 54:06.202 [SPEAKER_01]: He rises tears. 54:07.611 --> 54:13.676 [SPEAKER_01]: They soak into the shadowed fur that should be radiant and beautiful and gets to his feet. 54:14.417 --> 54:27.048 [SPEAKER_01]: Afraid that the rot from the garden will touch her, will hurt her, and he leaves back to the garden to look for the only people that seem to actually look at him. 54:28.508 --> 54:34.791 [SPEAKER_01]: You all, child of Poseidon, blue with a longer name, and... A-licks. 54:36.311 --> 54:36.932 [SPEAKER_01]: I need your help. 54:37.492 --> 54:37.952 [SPEAKER_01]: Please. 54:38.693 --> 54:39.873 [SPEAKER_01]: How do you all do this? 54:39.913 --> 54:41.474 [SPEAKER_01]: Hmm. 54:42.374 --> 54:43.375 [SPEAKER_01]: It feels sticky. 54:44.235 --> 54:44.555 [SPEAKER_04]: Yeah. 54:45.215 --> 54:48.717 [SPEAKER_00]: It's a... We've never figured out how to fix that, honestly. 54:49.568 --> 54:52.510 [SPEAKER_05]: I'll help you, but it's not for you. 54:53.590 --> 54:55.051 [SPEAKER_05]: I'm gonna be selfish this time. 54:55.531 --> 55:01.774 [SPEAKER_05]: And whatever choice you made, whatever deal you struck, hurt a lot of people I care about, so we're gonna fix that. 55:02.014 --> 55:05.776 [SPEAKER_05]: And if that means helping you then I guess that's a side effect. 55:06.637 --> 55:07.397 [SPEAKER_01]: I can respect you. 55:08.470 --> 55:26.939 [SPEAKER_02]: Rean approaches you, and you see that recognition in his eyes, that fear, that sticks to you like tar, but in his eyes it looks like seafood, and he approaches you and holds his hands out to you. 55:37.800 --> 55:45.243 [SPEAKER_02]: I have bargained and bartered by my word and both's oft as of late. 55:45.723 --> 55:46.543 [SPEAKER_02]: What's another one? 55:47.184 --> 55:49.724 [SPEAKER_02]: One foe of one like I, brother. 55:50.605 --> 55:55.086 [SPEAKER_01]: And that still leopard spotted hand reaches out. 55:55.867 --> 55:57.307 [SPEAKER_01]: I knew I should have been a dolphin. 55:57.727 --> 55:58.888 [SPEAKER_01]: I need to take the other hand. 55:59.893 --> 56:09.703 [SPEAKER_02]: He grips your hands in his chuckles and says, there's a man for whom I am bound to have uncertain what have a predicament that you have found yourself in. 56:10.343 --> 56:12.846 [SPEAKER_02]: We'll hurt less. 56:14.127 --> 56:20.454 [SPEAKER_01]: The trees, and he points to the new tree without even looking at it, and he's then points to further away than we can see, the trees. 56:21.955 --> 56:29.260 [SPEAKER_03]: still growing trees now at first three now seven, ten, just growing Roosevelt Beach. 56:29.780 --> 56:31.442 [SPEAKER_01]: These are from your divine, right? 56:32.182 --> 56:33.323 [SPEAKER_01]: They're looking for her. 56:33.463 --> 56:37.506 [SPEAKER_01]: Yes, she's been here for quite some time. 56:37.686 --> 56:41.969 [SPEAKER_01]: Her trees are long, long, well they're far away. 56:42.429 --> 56:43.350 [SPEAKER_01]: They're long journey. 56:44.350 --> 56:48.053 [SPEAKER_01]: But I've been keeping her here because we're happy here. 56:48.573 --> 56:56.438 [SPEAKER_02]: Elix, is there perhaps the way the Siphon did whatever energy is causing these things to grow back to Chaos? 56:56.458 --> 56:57.178 [SPEAKER_01]: They're not mine. 56:57.719 --> 56:58.559 [SPEAKER_01]: They're her trees. 56:59.220 --> 57:01.741 [SPEAKER_01]: You can't siphon the life of a dry ad. 57:02.422 --> 57:04.243 [SPEAKER_02]: Well then, back to her then, certainly. 57:04.783 --> 57:09.166 [SPEAKER_01]: We need divine strengths, Mother. 57:09.646 --> 57:13.869 [SPEAKER_02]: The font of wish I am currently looking at, but you are dried up. 57:17.825 --> 57:21.606 [SPEAKER_01]: Then we find this asmodious, and we what kill him? 57:22.306 --> 57:23.226 [SPEAKER_01]: We drain him? 57:24.226 --> 57:25.667 [SPEAKER_00]: I'm sorry. 57:26.427 --> 57:27.247 [SPEAKER_00]: What did you call him? 57:27.747 --> 57:28.287 [SPEAKER_01]: Asmodious. 57:28.487 --> 57:29.907 [SPEAKER_01]: That's the name he gave. 57:29.948 --> 57:31.048 [SPEAKER_01]: He said he was... 57:31.088 --> 57:32.028 [SPEAKER_01]: They've had many names. 57:32.948 --> 57:34.068 [SPEAKER_01]: But that's the one that they gave. 57:34.929 --> 57:38.869 [SPEAKER_00]: May I reflect on my arcane knowledge? 57:39.750 --> 57:41.790 [SPEAKER_00]: I want to know what he is. 57:42.752 --> 57:51.740 [SPEAKER_00]: and more importantly, what I really want in the long run is his true name, and I don't know that this is it, but that's more than we've had on him, at all. 57:52.220 --> 57:55.563 [SPEAKER_00]: And now we know his patterns, we know his powers, and now we have a name. 57:56.464 --> 58:05.092 [SPEAKER_03]: The word you hear, Alex, is as modious, but it's as if it's in another language. 58:06.253 --> 58:06.393 [SPEAKER_03]: One, 58:07.333 --> 58:11.254 [SPEAKER_03]: You don't know, but you know where to find out more. 58:11.674 --> 58:17.975 [SPEAKER_03]: It is something ancient and older than any one of you. 58:18.655 --> 58:24.276 [SPEAKER_03]: It is akin to what you saw at the Sandbank. 58:25.097 --> 58:27.217 [SPEAKER_03]: When Mr. War told you they're true name. 58:28.297 --> 58:34.218 [SPEAKER_00]: Ah, fuck, huh, I know where to start. 58:37.823 --> 59:04.147 [SPEAKER_03]: with that, our camera's gonna zoom out as the four of you make your way over to the first bank of Roseville Beach and high in the tree tops stepping out from behind a branch is something that catches your eye alex, a coyote, and when you blink, it's gone. 59:13.537 --> 59:24.105 [SPEAKER_05]: This series stars Alexander Christopher, as the gay master, valiant Dorian, as Arion, Dan Pixel, as A-Lix Cho, and Kenzie Tartaglioni as Lou Wells. 59:24.686 --> 59:27.868 [SPEAKER_05]: This episode's guest star was Kai Kay, as Kayo. 59:28.389 --> 59:30.390 [SPEAKER_05]: If you liked it, share, rate, and review. 59:30.771 --> 59:38.417 [SPEAKER_05]: You can join our Discord and make sure to check out our Patreon for this season's character advancements, bloopers, aftershows, and so much more.