WEBVTT 00:00.091 --> 00:00.491 [SPEAKER_02]: I'm ready. 00:00.571 --> 00:01.311 [SPEAKER_02]: Let's get going. 00:01.551 --> 00:05.032 [SPEAKER_02]: I got I got questions and Michael better have some damn answers. 00:05.192 --> 00:05.732 [SPEAKER_02]: Right. 00:05.752 --> 00:06.272 [SPEAKER_02]: Here we go. 00:29.527 --> 00:50.852 [SPEAKER_02]: Yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo yo 00:51.332 --> 00:52.533 [SPEAKER_00]: I like the WooTang. 00:53.353 --> 00:54.514 [SPEAKER_01]: There you go. 00:54.594 --> 00:55.774 [SPEAKER_01]: WooTang. 00:55.834 --> 00:58.695 [SPEAKER_01]: Well those of you that hear that other voice hear it. 00:58.715 --> 00:59.616 [SPEAKER_01]: We have a special guest. 00:59.816 --> 01:02.657 [SPEAKER_01]: We have our first influencer. 01:02.677 --> 01:03.878 [SPEAKER_01]: Would you call yourself an influencer? 01:04.058 --> 01:05.218 [SPEAKER_00]: I would call myself an influencer. 01:05.918 --> 01:06.078 [SPEAKER_00]: Yeah. 01:06.259 --> 01:06.919 [SPEAKER_00]: I would say that. 01:06.939 --> 01:09.680 [SPEAKER_00]: I would definitely call myself an influencer in the world right now. 01:09.700 --> 01:10.300 [SPEAKER_01]: Yeah, yeah, yeah. 01:10.760 --> 01:12.081 [SPEAKER_01]: We have our first influencer. 01:12.101 --> 01:15.022 [SPEAKER_01]: So let's give it up for a Michael. 01:15.062 --> 01:16.203 [SPEAKER_01]: We're up Michael. 01:16.483 --> 01:17.263 [SPEAKER_01]: Thanks for having me. 01:17.603 --> 01:18.304 [SPEAKER_01]: Thanks for having me. 01:19.865 --> 01:30.076 [SPEAKER_01]: Uh, and Michael has, um, his, uh, he's an Instagram sensation, I would say, uh, you want to get with your name of your, uh, of your page? 01:30.096 --> 01:37.504 [SPEAKER_00]: Yeah, it's Flashback rewind and, uh, I'm on platforms Instagram, TikTok, just started a YouTube channel pretty soon. 01:37.745 --> 01:39.607 [SPEAKER_00]: We got some things coming up pretty soon. 01:40.027 --> 01:43.088 [SPEAKER_01]: Yeah, and your page is about nostalgia, right? 01:43.228 --> 01:49.329 [SPEAKER_00]: Yeah, it's about taking it back to, you know, music, art, culture, history. 01:49.709 --> 02:00.352 [SPEAKER_00]: I'm trying to do everything, you know, from covering all the eras, you know, from the 50s, 60s, 70s, 80s, all types of music, all types of film, all types of, 02:01.172 --> 02:02.413 [SPEAKER_00]: you know, current event. 02:02.473 --> 02:05.216 [SPEAKER_00]: It's like pop culture meets MTV. 02:05.376 --> 02:05.796 [SPEAKER_00]: Yeah. 02:05.896 --> 02:06.437 [SPEAKER_00]: Yeah. 02:06.557 --> 02:07.638 [SPEAKER_00]: That was my my thing. 02:07.678 --> 02:14.024 [SPEAKER_00]: I wanted to make something similar to MTV, which I'm trying to, which I'm working to construct. 02:14.044 --> 02:15.105 [SPEAKER_00]: You know, I want to make it. 02:15.886 --> 02:23.012 [SPEAKER_00]: I want to eventually have my own media company and make a new MTV with the same feel, but a new vibe to it. 02:23.653 --> 02:24.034 [SPEAKER_00]: Right on. 02:24.394 --> 02:25.175 [SPEAKER_00]: I can see that. 02:25.416 --> 02:26.137 [SPEAKER_02]: I loved it. 02:27.038 --> 02:33.607 [SPEAKER_02]: The great thing of, you know, it'd be in the flashback is the things that just go and trigger your childhood. 02:33.647 --> 02:34.929 [SPEAKER_00]: Yeah, that's that. 02:35.289 --> 02:36.251 [SPEAKER_00]: That's what I'm chasing. 02:36.291 --> 02:37.072 [SPEAKER_00]: I want to give that. 02:37.893 --> 02:38.394 [SPEAKER_00]: I never. 02:39.495 --> 02:47.563 [SPEAKER_00]: You know, the nostalgic things to me, it's like everything, like the feeling of back when I was a kid, it's just like in a fork feeling to me. 02:47.643 --> 02:57.393 [SPEAKER_00]: So I want to give that to everybody to have that same feeling they could remember something, something reminds them of their parents, something reminds them of a good time. 02:57.433 --> 03:01.317 [SPEAKER_00]: You know, it's great, a greater day than now, you know, something, you know, 03:01.517 --> 03:17.179 [SPEAKER_01]: You know, what I find fascinating about your page is the fact that it isn't, it isn't just the people that are like 60, 50, 40, or even in their 30s that are fascinating with your page, it's like a lot of young people like in their 20s and stuff that 03:17.619 --> 03:18.400 [SPEAKER_01]: weren't alive. 03:18.560 --> 03:19.060 [SPEAKER_01]: That's true. 03:19.360 --> 03:19.901 [SPEAKER_01]: Very true. 03:19.961 --> 03:24.964 [SPEAKER_01]: I mean, like Vagas, that guys to me is the fascinating part because I'm like, why are you interested in this? 03:24.984 --> 03:30.348 [SPEAKER_01]: This doesn't, this doesn't trigger anything in your memory. 03:30.368 --> 03:33.871 [SPEAKER_00]: You know, it just depends because there's like, I remember me being young. 03:33.931 --> 03:36.233 [SPEAKER_00]: I was always interested in my mom's era. 03:36.273 --> 03:43.678 [SPEAKER_00]: You know, the 50s were always something that I liked, you know, which I had nothing to do with them, but it was just, you know, the nostalgia. 03:43.778 --> 03:44.939 [SPEAKER_00]: I guess it's just something that 03:45.139 --> 04:08.205 [SPEAKER_01]: people are drawn to you know it's it's almost like a time track it seems you know it's got kind of sound crazy but I it when I see it it almost feels like uh because no one's doing it which is also kind of crazy that you're you stepped into something that no one else is doing it almost feels like you're you're traveling back through time and seeing it for the first time like back then 04:08.545 --> 04:14.359 [SPEAKER_00]: And me too, when I'm going in down these rabbit holes, I just start popping up stuff that I've never heard myself. 04:14.579 --> 04:17.025 [SPEAKER_00]: And it's, I'm having fun with it. 04:17.360 --> 04:23.941 [SPEAKER_02]: I think, too, that it's giving you almost like the best parts of that era as well. 04:24.322 --> 04:24.982 [SPEAKER_02]: Yeah. 04:25.122 --> 04:26.142 [SPEAKER_02]: Of the nostalgia. 04:26.162 --> 04:26.562 [SPEAKER_02]: You're not. 04:26.942 --> 04:33.023 [SPEAKER_02]: Because at the time, I mean, I was watching the Brady Bunch every Friday that you only had three channels at the time. 04:33.063 --> 04:37.504 [SPEAKER_02]: And as a kid, you know, that was 12 years old, that was huge for the Brady Bunch. 04:37.544 --> 04:37.804 [SPEAKER_02]: Yeah. 04:37.825 --> 04:38.525 [SPEAKER_02]: Which is family. 04:38.585 --> 04:39.545 [SPEAKER_02]: That kind of thing. 04:40.445 --> 04:56.428 [SPEAKER_02]: Um, but then some of the other stuff you'd be like yeah, I'm not gonna I'm not gonna be re-watching Right that other stuff, but you're coming up with the best pieces and that's why I think it triggers for It doesn't matter what age you are there's still something fascinating about that. 04:56.468 --> 05:04.290 [SPEAKER_02]: I will catch your own like Yeah, I got you Yeah, like the like the commercials that you've got like for hot wheels and stuff 05:04.670 --> 05:06.732 [SPEAKER_00]: Yeah, yeah, the big wheels too. 05:06.932 --> 05:22.243 [SPEAKER_02]: Yeah, so when you were when I was a kid when those the hot wheels were coming out That was like the way that they sell it the way you as an adult you look at it and you go home, man They were really focusing on the kids because they were selling it like that that hot wheel is gonna be amazing 05:22.463 --> 05:26.729 [SPEAKER_00]: Still to this day, it's a big deal, you know, right and it hasn't died at all. 05:27.030 --> 05:28.312 [SPEAKER_00]: It's a big deal. 05:28.612 --> 05:30.815 [SPEAKER_00]: Like right people are collecting crazy. 05:31.036 --> 05:37.065 [SPEAKER_00]: Yeah, that's that was my Mangle of this starting this is just to bring that nostalgic feeling to the mass 05:37.525 --> 05:54.281 [SPEAKER_00]: I, so this is how I started, I started messing around with AI and then I was starting a furniture company like vintage furniture and I was pretty much snapping pictures of furniture and AI in it and you know posting it trying to sell. 05:54.942 --> 06:10.413 [SPEAKER_00]: So I was like, uh, I started getting good with the AI and I was like, you know what, I'm going to try this and make something I like, you know, so I started posting, you know, music videos and doing these little skits with the AI and it just started, uh, you know, forming into that page. 06:20.379 --> 06:40.265 [SPEAKER_00]: And then little by little I started posting I think it was a John Travolta interview of him and I posted it and I got like 10,000 followers from that one post and ever since that day It's literally been five thousand five thousand five thousand every single day till this day and it's just not stopping It's not stopping. 06:40.505 --> 06:41.385 [SPEAKER_00]: It's just pretty cool. 06:41.945 --> 06:43.986 [SPEAKER_00]: So now I'm branding my own brand 06:44.686 --> 06:47.989 [SPEAKER_00]: which I'm going to be monetizing in a different form. 06:48.489 --> 06:54.114 [SPEAKER_00]: It's going to be through events through, you know, I'm putting together some events coming up. 06:54.554 --> 06:56.255 [SPEAKER_00]: I'm doing these concert interviews. 06:56.896 --> 07:02.440 [SPEAKER_00]: Promoting artists that were, I've had so many contact with artists. 07:03.381 --> 07:13.528 [SPEAKER_00]: and I'm trying to bring them back and get them back into the mainstream because they they lost touch with their fans, their lives, their personal lives, they're doing their own thing. 07:13.688 --> 07:28.258 [SPEAKER_00]: But it's good, it gives me content, it gives them a platform to tell their story and you know, I'm working with few met Maryam, she's a singer from TAPS, a famous 80s group was 07:31.100 --> 07:32.121 [SPEAKER_00]: They were all over the place. 07:32.401 --> 07:52.441 [SPEAKER_00]: They were all over the radio and I would say like a one hit wonder kind of kind of Yeah, but a little bit more influential than than most people think right just because our sound is is very unique Yeah, she's she's someone that we're gonna interview pretty soon and tell her side of the story and 07:53.041 --> 08:11.679 [SPEAKER_00]: So when you do that interview then we will that wind up going up on YouTube because it's not going to go I mean right good no no that's going to go on our on our YouTube page So you it's called flashback rewind TV okay that's where I will be posting more of my like editing and 08:12.600 --> 08:32.314 [SPEAKER_00]: media coverage that I do and longer videos the Instagram platform is just for advertising that and you know that's more educational for people to follow and just a gateway to the things that are coming I guess it's just a hub for for the traffic. 08:32.594 --> 08:38.096 [SPEAKER_01]: I want to get back to like more or less as to why the why do you think the young people are are looking at this. 08:38.576 --> 08:41.157 [SPEAKER_01]: Because I have a couple of ideas as to why. 08:41.397 --> 08:44.879 [SPEAKER_01]: From even when I watch them, I'm just like, they look real. 08:44.959 --> 08:53.162 [SPEAKER_01]: Like in other words, the footage, because it's sharp on 35, the way it was shot, the way the makeup is or the way their hair is. 08:54.082 --> 09:02.892 [SPEAKER_01]: it looks authentic, it looks real, it doesn't look uh, I know it's gonna sound crazy, it doesn't look like an Instagram post because does that make sense? 09:02.912 --> 09:04.533 [SPEAKER_00]: Are you talking about the AI stuff? 09:04.573 --> 09:10.299 [SPEAKER_01]: No, no, no, no, I'm talking about just like the music clips or even the interviews where you see 09:11.080 --> 09:16.326 [SPEAKER_01]: You know, like you said, John Trevotra, you see whoever's on there, they don't look like it seems like today. 09:16.626 --> 09:17.948 [SPEAKER_00]: You know, it looks more raw. 09:18.248 --> 09:19.589 [SPEAKER_00]: Yeah, they're authentic. 09:19.649 --> 09:25.115 [SPEAKER_01]: Yes, they look more authentic than, let's say, whatever all the stuff they're looking at now. 09:25.456 --> 09:27.698 [SPEAKER_01]: Yeah, and I'm like, I wonder if that's it. 09:28.239 --> 09:32.543 [SPEAKER_01]: Like, in other words, there is a certain like Instagram look. 09:33.424 --> 09:40.888 [SPEAKER_01]: That everyone has, you know, whether you are the, whatever influencer or whatever, but there is a look to like that. 09:40.928 --> 09:42.709 [SPEAKER_01]: In other words, you look the same. 09:43.249 --> 09:47.711 [SPEAKER_01]: There is no more like different look, but when you see the mining same thing. 09:47.751 --> 09:53.674 [SPEAKER_01]: Yeah, when you see these old, they're, we're also using all like 4k and camera. 09:53.694 --> 09:53.954 [SPEAKER_01]: Right. 09:53.994 --> 09:59.717 [SPEAKER_01]: And so there's no shadows or romanticizing in, in the footage. 10:00.537 --> 10:01.258 [SPEAKER_01]: You know what I mean? 10:01.918 --> 10:03.659 [SPEAKER_01]: And, oh, yeah, for sure. 10:03.940 --> 10:09.124 [SPEAKER_02]: Yeah, because back then, when you were going into a studio, you had a DP that was actually lighting that. 10:09.244 --> 10:10.265 [SPEAKER_02]: You're lighting that set. 10:10.305 --> 10:11.606 [SPEAKER_02]: You're lighting that interview. 10:11.646 --> 10:14.108 [SPEAKER_02]: You've got things that are gone and they're being set up. 10:14.148 --> 10:20.232 [SPEAKER_02]: Plus when they're doing the interview, they're not in the back of their head thinking, I wonder how many hits I'll get out of here. 10:20.373 --> 10:23.275 [SPEAKER_02]: I hope I go and say something that's gonna go viral. 10:23.895 --> 10:27.959 [SPEAKER_02]: They're just they're promoting their product and that's what they're doing. 10:27.979 --> 10:34.986 [SPEAKER_02]: They're not thinking that way Whereas people that are out on social media and they are oh here. 10:35.086 --> 10:41.112 [SPEAKER_02]: I am you know I'm in Jamaica and isn't this fabulous and I'm fabulous and 10:42.153 --> 10:52.939 [SPEAKER_02]: It's just a fabulous, it's just every single one, every single person that's doing that, they are the same. 10:53.119 --> 10:57.721 [SPEAKER_02]: So Michael, flashback rewind while you've been doing this. 10:57.761 --> 11:08.127 [SPEAKER_02]: Has there been anything that you've come across that you've been kind of blown away by, like, holy cow, I can't believe. 11:08.907 --> 11:15.570 [SPEAKER_02]: like this exist or that it's still not around, is there anything that kind of sticks out that you didn't expect to kind of find? 11:16.130 --> 11:19.852 [SPEAKER_00]: Not really because I've been super knowledgeable. 11:19.972 --> 11:23.834 [SPEAKER_00]: I've always growing up, I've always been an nostalgic person. 11:23.894 --> 11:27.935 [SPEAKER_00]: So I've always looked into it, which is why I created this, you know? 11:28.496 --> 11:32.217 [SPEAKER_02]: Okay, so then all of the flashback rewind stuff really is. 11:32.237 --> 11:33.798 [SPEAKER_02]: Give a favor. 11:33.878 --> 11:35.379 [SPEAKER_00]: So the only thing that I could say 11:39.526 --> 11:55.373 [SPEAKER_00]: New artists and maybe a couple new movies that like B-Movies are okay, that the B-Movies scene I wasn't really being into, which is kind of cheesy, but it's pretty cool in a way when I see these old B-Movies. 11:55.854 --> 11:57.674 [SPEAKER_02]: Yeah, I was just thinking about that. 11:57.694 --> 11:59.515 [SPEAKER_00]: Yeah, like the Frankenstein hooker. 11:59.535 --> 12:01.236 [SPEAKER_00]: I don't know if you saw that post. 12:01.276 --> 12:04.958 [SPEAKER_02]: I didn't see that one, but I did see the Charlie Sheen one. 12:06.058 --> 12:12.643 [SPEAKER_02]: Yeah, where was he like a, was he a, I just clearly saw it was he a robot? 12:12.764 --> 12:19.809 [SPEAKER_00]: No, that story is like the crow pretty much like he's this guy and then they end up killing him. 12:20.049 --> 12:20.910 [SPEAKER_00]: He's a good dude. 12:21.450 --> 12:26.774 [SPEAKER_00]: These like crazy nuts that are terrorizing the town. 12:26.794 --> 12:32.519 [SPEAKER_00]: And then he comes back to for revenge, you know, it's it's pretty cool. 12:34.680 --> 12:37.743 [SPEAKER_00]: Okay, did you watch the whole movie? 12:37.944 --> 12:38.684 [SPEAKER_00]: Yes, I did. 12:38.985 --> 12:39.825 [SPEAKER_00]: That's good movie. 12:40.146 --> 12:43.349 [SPEAKER_00]: I thought it was corny, but in the name of it, what was the name of it? 12:43.369 --> 12:44.490 [SPEAKER_00]: It's called the Reath. 12:44.951 --> 12:45.211 [SPEAKER_00]: Yeah. 12:45.451 --> 12:45.872 [SPEAKER_00]: Okay. 12:46.192 --> 12:47.713 [SPEAKER_00]: Yeah, you got to check it out if you haven't seen it. 12:47.733 --> 12:48.754 [SPEAKER_02]: Yeah, it's with Charlie Sheen. 12:48.935 --> 12:49.415 [SPEAKER_00]: Charlie Sheen. 12:49.435 --> 12:51.157 [SPEAKER_02]: Yeah, Charlie Sheen was a... 12:51.177 --> 12:55.842 [SPEAKER_02]: I thought it was a different movie when I first saw it and then I'm going, I've never seen this one. 12:55.882 --> 12:57.103 [SPEAKER_02]: What is this about? 12:57.383 --> 12:58.563 [SPEAKER_00]: Oh yeah, you got to watch it. 12:58.723 --> 13:01.544 [SPEAKER_00]: It's it's corn ball, but you know, that's all right. 13:02.184 --> 13:04.805 [SPEAKER_00]: If you're into that, which I am, you'll like it. 13:04.965 --> 13:09.346 [SPEAKER_02]: And then I saw the one, I saw the trailer for the heavenly kid. 13:09.547 --> 13:11.927 [SPEAKER_02]: Oh, yeah, I was like, oh, I forgot about that. 13:12.067 --> 13:17.909 [SPEAKER_02]: Whether, you know, like somebody that watches it today, either I think it'll be kind of a hit or miss. 13:18.509 --> 13:28.636 [SPEAKER_02]: I think even back when it came out, it was a hit or miss, but if you enjoyed it, it's a moment in your life for whatever reason that it hit you. 13:29.137 --> 13:33.780 [SPEAKER_02]: So that even just me seeing that trailer, I went, there was a good, I had a good feeling. 13:34.220 --> 13:35.741 [SPEAKER_00]: I love, I love hearing that. 13:35.881 --> 13:39.204 [SPEAKER_00]: You see, that's why I love hearing that, honestly. 13:39.564 --> 13:46.487 [SPEAKER_02]: Yeah, yeah, I mean, I get the, I'm like, oh, it just, it comforts you, seeing the Brady bunch, comforts me. 13:46.607 --> 13:48.228 [SPEAKER_02]: Hot wheels, commercial comforts. 13:48.248 --> 13:57.613 [SPEAKER_01]: Do you think, do you think, for you or, or do you think it's just like a time of being like, it was a simpler time, it was easier than it was, life was less complicated, you know? 13:57.633 --> 13:59.334 [SPEAKER_01]: I'm not even thinking on that level. 13:59.434 --> 14:01.975 [SPEAKER_02]: It's just, it's just in the fort, too. 14:02.575 --> 14:04.436 [SPEAKER_02]: Yeah, yes, thank you, yeah. 14:04.656 --> 14:07.878 [SPEAKER_00]: That's how I, I could, that's how I feel when I see stuff like that. 14:08.218 --> 14:09.478 [SPEAKER_02]: And there's more to come, you know. 14:09.798 --> 14:12.519 [SPEAKER_02]: Have you done a thing on the movie over the edge? 14:13.019 --> 14:13.599 [SPEAKER_02]: Over the edge? 14:13.699 --> 14:14.780 [SPEAKER_02]: No, no, no, no. 14:15.600 --> 14:16.500 [SPEAKER_02]: Oh, do you know. 14:17.220 --> 14:19.061 [SPEAKER_00]: I don't even familiar with that movie. 14:19.321 --> 14:20.181 [SPEAKER_00]: Oh my gosh. 14:20.561 --> 14:21.481 [SPEAKER_02]: Is it a movie? 14:22.681 --> 14:23.122 [SPEAKER_05]: Yeah. 14:23.602 --> 14:24.242 [SPEAKER_02]: And it came out. 14:24.302 --> 14:25.902 [SPEAKER_02]: It's Matt Dylan's first movie. 14:26.102 --> 14:26.942 [SPEAKER_02]: He was ever in. 14:27.362 --> 14:29.963 [SPEAKER_02]: It is about a bunch of kids in the suburbs. 14:30.603 --> 14:33.004 [SPEAKER_02]: And it's very like punk. 14:33.784 --> 14:34.444 [SPEAKER_00]: Like punk is? 14:34.484 --> 14:36.525 [SPEAKER_00]: No, no, but there are a bunch of punks. 14:38.606 --> 14:45.014 [SPEAKER_02]: But they're living in the suburbs and they were building and it was the suburb that they were building But they forgot about the kids when they were building it. 14:45.294 --> 14:53.925 [SPEAKER_02]: So the kids are like nothing to do here Except you know We drink yeah getting the mixture yeah Vincent Spano is in it 14:54.969 --> 15:06.261 [SPEAKER_02]: I got to see yeah over the top over the edge over the edge over the edge and then it's got a soundtrack on there That's really good. 15:06.401 --> 15:16.271 [SPEAKER_02]: Oh, yeah, isn't it not content you've got Van Halen you've got cheap trick nice the Ramones 15:17.412 --> 15:33.604 [SPEAKER_02]: Yeah, there's a bunch of artists and the artists that they how they wound up getting it because I wound up doing a stupid deep dive on the movie and And the in the the musicians they reached out to them and they gave them the script and they were like yeah, like the script And with these kids that were like these 15:35.088 --> 15:36.730 [SPEAKER_02]: Rebels in a way. 15:37.010 --> 15:39.332 [SPEAKER_02]: It's still I think it's still kind of holds up. 15:39.392 --> 15:40.813 [SPEAKER_02]: It's it, but it's a beef film. 15:40.853 --> 15:50.101 [SPEAKER_00]: It's a low budget film You know what I was gonna post last night dark city you guys remember I remember dark city is that the one with Key for Southern line. 15:50.161 --> 15:51.142 [SPEAKER_00]: Yeah, honey's dad. 15:51.282 --> 15:58.428 [SPEAKER_00]: I think that's the movie they both first came on together I think but that's a sort of another dark pretty another dark film. 15:58.468 --> 15:58.748 [SPEAKER_01]: Yeah 15:59.131 --> 16:00.451 [SPEAKER_00]: That you don't hear much about. 16:00.551 --> 16:01.791 [SPEAKER_01]: They don't, they don't. 16:02.392 --> 16:03.132 [SPEAKER_00]: Dark man. 16:03.172 --> 16:03.932 [SPEAKER_00]: That was terrible. 16:03.952 --> 16:06.632 [SPEAKER_01]: Dark man was terrible, but it was good, but it was terrible. 16:06.652 --> 16:07.532 [SPEAKER_02]: It was terrible. 16:07.812 --> 16:09.053 [SPEAKER_02]: It was terrible, right? 16:09.433 --> 16:10.853 [SPEAKER_02]: That was with Liam Neeson. 16:11.373 --> 16:11.973 [SPEAKER_02]: Was that Lee? 16:12.573 --> 16:14.494 [SPEAKER_02]: Did Liam Neeson was the dark man? 16:14.754 --> 16:15.794 [SPEAKER_01]: Oh, that was the dark man. 16:15.814 --> 16:16.074 [SPEAKER_01]: Yeah, yeah. 16:16.834 --> 16:22.255 [SPEAKER_01]: That was before he became, uh, the taken, the father. 16:22.735 --> 16:24.175 [SPEAKER_02]: He had special skills back. 16:24.795 --> 16:25.615 [SPEAKER_00]: That's funny. 16:26.656 --> 16:27.376 [SPEAKER_00]: That's crazy. 16:27.416 --> 16:28.436 [SPEAKER_00]: I got to watch it again. 16:28.803 --> 16:38.432 [SPEAKER_02]: So on flashback rewind, do you get messages from people requesting for you to go and hey, can you go and do a thing on over the edge? 16:39.247 --> 16:41.408 [SPEAKER_00]: Um, I get, yeah, request all the time. 16:41.808 --> 16:44.949 [SPEAKER_00]: A couple of my post are requests of people. 16:44.969 --> 16:47.329 [SPEAKER_00]: I don't, I don't get it as much as before. 16:47.729 --> 16:55.251 [SPEAKER_00]: It's just so many messages to go through to filter, filter through, that in, and I work in the film industry. 16:55.271 --> 16:57.432 [SPEAKER_00]: So I'm pretty busy when I start working. 16:57.812 --> 16:58.932 [SPEAKER_00]: I get some weird stuff. 16:58.972 --> 17:01.373 [SPEAKER_00]: I get some cool stuff, you know, it's just, 17:01.713 --> 17:21.935 [SPEAKER_00]: I got to filter my messages better and I believe the last request I had was that what's that movie that I just posted, the movie was the lost boys back then there were more attractive people on camera than they are today and I'm like, look, there's no, who's the new Brad Pitt of today, who's the new George Clooney of today? 17:22.055 --> 17:28.500 [SPEAKER_00]: Yeah, because those guys were trendsetters, you know, they they set the bar high insaturated with the same look, same bot. 17:28.560 --> 17:30.582 [SPEAKER_00]: Yeah, the same Botox look. 17:30.662 --> 17:33.184 [SPEAKER_00]: Yeah, a back then they didn't have them. 17:33.524 --> 17:34.805 [SPEAKER_00]: It was all natural beauty. 17:35.005 --> 17:35.306 [SPEAKER_02]: Right. 17:35.346 --> 17:37.547 [SPEAKER_02]: You never saw the actors out in the wild. 17:37.747 --> 17:38.008 [SPEAKER_02]: Yeah. 17:38.708 --> 17:49.056 [SPEAKER_02]: It was always on screen, and so when I used to watch the Oscars, that was a huge deal because I would be watching before hand to see actually Bert Reynolds getting out of the limit. 17:49.096 --> 17:50.257 [SPEAKER_02]: Oh my gosh, there he is. 17:50.337 --> 17:51.998 [SPEAKER_02]: And real, that's real life. 17:52.278 --> 17:56.041 [SPEAKER_02]: And now you can see any actor and any interview walking anywhere. 17:57.322 --> 18:00.226 [SPEAKER_01]: And secondly, the magic, the magic's gone, right? 18:00.686 --> 18:06.934 [SPEAKER_01]: Is that kind of like what we think back then, the magic was still kind of like relevant, like basically you weren't really seen. 18:07.155 --> 18:10.339 [SPEAKER_01]: Yeah, that, yeah, that was more, I think. 18:10.659 --> 18:11.360 [SPEAKER_01]: Celebrity. 18:11.901 --> 18:12.421 [SPEAKER_01]: Definitely. 18:12.441 --> 18:12.601 [SPEAKER_01]: Yeah. 18:13.122 --> 18:21.527 [SPEAKER_01]: And now it's just overexposed, you know, I mean, like now you, you got your, you have saturated right, but you have to be out through to get your attention. 18:21.567 --> 18:30.612 [SPEAKER_00]: I mean, look at now youtubers are famous and people are all drooling over a youtuber that's so gross doesn't mean it's crazy. 18:32.741 --> 18:33.061 [SPEAKER_02]: Yeah. 18:33.542 --> 18:33.782 [SPEAKER_02]: Yeah. 18:34.343 --> 18:41.429 [SPEAKER_02]: Hey, uh, with flashback rewind, do you, do you post the, like, three videos a day? 18:41.469 --> 18:42.570 [SPEAKER_02]: Do you do one a day? 18:42.670 --> 18:43.031 [SPEAKER_00]: Yeah. 18:43.291 --> 18:50.197 [SPEAKER_00]: I've been, uh, before, you know, because I was trying to get the views and everything up, I was posting about 10 times a day. 18:50.678 --> 18:51.198 [SPEAKER_00]: Wow. 18:51.298 --> 18:53.660 [SPEAKER_00]: But that's probably like the first six months. 18:54.381 --> 18:55.301 [SPEAKER_00]: But I wasn't working. 18:55.321 --> 18:56.982 [SPEAKER_00]: That's the time we were going on the strike. 18:57.122 --> 19:05.883 [SPEAKER_00]: So I was trying to really push it, you know, and then just recently, I probably about four months ago, I was just like, you know what? 19:05.903 --> 19:11.264 [SPEAKER_00]: I'm just going to post, I already have the following that gets not stopping right. 19:11.284 --> 19:15.705 [SPEAKER_00]: So I'm going to be more selective with what I post and okay. 19:15.885 --> 19:18.886 [SPEAKER_00]: That's what I've been doing lately is just being more selective. 19:19.806 --> 19:44.066 [SPEAKER_00]: and you know stuff that like I keep it like real like I post what I like like a lot of people tell me okay post this but if I don't like it I'm not gonna post it right I saw you post are you posting once a week twice a week uh no uh probably like twice a day oh twice a day twice a day okay so you're still consistent yeah it's still like there's there's still looking for their for their daily fix 19:44.506 --> 19:45.126 [SPEAKER_02]: their fix. 19:45.206 --> 19:46.067 [SPEAKER_00]: Yeah, for sure. 19:46.087 --> 19:46.807 [SPEAKER_00]: I got to get them. 19:46.827 --> 19:48.008 [SPEAKER_00]: They're not getting cannibal. 19:49.109 --> 19:50.409 [SPEAKER_01]: The money's on the comeback, baby. 19:50.449 --> 19:52.010 [SPEAKER_01]: It's always on the comeback. 19:52.230 --> 19:52.531 [SPEAKER_00]: Yeah. 19:52.971 --> 20:04.397 [SPEAKER_00]: No, I'm plus, you know, I don't want to over-saturate it and then run out of stuff like right, which I started to, I started to be like having brain fog like, oh god, which right poster. 20:04.697 --> 20:05.498 [SPEAKER_02]: So I keep it. 20:05.938 --> 20:08.239 [SPEAKER_02]: Just hit hit me up right. 20:08.519 --> 20:10.240 [SPEAKER_00]: Yeah, I'll get you some stuff. 20:10.260 --> 20:16.162 [SPEAKER_00]: There's a part that you still have and you see a really Yeah, like have you done near dark? 20:16.722 --> 20:20.903 [SPEAKER_00]: No, I haven't There's a lot of stuff I haven't done. 20:21.083 --> 20:30.607 [SPEAKER_01]: There's two movies that impacted me when I was a kid that they were terrifying And I can't find it starts and I'm never gonna forget because it starts in a desert road 20:31.587 --> 20:42.290 [SPEAKER_01]: And then these guys on the bike, but they're vampires, but they're on the motorcycle, and they're just, and the coffins are all modern coffins, but they come out of the, they're living the desert. 20:42.890 --> 21:04.460 [SPEAKER_01]: And they're just hunting people that drive by the desert because they're just like, oh, anyone that comes here Agamacly disappears like the new like a vampire hills right right right right, but they're vampires I'm like I've never seen it again right the movie you're thinking of is most likely blood ties Okay, TV film wearing younger generation vampires forms a motorcycle gang. 21:04.500 --> 21:09.022 [SPEAKER_01]: Yes, the shrikes that's it Yes, well blood ties. 21:09.042 --> 21:09.843 [SPEAKER_01]: That's the name of the film 21:24.282 --> 21:26.224 [SPEAKER_00]: That's fucking funny, that's so true. 21:27.305 --> 21:28.766 [SPEAKER_01]: Oh, he found the chelendo. 21:29.187 --> 21:29.767 [SPEAKER_01]: He found it. 21:30.088 --> 21:30.748 [SPEAKER_01]: Blood ties. 21:30.768 --> 21:32.250 [SPEAKER_02]: I got blood ties. 21:32.430 --> 21:33.551 [SPEAKER_02]: That's the one he got put in. 21:33.611 --> 21:35.273 [SPEAKER_02]: I got to see who's in this. 21:35.313 --> 21:35.833 [SPEAKER_02]: Blood ties. 21:35.913 --> 21:43.460 [SPEAKER_01]: And along with the one that I also thought when I saw your thing, I was like, oh, you know what to good be movie, whether they did sequels of. 21:43.921 --> 21:44.842 [SPEAKER_01]: Do we have a puppet master? 21:45.042 --> 21:46.223 [SPEAKER_00]: Oh yeah, a puppet master. 21:46.443 --> 21:46.863 [SPEAKER_00]: That's it. 21:46.904 --> 21:47.664 [SPEAKER_00]: I got a poster. 21:48.565 --> 21:49.245 [SPEAKER_00]: That's a good one. 21:49.926 --> 21:53.767 [SPEAKER_00]: What about, I've always asked people that they seen this movie. 21:53.787 --> 22:08.494 [SPEAKER_00]: A lot of people have it and it's called WaxWorks, where these kids go into a wax museum and if they step over the rope, they like go into a scene of whatever the wax displays and they go into like a horror chamber. 22:08.914 --> 22:09.775 [SPEAKER_00]: It's freaking cool. 22:09.995 --> 22:11.716 [SPEAKER_00]: I do not remember that movie. 22:12.056 --> 22:13.677 [SPEAKER_02]: I like the idea of it. 22:13.697 --> 22:14.057 [SPEAKER_02]: Yeah. 22:14.437 --> 22:15.618 [SPEAKER_02]: It's called WaxWorks. 22:15.658 --> 22:16.338 [SPEAKER_02]: WaxWorks. 22:16.718 --> 22:20.423 [SPEAKER_00]: It's with the kid from the Grimmland's Zach Galligan. 22:21.004 --> 22:21.445 [SPEAKER_00]: Yes. 22:21.905 --> 22:22.246 [SPEAKER_00]: Yes. 22:22.706 --> 22:24.248 [SPEAKER_00]: He's the guy from waxworks. 22:24.529 --> 22:25.530 [SPEAKER_00]: What about AI now? 22:25.951 --> 22:27.132 [SPEAKER_00]: Can you use it retroly? 22:28.194 --> 22:33.341 [SPEAKER_00]: If people will just stop making films the old fashion way, then it's just going to be a 22:34.602 --> 22:55.138 [SPEAKER_02]: right but but there's something that the the arts have been around forever true you know you used to always hit you know back in the Roman days you know there was theater theater people people wanted to want to escape true and there's still Broadway shows like a thriving and yeah you know 22:55.977 --> 23:03.341 [SPEAKER_00]: Here's a cool story, I went to New York and I went to go see Chicago, the play. 23:03.822 --> 23:06.343 [SPEAKER_00]: And I was watching the play was good. 23:07.304 --> 23:18.030 [SPEAKER_00]: And then I come back two weeks later, I posted a flashback rewind of the movie, Summer of Sam, I don't know, obviously in that movie with John Laguzano. 23:18.470 --> 23:22.852 [SPEAKER_00]: I posted a scene with John Laguzano in the actress, Marissa Vino. 23:24.033 --> 23:25.394 [SPEAKER_00]: I posted that clip. 23:25.835 --> 23:29.158 [SPEAKER_00]: And then I got a message on the comments from Guy. 23:29.318 --> 23:33.081 [SPEAKER_00]: He was because on the description I was just talking about John Leguzano. 23:33.161 --> 23:34.462 [SPEAKER_00]: I completely left out. 23:34.603 --> 23:35.443 [SPEAKER_00]: Merrill Servino. 23:35.683 --> 23:41.989 [SPEAKER_00]: Out of the description and then the guy is all like, are we going to forget about great performance by Merrill Servino? 23:42.009 --> 23:46.913 [SPEAKER_00]: So I looked into her page and she was the main actress on Chicago and I was like, 23:48.915 --> 23:58.380 [SPEAKER_00]: You know, I read did the whole thing, the description and I included her in it and she messaged me and she told me thank you Oh, nice. 23:58.460 --> 24:06.225 [SPEAKER_00]: It was crazy and then the guy that was saying the comment on her was her makeup artist and he was letting me know that yeah, she's 24:06.885 --> 24:26.847 [SPEAKER_00]: She's no longer in Hollywood because it's, you know, they've got she got blacklisted the whole Harvey Weinstein thing He was just telling me all kinds of cool shit about her and she she's cool She always likes my stuff and good you want you want another good movie with her that would probably don't have it on you ever see beautiful girls no old school movie 24:27.147 --> 24:31.368 [SPEAKER_02]: Uh, it's a 1990-ish. 24:32.509 --> 24:34.369 [SPEAKER_00]: It's got a cast, isn't it? 24:34.529 --> 24:35.870 [SPEAKER_02]: Matt Dylan's in it. 24:36.130 --> 24:38.371 [SPEAKER_02]: Rosie O'Donnell's in it. 24:38.891 --> 24:41.752 [SPEAKER_02]: Natalie Portman, Timothy Hotten's in it. 24:41.952 --> 24:43.452 [SPEAKER_00]: Beautiful girls, I'm going to check it out. 24:43.753 --> 24:47.394 [SPEAKER_00]: Watch her and I put those movies on, and I'm going to get a lot of feedback on those things. 24:47.674 --> 24:50.435 [SPEAKER_00]: Cause the A does, like stuff like that, people, just... 24:51.696 --> 24:52.297 [SPEAKER_01]: What's his name? 24:52.657 --> 24:59.368 [SPEAKER_01]: Who's the, who's the fast-mouth red-hugged 90s guy that, that now is a sports guy? 24:59.588 --> 25:00.710 [SPEAKER_01]: Michael Rapoport. 25:01.052 --> 25:02.273 [SPEAKER_00]: What else does that do then? 25:02.413 --> 25:05.976 [SPEAKER_00]: He was in, uh, he's Remy from higher learning, no? 25:06.256 --> 25:06.516 [SPEAKER_01]: Yes. 25:06.836 --> 25:07.677 [SPEAKER_01]: Yes, he's scared. 25:07.697 --> 25:09.998 [SPEAKER_01]: Yes, yes, he's at me from high level. 25:10.038 --> 25:10.539 [SPEAKER_01]: Okay, yeah. 25:11.059 --> 25:16.843 [SPEAKER_02]: So, uh, flashback rewind and you said about AI can AI be used for retro, right? 25:16.983 --> 25:18.284 [SPEAKER_02]: Was that what you were saying? 25:18.424 --> 25:22.067 [SPEAKER_00]: Like, you know, you think they can make a film looking retro? 25:22.387 --> 25:23.148 [SPEAKER_01]: Using AI? 25:23.668 --> 25:24.329 [SPEAKER_00]: Using AI. 25:24.549 --> 25:27.951 [SPEAKER_00]: That would have the same effect as, uh, you know, old school film. 25:30.713 --> 25:38.238 [SPEAKER_00]: Yes, from the writing, from the writing to the actual creating of the characters, somebody can't do it all. 25:38.818 --> 25:48.665 [SPEAKER_02]: One person, can it go and create something retro looking, yeah, a feel maybe for a scene, but it's not going to be original. 25:48.965 --> 25:50.346 [SPEAKER_02]: It's not going to be original, right? 25:50.626 --> 25:54.429 [SPEAKER_00]: If you do make a original story, yeah, it's possible. 25:55.029 --> 26:03.794 [SPEAKER_02]: Yeah, then if you do an original story, that's true, but then you're just then going for the retro look that it's going to wind up. 26:03.814 --> 26:16.881 [SPEAKER_00]: Because the reason why I was going with this is because I'm writing a script myself, and I wanted to see what it would look like if I made it with the I as far as, you know, using the top of the line AI. 26:17.201 --> 26:18.742 [SPEAKER_00]: So no actors. 26:19.283 --> 26:21.504 [SPEAKER_00]: I mean, just just to see what it looks like. 26:21.824 --> 26:22.564 [SPEAKER_00]: Yeah, no, no, no. 26:23.805 --> 26:25.126 [SPEAKER_00]: I'm saying that you don't know. 26:25.666 --> 26:29.089 [SPEAKER_00]: It'll be just you in the room that's going to create all of it. 26:29.229 --> 26:29.449 [SPEAKER_00]: Right. 26:29.629 --> 26:29.969 [SPEAKER_00]: Okay. 26:30.249 --> 26:31.250 [SPEAKER_00]: I want to just try it. 26:31.530 --> 26:32.391 [SPEAKER_00]: I was thinking about it. 26:32.651 --> 26:35.813 [SPEAKER_00]: When I started this, I was going to film it like the movie kids. 26:36.374 --> 26:37.534 [SPEAKER_00]: You ever see that movie kids? 26:37.554 --> 26:37.775 [SPEAKER_00]: Yeah. 26:38.195 --> 26:38.355 [SPEAKER_00]: Yeah. 26:38.375 --> 26:46.461 [SPEAKER_00]: That's what I was looking for that rock, because it's about teenagers in the different era and the 90s going up in Southern California. 26:46.541 --> 26:52.445 [SPEAKER_00]: It's a whole scene of it's a rebel party crew scene that I was big part of in the 90s. 26:53.225 --> 26:55.166 [SPEAKER_00]: and I wanted to tell the story about it. 26:55.907 --> 27:00.970 [SPEAKER_00]: So I was going to give it that raw feel like Larry Clark, the way he filmed. 27:01.250 --> 27:09.436 [SPEAKER_00]: No actors, you know, he didn't have any actors or all kids that he was observing and hit him up one day. 27:09.456 --> 27:11.397 [SPEAKER_00]: It was just like, hey, you guys want to make movie. 27:11.717 --> 27:17.161 [SPEAKER_01]: You could, I think I think you could, you could cheat it and do it to a point where it's 27:19.342 --> 27:31.106 [SPEAKER_01]: The acting is the only problem because even when I see the AI, I don't know if you guys are seeing now the whole new AI commercials that they pitch on YouTube Oh, you mean for the latest Tai Chi challenge? 27:31.126 --> 27:40.909 [SPEAKER_02]: I don't know 105 years old, and I do the Tai Chi challenge All that shit I don't watch what I eat at all All I do is 50 pushups on the chair 27:41.309 --> 27:42.850 [SPEAKER_02]: And I'm fit like this. 27:42.870 --> 27:43.871 [SPEAKER_02]: I've got a six pegs and a ramps up high. 27:43.931 --> 28:00.865 [SPEAKER_00]: Yeah, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right up, right 28:00.905 --> 28:01.726 [SPEAKER_01]: That's what I want you to do. 28:01.746 --> 28:02.246 [SPEAKER_01]: That's what you do. 28:02.266 --> 28:02.726 [SPEAKER_01]: That's what you do. 28:02.886 --> 28:03.407 [SPEAKER_01]: That's what you do. 28:03.467 --> 28:03.947 [SPEAKER_01]: That's what you do. 28:03.967 --> 28:04.388 [SPEAKER_01]: That's what you do. 28:04.408 --> 28:04.968 [SPEAKER_02]: That's what you do. 28:04.988 --> 28:05.388 [SPEAKER_02]: That's what you do. 28:05.508 --> 28:06.069 [SPEAKER_02]: That's what you do. 28:06.089 --> 28:06.929 [SPEAKER_02]: That's what you do. 28:07.050 --> 28:07.670 [SPEAKER_02]: That's what you do. 28:07.690 --> 28:08.531 [SPEAKER_02]: That's what you do. 28:08.591 --> 28:09.651 [SPEAKER_02]: That's what you do. 28:09.671 --> 28:10.132 [SPEAKER_02]: That's what you do. 28:10.152 --> 28:11.033 [SPEAKER_02]: That's what you do. 28:11.053 --> 28:12.133 [SPEAKER_02]: That's what you do. 28:12.173 --> 28:13.054 [SPEAKER_02]: That's what you do. 28:13.154 --> 28:13.775 [SPEAKER_02]: That's what you do. 28:13.975 --> 28:15.256 [SPEAKER_02]: That's what you do. 28:15.536 --> 28:16.376 [SPEAKER_02]: That's what you do. 28:16.416 --> 28:16.957 [SPEAKER_02]: That's what you do. 28:16.977 --> 28:17.437 [SPEAKER_00]: That's what you do. 28:17.457 --> 28:17.938 [SPEAKER_00]: That's what you do. 28:17.958 --> 28:18.478 [SPEAKER_00]: That's what you do. 28:18.498 --> 28:18.998 [SPEAKER_00]: That's what you do. 28:19.018 --> 28:19.459 [SPEAKER_00]: That's what you do. 28:19.479 --> 28:20.359 [SPEAKER_00]: That's what you do. 28:20.419 --> 28:20.820 [SPEAKER_00]: That's what you 28:24.944 --> 28:31.592 [SPEAKER_00]: It's a lot of, because I made this animated character Max Rewind, kind of a rip off of Max Headroom. 28:31.893 --> 28:38.060 [SPEAKER_00]: Yeah, I get so much negative stuff, but I mean I get some good stuff, but more negative I feel. 28:38.498 --> 28:41.259 [SPEAKER_02]: How much of the max rewind is there? 28:41.559 --> 28:43.580 [SPEAKER_02]: I mean, I was going through it. 28:43.660 --> 28:46.021 [SPEAKER_02]: I wasn't coming across it on every one. 28:46.041 --> 28:51.622 [SPEAKER_00]: That's why because I was getting so much negative stuff from it, I kind of toned it down. 28:52.323 --> 28:56.504 [SPEAKER_00]: But I'd made one or two recent clips of him. 28:56.784 --> 28:59.365 [SPEAKER_02]: Were you having max introducing the clips? 28:59.605 --> 29:09.631 [SPEAKER_00]: Yeah, no, I was having them, I'm promoting for these events coming up through these retro concerts, English beat, all these older bands. 29:09.931 --> 29:16.194 [SPEAKER_00]: And they were upset because you were using the matrix, because I made him like an announcer announcing the thing, all that. 29:16.254 --> 29:24.439 [SPEAKER_02]: So they were upset because you made an AI version of this to promote a retro band. 29:24.579 --> 29:26.880 [SPEAKER_00]: Yeah, usually a retro character. 29:27.280 --> 29:38.487 [SPEAKER_01]: They were just, they're just totally against AI, you would be like, oh, again, the, the little light suit, the little lights out there that are like, this is not going to happen when I'm like, no, it's, it's, it's really happening. 29:38.527 --> 29:47.592 [SPEAKER_02]: It's, oh, no, well, he's saying it older, but, but you're saying, are you saying it was just older people that were going, oh, why are you using AI? 29:47.772 --> 29:52.054 [SPEAKER_00]: There would be like, oh, take this AI, slap off or, oh, 29:56.901 --> 29:58.964 [SPEAKER_00]: But you know, I am going to keep doing it. 29:59.285 --> 30:02.409 [SPEAKER_00]: It's just, I toned it down a little because I was doing it more. 30:02.942 --> 30:04.263 [SPEAKER_02]: But here's the thing. 30:04.643 --> 30:19.410 [SPEAKER_02]: Again, as a tool and what you're creating because people out there that are listening, if you go onto his page, there's an AI thumbnail of each of the videos that he's got. 30:19.610 --> 30:22.051 [SPEAKER_02]: You create that with AI, correct? 30:22.211 --> 30:26.393 [SPEAKER_02]: So as you go and tap on it, you go right into the music video or the film clip. 30:26.593 --> 30:28.974 [SPEAKER_02]: Yeah, there's no AI in the film or nothing. 30:29.034 --> 30:30.035 [SPEAKER_02]: Right, but you're new. 30:30.555 --> 30:35.500 [SPEAKER_02]: You're using the AI to go and entice people to go and check it out. 30:35.880 --> 30:36.140 [SPEAKER_02]: True. 30:36.240 --> 30:36.420 [SPEAKER_02]: No. 30:37.141 --> 30:41.345 [SPEAKER_02]: You're upset because there's a billboard that was created with AI. 30:41.385 --> 30:51.074 [SPEAKER_02]: What you want just to like a black background with what kind of computer that says 50 twos or something, you know, that visually works. 30:51.454 --> 30:54.457 [SPEAKER_00]: It's just a video editing when I start throwing stuff on there. 30:54.837 --> 30:55.417 [SPEAKER_00]: I get some. 30:56.218 --> 31:22.771 [SPEAKER_00]: Not I'm not saying everybody not everybody just yeah, I get something we don't get we don't get that kind of feedback Yeah, we don't get that kind of feedback that's that's good Yeah, but we don't have a million followers That is true So you got a million followers over there There is something that you were saying that you were like you wanted to That you've noticed that the algorithm is no longer pushing your content as much because it's faceless 31:23.307 --> 31:28.990 [SPEAKER_00]: Yes, I did look at up the way metal works as they go through periods of requirements. 31:29.290 --> 31:30.450 [SPEAKER_00]: It's just random. 31:30.590 --> 31:32.171 [SPEAKER_00]: There's no real system to it. 31:32.351 --> 31:35.693 [SPEAKER_00]: I noticed my, you know, numbers up and down, up and down. 31:35.773 --> 31:37.154 [SPEAKER_00]: And it's, it's normal. 31:37.194 --> 31:40.215 [SPEAKER_00]: It happens throughout the whole time I've had this page. 31:40.235 --> 31:42.136 [SPEAKER_00]: It's been like that up and down, up and down. 31:42.396 --> 31:47.680 [SPEAKER_00]: But it did say that it's favoring more people that are actually on camera, on camera. 31:47.920 --> 31:51.863 [SPEAKER_00]: I could see like maybe a 30% dip in the last two months. 31:52.223 --> 31:53.704 [SPEAKER_00]: I mean, I'm still getting the following. 31:53.804 --> 31:54.065 [SPEAKER_00]: Right. 31:54.185 --> 31:58.928 [SPEAKER_00]: It's just not getting it's pushed out in the, into the ether, into the algal rhythm. 31:59.088 --> 31:59.469 [SPEAKER_02]: Right. 31:59.729 --> 32:07.975 [SPEAKER_02]: But also, did you notice that that was, started happening once you went from 10 postings a day to three postings a day? 32:08.615 --> 32:13.079 [SPEAKER_00]: No, because that was the that didn't really affect anything. 32:13.179 --> 32:13.639 [SPEAKER_02]: Okay. 32:13.899 --> 32:28.710 [SPEAKER_00]: Yeah, it's like I told you it's just something random that meta does and I could probably change that up and then in another two months It's going to go back to how it was tired of gauge anything with meta because it's it's constantly changing their constantly changing the rules 32:29.491 --> 32:32.232 [SPEAKER_00]: you know, the monetization system is terrible. 32:32.472 --> 32:39.595 [SPEAKER_00]: That's why I don't even count on making money from views or likes because it's not even worth it, honestly. 32:39.935 --> 32:40.775 [SPEAKER_00]: Neither do we. 32:40.875 --> 32:43.596 [SPEAKER_01]: And now, yeah, that's why we're only in it for the love. 32:43.616 --> 32:44.796 [SPEAKER_01]: We're only in it for you, fool. 32:44.816 --> 32:45.117 [SPEAKER_01]: Sure. 32:45.157 --> 32:46.737 [SPEAKER_01]: That's why we're staying here. 32:46.757 --> 32:51.799 [SPEAKER_00]: That's, I'm just doing it and having fun with it and hopefully can make something out of it. 32:52.239 --> 32:53.982 [SPEAKER_01]: You know, I saw something on your page. 32:54.022 --> 32:57.426 [SPEAKER_01]: I saw that you were promoting night crystal Nike. 32:57.626 --> 33:02.512 [SPEAKER_00]: It was like oh yeah crystal so that's the guy that Just hit me. 33:02.532 --> 33:03.754 [SPEAKER_01]: Did you did you create that? 33:04.014 --> 33:04.575 [SPEAKER_00]: No, no, no. 33:04.675 --> 33:06.837 [SPEAKER_00]: Oh, he's oh, I did make the promo. 33:06.958 --> 33:09.000 [SPEAKER_00]: Yeah, you did make the promo for him 33:09.981 --> 33:11.623 [SPEAKER_00]: And he's he's a cool guy. 33:11.683 --> 33:13.424 [SPEAKER_00]: He's got those shoes. 33:13.565 --> 33:14.726 [SPEAKER_00]: Have you been talking to him? 33:14.766 --> 33:16.027 [SPEAKER_01]: No, I just saw those shoes. 33:16.087 --> 33:17.328 [SPEAKER_01]: I was like, Oh, these are guys. 33:17.408 --> 33:19.310 [SPEAKER_00]: He's got a bunch of cool shit. 33:19.350 --> 33:22.913 [SPEAKER_00]: He's doing these short circuit once next week. 33:23.253 --> 33:25.015 [SPEAKER_00]: He's dropping them up next month. 33:25.315 --> 33:27.217 [SPEAKER_00]: I'll probably be posting those two. 33:28.198 --> 33:30.040 [SPEAKER_02]: I don't know what you guys are talking about. 33:30.060 --> 33:33.503 [SPEAKER_02]: So you're going to have to explain this to me and the rest of the audience. 33:33.763 --> 33:38.244 [SPEAKER_00]: If you go on my page, you could go the Dark Crystal post. 33:38.345 --> 33:43.946 [SPEAKER_00]: It's a shoe line that this guy created and he makes this project. 33:43.966 --> 33:45.887 [SPEAKER_01]: Do you know not Dark Crystal? 33:46.367 --> 33:48.068 [SPEAKER_01]: Jolinda, do you ever say movie? 33:48.148 --> 33:48.788 [SPEAKER_01]: Yeah, the movie. 33:49.208 --> 33:49.428 [SPEAKER_01]: Yeah. 33:49.448 --> 33:50.528 [SPEAKER_00]: Jim Henson, I believe. 33:50.548 --> 33:52.669 [SPEAKER_01]: Yeah, Jim Henson's Dark Crystal movie. 33:52.809 --> 33:57.090 [SPEAKER_01]: So this guy made, like, took the Dark Crystal theme and made 10 issues. 33:57.191 --> 34:01.772 [SPEAKER_01]: Like, like Nike, okay, he's, okay, based on a based on the film. 34:02.012 --> 34:08.336 [SPEAKER_01]: he does it like a lot of stuff and they're pretty dope like I was watching I was seeing I was like, oh, you know what they're actually pretty cool. 34:08.356 --> 34:19.684 [SPEAKER_01]: I'm like not that I I would feel a little a little something about them, but I liked I liked the fact that someone was doing I was like, I mean, yeah, I wouldn't wear a meter. 34:19.964 --> 34:22.005 [SPEAKER_01]: It is nostalgic. 34:22.065 --> 34:24.127 [SPEAKER_01]: I was like, I'm like if I was a kid 34:25.183 --> 34:25.824 [SPEAKER_01]: I would bust these. 34:26.264 --> 34:26.504 [SPEAKER_00]: Yeah. 34:26.924 --> 34:27.945 [SPEAKER_02]: So he's on there. 34:27.985 --> 34:32.009 [SPEAKER_02]: So if I'm scrolling through your Instagram, I'll come across it. 34:32.209 --> 34:32.629 [SPEAKER_00]: Yeah. 34:33.010 --> 34:34.151 [SPEAKER_00]: His name's Bullaris. 34:34.391 --> 34:35.111 [SPEAKER_00]: Bullaris? 34:35.352 --> 34:35.652 [SPEAKER_00]: Yeah. 34:35.752 --> 34:36.192 [SPEAKER_00]: He'll see. 34:36.232 --> 34:36.953 [SPEAKER_00]: Dark Crystal. 34:37.153 --> 34:37.934 [SPEAKER_01]: Yeah. 34:38.254 --> 34:39.235 [SPEAKER_01]: The problem was pretty tight. 34:39.475 --> 34:41.517 [SPEAKER_01]: I like that's why I was like, oh, did you make the problem? 34:41.537 --> 34:42.057 [SPEAKER_00]: Yeah, I did. 34:42.217 --> 34:42.457 [SPEAKER_00]: Yeah. 34:42.598 --> 34:42.818 [SPEAKER_00]: And yeah. 34:42.838 --> 34:44.659 [SPEAKER_00]: I'm going to do the short circuit one too. 34:45.540 --> 35:11.505 [SPEAKER_02]: Hopefully that gets some good little sales from that by going and doing that creating that promo for this product using dark crystal footage but because you're only using a short amount then it's okay because that's always my concern like when we're doing this as far as like oh what kind of music and I go and use how much can I go and use yeah so I think you could only use like 35:13.525 --> 35:42.497 [SPEAKER_00]: Ten seconds of the song and if you're gonna use longer you have to make it like a documentary where you're talking over the music Well when when you even have like the full song because there's time so you have the hope the full yeah It'll tell you like it'll let you know if you could use it or not because they flag me all the time when I put something I'm supposed to they'll tell you take it down and I got to take it down or they'll mute it So what I usually do is they'll tell you you can use the music But you have to use the music from our library 35:42.837 --> 35:51.791 [SPEAKER_00]: whatever music and you can only use a minute in 30 seconds of their music so that's I'll just do like a voiceover with the music on the video. 35:51.811 --> 35:52.712 [SPEAKER_00]: Stay let it go through. 35:53.007 --> 35:56.209 [SPEAKER_02]: See, now this is something else that you can go and parlay into. 35:56.429 --> 36:00.931 [SPEAKER_02]: You could go and teach, try to do, to promote things on Instagram. 36:01.191 --> 36:02.292 [SPEAKER_00]: I did want to do that. 36:02.432 --> 36:06.154 [SPEAKER_00]: I did want to make like some curriculum chart. 36:06.434 --> 36:14.539 [SPEAKER_02]: You got to throw it on your flashback, rewind, YouTube page, and you go and you create that. 36:14.699 --> 36:18.541 [SPEAKER_02]: But then you do that as a, uh, a paid subscription. 36:19.301 --> 36:19.802 [SPEAKER_02]: Yeah. 36:20.102 --> 36:26.332 [SPEAKER_02]: Even if even if it's two bucks, you'd have you'd have a bunch of people that, you know, I'd be like two bucks. 36:26.453 --> 36:28.276 [SPEAKER_02]: All right, I'll pay two bucks to hear what this guy. 36:28.778 --> 36:30.980 [SPEAKER_00]: I was watching Red Sonia yesterday. 36:31.000 --> 36:33.022 [SPEAKER_00]: Remember that movie, Red Sonia? 36:33.122 --> 36:34.063 [SPEAKER_00]: I remember the title. 36:34.163 --> 36:37.926 [SPEAKER_00]: It's with Arnold Schwarzenegger, he plays like... Oh, yes. 36:38.626 --> 36:38.967 [SPEAKER_00]: Yeah. 36:39.167 --> 36:41.749 [SPEAKER_00]: It's kind of like a mix of Conan, because he's in it. 36:42.370 --> 36:43.771 [SPEAKER_00]: He's still a barbarian in it. 36:44.291 --> 36:44.551 [SPEAKER_00]: Uh-huh. 36:44.631 --> 36:50.757 [SPEAKER_00]: I did the fucking sets on that show, on that movie, we're amazing, like all the... 36:50.837 --> 36:54.660 [SPEAKER_00]: I could just imagine all the manpower that they had to build all that stuff. 36:55.231 --> 36:59.014 [SPEAKER_02]: Oh, go and watch it band of brothers, but it's not CGI. 36:59.354 --> 36:59.794 [SPEAKER_02]: Oh, no. 36:59.994 --> 37:11.361 [SPEAKER_02]: It's a big it they shot that thing the battle of the balls out on this set and I think it was in Britain Holy cow watching it. 37:11.482 --> 37:18.246 [SPEAKER_02]: I know that it's a set, but there's still something about it that is it's visceral, you know 37:18.866 --> 37:33.951 [SPEAKER_02]: Especially because you know, you once the battle starts, you're in close ups and stuff and that stuff is just in your face, but yeah, you know, it's that it's, you know, Raiders of the Lost Ark, you know, the Goonies, the Goonies, those are all real sets. 37:34.351 --> 37:39.172 [SPEAKER_02]: Yeah, you know, and those are hundreds of people to hundreds. 37:39.832 --> 37:47.015 [SPEAKER_02]: Good luck trying to get that reaction from the kids going down the slide, you know, and it lands into a pool of water with a good atmosphere. 37:48.615 --> 37:50.937 [SPEAKER_00]: It's gonna be a CGI. 37:50.977 --> 37:53.119 [SPEAKER_02]: It's not a remake, it's a sequel. 37:53.660 --> 37:54.421 [SPEAKER_02]: Yeah, it's a sequel. 37:54.741 --> 37:58.564 [SPEAKER_02]: But again, my point is, good luck getting that reaction from the kids. 37:59.145 --> 38:04.970 [SPEAKER_02]: Because what Spielberg had done was had that set built, and those kids weren't on that set. 38:05.170 --> 38:10.675 [SPEAKER_02]: When they land in the water and open up their eyes after they come out of the water, that's the first time they're seeing the set. 38:10.775 --> 38:12.277 [SPEAKER_02]: So that's a real reaction. 38:12.812 --> 38:15.133 [SPEAKER_00]: Oh, so they didn't know they didn't know. 38:15.153 --> 38:16.233 [SPEAKER_00]: They just didn't see it. 38:16.253 --> 38:17.733 [SPEAKER_00]: They got the camera set there. 38:17.793 --> 38:34.917 [SPEAKER_02]: They're like, okay, you get up at the top of this and now you slide down the water and they're capturing that and then when the kids land in the water and they pop up, they're looking at that pirate ship for the first time you're seeing that for the first time and so are they and so that reaction is real. 38:35.637 --> 38:40.258 [SPEAKER_02]: Whereas, you're not going to get that reaction with a green screen. 38:40.318 --> 38:41.719 [SPEAKER_02]: Okay, act like you're really surprised. 38:41.739 --> 38:43.479 [SPEAKER_01]: It's going to look like this picture here. 38:43.759 --> 38:44.180 [SPEAKER_02]: Oh, okay. 38:45.260 --> 38:46.300 [SPEAKER_02]: Oh, yeah. 38:46.640 --> 38:48.421 [SPEAKER_02]: It's not the same man. 38:48.521 --> 38:48.941 [SPEAKER_02]: It's true. 38:49.781 --> 38:50.561 [SPEAKER_02]: It's not the same. 38:50.621 --> 38:52.242 [SPEAKER_02]: It just isn't no matter what. 38:52.842 --> 38:53.922 [SPEAKER_02]: Again, great tool. 38:53.962 --> 38:57.683 [SPEAKER_00]: But I hate that that they wait 40 years to make a remake. 38:57.703 --> 39:02.645 [SPEAKER_01]: Four years, bro, 40, 40 years to make this fucking remake crazy, bro. 39:03.603 --> 39:25.612 [SPEAKER_02]: like what's the point that all became grand paulers yeah yeah i i i again we don't there are no questions that were an answered that you're going on i wonder i saw the ship floating in the you know what exactly where did it go it disappeared like what are we doing where were we going going going to oak island yeah what i really want to really tell us it 39:27.693 --> 39:31.056 [SPEAKER_01]: I think we can leave it on that note on the one I really know, right? 39:31.136 --> 39:40.504 [SPEAKER_02]: I think that takes us back to a good place Sliding down What what takes us back to a good place is flashback rewind. 39:40.705 --> 39:47.751 [SPEAKER_02]: Yeah flashback rewind takes us back to a good place That's right Michael you did a you're doing it on some job. 39:47.871 --> 39:50.673 [SPEAKER_01]: Thank you Especially in this time. 39:50.713 --> 39:51.574 [SPEAKER_01]: It's good to go back 39:51.714 --> 39:52.534 [SPEAKER_00]: You guys are awesome. 39:52.735 --> 39:54.796 [SPEAKER_02]: It's good to see all you foods out there. 39:54.816 --> 39:56.797 [SPEAKER_02]: You got to go check out Flashback Re1. 39:56.837 --> 40:01.399 [SPEAKER_02]: You're going to feel better instead of doom scrolling, going through good scrolling. 40:01.559 --> 40:02.440 [SPEAKER_02]: You'll feel better. 40:02.560 --> 40:06.142 [SPEAKER_02]: Agamacre, you'll come back feeling like you're going to put a smile on your face. 40:06.262 --> 40:07.262 [SPEAKER_02]: Yeah, sure. 40:07.302 --> 40:09.323 [SPEAKER_01]: We'll be happy, your brain will be happy. 40:09.343 --> 40:09.844 [SPEAKER_01]: Exactly. 40:09.864 --> 40:10.684 [SPEAKER_01]: Oh, that's right. 40:10.744 --> 40:11.304 [SPEAKER_01]: I live that. 40:11.445 --> 40:12.085 [SPEAKER_01]: I saw that. 40:12.385 --> 40:13.185 [SPEAKER_01]: I remember that. 40:13.586 --> 40:14.426 [SPEAKER_01]: I can use that. 40:14.546 --> 40:15.487 [SPEAKER_00]: And there's more to come. 40:15.827 --> 40:16.807 [SPEAKER_00]: Yeah. 40:16.847 --> 40:19.149 [SPEAKER_00]: I'm going to keep it busy for you guys. 40:20.049 --> 40:20.671 [SPEAKER_01]: Right on. 40:20.691 --> 40:22.214 [SPEAKER_01]: Hey, thank you for coming on, Mike. 40:22.234 --> 40:22.775 [SPEAKER_01]: Thank you. 40:22.815 --> 40:23.617 [SPEAKER_00]: Thanks for having me. 40:23.817 --> 40:24.218 [SPEAKER_01]: All right. 40:24.479 --> 40:25.761 [SPEAKER_01]: And on that note. 40:25.922 --> 40:27.685 [SPEAKER_01]: We beat. 40:27.946 --> 40:29.770 [SPEAKER_01]: She could check it, check her out. 40:30.692 --> 40:30.992 [SPEAKER_01]: Ouch. 40:35.308 --> 40:50.387 [SPEAKER_03]: I hear you now I just can't stay inside all day I got to get out in the summer those days Everybody's morning sunshine day Everybody's not dead sunshine day