WEBVTT 00:15.130 --> 00:29.815 [SPEAKER_04]: I'm an only child, no one could have made another I have to father my mother and treat my sons grandfather like my older brother The skies are grand Toronto, they're not a golden color I'm feeling like BTS because it took the whole career for me to be so discovered 00:30.795 --> 00:34.140 [SPEAKER_04]: I know for sure that my parents, they look at me and see our overcomers. 00:34.220 --> 00:35.642 [SPEAKER_05]: What is up team? 00:35.963 --> 00:39.968 [SPEAKER_05]: It is Ryan Castle of the DICE. 00:40.269 --> 00:45.957 [SPEAKER_05]: We had to jump on a little emergency pod here tonight and by we I mean me. 00:46.217 --> 00:58.805 [SPEAKER_05]: Because as soon as I heard that Jersey Drake had a brand new surprise album release, in fact he had three, that's right, three albums made of honor, Habidi, and the Ice Man. 00:59.166 --> 01:05.670 [SPEAKER_05]: I thought here the dissect DJs, where we like to spin it, mix it, throw it back, and dissect it. 01:05.830 --> 01:10.935 [SPEAKER_05]: What a great opportunity to jump on a full album review just two weeks ago. 01:11.015 --> 01:15.880 [SPEAKER_05]: We did a full album review of Michael Jackson's very first mega album off the wall. 01:16.081 --> 01:20.986 [SPEAKER_05]: Let's keep that album review train going and take a run through Driggs brand new releases. 01:21.066 --> 01:24.890 [SPEAKER_05]: But three albums on a surprise drop is crazy work. 01:25.190 --> 01:28.874 [SPEAKER_05]: So I'm just going to go ahead and review one and that is Ice Man. 01:29.214 --> 01:33.637 [SPEAKER_05]: which is supposed to be more as hip-hop center galbum, apparently, so let's hear what he's got. 01:33.798 --> 01:39.322 [SPEAKER_05]: But real quick, I'm the concept of surprise album releases, which seems to be the norm these days. 01:39.702 --> 01:45.587 [SPEAKER_05]: How crazy is it that we've come to a point where that's what these major artists do, just to basically catch up buzz. 01:46.247 --> 01:56.094 [SPEAKER_05]: Not long ago, I remember when you watched the VMAs, every major artist was announcing the specific date that their album was released because back then it really mattered. 01:56.114 --> 02:00.598 [SPEAKER_05]: They wanted their fans to get to the store and pick up some CDs and they had to let you know. 02:00.758 --> 02:06.342 [SPEAKER_05]: November 10th, the grand jury, go to your local Sam Goody and pick that shit up. 02:06.402 --> 02:07.823 [SPEAKER_05]: It was all about the release date. 02:08.583 --> 02:18.633 [SPEAKER_05]: And, now that nobody cares about exactly when something's coming out, they like to just drop it out and know where so that they can buzz the news cycle for at least the next week, and that's where we're at. 02:18.713 --> 02:28.142 [SPEAKER_05]: So, grinding through the graveyard shift to bringing my unfiltered thoughts on each and every one of Drake's brand new release tracks on Ice Man. 02:28.903 --> 02:34.370 [SPEAKER_05]: As I'm looking at the rundown, we got 18 tracks here, man, this is going to this. 02:34.990 --> 02:40.137 [SPEAKER_05]: I might have to run through some of these quickly, as our official third full album review. 02:40.557 --> 02:48.767 [SPEAKER_05]: The first one being Taylor Swift's surprise album release, probably like four years ago, when she did folklore, and then, like I said, two weeks ago, we did Michael Jackson's off the wall. 02:49.107 --> 02:50.107 [SPEAKER_05]: Let me start here. 02:50.387 --> 03:13.453 [SPEAKER_05]: You just heard track one that was called Make Them Cry and let me just go ahead and play the very first part of that song again because I'm gonna keep Tally of something as I go through these if you can go ahead and count along with me on this It's an epidemic that I hear in hip-hop and I have been for years and that is the first sound you make on a track Drake has a signature sound that he likes to say and sound something like this. 03:13.493 --> 03:14.713 [SPEAKER_05]: Let's go ahead and run that one back 03:19.584 --> 03:20.004 [SPEAKER_05]: There it is. 03:21.406 --> 03:21.626 [SPEAKER_05]: Yeah. 03:23.108 --> 03:26.531 [SPEAKER_05]: It's got to be a word that's something in the half a syllable variety. 03:26.791 --> 03:30.375 [SPEAKER_05]: So here's what I want to do as I dissect Drake's Ice Man album. 03:30.575 --> 03:36.742 [SPEAKER_05]: I'm just going to keep a tally of how many of the 18 tracks does he begin with some sort of half a syllable. 03:37.362 --> 03:37.562 [SPEAKER_00]: Yeah. 03:38.643 --> 03:39.363 [SPEAKER_05]: Something of that ilk. 03:39.624 --> 03:52.368 [SPEAKER_05]: Yeah, all right, so we'll keep an eye on that, but I guess I said that first song called make them cry Not a bad beat to kick it off, so right away We're getting a establishment of this is gonna be somewhat of a chill mix. 03:52.508 --> 03:55.189 [SPEAKER_05]: I like that beat coming in It's a good smooth layup. 03:55.309 --> 03:58.050 [SPEAKER_05]: It's definitely just a good song you can vibe to first verse. 03:58.070 --> 04:00.611 [SPEAKER_05]: He dropped his I'm an only child no one could have made another 04:01.531 --> 04:04.835 [SPEAKER_05]: I don't know that makes sense Drake, I don't think only child's worked that way. 04:05.336 --> 04:10.122 [SPEAKER_05]: Some real solo child syndrome there to be honest, so I understand the point you was getting across. 04:10.482 --> 04:11.664 [SPEAKER_05]: And I'm gonna let him have this one. 04:12.445 --> 04:17.691 [SPEAKER_05]: I'm not gonna go through every lyric of this album because I'll be absurd, but I definitely get the feel that Drake 04:18.392 --> 04:21.533 [SPEAKER_05]: is out for lyric justice with this one. 04:22.054 --> 04:23.954 [SPEAKER_05]: He's trying to make some points with it. 04:24.494 --> 04:30.057 [SPEAKER_05]: Their line of jump to acting was I'm feeling like BTS because it took the whole career for me to be so discovered. 04:30.597 --> 04:31.377 [SPEAKER_05]: Shout out to Korea. 04:31.397 --> 04:32.518 [SPEAKER_05]: All right. 04:32.958 --> 04:38.580 [SPEAKER_05]: I don't know why I took that long for soul to discover Jersey, but doesn't seem like it took that long for them to discover BTS. 04:38.620 --> 04:41.001 [SPEAKER_05]: So maybe not a good comparison, but we're moving on. 04:41.301 --> 04:42.802 [SPEAKER_05]: Here's what I'm looking for on this album. 04:43.582 --> 04:51.832 [SPEAKER_05]: Obviously, Drake's coming in, drop in 18 tracks on this one album, along with two others at the exact same time. 04:52.253 --> 04:55.617 [SPEAKER_05]: This is definitely not going to be a quality over quantity mix right here. 04:55.877 --> 05:02.465 [SPEAKER_05]: Okay, when you're dropping that many songs at the same time with three albums, you're trying to impress us with sheer volume. 05:03.206 --> 05:04.608 [SPEAKER_05]: And I don't think Drake needs to do that. 05:04.628 --> 05:14.278 [SPEAKER_05]: I'm just going to say that up from we have to respect Drake as the most enduring consistent artists that we've really had in the last two decades. 05:14.358 --> 05:16.401 [SPEAKER_05]: I actually think he stands the top of the mountain on that. 05:16.461 --> 05:24.830 [SPEAKER_05]: Even if you hate Drake, you have to appreciate the fact that this man has put out hits consistently for damn near two decades now. 05:25.110 --> 05:27.551 [SPEAKER_05]: He's always in the mix for top songs of the year. 05:27.991 --> 05:37.735 [SPEAKER_05]: And I know this because as some of you may know, since 2012, I've been putting together a music video mix of the top songs of every single year. 05:37.895 --> 05:39.976 [SPEAKER_05]: Put them out on the YouTube channel at Rycastle. 05:39.996 --> 05:40.697 [SPEAKER_05]: Go check them out. 05:40.857 --> 05:44.638 [SPEAKER_05]: The Jamwagon Mega Mix where I combine everything that happened that year. 05:44.778 --> 05:49.940 [SPEAKER_05]: And in doing those, I have become very aware of like which songs they live in which year. 05:49.980 --> 05:53.422 [SPEAKER_05]: When I hear them, I'm like, oh, that was 2013 song, because I remember where I put in the music video. 05:53.902 --> 05:57.966 [SPEAKER_05]: Oh, that song's 2018 and so think that I noticed as I did that for over 10 years. 05:58.447 --> 06:10.959 [SPEAKER_05]: There's one artist who was featured on every single end of the year mix I'd say from when I started 2012 all the way to live about I'd say 2023 and that was Drake. 06:11.039 --> 06:15.423 [SPEAKER_05]: He was the only one He had a song in every single one of those years and 06:15.603 --> 06:20.027 [SPEAKER_05]: And not only did he slip on in, but it would have been like weird if I didn't include it. 06:20.087 --> 06:22.909 [SPEAKER_05]: That's how big he always had a song in the mix. 06:23.330 --> 06:25.652 [SPEAKER_05]: That was like top five most relevant songs of the year. 06:26.072 --> 06:27.613 [SPEAKER_05]: And you got to just skip your cap to that. 06:27.914 --> 06:35.120 [SPEAKER_05]: Just being able to reinvent your music, being able to stay with the times of what is playable, what is at the top and the Billboard charts. 06:35.420 --> 06:39.143 [SPEAKER_05]: And just in the sound that people actually want to listen because nobody's going to give you that. 06:39.544 --> 06:43.006 [SPEAKER_05]: No matter how big of an artist you are or how popular you are, 06:43.747 --> 06:46.648 [SPEAKER_05]: You need to actually come with music that people legit want to listen to. 06:47.028 --> 06:54.491 [SPEAKER_05]: If you're going to end up with a song that is like the most played song, at least in the mix of that every single year, and Drake has done that. 06:54.851 --> 07:01.834 [SPEAKER_05]: So that being said, I don't think he needed to release three albums at once, and this one alone has 18 tracks, I'm not to speed around through this. 07:02.094 --> 07:10.918 [SPEAKER_05]: That's for sure, but I did want to give a real quick retrospective of Drake, as long as I'm talking about him, because we have not really discussed Drake on this podcast much at all. 07:11.658 --> 07:16.981 [SPEAKER_05]: We've actually only dissected one Drake song in the entire history of this podcast. 07:17.421 --> 07:20.422 [SPEAKER_05]: And believe it or not, that was the Tussi slide. 07:20.823 --> 07:22.644 [SPEAKER_05]: All the way back to episode 18. 07:24.873 --> 07:26.874 [SPEAKER_05]: You know what's cool is actually just Google that information. 07:27.755 --> 07:29.896 [SPEAKER_05]: You know, AI Google search can be good for some stuff. 07:30.297 --> 07:34.640 [SPEAKER_05]: Which episode number was Drake's 2C slide on DASIC DJs, episode 18. 07:34.700 --> 07:36.221 [SPEAKER_05]: So I can use that from now on. 07:36.241 --> 07:37.341 [SPEAKER_05]: We don't have to just guess. 07:37.942 --> 07:40.464 [SPEAKER_05]: But yeah, it's been that long since we've actually covered Drake. 07:40.944 --> 07:45.727 [SPEAKER_05]: So because we haven't covered him, I did want to just do a quick retrospective on the history of Drake. 07:45.767 --> 07:46.408 [SPEAKER_05]: While I'm at it. 07:47.088 --> 08:06.537 [SPEAKER_05]: So Drake really first appeared in most of our lives in 2010 when he was featured on young money's bedrock track, which is a song that I had talked to just in for years about how I had actually loved to dissect because it's an incredible display of the future of hip hop being flexed on by Lil Wayne and his young money team. 08:06.997 --> 08:33.722 [SPEAKER_05]: Just showing that he had created this stable of up-and-coming artist that he was really just releasing out of the world in a single track Which at the time probably just sounded like a fun hip-hop jam and it was but in that track We got features from Drake Nicki Minaj Tiger and Lloyd all of those artists right there except for Lloyd had never even really released a full album yet Really just an awesome showcase of what was to come in hip-hop that was really gonna dominate the next decade 08:34.202 --> 08:59.310 [SPEAKER_04]: I've seen them stand in line Just to get beside her I'll let her see the half thing I'll let the rest of browser That's when we disappear You need GPS to find her Oh, that was your girl I thought I'd recognize Ooh, baby I'd be stuck to you like blue Baby, you're gonna spend it all on you Baby, my room is the geese fight Call me Mr. Flintstone I can make it better 09:00.996 --> 09:06.479 [SPEAKER_05]: But then Drake's main roster debut really came when he released, thank me later, in 2010. 09:06.499 --> 09:09.140 [SPEAKER_05]: And that album fired into the atmosphere. 09:09.260 --> 09:12.702 [SPEAKER_05]: Had some huge tracks like, find your love, miss me, fancy. 09:13.002 --> 09:18.425 [SPEAKER_05]: But really what Drake established at this point was that he was an elite featured artist. 09:18.585 --> 09:22.868 [SPEAKER_05]: You could get Drake to crush one verse on your track and he would kill it. 09:23.368 --> 09:39.042 [SPEAKER_05]: In the early days of this podcast I established something called the third verse Hall of Fame, which I haven't brought up on here in a while, maybe it's because there hadn't been any candidates, but the concept behind the third verse Hall of Fame though was when that one artist comes on and just annihilates that last verse. 09:39.342 --> 09:43.206 [SPEAKER_05]: Snoop Dogg was a legend at this, Kanye was a lead at this, ludicrous, 09:43.446 --> 10:09.791 [SPEAKER_05]: Just those artists who you already heard a couple of the verses and you got to feel from the song is but then it gets to that third verse and they're just going to take it up here It's just going to get elevated because they're just going to knock it out of the park Drake immediately became an artist that you wanted to have featured I need to do the first verse of the third verse of a track wherever he fit in and he annihilated every time and then he dropped take care in 2011 Which had songs like headlines the motto take care Marvin's room make me proud 10:27.567 --> 10:29.049 [SPEAKER_05]: So many tracks off that album. 10:29.149 --> 10:42.744 [SPEAKER_05]: So now it was like Drake is running the game and his next several albums that he released with young money continued to dominate the industry in 2015 He had if you're reading this it's too late 2016 views 2018 scorpion 10:46.128 --> 10:51.655 [SPEAKER_05]: All of those albums were completely loaded with tracks that dominated the play charts, really on every level. 10:51.775 --> 10:58.163 [SPEAKER_05]: He was going to be heard, and at this point, everybody knew Drake, and he was at the top of the game. 10:58.664 --> 11:02.068 [SPEAKER_05]: After 2018, he splits off from young money. 11:02.388 --> 11:04.851 [SPEAKER_05]: Has some other good albums continues to make hits, but... 11:05.612 --> 11:10.057 [SPEAKER_05]: I will say that the undefeated dominance did feel like it started to weigh in a little bit. 11:10.157 --> 11:13.720 [SPEAKER_05]: On top of that, he started to have a little bit of a reputation. 11:14.181 --> 11:15.522 [SPEAKER_05]: Maybe a little bit of a cornball. 11:15.562 --> 11:16.583 [SPEAKER_05]: Maybe a little too cheesy. 11:16.603 --> 11:17.844 [SPEAKER_05]: Maybe a little too of a full of him. 11:17.864 --> 11:20.227 [SPEAKER_05]: So maybe we're all a little tired of hearing from him. 11:20.607 --> 11:21.548 [SPEAKER_05]: These are not my thoughts. 11:21.588 --> 11:24.731 [SPEAKER_05]: These were just starting to like, filter up within the industry. 11:24.751 --> 11:25.172 [SPEAKER_05]: He starts. 11:25.672 --> 11:42.492 [SPEAKER_05]: You heard the rumblings you heard the whispering, but never stop putting out hits, and like I said at the end of every year, you had to look at which songs were the ones that were most synonymous with that year, there was a drag song that had to be mentioned, then we got to 2024 where he picked a fight with a wrong dude. 11:43.623 --> 11:50.865 [SPEAKER_05]: And for the first time in years, a hip-hop beef could not be ignored by the general mass of pop culture. 11:51.406 --> 11:57.728 [SPEAKER_05]: When you got on the wrong side of the tracks with Kendrick Lamar, now there are two things about Kendrick that Drake couldn't punch back to. 11:58.028 --> 11:58.148 [SPEAKER_05]: One. 11:58.848 --> 12:04.853 [SPEAKER_05]: He was an elite rapper, highly respected in the game from everybody in the industry, and a real hip-hop head. 12:04.973 --> 12:05.253 [SPEAKER_05]: 2. 12:05.794 --> 12:11.618 [SPEAKER_05]: He was fucking ruthless, and as soon as he sunk his teeth in the Drake, he didn't let him go. 12:11.698 --> 12:17.903 [SPEAKER_05]: Like a rot-wilder who just gets his teeth chomped into his victim, and his diss track on Drake not like us. 12:18.484 --> 12:25.029 [SPEAKER_05]: Ends up being that song that I was talking about earlier when there's the one song that you cannot ignore from that year, and that was not like us. 12:25.625 --> 12:34.493 [SPEAKER_05]: Playing everywhere around the world, all the way to the Super Bowl where Kendrick was taking the main stage as the headliner of the halftime show. 12:34.994 --> 12:38.197 [SPEAKER_05]: Turning his head to the camera saying, hey, Drake, are you like him young? 12:38.778 --> 12:42.121 [SPEAKER_05]: Could not deny the beat down that Kendrick had provided to him. 12:42.661 --> 12:45.864 [SPEAKER_05]: And Drake, more or less, slunk away from the public view. 12:46.765 --> 12:49.947 [SPEAKER_05]: which I'd say was the right move, but real quick, well, I'm on that topic. 12:50.487 --> 12:58.471 [SPEAKER_05]: That being the last time that we really heard from Drake over the last year, was Kendrick saying that about him, creating that buzz about his background and like calling that into question. 12:59.232 --> 13:10.037 [SPEAKER_05]: I do notice that Drake's album cover for Ice Man is unamaged to Michael Jackson's one glove-hand with the sequence on it, kind of thrown up the 13:13.378 --> 13:18.160 [SPEAKER_05]: If you're coming back from that beat down where those allegations were rocketed at you, I don't know. 13:18.180 --> 13:31.347 [SPEAKER_05]: That's the person you want to throw in a modge too in your return album, but I'm just saying, I'm sure that there's far more scholars out there that have a deeper insight to this that will study the album cover and explain why it's actually awesome. 13:31.886 --> 13:35.528 [SPEAKER_05]: I'm just saying that's my- that was my first quandary when I looked at it. 13:35.668 --> 13:39.491 [SPEAKER_05]: I really went- you went with a micol interview and you're- you're turning out on cover okay? 13:39.631 --> 13:40.111 [SPEAKER_00]: All right. 13:40.271 --> 13:40.532 [SPEAKER_00]: All right. 13:40.692 --> 13:44.214 [SPEAKER_00]: You do- you do you- you do you- But I digress. 13:45.014 --> 13:49.177 [SPEAKER_05]: Here's a conversation I have had a lot over the past year. 13:49.197 --> 13:51.519 [SPEAKER_05]: Any time this subject came up. 13:52.099 --> 13:54.440 [SPEAKER_05]: I've had friends of mine be like, no, I'm done with Drake. 13:54.501 --> 13:55.701 [SPEAKER_05]: I can never listen to him again. 13:55.721 --> 13:57.783 [SPEAKER_05]: That fool's corning, I'm done with that fool. 13:58.063 --> 14:05.868 [SPEAKER_05]: And what I always say, when it comes to music, you know, as well as I do, all it takes is for them to have one more hit. 14:07.048 --> 14:08.969 [SPEAKER_05]: Even next year, they throw a song. 14:09.090 --> 14:11.731 [SPEAKER_05]: I've had this exact conversation multiple times last year. 14:11.891 --> 14:15.734 [SPEAKER_05]: If they throw a new song out there, and you're like, holy shit, that's fire. 14:15.794 --> 14:17.415 [SPEAKER_05]: That's the best thing I've heard in months. 14:18.718 --> 14:21.319 [SPEAKER_05]: You're gonna forget all this shit that you thought about right now. 14:21.660 --> 14:23.901 [SPEAKER_05]: All this shit you're thinking about right now, you're gonna be like, I don't give a fuck. 14:24.001 --> 14:25.562 [SPEAKER_05]: Let play that track again. 14:26.042 --> 14:31.565 [SPEAKER_05]: When they release a new song, you're ready to give it a try, be like, I actually, that song, okay, let me do that song. 14:32.145 --> 14:35.747 [SPEAKER_05]: That being said, I have not really listened to this album at all. 14:36.348 --> 14:42.651 [SPEAKER_05]: I've heard rumblings of a song here or there, but that's the idea that leads us now to Ice Man here. 14:43.011 --> 14:44.172 [SPEAKER_05]: In the year of our Lord, 2026, 14:45.953 --> 14:48.015 [SPEAKER_05]: So we heard track one, make them cry. 14:48.576 --> 14:55.122 [SPEAKER_05]: I'm gonna play snippets of each one, cause this episode will take like four hours of actually wanna play the full track of every one of them. 14:55.582 --> 14:56.863 [SPEAKER_05]: Let's keep it going with track two, y'all. 14:56.903 --> 14:59.686 [SPEAKER_05]: Now that we're all caught up on the man jersey himself. 14:59.926 --> 15:02.669 [SPEAKER_05]: Track two is called Dust. 15:11.607 --> 15:14.088 [SPEAKER_05]: All right, a little gospel feel of this. 15:14.168 --> 15:14.428 [SPEAKER_04]: All right. 15:14.528 --> 15:14.849 [SPEAKER_04]: All right. 15:14.869 --> 15:17.650 [SPEAKER_04]: A little gospel feel of this. 15:17.690 --> 15:17.890 [SPEAKER_04]: All right. 15:17.910 --> 15:18.170 [SPEAKER_04]: All right. 15:39.403 --> 16:07.422 [SPEAKER_03]: From a land of cognizant across from Australia I cannot tell you You know I love you so much I just gotta handle something bigger than us Trim a lesson really to show you my love And make sure you're good to the next time we meet up Now I gotta send it up 16:09.044 --> 16:11.965 [SPEAKER_04]: Yeah, it was like on the beat switch up I gotta be honest. 16:12.445 --> 16:13.686 [SPEAKER_04]: I didn't like the beat switch up there. 16:13.706 --> 16:17.808 [SPEAKER_04]: I'm okay with the good beat switch up sometimes, but I don't know when I was feeling where that was going. 16:17.888 --> 16:20.149 [SPEAKER_04]: I was liking that at the beginning of that song 16:31.376 --> 16:38.897 [SPEAKER_05]: I was like, this is kind of a cool, like, a little bit of a gospel feel, but it had to some cool, like, elements had some cool tones to it that I was like, all right, kind of here we just go. 16:39.257 --> 16:49.779 [SPEAKER_05]: You all about to make me richy like Lionel, I like that one, then he switched it up to the first verse and, you know, just completely switched up track, I feel like I know where that one was going. 16:49.799 --> 16:50.900 [SPEAKER_05]: I felt like it was going to be a lot of that. 16:50.940 --> 16:51.580 [SPEAKER_05]: Look, it's still playing. 16:51.600 --> 16:52.360 [SPEAKER_05]: We can listen to it again. 17:01.099 --> 17:09.310 [SPEAKER_05]: All right, also did this song pass the first half a syllable test to play it back 17:14.866 --> 17:17.709 [SPEAKER_05]: I'm gonna count it, call it two for two. 17:17.729 --> 17:19.531 [SPEAKER_05]: I think he said minor, I don't know. 17:19.732 --> 17:24.257 [SPEAKER_05]: It sounded like, now it wasn't quite here, but, you know, I'm gonna qualify it. 17:24.617 --> 17:25.678 [SPEAKER_05]: So that's dust. 17:26.159 --> 17:26.799 [SPEAKER_05]: Next track. 17:27.180 --> 17:29.382 [SPEAKER_05]: Track number three, whisper my name. 17:29.603 --> 17:31.405 [SPEAKER_05]: Ooh, sounds sensual. 17:31.985 --> 17:33.347 [SPEAKER_05]: That's here, it was whisperin' drink. 17:49.276 --> 17:50.859 [SPEAKER_05]: Uh, three for three on the. 17:51.319 --> 17:53.904 [SPEAKER_05]: It's good to be on. 17:54.766 --> 17:59.454 [SPEAKER_05]: Alright, look at that, let me tell you. 18:00.959 --> 18:20.008 [SPEAKER_04]: Just to ask, just to dust, just to dust, just to dust, just to dust, just to dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust, dust 18:20.128 --> 18:45.997 [SPEAKER_04]: You wanna come to the court any off as a pdf so that you could cut off some time Nowadays I don't put it in no work You gotta just want to turn to the front of the line And hurry and run out of nine, baby boy, please I heard what you said a little girl by me Yeah, and when you run into the ice, man What you gon' do is have freeze, you're not by the squeeze You're not in the streets, I'm cut off of the knees They ain't no standing on business with me If I'm lying, I'm flying a kind of me, give me a seat 18:46.957 --> 18:47.537 [SPEAKER_04]: All right, real quick. 18:47.557 --> 18:49.358 [SPEAKER_04]: I'm getting a theme that Drake is Alpha Vengeance on this one. 18:49.418 --> 18:51.399 [SPEAKER_04]: He wants to talk shit. 18:51.419 --> 18:54.621 [SPEAKER_04]: This album definitely feels like I have messages to speak and I'm gonna throw him out there. 19:15.488 --> 19:18.210 [SPEAKER_05]: Baby book please I heard what you said to little bro about me. 19:18.791 --> 19:26.938 [SPEAKER_05]: Oh, you've been talking shit about me behind my back I've been hearing that son you think I didn't hear that you think I heard it Streets be talking. 19:26.958 --> 19:41.311 [SPEAKER_05]: I know what you do and when you run into the ice man what you going to do except freeze It's tough talk to say in the studio Drake vague references veiled shots as far as I can see We don't know exactly who he's talking to you. 19:41.391 --> 19:41.932 [SPEAKER_05]: I could guess 19:43.183 --> 19:45.905 [SPEAKER_05]: I'm sure Drake's got a lot of shots to get off in this one. 19:45.945 --> 19:56.313 [SPEAKER_05]: I'll be honest, he took some bullets the past couple years from the general community and the game itself, not real bullets, verbal bullets. 19:56.993 --> 19:58.214 [SPEAKER_05]: Let me know the main guy who did that. 19:58.895 --> 20:04.119 [SPEAKER_05]: I already called him out, but there was a lot of home he's a jump on that bandwagon to just be like, you know what you have for that dude? 20:04.199 --> 20:07.081 [SPEAKER_05]: Well, we're all doing what we're all throwing logs on the fire. 20:07.121 --> 20:09.343 [SPEAKER_05]: Let me go ahead and toss this one and yeah! 20:10.495 --> 20:32.596 [SPEAKER_05]: So he's got a lot of shit he's want to get off the chest and the first three tracks feels like that's a theme that he's going to, but here's what I'm going to need from Drake, I just need one banger, I love to, I would take two, but I really just want one song off this entire album, his entire 18 track album. 20:33.695 --> 20:34.957 [SPEAKER_05]: I just wanna come away with one. 20:35.739 --> 20:37.502 [SPEAKER_05]: And I know you can do this, right? 20:37.983 --> 20:45.295 [SPEAKER_05]: Because you've been doing it for years for a decade and a half now where you end up putting out a song where I'm like, dude, that's going on the rotation. 20:45.616 --> 20:46.638 [SPEAKER_00]: Get it right in there. 20:47.542 --> 20:50.523 [SPEAKER_05]: Post the book door open and shove it in there like a Christmas tree. 20:50.603 --> 21:04.990 [SPEAKER_05]: I'm gonna play that shit on repeat I know you have it in you do because you don't it because it's been a regular rotation on move of Drake to pull that off So I would love to hear Let me just come away with one track off iceman that I want to listen to. 21:05.150 --> 21:12.173 [SPEAKER_05]: That's gonna make me want to dance Maybe you can classify it as a club banger Something that's just gonna make me be like do that one right there. 21:12.233 --> 21:12.733 [SPEAKER_05]: Okay, dude. 21:12.753 --> 21:16.475 [SPEAKER_05]: That song's coming with me put that in my pocket with me so far 21:17.667 --> 21:19.668 [SPEAKER_05]: He's got some dope chill beats on some of these. 21:20.148 --> 21:24.290 [SPEAKER_05]: I did like how he had that little, like, man, that sounded that one. 21:24.891 --> 21:27.112 [SPEAKER_05]: That was nice, but I was gonna carry a whole track. 21:27.272 --> 21:30.854 [SPEAKER_00]: We're moving on to track number four, called Janice. 21:31.454 --> 21:34.015 [SPEAKER_05]: STFU, oh, I think I know what those letters stand for. 21:34.535 --> 21:35.156 [SPEAKER_05]: I think I know. 21:35.756 --> 21:39.318 [SPEAKER_05]: Sounds like Drake still got beef to settle, but let's hear him tell it. 21:39.638 --> 21:54.368 [SPEAKER_04]: A million nights been so long since you texted me I finally took a break and I feel like I'm on the X to see you So my work needs to me, what one day be the death of me They try to kill me once but don't you just resurrect me? 21:54.468 --> 21:59.631 [SPEAKER_03]: Beach, me, baby Call my phone and say you need me, baby 22:00.712 --> 22:23.703 [SPEAKER_03]: I'm so green, you gotta teach me, baby From that cool, the ill will be, see, baby Pull off, play, but be, be, baby Come on, play with the easy, easy, baby So am I labeled out of free, be, be, be Blow on me, just life on green, see, baby Hey, hey 22:27.112 --> 22:47.988 [SPEAKER_05]: Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey 22:54.393 --> 23:02.375 [SPEAKER_05]: he loves going into that shit while simultaneously bitching about how the girl that he was fucking with is like not texting him back right now. 23:03.435 --> 23:07.436 [SPEAKER_05]: The combination of those two things I've always been a little hard to swallow with Jersey. 23:08.496 --> 23:09.136 [SPEAKER_05]: I got to be honest. 23:10.537 --> 23:11.617 [SPEAKER_05]: First line of this song. 23:12.417 --> 23:15.178 [SPEAKER_05]: Ameliaana, it's been so long since you texted me. 23:16.218 --> 23:17.138 [SPEAKER_05]: Shut up dude. 23:19.298 --> 23:28.001 [SPEAKER_05]: I don't like when people use their music to, like, send a personal message to, like, one girl who's, like, not fucking with you anymore, but she didn't noise me, you know? 23:28.682 --> 23:38.626 [SPEAKER_05]: It's like I have a more grand stage equivalent to, like, when somebody, like, post something on Instagram, like, you know, you give somebody so much attention and they just kick it around. 23:39.447 --> 23:45.772 [SPEAKER_05]: And they don't even respect you for like some bullshit like that where they're clearly like trying to send a message to one person But they're like making a general sex. 23:45.812 --> 23:46.673 [SPEAKER_05]: I'm just not even doing. 23:46.733 --> 23:48.154 [SPEAKER_05]: He's like literally calling out names. 23:48.194 --> 23:52.458 [SPEAKER_05]: He loves calling out names He loves making a very specific thing. 23:53.078 --> 24:02.066 [SPEAKER_05]: He literally actually one of my favorite all-time like R&B tracks from Drake was Marvin's room Love that song great beat the entire thing. 24:02.126 --> 24:04.388 [SPEAKER_05]: He literally got his ex's voicemail on there 24:05.850 --> 24:11.719 [SPEAKER_05]: And he's like, I'm just saying that you could do, but I let Drake say it, he makes his out better than I will. 24:43.525 --> 24:50.152 [SPEAKER_05]: Yeah, I love that track, but it's also just Drake having a moan whatever reason this girl's moved on He wants to make a song about it. 24:50.372 --> 24:54.557 [SPEAKER_05]: People get tired of that shit Drake This song is called shut the fuck up Janice. 24:54.657 --> 24:55.417 [SPEAKER_05]: I don't know who Janice is. 24:55.578 --> 24:56.238 [SPEAKER_05]: I'm not gonna look it up. 24:56.418 --> 24:58.260 [SPEAKER_05]: What are you gonna be even with Janice Dickinson right now? 24:58.621 --> 24:59.041 [SPEAKER_05]: I don't care. 24:59.902 --> 25:00.283 [SPEAKER_05]: I don't care. 25:01.083 --> 25:02.445 [SPEAKER_05]: This is where Drake loses me 25:03.495 --> 25:06.998 [SPEAKER_05]: when he wants to use his album to make a plea to like one girl. 25:07.018 --> 25:09.880 [SPEAKER_05]: Go to your DMs, grab one of the fucking thousands. 25:09.900 --> 25:12.062 [SPEAKER_05]: That's probably pop up in there. 25:12.342 --> 25:14.184 [SPEAKER_05]: Go get yourself a bounce back fuck. 25:15.044 --> 25:18.187 [SPEAKER_05]: You don't need to make these songs about shut the fuck up, Janice. 25:18.767 --> 25:21.590 [SPEAKER_05]: Oh man, Janice, just be shooting, text me back. 25:21.790 --> 25:25.393 [SPEAKER_05]: She didn't text me back after like our date last year and I'm still pissed about that. 25:25.413 --> 25:26.294 [SPEAKER_05]: I'm gonna put her in a song. 25:27.094 --> 25:28.676 [SPEAKER_05]: Just fuck it, make it banger bro. 25:28.696 --> 25:31.057 [SPEAKER_05]: By the way, let's do the one syllable test. 25:31.538 --> 25:32.679 [SPEAKER_05]: Janice, shut the fuck up. 25:33.628 --> 25:42.032 [SPEAKER_04]: You didn't do it about what he went right into bitching about a million, all right? 25:42.072 --> 25:44.093 [SPEAKER_05]: So that's three for four in the half syllable test. 25:44.113 --> 25:50.377 [SPEAKER_05]: Let's go to track five and see where we're at without what this one's called, ran to Atlanta featuring future and Molly Santana. 26:01.920 --> 26:07.032 [SPEAKER_03]: You can't just love my friend Pull it down there Lord, I can't go again 26:11.215 --> 26:12.875 [SPEAKER_05]: Yeah, I'm gonna go ahead and he's cut that one off. 26:13.236 --> 26:14.696 [SPEAKER_05]: I want to get through the future verse. 26:14.736 --> 26:17.357 [SPEAKER_05]: I'm sure Drake, I know where I was going. 26:17.957 --> 26:23.638 [SPEAKER_05]: It just occurred to me that this fucking stuck 13 more tracks, I wasn't really feeling that beat. 26:23.659 --> 26:24.639 [SPEAKER_05]: It sounded super-bisking. 26:24.659 --> 26:25.359 [SPEAKER_05]: It's almost beats. 26:26.079 --> 26:33.301 [SPEAKER_05]: I just have this, like it sounds like something you would have come up with in your Ableton Live back in 2014. 26:33.701 --> 26:37.482 [SPEAKER_05]: You know, I just want to hear of that song ever like changes because I know sometimes on the E.C. 26:37.502 --> 26:38.383 [SPEAKER_05]: like changes to beat up. 26:38.403 --> 26:39.483 [SPEAKER_05]: Does he change this one? 26:41.481 --> 26:42.724 [SPEAKER_04]: He does change it. 26:43.105 --> 26:46.533 [SPEAKER_04]: All right, this is the same song. 26:46.593 --> 26:48.036 [SPEAKER_05]: We're going to Atlanta. 26:50.738 --> 27:03.940 [SPEAKER_04]: So it started with that future track and that a lot of different beef and then it turns into this I don't understand Jack and board of that one. 27:04.160 --> 27:04.500 [SPEAKER_05]: Sorry. 27:05.241 --> 27:14.582 [SPEAKER_05]: I didn't feel like I was going anywhere neither with the future part or that Let's go to track six See if we can get some pickup going on this Shabbang 27:20.425 --> 27:22.347 [SPEAKER_05]: Yep, uh, market analyst. 27:36.447 --> 27:37.707 [SPEAKER_04]: I'ma chuck out a lot. 27:38.408 --> 27:39.688 [SPEAKER_04]: Don't even get, I won't. 27:40.488 --> 27:42.469 [SPEAKER_04]: Thinking and trying me do like writing. 27:43.529 --> 27:43.849 [SPEAKER_04]: Don't. 27:44.569 --> 27:45.350 [SPEAKER_04]: Can I forgive? 27:45.470 --> 27:46.010 [SPEAKER_04]: I can't. 27:46.630 --> 27:47.390 [SPEAKER_04]: What do I need? 27:47.430 --> 27:48.630 [SPEAKER_04]: Something. 27:48.650 --> 27:49.931 [SPEAKER_04]: Shorty keep asking the day. 27:49.991 --> 27:51.971 [SPEAKER_04]: She's trying to find that's probably a marker for Brad. 27:51.991 --> 27:52.232 [SPEAKER_04]: I know. 27:52.812 --> 27:53.552 [SPEAKER_04]: Where's the beef? 27:53.652 --> 27:54.292 [SPEAKER_04]: It's cooked. 27:54.872 --> 27:55.612 [SPEAKER_04]: Where's the boy? 27:55.632 --> 27:56.093 [SPEAKER_04]: He's books. 27:56.893 --> 27:59.694 [SPEAKER_04]: Don't even recognize none of these names at the top of the charts. 27:59.794 --> 28:00.174 [SPEAKER_04]: I look. 28:01.034 --> 28:02.274 [SPEAKER_04]: And my upset a bit. 28:03.055 --> 28:04.055 [SPEAKER_04]: Last one you dropped was... 28:05.178 --> 28:07.359 [SPEAKER_04]: I did press play on now. 28:07.379 --> 28:08.640 [SPEAKER_04]: Me and me and Skitskit. 28:09.201 --> 28:09.941 [SPEAKER_04]: What should I take? 28:10.101 --> 28:10.521 [SPEAKER_04]: A trip. 28:10.742 --> 28:12.002 [SPEAKER_04]: Who should I take? 28:12.082 --> 28:15.364 [SPEAKER_04]: His tennis lessons with a Nike skirt on it. 28:15.465 --> 28:16.885 [SPEAKER_04]: Poppin' out, you sexy. 28:30.525 --> 28:38.530 [SPEAKER_05]: I All right, you know what good use of pitch change in the chorus and like what he did there that beat That's I'm fired to it. 28:38.550 --> 28:43.573 [SPEAKER_05]: That's definitely my favorite song in the album so far shabang He also got a quagel on that one. 28:43.593 --> 28:46.755 [SPEAKER_05]: I don't think I got the quagel as part, but still bitching about people 28:47.936 --> 28:51.139 [SPEAKER_05]: Yeah, I didn't know that Drake was coming and he was unloading some clips in the game. 28:51.459 --> 28:52.260 [SPEAKER_05]: We knew that was coming. 28:53.001 --> 28:54.302 [SPEAKER_05]: All of my obbs they did. 28:54.963 --> 28:56.164 [SPEAKER_05]: Why do they guess me up? 28:56.304 --> 28:56.965 [SPEAKER_05]: Where does it go? 28:57.105 --> 28:57.645 [SPEAKER_05]: My head. 28:57.665 --> 28:58.766 [SPEAKER_05]: Oh, there you go. 28:59.187 --> 29:01.149 [SPEAKER_05]: How many people have been gasing Drake up over the years? 29:01.229 --> 29:03.070 [SPEAKER_05]: Maybe it took too long for people to start. 29:03.811 --> 29:05.132 [SPEAKER_05]: Loat and clips back at him. 29:05.733 --> 29:06.854 [SPEAKER_05]: And now he's coming realize it. 29:06.874 --> 29:09.196 [SPEAKER_05]: Now he's got a whole album where he's just griping. 29:09.677 --> 29:10.698 [SPEAKER_05]: Throwing a whole bunch of griped. 29:10.978 --> 29:11.639 [SPEAKER_05]: And that's cool. 29:11.799 --> 29:12.479 [SPEAKER_05]: This in Drake. 29:13.160 --> 29:18.783 [SPEAKER_05]: I'm totally cool with you making a whole album where you rip on every track, but here's the thing, you make it sound dope, okay? 29:18.843 --> 29:20.244 [SPEAKER_05]: You make it sound like a jam. 29:20.765 --> 29:25.187 [SPEAKER_05]: That'd be closer than anything you've come to on this one of a song where I'm like, all right, I could listen to that one. 29:26.268 --> 29:33.872 [SPEAKER_05]: Doesn't fire me off, doesn't make me be like, all right, that one's definitely going in the immediate rotation, but I could see that song in the future, if that comes on me, I'm gonna be like, oh, 29:42.861 --> 29:44.042 [SPEAKER_05]: got a cool name for a track. 29:44.362 --> 29:44.942 [SPEAKER_05]: I can fuck with it. 29:46.163 --> 29:54.809 [SPEAKER_05]: And if you're going to complain about people I'd rather have you complaining about the other one of the fuckers talking shit than the girl who like won't go on another date with you. 29:54.929 --> 29:55.230 [SPEAKER_05]: Okay. 29:55.850 --> 29:58.392 [SPEAKER_05]: I'm much more down for you to take shots of them. 29:59.973 --> 30:00.753 [SPEAKER_05]: Can I forgive? 30:00.913 --> 30:01.334 [SPEAKER_05]: I can't. 30:01.854 --> 30:03.255 [SPEAKER_05]: What do I need some head? 30:03.675 --> 30:05.016 [SPEAKER_05]: Shorty keep asking the date. 30:05.397 --> 30:05.477 [SPEAKER_05]: She 30:10.708 --> 30:12.728 [SPEAKER_05]: Trying to finesse polymark it for the bread. 30:13.048 --> 30:14.349 [SPEAKER_05]: Okay, all right. 30:14.909 --> 30:15.869 [SPEAKER_05]: Thanks got a lot of thoughts. 30:15.889 --> 30:19.169 [SPEAKER_05]: He's got a load That's why I got 18 tracks to it that being said. 30:19.570 --> 30:23.090 [SPEAKER_05]: Let's get to the track number seven Make them pay. 30:23.170 --> 30:27.491 [SPEAKER_05]: Oh, I wonder what this song's gonna be about you think he's gonna be talking some shit on this one I don't know. 30:27.511 --> 30:29.151 [SPEAKER_05]: Do you I don't know do you let's write out 30:46.983 --> 30:48.104 [SPEAKER_05]: I don't want to hear any more of that one. 30:49.445 --> 30:51.347 [SPEAKER_05]: I didn't mind the beat, but I just want to be free. 30:51.367 --> 30:52.368 [SPEAKER_05]: Oh, I'm sorry, Drake, you know. 30:53.829 --> 30:55.010 [SPEAKER_05]: Are you not free, Drake? 30:55.070 --> 31:04.899 [SPEAKER_05]: Look, sometimes you've got to recognize when you have a more luxurious life than the 99.999999% of the people that we listen to your checks. 31:05.299 --> 31:05.640 [SPEAKER_05]: All right. 31:06.180 --> 31:07.241 [SPEAKER_05]: And there's a thing with that. 31:07.301 --> 31:12.526 [SPEAKER_05]: Why this album might not be good when you've been living that life for a good 15 plus years now. 31:13.561 --> 31:15.843 [SPEAKER_05]: You lose the hunger, 50 cents talked about this. 31:15.903 --> 31:19.326 [SPEAKER_05]: He's like, I don't make his music as good as I used to because I was hungry when I was young. 31:19.906 --> 31:21.187 [SPEAKER_05]: I live a luxurious life now. 31:21.668 --> 31:22.749 [SPEAKER_05]: I don't live that hood life. 31:23.089 --> 31:25.111 [SPEAKER_05]: That's where the good music and me came from. 31:25.311 --> 31:27.773 [SPEAKER_05]: I don't really have that anymore, so we kind of focus on other things. 31:28.294 --> 31:34.339 [SPEAKER_05]: It makes sense that you wouldn't necessarily have it in you to make dope tracks when you're living. 31:34.899 --> 31:42.801 [SPEAKER_05]: a high-high-ass level life that most of us can't even dream of like when I think of like the highest I could get with like my dreams. 31:42.881 --> 31:56.304 [SPEAKER_05]: It's like it's not even like doesn't even in crotch on what Drake's probably been doing past decade That being said, none of us want to listen you say I'm just going to be free bro You are for your then any of us that are listening 31:57.051 --> 32:01.074 [SPEAKER_05]: The life you live is so much freer, is so much freer. 32:01.315 --> 32:03.276 [SPEAKER_05]: Yeah, you got to deal with paparazzi and shit. 32:03.316 --> 32:04.878 [SPEAKER_05]: People want to take videos of you. 32:05.258 --> 32:06.279 [SPEAKER_05]: I get that part of it. 32:06.399 --> 32:07.000 [SPEAKER_05]: All right, yeah. 32:07.716 --> 32:12.840 [SPEAKER_05]: You're constant shackles of like the fame and everything like that, but like it's just not a good way to word it. 32:13.340 --> 32:15.802 [SPEAKER_05]: Well, you don't want to hear you talking about with the complaining. 32:15.922 --> 32:17.624 [SPEAKER_05]: I just don't want to hear Drake abiding, you know? 32:18.204 --> 32:23.729 [SPEAKER_05]: If you want to come out like firing shots at your enemies and just be like you, I'm gonna come out on a hard disk track. 32:23.749 --> 32:24.369 [SPEAKER_05]: Let me hear that. 32:25.350 --> 32:26.411 [SPEAKER_05]: I don't want to hear whiny Drake. 32:26.431 --> 32:28.192 [SPEAKER_05]: I just don't feel like hearing it right now. 32:28.372 --> 32:29.113 [SPEAKER_05]: They're just not into it. 32:29.833 --> 32:31.335 [SPEAKER_05]: Especially now when I'm going through every album. 32:31.895 --> 32:33.096 [SPEAKER_05]: I mean, every track in the album. 32:33.496 --> 32:35.458 [SPEAKER_05]: By the way, half syllable tests. 32:35.478 --> 32:36.539 [SPEAKER_05]: Let's go ahead and play it again. 32:42.397 --> 32:43.858 [SPEAKER_05]: Yep, there it is. 32:44.678 --> 32:46.619 [SPEAKER_05]: My mod count, that's five out of seven tracks. 32:46.799 --> 32:47.699 [SPEAKER_05]: Let's go to track eight. 32:49.220 --> 33:10.809 [SPEAKER_03]: Burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, burn it, 33:18.893 --> 33:26.578 [SPEAKER_03]: I'm gonna count it, that counts. 33:28.439 --> 33:30.740 [SPEAKER_03]: I swear I could cry when I see your faith. 33:31.701 --> 33:34.323 [SPEAKER_03]: I wait to indulge just to let you up away. 33:34.683 --> 33:38.305 [SPEAKER_05]: I'm gonna get out before I have to listen to a whole lot of the verse about him crying 33:41.128 --> 33:46.462 [SPEAKER_00]: I already gave him the 20 seconds where he tried to sing while on piano, which I know he wasn't playing. 33:49.776 --> 33:59.238 [SPEAKER_05]: There's a certain level where I think we need to make a man's wood like Drake's level of actually being able to sing to when he's able he's got a good R&B voice. 33:59.418 --> 34:00.859 [SPEAKER_05]: He's got a good voice for R&B. 34:00.919 --> 34:03.960 [SPEAKER_05]: He's made a ton of hooks that I love on R&B tracks. 34:04.400 --> 34:07.561 [SPEAKER_05]: Don't sit at that piano and try to act like you're allowing singer on me dog. 34:08.201 --> 34:09.061 [SPEAKER_05]: I don't want to hear that either. 34:09.081 --> 34:10.881 [SPEAKER_05]: I don't want to hear you be like, 34:17.870 --> 34:19.792 [SPEAKER_05]: It sounds annoying, I didn't feel like it was getting where it good. 34:20.493 --> 34:23.516 [SPEAKER_05]: But once again, let me go ahead and jump ahead and hear of the beat changes again. 34:23.536 --> 34:27.059 [SPEAKER_04]: I do think it changed a little bit. 34:33.063 --> 34:43.990 [SPEAKER_05]: You kind of like those like sort of heaven is flying overhead type of beats, you know, where it's kind of got like a little like Jeremy sound to it, and I like some of those, but I don't know that song going to annoy me. 34:44.030 --> 34:45.191 [SPEAKER_05]: Still waiting for that banger. 34:46.072 --> 34:47.493 [SPEAKER_05]: Currently, she bangs at the top of the list. 34:47.773 --> 34:50.415 [SPEAKER_05]: Track 9, this one's called National Treasure. 34:56.299 --> 34:58.801 [SPEAKER_05]: 7 out of 9, half syllable challenge. 35:05.717 --> 35:11.100 [SPEAKER_04]: I don't like the title of this. 35:11.140 --> 35:14.621 [UNKNOWN]: Yeah. 35:15.241 --> 35:16.522 [SPEAKER_04]: Okay. 35:16.542 --> 35:18.503 [SPEAKER_04]: I didn't see something national treasured. 35:18.523 --> 35:19.904 [SPEAKER_04]: That bad me going pat me forever. 35:19.924 --> 35:21.744 [SPEAKER_04]: All right, be Kobe, but y'all broke it. 35:21.764 --> 35:23.625 [SPEAKER_04]: That's probably why y'all be shacking together. 35:23.645 --> 35:25.486 [SPEAKER_04]: Have one leader guy, have it together. 35:25.506 --> 35:27.327 [SPEAKER_04]: Like couples vacation, they pack it together. 35:27.347 --> 35:29.188 [SPEAKER_04]: Like brushing the finish, they slap it together. 35:29.348 --> 35:31.029 [SPEAKER_04]: Charges like COVID, they'll catch it together. 35:32.931 --> 35:50.433 [SPEAKER_04]: They hate me so much it's a sickening thing It must have hurt wrong on the call I sent him a sack because I wanted you shit to the king When he was a part of the team We used to be planning our Mexico trip in the spring We must have been dealing this bird A moment, quite a week thing You could get us a rain And beggin' my how you my home That ain't all I'm gonna call you We pull him away Cheap off send us a gun 35:50.573 --> 36:04.064 [SPEAKER_04]: So grandma from day-go and next thing you knew we was born for race I thought you pussy man who could relate I know my money, I'm wreckin' my brain Oh the whole time I had to get game I couldn't do your show and get back on the plane But don't stick around in the six Don't stick around in the six 36:09.440 --> 36:12.581 [SPEAKER_04]: Wait, I didn't buy the six, run out of the six, just like you did. 36:12.821 --> 36:14.321 [SPEAKER_04]: Why was TPS at my crib? 36:14.341 --> 36:16.461 [SPEAKER_04]: Until you've wasted it, it is what it is. 36:16.901 --> 36:18.962 [SPEAKER_04]: Check sign in, it's my cake, pushing out ink. 36:19.042 --> 36:20.002 [SPEAKER_04]: I feel like a squeak. 36:20.042 --> 36:24.043 [SPEAKER_04]: I will probably need a YouTube series just for me to do a lot of no. 36:24.063 --> 36:25.183 [SPEAKER_05]: A lot of bullshit. 36:25.683 --> 36:27.663 [SPEAKER_05]: Drake wanted to fire off in that one. 36:28.064 --> 36:30.144 [SPEAKER_05]: Bit of an ode to the six. 36:30.644 --> 36:31.704 [SPEAKER_05]: Sometimes it's a rhino. 36:32.144 --> 36:35.425 [SPEAKER_05]: Hermthro shots at Kawaii for not bringing on another ring. 36:36.015 --> 36:39.137 [SPEAKER_05]: Bro, you should get down on your hands and he's in praise. 36:39.158 --> 36:42.220 [SPEAKER_05]: Why that dude came there for one year, brought you a title and dipped. 36:42.880 --> 36:44.402 [SPEAKER_05]: Never got another title after that. 36:45.162 --> 36:48.125 [SPEAKER_05]: Alright, why Leonard isn't he's a national treasure? 36:49.211 --> 36:53.792 [SPEAKER_05]: I don't know how to build him a statue, not bitch about him not bringing up another ring. 36:54.072 --> 36:56.593 [SPEAKER_05]: He came, he saw, he destroyed, and he was gone. 36:56.913 --> 36:58.493 [SPEAKER_05]: There ain't no mission to accomplish there. 36:58.593 --> 37:02.154 [SPEAKER_05]: Mission was accomplished, and then he got some more shots off at Kendrick. 37:02.714 --> 37:08.556 [SPEAKER_05]: But I think the main issue I'm having with that one and a lot of these songs is just the cadence. 37:09.216 --> 37:18.325 [SPEAKER_05]: Drake, as I said at the beginning, Drake can absolutely crush a verse, and I actually think it serves him better when you give him a featured verse. 37:18.745 --> 37:23.750 [SPEAKER_05]: You get him to fire off on one verse, and he's just going to attack a, especially when you give him a dope beat. 37:23.910 --> 37:30.377 [SPEAKER_05]: I've heard many songs where he absolutely his rap style, his technique, his murderous. 37:31.733 --> 37:33.516 [SPEAKER_05]: fucking problems, right off the top of my head. 37:34.117 --> 37:38.385 [SPEAKER_05]: Heifer, he demonstrates how quick he can go, but also like change of speed. 37:38.405 --> 37:40.048 [SPEAKER_05]: There's a lot of these songs. 37:40.208 --> 37:42.011 [SPEAKER_05]: It feels like he's just reading. 37:43.053 --> 37:44.075 [SPEAKER_05]: And he probably is. 37:44.963 --> 37:46.564 [SPEAKER_05]: He's looking at lyrics. 37:46.664 --> 37:49.605 [SPEAKER_05]: I'm sure he's been jotting down shit for the past year. 37:49.625 --> 37:51.506 [SPEAKER_05]: And he's like, oh, I'm gonna go off on this. 37:51.566 --> 37:52.246 [SPEAKER_05]: I'm gonna call off on that. 37:52.266 --> 37:54.927 [SPEAKER_05]: I'm gonna talk to the line about how quiet and bring us another ring. 37:54.947 --> 37:55.427 [SPEAKER_05]: And all this week. 37:55.447 --> 37:56.948 [SPEAKER_05]: Like, oh, I see, I see, I see, I see it. 37:56.968 --> 38:05.271 [SPEAKER_05]: I'm gonna call a cancer, that and this, it's like, we can tell, Doug, you're, you de facto that you release three albums of 18 track albums. 38:05.471 --> 38:09.192 [SPEAKER_05]: Show is that you didn't put the proper quality into the each track that you should. 38:09.552 --> 38:10.733 [SPEAKER_05]: So many of these songs. 38:11.033 --> 38:33.878 [SPEAKER_05]: just sound like you're just kind of on on robotic rap you're just doing that right cadence where it's like and then and then and then and then and then and then then and then and then and then and then and then and then and then and then and then and then and it's like when the beat just stays i mean i've been hearing some beat change ups and i'm actually okay with that for that reason it'll like start to get tired if you just have that going off at the same time but sound was born to me 38:35.318 --> 38:36.379 [SPEAKER_05]: Don't think I'll play it again. 38:36.499 --> 38:37.520 [SPEAKER_05]: Let's go to Track 10. 38:38.060 --> 38:40.722 [SPEAKER_05]: Bees on the table, featuring 21 Savage. 38:40.862 --> 38:41.343 [SPEAKER_05]: Let's hear it. 38:42.984 --> 38:45.066 [SPEAKER_04]: Yeah, none of you, exactly the same. 38:45.086 --> 38:46.827 [SPEAKER_04]: I don't know my money, I'm wrecking my brain. 38:47.187 --> 38:48.508 [SPEAKER_04]: Couldn't ever get back with the game. 38:48.709 --> 38:50.310 [SPEAKER_04]: Go to the hotel right after your game. 38:50.330 --> 38:52.011 [SPEAKER_04]: I come to you showing, get back on the plane. 38:52.051 --> 38:53.813 [SPEAKER_04]: It's contract talking, it's fine, my brain. 38:53.853 --> 38:55.674 [SPEAKER_04]: And numbers, they talking, they're actually insane. 38:55.754 --> 39:02.479 [SPEAKER_02]: Bees on the table, bees on the table, bees on the table, bees on the table. 39:04.200 --> 39:23.770 [SPEAKER_04]: I want to talk about hands, I want to talk about friends, I want to talk about how did you start it man I want to talk about how did your ears on the table, these on the table, these on the table, these on the table Can't even talk to my dogs, can't even talk to my dogs, can't even talk to my dogs All right, we're ready to get the vibes I love these keys on the table part 39:32.708 --> 39:35.070 [SPEAKER_05]: And I love that back-round sample. 39:36.911 --> 39:42.976 [SPEAKER_05]: So, as I'm going through these songs for the first time, I don't have the info as to like who that is, what that sample is. 39:43.076 --> 39:44.978 [SPEAKER_05]: But I love that sample in the back. 39:45.478 --> 39:47.620 [SPEAKER_05]: I think 21 Savage, that's a dope hook. 39:47.860 --> 39:49.481 [SPEAKER_05]: Bees on the table. 39:49.681 --> 39:50.462 [SPEAKER_05]: Bees on the... 39:50.582 --> 39:52.884 [SPEAKER_05]: I could like see us all getting hyped to that, you know what I mean? 39:53.164 --> 39:54.525 [SPEAKER_01]: But what's trick doing the whole time? 39:56.126 --> 39:57.187 [SPEAKER_01]: Bitch in about shit again. 39:58.731 --> 40:00.637 [SPEAKER_05]: Can't you just be happy, Drake? 40:00.958 --> 40:04.830 [SPEAKER_05]: He has the most like first world problem gripes. 40:06.122 --> 40:07.083 [SPEAKER_05]: That I've ever heard. 40:07.443 --> 40:09.784 [SPEAKER_05]: I mean, probably, I mean, there's a lot of, I mean, shit there. 40:10.324 --> 40:14.387 [SPEAKER_05]: These days I hear about that shit, just getting thrown at me in the news all the time, you know? 40:15.107 --> 40:23.252 [SPEAKER_05]: A lot of first world gripes happen and not there, but Drake, do you have any songs where you're actually like just wrapping grateful about all the shit that you got? 40:23.572 --> 40:25.313 [SPEAKER_05]: Why do you gotta be kind of pigeon about shit? 40:25.373 --> 40:26.233 [SPEAKER_05]: Every single track. 40:26.654 --> 40:30.756 [SPEAKER_05]: To anyone's savage provided you with a dope hook right there, you could jump on it, we could all jump on. 40:31.404 --> 40:32.465 [SPEAKER_05]: That song has legs. 40:33.045 --> 40:33.565 [SPEAKER_05]: I'm gonna say it. 40:33.585 --> 40:40.630 [SPEAKER_05]: I like bees on the table, but it's still got filtered with Jake's kind of robotic flow. 40:40.670 --> 40:43.392 [SPEAKER_05]: Same shit I was just saying, kind of has that same flow. 40:43.412 --> 40:45.793 [SPEAKER_05]: He's just got in his pitch and about shit again. 40:46.053 --> 40:47.874 [SPEAKER_05]: This kind of Jack talk is where I'm about brain. 40:47.894 --> 40:49.756 [SPEAKER_05]: The numbers they talking are actually insane. 40:50.356 --> 40:51.537 [SPEAKER_05]: I'm sorry, Drake. 40:52.257 --> 41:00.823 [SPEAKER_05]: Is the contract talk fucking with you now you want a bitch about the contract talk that's where your gripe is now Man, I got a manipulate these numbers. 41:00.863 --> 41:11.389 [SPEAKER_05]: They trying to throw these millions at me And I'm like, I feel like I should get this many millions, but they only want to give me that many millions and this many dates I'm not trying to go into this. 41:11.589 --> 41:14.071 [SPEAKER_05]: I like I literally came into this whole album with open mind. 41:14.271 --> 41:20.095 [SPEAKER_05]: I was honestly hoping That this was gonna have a series of bangers on I was really co I was pulling for that 41:21.354 --> 41:27.846 [SPEAKER_05]: Like I said, I just need one, I just need one track that I leave with them like, fuck you, and you know what that one was one of the better ones I've heard. 41:28.547 --> 41:32.454 [SPEAKER_05]: Cause I like that sample in the background and I like 21 savages part. 41:33.602 --> 41:34.122 [SPEAKER_05]: That was a good hook. 41:34.683 --> 41:36.804 [SPEAKER_05]: That one in Shabang are leaders in the clubhouse to me. 41:37.144 --> 41:40.246 [SPEAKER_05]: And by the way, we're eight for 10 on the half syllable challenge. 41:40.266 --> 41:42.727 [SPEAKER_05]: All right, let's go to track 11. 41:43.007 --> 41:43.728 [SPEAKER_05]: What did I miss? 41:44.848 --> 41:45.629 [SPEAKER_05]: Oh, what did I miss? 41:46.129 --> 41:49.191 [SPEAKER_05]: What are the odds of this song is gonna be a little gripe, a little bitchy. 41:49.351 --> 41:50.612 [SPEAKER_05]: Did Drake have some more shit? 41:50.632 --> 41:54.554 [SPEAKER_05]: He's got to get off his chest in the back half of this album and the last eight tracks? 41:54.574 --> 41:55.875 [SPEAKER_05]: Let's see what Drake missed. 41:59.737 --> 42:28.915 [SPEAKER_04]: I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I don't give up, I 42:30.382 --> 42:37.984 [SPEAKER_04]: All right, I might surprise you with this one. 42:38.004 --> 42:38.944 [SPEAKER_05]: I didn't mind that one. 42:39.265 --> 42:45.546 [SPEAKER_05]: Look, I knew that Drake was going to come at the people that kind of turned their back at them and they'd be with Kendrick. 42:45.866 --> 42:47.347 [SPEAKER_05]: All right, I knew that was going to happen. 42:47.587 --> 42:50.548 [SPEAKER_05]: So that was going to be a subject matter and it should be. 42:50.808 --> 42:53.529 [SPEAKER_05]: A lot of people did turn their back on Drake last two years. 42:54.189 --> 42:58.010 [SPEAKER_05]: It's easy to pile on to do when he's down when he's been getting beat up. 42:58.638 --> 42:59.779 [SPEAKER_05]: and a lot of people took their shots. 43:00.420 --> 43:01.621 [SPEAKER_05]: So I expected that. 43:02.121 --> 43:07.426 [SPEAKER_05]: I'm gonna say for a track that was based off that about calling out dudes that turned their back on you. 43:07.886 --> 43:14.833 [SPEAKER_05]: The thing I liked about that one, it had an anthem sound to it, it had like sort of a triumphant like, oh, I'm standing up. 43:16.388 --> 43:17.588 [SPEAKER_01]: I'm getting hyped on this. 43:17.869 --> 43:23.990 [SPEAKER_05]: It gave you something to get motivated with call out to people that've been beefing with you, trying to go to war. 43:24.490 --> 43:25.650 [SPEAKER_05]: That's a good sound for it. 43:26.150 --> 43:28.831 [SPEAKER_05]: That actually makes you want to just be like, yeah, what for you? 43:29.111 --> 43:30.151 [SPEAKER_05]: You know, it was one of those. 43:30.451 --> 43:37.573 [SPEAKER_05]: It could be interpreted as more drag wine, but I didn't, you know, and it was, but like at least I like how we delivered it on that one. 43:37.933 --> 43:39.473 [SPEAKER_05]: So I'm going to stand with drag on that one. 43:40.148 --> 43:40.768 [SPEAKER_05]: What did I miss? 43:41.268 --> 43:41.708 [SPEAKER_05]: Good track. 43:42.429 --> 43:43.609 [SPEAKER_05]: Let's go to track 12. 43:44.089 --> 43:44.709 [SPEAKER_05]: Plot twist. 43:45.529 --> 43:46.330 [SPEAKER_05]: That's the name of the song. 43:46.670 --> 43:47.110 [SPEAKER_05]: Plot twist. 43:48.650 --> 43:48.870 [UNKNOWN]: Yeah. 43:49.870 --> 43:50.030 [SPEAKER_03]: Yeah. 43:50.050 --> 43:50.130 [SPEAKER_03]: Yep. 43:50.891 --> 43:55.832 [SPEAKER_05]: That song, it actually took, I think, less than two seconds to hit the half syllable challenge. 43:55.852 --> 43:57.292 [SPEAKER_05]: But by the way, what did I miss to do that? 43:57.532 --> 44:02.574 [SPEAKER_05]: By my count, that's nine out of 12 on the album right now with the half syllable challenge. 44:02.934 --> 44:03.514 [SPEAKER_05]: Let's keep going. 44:03.954 --> 44:04.234 [SPEAKER_04]: Yeah. 44:05.542 --> 44:15.906 [SPEAKER_04]: I told his owners the label, said figure there was a fable, ain't figure bought out the neighbors Now figure's turning the tables you, who I better be ready and able, I'm coming I can't talk about kids cause it's sticky, free T.M. 44:15.926 --> 44:21.848 [SPEAKER_04]: free greasing my killies My youngest put lots on the city so be shit to come out when it's litty T.D.S. 44:21.868 --> 44:30.492 [SPEAKER_04]: the Cody so freemies, the joke and I won't wanna be in my be the producer Like what's the BPM, I can't idea, escalate things We've got it in skip ahead, I'm just wanting to see if the beat changes 44:33.436 --> 44:59.054 [SPEAKER_05]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no 45:01.393 --> 45:04.574 [SPEAKER_05]: First two people show up, they arrived together, like, oh, what up? 45:05.174 --> 45:08.714 [SPEAKER_05]: Let's go, let's hang out, kind of sitting in the cashier, do you want to be here? 45:09.294 --> 45:10.055 [SPEAKER_05]: Yeah, let's have a beer. 45:10.595 --> 45:11.275 [SPEAKER_05]: Maybe get a shot. 45:11.595 --> 45:14.135 [SPEAKER_05]: Now they were hanging out, let's throw on some music. 45:14.715 --> 45:17.696 [SPEAKER_05]: You know, before you might have just kind of been like sitting up in a mirror, like, let's put some music on. 45:18.376 --> 45:20.056 [SPEAKER_05]: Now, this isn't the proper pregame. 45:20.296 --> 45:21.457 [SPEAKER_05]: This isn't the turn-up music. 45:21.477 --> 45:25.237 [SPEAKER_05]: This isn't just kind of like, we're hanging out, we're just kind of catching up, we're talking. 45:26.178 --> 45:28.478 [SPEAKER_05]: This album is what you throw on on the background of that. 45:29.667 --> 45:31.587 [SPEAKER_05]: This is just sort of vibe in like catching up. 45:32.088 --> 45:33.468 [SPEAKER_05]: We're not really listening on the music. 45:33.488 --> 45:34.988 [SPEAKER_05]: We're not really partying to the music. 45:35.528 --> 45:40.990 [SPEAKER_05]: Just kind of there, it's creating a general hip-hop vibe that nobody's gonna complain. 45:41.290 --> 45:42.750 [SPEAKER_05]: Nobody's gonna be like, dude, turn that shit off. 45:42.770 --> 45:43.430 [SPEAKER_05]: Like, that's works. 45:43.610 --> 45:44.070 [SPEAKER_05]: This works. 45:44.631 --> 45:54.233 [SPEAKER_05]: This works as background music, but not necessarily if we're trying to get hype music, not if we're trying to party music, not if we wanna hear some like jams, you wouldn't throw on this album. 45:55.222 --> 46:10.872 [SPEAKER_05]: So if you want to find the ideal time to play Drake's Iceman, pre-pre-game, you wouldn't like three, maybe four people, or just kind of like catching up, having a conversation, not really listening music, but you want something to background, Iceman, that's what it's for. 46:12.013 --> 46:15.776 [SPEAKER_05]: To this point at least, I don't know, we still got five tracks to go, somehow. 46:17.117 --> 46:18.918 [SPEAKER_05]: How the fuck is this album this long dude? 46:19.443 --> 46:27.387 [SPEAKER_05]: Oh, they didn't even do 18 track albums back in like the 90s that was rare back then I released in an 18 as part of a three-set Drake. 46:27.467 --> 46:31.489 [SPEAKER_05]: Okay, track 13 Too hard for the radio. 46:32.069 --> 46:34.290 [SPEAKER_05]: Uh-oh Don't expect this one on the radio. 46:34.310 --> 46:35.811 [SPEAKER_05]: Let me too hard for that. 46:36.111 --> 46:36.632 [SPEAKER_05]: Let's hear it Drake 46:45.287 --> 46:59.437 [SPEAKER_04]: A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A 47:11.305 --> 47:31.352 [SPEAKER_04]: My y'all boys, friendly y'all going crazy I'm on a bridge with a tank on leather I pull up early today, but that was ganking already, I say yeah In the city and our village, our brand You sit up back, pack to the fight against back I really blow hands for the front of it No out blue diamonds on the front of it Show my luck, cause I miss that having none of it Trying to campaign, yeah, just you better run it 47:32.212 --> 47:37.135 [SPEAKER_04]: I live in large, yeah, and I put it on, see that's in a bullet of art. 47:37.175 --> 47:41.537 [SPEAKER_04]: When I lost being mighty, I took it hard, me to call up a scarf as I'm pro-hard. 47:41.717 --> 47:46.020 [SPEAKER_04]: Do my new girl girl, you gotta look apart, as Mr. Maker Pike down there though. 47:46.280 --> 47:50.802 [SPEAKER_04]: Yes, Mr. Pastler, it's a way though, now too hard for the radio. 47:53.424 --> 47:57.846 [SPEAKER_04]: Too hard for the radio, oh, oh. 47:57.946 --> 47:59.467 [SPEAKER_05]: Alright, alright. 48:01.167 --> 48:02.408 [SPEAKER_05]: Yeah, that's what I'm learning about! 48:02.768 --> 48:10.853 [SPEAKER_05]: I'm gonna go, oh, is he changing the beat? 48:11.294 --> 48:13.415 [SPEAKER_05]: I ain't changing the beat on this one. 48:13.435 --> 48:14.416 [UNKNOWN]: I had him over and out. 48:14.516 --> 48:15.116 [SPEAKER_05]: And like that new change. 48:28.862 --> 48:52.429 [SPEAKER_05]: you know what it is when he changes the beat uh... it's basically okay so he's obviously been collecting beats working with the producers that he has the very fact that he had eighteen songs me and he had like too many beats that he wanted to work with and some of them are basically just multiple songs like that was two songs right there as far as i'm concerned too hard for the radio was actually just like a two minute track and then he slid this other song which as i turn up again still gone 48:55.833 --> 48:59.175 [SPEAKER_05]: Yeah, I don't like that one first half a too hard for the radio though. 48:59.375 --> 49:06.060 [SPEAKER_05]: That's what I'm talking about that be was dope He actually put some like effort of flown it didn't have that robotic. 49:06.180 --> 49:08.942 [SPEAKER_05]: I'm reading I just scripted down thing going on. 49:09.342 --> 49:12.684 [SPEAKER_05]: That's what I'm talking about Aubrey going government on this one. 49:12.804 --> 49:13.745 [SPEAKER_03]: I'm going government 49:14.087 --> 49:17.608 [SPEAKER_05]: That was my favorite track, and it's actually, I'd be honest, it gets a slightly de-moded. 49:17.668 --> 49:23.689 [SPEAKER_05]: It loses a snap on that because he decided to throw that other song in there, and he just made it a different song. 49:23.769 --> 49:30.371 [SPEAKER_05]: And I was actually feeling whether that one was going, but, you know, beggars can't be chooses for this one, all right, let's go to track 14. 49:30.391 --> 49:37.573 [SPEAKER_05]: This one's to make them remember, oh, is this one, Jake, is this one gonna be about how that girl used to fuck, you're gonna just make her remember you? 49:37.993 --> 49:39.213 [SPEAKER_05]: by like calling out our name. 49:39.353 --> 49:40.574 [SPEAKER_05]: Is that what this one's gonna be about? 49:40.914 --> 49:42.114 [SPEAKER_05]: Is that what we're going with this? 49:42.134 --> 49:43.414 [SPEAKER_05]: That's what I'm guessing. 49:43.554 --> 49:45.035 [SPEAKER_05]: All right, let's hear what make them remember. 49:45.075 --> 49:47.935 [SPEAKER_05]: Let's hear who Drake's got to make remember. 50:00.626 --> 50:08.430 [SPEAKER_03]: I just came from here and a lot of, a lot of, a lot of, please, like, Oh, brother, I don't, you know what, you know what, you know what, you brother, it's just never been nothing. 50:09.330 --> 50:13.953 [SPEAKER_04]: I tell you, send me that out of the mode you might DM me, or man, nothing. 50:14.713 --> 50:17.114 [SPEAKER_04]: Don't try coming around when this boy's back to 10, nothing. 50:18.135 --> 50:18.555 [SPEAKER_04]: For real. 50:22.853 --> 50:32.596 [SPEAKER_05]: How can we take this man seriously, as a credible, cool dude in hip-hop, who's complaining about getting an almoji and a text message? 50:33.896 --> 50:35.357 [SPEAKER_05]: There's no sense of irony there. 50:35.897 --> 50:36.957 [SPEAKER_05]: He was not being ironic. 50:37.497 --> 50:40.698 [SPEAKER_05]: He's legit complaining about an emoji that he got from somebody. 50:41.158 --> 50:43.199 [SPEAKER_05]: Can't even tell if it's a dude or a girl or what? 50:44.019 --> 50:47.380 [SPEAKER_05]: Such a lame way to set us up on! 50:48.236 --> 51:06.749 [SPEAKER_05]: drag and help people think you're cool that you can write out on that and enough people think you're corny no matter what you do that you're never going to get them back making tracks about complaining about people in their texts what they text you or didn't text you never going to be cool no but that doesn't that that gets back nobody. 51:07.803 --> 51:24.351 [SPEAKER_05]: Nobody's gonna be on your side and from either end of the spectrum after that is not gonna make those that think you're a cool brother to be like You got to hold you drink was the shit See if you text him like oh hey just hey just let you know everything's all love and I say you an owl moji And he's like no, I don't even fuck with that dude. 51:24.371 --> 51:25.952 [SPEAKER_05]: I don't fuck with your owl moji. 51:26.252 --> 51:26.532 [SPEAKER_05]: You know what? 51:26.552 --> 51:35.897 [SPEAKER_05]: I'm gonna I'm gonna leave that shit on red I'm not even gonna retry I'm gonna let you know I read it and it's like nope Sorry and the conversation 51:36.890 --> 51:39.471 [SPEAKER_05]: That's my boy Drake, he didn't fuck with that kind of shit. 51:39.931 --> 51:42.712 [SPEAKER_05]: Nobody's over there having that conversation about how that's making you cooler. 51:43.732 --> 51:45.573 [SPEAKER_05]: Always got to be in Drake's curse, you know? 51:45.733 --> 51:54.375 [SPEAKER_05]: It's provided him with the, the opposite, he's made a lot of good R&B songs out of his sort of like pettiness and his sort of sensitivity. 51:54.435 --> 51:55.855 [SPEAKER_05]: He's made some good tracks out of that. 51:55.896 --> 51:58.496 [SPEAKER_05]: Like I said earlier, Marvin's room, great song. 51:58.896 --> 52:00.537 [SPEAKER_05]: I listen to that song a hundred of the times. 52:00.917 --> 52:04.438 [SPEAKER_05]: The problem is the other 99 times he does it where it's just like, 52:04.879 --> 52:08.882 [SPEAKER_03]: Bro, what do you want to hear you wine on this one right now? 52:08.902 --> 52:10.323 [SPEAKER_05]: Didn't know what you want to hear you wine? 52:11.183 --> 52:12.464 [SPEAKER_05]: I remember how good that be was. 52:12.704 --> 52:13.745 [SPEAKER_05]: I might let me hear it again. 52:13.785 --> 52:16.847 [SPEAKER_04]: Please stop asking about what's going on with 23 of me. 52:16.887 --> 52:17.948 [SPEAKER_04]: Nah, it's clunky. 52:17.988 --> 52:19.449 [SPEAKER_04]: Still complaining about you. 52:19.469 --> 52:21.851 [SPEAKER_04]: Just complaining about how to complaining on this shit dude. 52:27.995 --> 52:29.455 [SPEAKER_05]: Where's your celebrate life song? 52:29.856 --> 52:31.296 [SPEAKER_05]: Is there a celebrate life song on here? 52:31.416 --> 52:47.501 [SPEAKER_05]: I feel like you got a lot to be happy about Remember that every now that just good to remind yourself of that every now and then we don't need the full hip-hop Bragg song talking about all the fucking McLaren's in your garage and the fucking ice on your chain We don't need any of that just like, you know, I've heard you do it before God's plan remember that 52:49.426 --> 52:53.390 [SPEAKER_05]: Appreciate life moment instead of every song being about like man. 52:53.430 --> 53:02.238 [SPEAKER_05]: These motherfuckers did text me for like six months And now they try to come at me and I'm like nah Like nah dude I ain't on that shit. 53:02.518 --> 53:03.679 [SPEAKER_05]: All right, make them remember. 53:03.999 --> 53:12.807 [SPEAKER_05]: I lost track of the half syllable challenge I'm just gonna listen to the first second of again and see where that one stood Real McCown it 53:14.134 --> 53:16.277 [SPEAKER_05]: where we at, I think that's 11 out of 14. 53:16.417 --> 53:16.958 [SPEAKER_05]: We're almost there. 53:16.978 --> 53:17.779 [SPEAKER_05]: We're in the home stretch. 53:18.380 --> 53:20.723 [SPEAKER_05]: Track 15, got a little birdie. 53:21.063 --> 53:22.805 [SPEAKER_05]: Is this one gonna be about somebody talking shit? 53:23.687 --> 53:26.210 [SPEAKER_05]: Kind of feel like it is, but I'll let Drake tell it. 53:26.650 --> 53:26.911 [UNKNOWN]: All right. 53:27.291 --> 53:27.612 [UNKNOWN]: All right. 53:30.808 --> 53:32.930 [SPEAKER_04]: isn't hers and I don't like going to Vegas. 53:32.970 --> 53:33.931 [SPEAKER_04]: I started missing Virgil. 53:34.291 --> 53:38.996 [SPEAKER_04]: If you say if he was with his Senate in person, I'd just trip in like they clipped the hurdle. 53:39.256 --> 53:41.598 [SPEAKER_04]: I'd just just act in like they missed the murder. 53:41.978 --> 53:44.180 [SPEAKER_04]: I'd just air when I'm intrigued me like the presser person. 53:44.200 --> 53:45.101 [SPEAKER_04]: Speak on me and gain a lot. 53:45.121 --> 53:45.742 [SPEAKER_04]: Just like the district hers. 53:45.822 --> 53:46.703 [SPEAKER_04]: I put ceases on out or just like it is. 53:46.723 --> 53:54.410 [SPEAKER_00]: So, yeah, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, 53:55.795 --> 54:03.421 [SPEAKER_05]: Yo, wait, wait, wait, that was that, dude, what the fuck is that? 54:03.481 --> 54:04.442 [SPEAKER_05]: What happened there? 54:05.543 --> 54:06.264 [SPEAKER_05]: What happened there? 54:06.284 --> 54:08.205 [SPEAKER_05]: That was a 30 seconds into the track. 54:08.645 --> 54:10.967 [SPEAKER_05]: The y'all remember, real ones or remember. 54:11.977 --> 54:19.641 [SPEAKER_05]: The real heads will say, the real ones who go back to the early days of download music on limewire. 54:20.401 --> 54:22.162 [SPEAKER_05]: On Kazah, don't remember. 54:22.822 --> 54:26.584 [SPEAKER_05]: We used to have to download just whatever song you could grab when there's a new song came out. 54:26.944 --> 54:35.408 [SPEAKER_05]: It's motherfuckers who put their little watermarked little stamp on it, be like, So dangerous, please, please, please, please, please, please, please, please, please, please, please, please, please, please. 54:38.691 --> 54:41.234 [SPEAKER_05]: This motherfucker just put one of those out of nowhere. 54:41.254 --> 54:43.676 [SPEAKER_05]: I'm track 15 of his own album. 54:44.276 --> 54:55.165 [SPEAKER_00]: Little birdie I'm gonna play that again It's not even clean. 54:55.526 --> 54:56.827 [SPEAKER_00]: It's not even a clean watermark 54:58.762 --> 54:59.203 [SPEAKER_05]: This is beyond his. 54:59.223 --> 55:00.484 [SPEAKER_05]: That song wasn't going anywhere. 55:00.524 --> 55:01.145 [SPEAKER_05]: That's a skip. 55:01.365 --> 55:02.086 [SPEAKER_05]: I'd all be honest. 55:02.266 --> 55:05.409 [SPEAKER_05]: You're going to have an 18 track album track 15. 55:05.449 --> 55:06.610 [SPEAKER_05]: Great place to have a skip. 55:06.851 --> 55:07.772 [SPEAKER_05]: That's where people are. 55:07.792 --> 55:09.974 [SPEAKER_05]: I've usually like now I've just get over it. 55:09.994 --> 55:11.175 [SPEAKER_05]: But like track 17 is good. 55:11.195 --> 55:11.856 [SPEAKER_05]: Like it's good to that. 55:11.936 --> 55:12.737 [SPEAKER_05]: The last song is good. 55:12.757 --> 55:14.479 [SPEAKER_05]: Like nobody's stopping for 15. 55:14.559 --> 55:14.999 [SPEAKER_05]: All right. 55:15.160 --> 55:17.822 [SPEAKER_00]: Track 16 called don't worry. 55:18.884 --> 55:19.504 [SPEAKER_00]: Got to be honest. 55:20.425 --> 55:20.986 [SPEAKER_05]: I'm a worry. 55:26.730 --> 55:39.494 [SPEAKER_03]: I'll tell you, Jake. 55:40.034 --> 55:43.015 [SPEAKER_05]: I'll be honest, I heard enough of that already, I don't need to hear any more of that. 55:43.055 --> 55:46.116 [SPEAKER_05]: You know, when you go through 18 tracks, you just gotta call it early on some of these. 55:46.799 --> 55:48.140 [SPEAKER_05]: Don't you all do this on that one? 55:48.401 --> 55:49.381 [SPEAKER_05]: Take away the music. 55:49.842 --> 55:50.843 [SPEAKER_05]: Hockipull of that shit. 55:51.543 --> 55:57.589 [SPEAKER_05]: Drake needs to understand the range of his actual vocals when it's like a, as a singing, it's a singer. 55:58.050 --> 56:00.832 [SPEAKER_05]: You should never be carrying the song with like your singing vocals. 56:01.293 --> 56:04.536 [SPEAKER_00]: Also, little birdie, start over the half syllable. 56:05.457 --> 56:06.237 [SPEAKER_05]: That's not my check. 56:06.458 --> 56:09.020 [SPEAKER_05]: 12 for 16 is where we're at and the half syllable challenge. 56:09.440 --> 56:11.963 [SPEAKER_05]: Last two songs, or a skipable is fuck. 56:12.705 --> 56:14.226 [SPEAKER_05]: Let's go to track 17. 56:14.266 --> 56:15.406 [SPEAKER_05]: We're in the home stretch y'all. 56:15.446 --> 56:16.847 [SPEAKER_05]: This one's called firm friends. 56:17.087 --> 56:21.449 [SPEAKER_05]: Oh, right the odds at the songs about his real friends and then his fake friends. 56:21.469 --> 56:21.970 [SPEAKER_05]: I don't know. 56:22.570 --> 56:23.510 [SPEAKER_05]: I'll let you a tell it again. 56:24.951 --> 56:29.373 [SPEAKER_04]: Yeah, back at it back at it back at it again. 56:35.238 --> 56:37.260 [SPEAKER_05]: All right, back to complaining about his fake friends. 56:37.340 --> 56:39.421 [SPEAKER_04]: You think I didn't see that you stay silent? 56:39.621 --> 56:41.082 [SPEAKER_04]: That's like you're endorsing it all. 56:41.102 --> 56:42.403 [SPEAKER_04]: I'm as well stand behind them. 56:42.863 --> 56:43.824 [SPEAKER_04]: I stood beside you. 56:43.844 --> 56:45.385 [SPEAKER_04]: Thought there was some good inside you. 56:45.685 --> 56:46.886 [SPEAKER_04]: Situations like these. 56:46.906 --> 56:48.507 [SPEAKER_04]: They pushed you to notice the difference. 56:48.768 --> 56:49.908 [SPEAKER_04]: Look at me at Nick's fans. 56:49.928 --> 56:51.610 [SPEAKER_04]: This we know we live different lives. 56:51.650 --> 56:52.810 [SPEAKER_05]: And we, all right, here's Romano. 56:52.850 --> 56:54.351 [SPEAKER_05]: I'm just going to jump right in. 56:54.572 --> 56:55.352 [SPEAKER_05]: I know where that's going. 56:55.412 --> 56:55.672 [SPEAKER_05]: Okay. 56:56.613 --> 57:02.196 [SPEAKER_05]: Does Drake when he's like making a whole song where he's trying to talk shit to like one friend or like one euro? 57:02.736 --> 57:11.521 [SPEAKER_05]: Do you think he has like a system in place where he kind of like leaks the leak to somebody so they can leak it to the leaky? 57:12.362 --> 57:20.486 [SPEAKER_05]: So they know like hey, by the way, Drake that track track track 17 on Iceman firm friends. 57:20.546 --> 57:21.867 [SPEAKER_05]: I want to talk about you on that one. 57:22.787 --> 57:24.248 [SPEAKER_05]: I have it on good authority 57:25.052 --> 57:52.608 [SPEAKER_05]: That song was about you brother listen to it listen to it closely Drake wants to make sure you got it When you just have these big lyrics about like, no, you know what when your text was silent That was louder than any one of your high rents, you know what I mean like it's just I don't remember that's what he said Or I just made that up right now, but like it's just like don't these individual beef squabbles You're trying to put out an album so petty and I'm just you're above this Love it drink 57:53.583 --> 57:57.012 [SPEAKER_05]: Aubrey, going back to government because this time I want to actually talk to the man. 57:57.857 --> 58:18.821 [SPEAKER_05]: You know what I appreciate about you most Drake was when you started getting into comedy when I saw you on SNL and that's when I decided you're a cool dude But you also know how to laugh for yourself the end of the no guidance video with Chris Brown when you totally clown on yourself And it's the funniest part of the video and you actually end up I think looking cool in a Chris Brown because you can laugh for yourself That's my kind of cool right there. 58:18.841 --> 58:24.422 [SPEAKER_05]: I like that yeah You can also be dope and like kick it at the club and like have a good whole thing going on and everything 58:28.503 --> 58:37.487 [SPEAKER_05]: This is just using 13 of your 18 tracks to like send little hidden messages to your haters or your former friends. 58:37.767 --> 58:38.687 [SPEAKER_05]: What is buying that shit? 58:38.707 --> 58:40.228 [SPEAKER_05]: Nobody's buying that for that. 58:40.908 --> 58:41.808 [SPEAKER_05]: What do you want's that? 58:42.148 --> 58:43.749 [SPEAKER_05]: You can at least make the tracks good. 58:44.749 --> 58:45.349 [SPEAKER_05]: I don't know, man. 58:45.870 --> 58:51.812 [SPEAKER_05]: It's album starting to feel like a swing in a mis to me, but I got one more track that could save everything. 58:52.670 --> 59:19.963 [SPEAKER_05]: We all know if there's that one banger if there's that one that I'm like you know You know how many times we're back in the day when I was a kid you just bought it now Because they had the one song how crazy would it be if that was actually the last track didn't matter where it was on there That actually was easy then you would skip backwards the first time you let's when you listen to the CD go right to track a team Tell me track a team saves it and that song was called make them now Feels like another one of those All right, let's hear it 59:29.664 --> 59:33.953 [SPEAKER_04]: Hey! 59:36.947 --> 01:00:04.338 [SPEAKER_04]: I try to try to try, to the horse which plays with the high I never forget that's a lie The words that I feel in a while I'm glad that you take it or so I'm glad that you take it or shy I need you to take all these things I got bigger than what's in my mind I'm taking it now for an hour I send a world to the sky I still haven't lost any sleep And I definitely didn't cry Hey, you'll go to get back in a ride Cause that's definitely not the guy 01:00:04.958 --> 01:00:28.319 [SPEAKER_04]: My steak and I didn't eat mix with adrenaline I almost just kiss you goodbye It's rap so sound like a lie When I talk to you and I can fight I'm going going back to Cali I got hot and some both of my eyes I'm sleeping with death on my mind Cause a shot that I caught in my time It comments been on my side But I also just heard that she's blind That I just switch on a dime Cause she can't even see I'm a guy 01:00:29.100 --> 01:00:54.393 [SPEAKER_04]: Pressure being getting applied And I know I've been bare-replied But the loss without God is fried To the loss which plays with the eye They're framing his people a retired But we know it's a truth in a lie And I act like we saw it in a deal When they paid me for wasting my time And I act like I lost my appeal But they'll pay me for changing their mind They got winning the fact that was here And the whole world started the time And I was getting no sudo no time 01:00:55.073 --> 01:00:56.434 [SPEAKER_04]: Victory always been mine. 01:00:56.814 --> 01:01:08.622 [SPEAKER_04]: If I feel my bro gotta live with it because we know that that man isn't innocent It is sad he did it he did it but he still might come home in a little bit For a hundred rats on their head How am I spending so frivolous? 01:01:09.002 --> 01:01:20.690 [SPEAKER_04]: I had led the money's unlimited If a broless I'm all about to drop I reserved it like I'm indigenous I'll be from six one bro and he on the mountain All right, it's getting repetitive, getting repetitive 01:01:21.570 --> 01:01:26.391 [SPEAKER_05]: I gave it a shot because the B was the same. 01:01:27.092 --> 01:01:29.773 [SPEAKER_05]: So many of these beats in rapes just sound the same dude. 01:01:30.173 --> 01:01:31.613 [SPEAKER_05]: He had some good poetry in that one though. 01:01:31.953 --> 01:01:34.194 [SPEAKER_05]: Shout out to this line, I'm going back to Cali. 01:01:34.314 --> 01:01:35.614 [SPEAKER_05]: I got hearts in both of my eyes. 01:01:35.994 --> 01:01:39.195 [SPEAKER_05]: I'm sleeping with death of my mind because the shots that I call them are time. 01:01:39.535 --> 01:01:42.876 [SPEAKER_05]: And Karma has been on my side, but I also just heard that she's blind. 01:01:43.277 --> 01:01:47.318 [SPEAKER_05]: That bitch is my switch on the dime because she can't even see I'm a god. 01:01:48.118 --> 01:01:51.939 [SPEAKER_05]: He had some good lines in that one, but again, it's just more of the same. 01:01:52.579 --> 01:01:53.439 [SPEAKER_05]: More of this. 01:01:53.979 --> 01:01:59.561 [SPEAKER_05]: All right, but I'll let him as any good album listener will do. 01:02:00.001 --> 01:02:01.281 [SPEAKER_05]: I will hear how he closed it out. 01:02:01.761 --> 01:02:03.062 [SPEAKER_05]: Maybe there's an outer loop. 01:02:03.482 --> 01:02:05.382 [SPEAKER_05]: Maybe there's a lot of final message you want to leave. 01:02:05.422 --> 01:02:06.582 [SPEAKER_05]: Maybe you switch up the beat. 01:02:06.602 --> 01:02:08.223 [SPEAKER_05]: Maybe write it out on that bit beat. 01:02:08.803 --> 01:02:09.583 [SPEAKER_05]: I'm going to give you that. 01:02:09.603 --> 01:02:11.183 [SPEAKER_05]: I'm going to give you that opportunity, Drizzy. 01:02:11.343 --> 01:02:12.204 [SPEAKER_05]: Let's hear how he closed it. 01:02:20.975 --> 01:02:25.270 [SPEAKER_03]: For be gay, gay, you've got your love, love, love, love for me 01:03:13.257 --> 01:03:14.738 [SPEAKER_05]: I'm going to give it up for that outro. 01:03:15.638 --> 01:03:16.419 [SPEAKER_05]: I like the sounds. 01:03:16.779 --> 01:03:18.960 [SPEAKER_05]: I even feel like I could have extended that a little bit. 01:03:19.000 --> 01:03:21.381 [SPEAKER_05]: Maybe if you cut another song or two. 01:03:21.781 --> 01:03:23.222 [SPEAKER_05]: And it was just 16 tracks. 01:03:23.242 --> 01:03:25.123 [SPEAKER_05]: And then you'd let that one flow out. 01:03:25.503 --> 01:03:27.604 [SPEAKER_05]: You could have given that little instrumental right there. 01:03:27.664 --> 01:03:28.924 [SPEAKER_05]: Like it's a minute, I think. 01:03:29.204 --> 01:03:30.665 [SPEAKER_05]: You know, gospel sounds. 01:03:30.705 --> 01:03:34.247 [SPEAKER_05]: Like when people want to intro or outro with the gospel sounds, it really would go either way with me. 01:03:34.927 --> 01:03:38.788 [SPEAKER_05]: But if you add something like dope sounds and some dope beats to it, I think it could really play. 01:03:38.908 --> 01:03:43.409 [SPEAKER_05]: And we have talked in this podcast behind you to like really get into like my burned cities. 01:03:43.649 --> 01:03:46.770 [SPEAKER_05]: And I've made sure that the last track and the city was a good out. 01:03:47.070 --> 01:03:48.891 [SPEAKER_05]: That's a good way for a city to end. 01:03:49.311 --> 01:03:50.191 [SPEAKER_05]: I was always big on that. 01:03:50.511 --> 01:03:51.731 [SPEAKER_05]: That is definitely a song. 01:03:52.292 --> 01:03:53.232 [SPEAKER_05]: That ending to it. 01:03:53.452 --> 01:03:54.932 [SPEAKER_05]: That should be the last song in the album. 01:03:54.992 --> 01:03:56.053 [SPEAKER_05]: I like how it finished. 01:03:56.353 --> 01:03:58.473 [SPEAKER_05]: So for me, it had a strong ending. 01:03:58.853 --> 01:04:01.354 [SPEAKER_05]: But overall, a lot of bitching. 01:04:02.519 --> 01:04:03.500 [SPEAKER_05]: who many tracks? 01:04:03.940 --> 01:04:06.381 [SPEAKER_05]: Too many songs that just sounded the same. 01:04:06.422 --> 01:04:10.024 [SPEAKER_05]: Look, I'm actually going in and dissecting this song. 01:04:10.344 --> 01:04:15.127 [SPEAKER_05]: If I was just casually listening to the whole album, I don't know that I would have noticed the track changed that much. 01:04:15.147 --> 01:04:16.108 [SPEAKER_05]: I mean, like, hey, is this that same song? 01:04:16.128 --> 01:04:22.752 [SPEAKER_05]: Where Drake's doing that one rapper, he's just kind of like, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no 01:04:22.832 --> 01:04:44.907 [SPEAKER_05]: y'all just turn on my back and y'all didn't even get me when I was down like you know would you just ever like just complaining about like his friends that like weren't there for them or some shit complaining about a girl that didn't text him back with a lot of these kind of pretty let's be honest generic beats I'm gonna say he misses young money y'all when we look at the peak of Drake's powers when he was just turning out mad hits 01:04:45.707 --> 01:04:46.468 [SPEAKER_05]: Joe Beats. 01:04:46.909 --> 01:04:48.290 [SPEAKER_05]: Given his best flows. 01:04:48.771 --> 01:04:58.544 [SPEAKER_05]: I don't really say it came within like the era of like 2011 to like 2011 to like 2016 right in the thick of his young money years He was sitting with the best producers back then. 01:04:59.265 --> 01:05:00.326 [SPEAKER_05]: I'd say he misses them. 01:05:00.827 --> 01:05:02.409 [SPEAKER_05]: I don't hear those beats on this album 01:05:02.924 --> 01:05:19.215 [SPEAKER_05]: And I don't hear like, ah, some of those like, like a lot of those beats would carry like so many of those songs that he came up with, would carry so many of those songs that would be unavoidable hits, you know, hotline bling, controller, one dance. 01:05:19.575 --> 01:05:44.305 [SPEAKER_05]: The last ride out on fancy so many tracks he used to put out back in the day where like it was like this is a song that you want to Everybody's gonna be hyped on and it's guaranteed success like across the room like there's gonna be Hold on we're going home even before that shit guy like really played out like there's so many songs that like Viral before viverality was a thing where like you'd feel that these songs made people feel something real quick and usually that feeling was Yeah, it sounds a gem 01:05:44.705 --> 01:05:45.726 [SPEAKER_05]: That was it. 01:05:45.966 --> 01:05:55.554 [SPEAKER_05]: That was what Drake was good for and I'm sorry to say that at the end of this I asked for one banger One that I'm gonna take with my collection and be like that one's going in the playlist. 01:05:55.594 --> 01:05:59.437 [SPEAKER_05]: That one's getting into play like so many Drake songs have in the past I didn't hear it. 01:05:59.597 --> 01:06:03.360 [SPEAKER_05]: I'm already I already feel like I gotta look up what songs I said I did like 01:06:03.960 --> 01:06:04.480 [SPEAKER_05]: Shabbang. 01:06:04.500 --> 01:06:05.100 [SPEAKER_05]: That was a good one. 01:06:05.120 --> 01:06:29.546 [SPEAKER_05]: I remember that one too hard for the radio before they switched up the beat I literally just had to look that up like the very fact that I had to like go back and look like remember what these titles are shows that it doesn't land like a true banger should and don't get me wrong hip hop albums do not need to have the clubbinger on it to be a successful album there's been plenty of great hip hop albums that didn't have the clubbinger quote unquote 01:06:30.326 --> 01:06:33.588 [SPEAKER_05]: But all I'm saying is, a Drake album does. 01:06:34.228 --> 01:06:35.268 [SPEAKER_05]: That's a harsh truth of it. 01:06:36.109 --> 01:06:37.129 [SPEAKER_05]: Doesn't even need to be harsh. 01:06:37.149 --> 01:06:38.090 [SPEAKER_05]: It's just the truth of it. 01:06:38.810 --> 01:06:42.152 [SPEAKER_05]: Drake made his bones in this industry on the clubbinger. 01:06:43.032 --> 01:06:49.215 [SPEAKER_05]: The songs that made him a legend that who he is in the industry for the clubbingers. 01:06:49.855 --> 01:06:51.715 [SPEAKER_05]: the songs that got played on repeat. 01:06:51.915 --> 01:06:57.156 [SPEAKER_05]: The songs that got played in the clubs, the ones that got bumped in the cars and the ubers and your mom knew about it. 01:06:57.456 --> 01:06:59.337 [SPEAKER_05]: And they would play it at graduation parties. 01:06:59.417 --> 01:07:01.897 [SPEAKER_05]: Shit like that, that's why I already knows Drake. 01:07:02.397 --> 01:07:05.258 [SPEAKER_05]: And they should, he made a bunch of dope club bangers. 01:07:05.638 --> 01:07:12.219 [SPEAKER_05]: Doesn't need to just be banged at the club, just that general vibe where it's like, this song gets people moving in any room. 01:07:13.059 --> 01:07:14.079 [SPEAKER_05]: I didn't hear that on this album. 01:07:14.639 --> 01:07:15.300 [SPEAKER_05]: And you know what? 01:07:15.680 --> 01:07:17.540 [SPEAKER_05]: This one was supposed to be the jam album. 01:07:18.455 --> 01:07:22.499 [SPEAKER_05]: From what I understand, made of honor and habiti, they're more the chill stuff. 01:07:22.519 --> 01:07:24.540 [SPEAKER_05]: You tell me this wasn't the chill stuff? 01:07:25.341 --> 01:07:27.143 [SPEAKER_00]: This was supposed to be the hard stuff, Drake. 01:07:28.063 --> 01:07:31.787 [SPEAKER_05]: Man, I feel like maybe you're trying to do too much at once. 01:07:32.920 --> 01:07:54.528 [SPEAKER_05]: three albums with three different subject about how about three songs of each different subject matter that you're trying to put into each album and then just focus on those nine songs for the whole last year and really make sure those are bangers because like there's no way you could tell me you made three different 18 track albums and I don't even know how many are on the other albums I'm just saying this one's got 18 and there's two other albums 01:07:54.788 --> 01:07:57.051 [SPEAKER_05]: I just took over an hour to get through this one album. 01:07:57.231 --> 01:08:00.314 [SPEAKER_05]: There's no chance that you put the proper care into all these tracks. 01:08:00.374 --> 01:08:04.999 [SPEAKER_05]: And to be honest, as I went through it all, it just sounds like you put this out to get your gripes off. 01:08:05.280 --> 01:08:08.744 [SPEAKER_05]: Couple decent songs, a couple songs, I'll be hyped to hear again. 01:08:09.064 --> 01:08:10.425 [SPEAKER_05]: What was that one with 21 Savage? 01:08:10.806 --> 01:08:11.827 [SPEAKER_05]: That was good for a second. 01:08:12.288 --> 01:08:14.210 [SPEAKER_05]: Oh, bees on the table, yeah, that one was good. 01:08:14.610 --> 01:08:27.347 [SPEAKER_05]: There's like three good songs in here that I I probably could have you know never know with it but sometimes like you might hear the same song a few more times throughout the summer and I'll be like yeah you know what that song's dope and everything but it's a full package as a full album. 01:08:28.313 --> 01:08:39.296 [SPEAKER_05]: way too many songs, way too many songs that sound exactly the same, way too much bitching, way too much individual calling people out, calling sure, shit that none of us know about. 01:08:39.556 --> 01:08:48.998 [SPEAKER_05]: You're talking about like bullshit gripes, text message feuds, that nobody outside your friend group would even know what you're talking about, maybe not even them. 01:08:49.018 --> 01:08:56.420 [SPEAKER_05]: You're gonna make a whole track about a text conversation gone bad with the one homey or that one girl. 01:08:56.540 --> 01:08:56.880 [SPEAKER_05]: You're gonna make 01:08:58.480 --> 01:08:59.281 [SPEAKER_05]: That's worth it to you. 01:08:59.861 --> 01:09:01.662 [SPEAKER_05]: You're above this Drake. 01:09:02.042 --> 01:09:09.387 [SPEAKER_05]: You've been sitting on top of the hill for a decade and a half for a reason At this being you're come back all I really needed from you was a banger. 01:09:09.887 --> 01:09:19.593 [SPEAKER_05]: That's it I expect you to get your shots off from one of these songs not all of them how did misdirected fires That people that like we don't know the fuck are talking about about petty squabbles. 01:09:19.873 --> 01:09:23.955 [SPEAKER_05]: How does this this girl didn't fucking You didn't like how would you talk to you that one time? 01:09:23.975 --> 01:09:24.736 [SPEAKER_03]: I mean like fuck you. 01:09:24.756 --> 01:09:26.257 [SPEAKER_03]: They don't fuck you then, you know 01:09:26.857 --> 01:09:33.058 [SPEAKER_05]: Drake can be cool when he's not thinking about Drake being cool when you're just Drake doing Drake You're doing your comedy. 01:09:33.138 --> 01:09:37.739 [SPEAKER_05]: You're just thinking in his own like actually making good music and like perform a good music We all love Jersey. 01:09:37.959 --> 01:09:38.900 [SPEAKER_05]: All right, maybe not we all. 01:09:39.100 --> 01:09:42.720 [SPEAKER_05]: He lost a lot of people as past few years I don't think this album got a back though. 01:09:43.021 --> 01:09:52.463 [SPEAKER_05]: I don't see who this album actually got back that maybe was lost Maybe a couple strikeways along the way that we're like just ready to jump back on the bedwagon But hearing you complain about him. 01:09:52.703 --> 01:09:54.403 [SPEAKER_05]: I just don't think I don't think that worked him 01:09:55.330 --> 01:09:56.831 [SPEAKER_05]: Anyways, I'm tired. 01:09:56.851 --> 01:09:59.812 [SPEAKER_05]: I just was in a whole bunch of ice ma'am. 01:10:00.152 --> 01:10:01.233 [SPEAKER_05]: So I guess I gotta rank it, huh? 01:10:01.813 --> 01:10:03.014 [SPEAKER_05]: Let's hit up the slaps meter. 01:10:03.434 --> 01:10:07.996 [SPEAKER_05]: Out of five slaps, I'm giving Drake ice ma'am. 01:10:08.016 --> 01:10:12.058 [SPEAKER_02]: Yeah, yeah, yeah, yeah, yeah. 01:10:13.447 --> 01:10:17.872 [SPEAKER_05]: I can't in good conscious, give it any more than that two slaps and a half a syllable. 01:10:18.693 --> 01:10:21.296 [SPEAKER_05]: I think this album will be largely forgotten. 01:10:21.797 --> 01:10:29.606 [SPEAKER_05]: You know, just be a chapter on a Wikipedia page that was like, and then Drake later got like really bitter and you try to make you throw a bunch of shit out there. 01:10:29.927 --> 01:10:32.570 [SPEAKER_05]: But there was that one and two song that like, you kind of remember. 01:10:32.850 --> 01:10:34.050 [SPEAKER_05]: And I'm hoping that we can go out of that. 01:10:34.330 --> 01:10:35.691 [SPEAKER_05]: I might have to hear him a few more times. 01:10:35.971 --> 01:10:37.811 [SPEAKER_05]: But that's where I land with it. 01:10:38.272 --> 01:10:40.592 [SPEAKER_05]: What else can you expect when somebody drops three albums on one night? 01:10:40.792 --> 01:10:42.793 [SPEAKER_05]: He's largely trying to get beef off with it. 01:10:42.853 --> 01:10:44.933 [SPEAKER_05]: But anyways, that's what I got. 01:10:45.394 --> 01:10:50.895 [SPEAKER_05]: Hope you enjoyed my full album review of Drake Ice Man. 01:10:51.735 --> 01:10:55.236 [SPEAKER_05]: Next up, I'm going to do the full album review of Habiti. 01:10:55.276 --> 01:10:55.756 [SPEAKER_05]: No, I'm not. 01:10:55.776 --> 01:10:57.297 [SPEAKER_05]: I'm not doing another version. 01:10:57.717 --> 01:11:00.700 [SPEAKER_05]: So for a long time, but I'll tell you this. 01:11:00.720 --> 01:11:01.661 [SPEAKER_05]: I had fun doing this. 01:11:01.701 --> 01:11:22.999 [SPEAKER_05]: This is a new way of kind of doing this podcast It's only different from the 170 plus episodes I've done before, so if you enjoyed listening to it, let me know because maybe I can get more into doing this kind of style Just like digging in the trenches on myself Lading to the night and just like listening to some music and like throw some thoughts down if you enjoyed that, let me know But for now, I only got one syllable to say 01:11:27.150 --> 01:11:28.310 [SPEAKER_04]: I've seen him. 01:11:28.931 --> 01:11:29.211 [UNKNOWN]: Yeah. 01:11:29.231 --> 01:11:31.311 [UNKNOWN]: I've seen him. 01:11:31.331 --> 01:11:32.672 [SPEAKER_04]: I've seen him. 01:11:32.692 --> 01:11:33.252 [UNKNOWN]: I've seen him. 01:11:36.173 --> 01:11:36.733 [SPEAKER_04]: I've seen him. 01:11:36.753 --> 01:11:37.394 [SPEAKER_04]: I've seen him. 01:11:37.414 --> 01:11:37.894 [SPEAKER_03]: I've seen him. 01:11:38.194 --> 01:11:38.654 [UNKNOWN]: I've seen him. 01:11:38.734 --> 01:11:39.414 [UNKNOWN]: I've seen him. 01:11:39.514 --> 01:11:40.174 [SPEAKER_03]: I've seen him. 01:11:40.194 --> 01:11:40.715 [UNKNOWN]: I've seen him. 01:11:40.735 --> 01:11:41.235 [UNKNOWN]: I've seen him. 01:11:41.255 --> 01:11:43.175 [UNKNOWN]: I've seen him. 01:11:43.235 --> 01:11:43.656 [UNKNOWN]: I've seen him. 01:11:43.676 --> 01:11:43.976 [SPEAKER_00]: I've seen him. 01:11:44.016 --> 01:11:44.416 [SPEAKER_00]: I've seen him. 01:11:44.436 --> 01:11:44.716 [SPEAKER_00]: I've seen him. 01:11:44.736 --> 01:11:45.156 [SPEAKER_00]: I've seen him. 01:11:45.176 --> 01:11:45.676 [SPEAKER_00]: I've seen him. 01:11:45.716 --> 01:11:46.817 [SPEAKER_00]: I've seen him. 01:11:47.017 --> 01:11:47.557 [SPEAKER_00]: I've seen him.