WEBVTT 00:08.232 --> 00:09.140 [SPEAKER_01]: What is up everyone? 00:09.160 --> 00:11.239 [SPEAKER_01]: Welcome to the Stack I'm Justin. 00:11.303 --> 00:23.098 [SPEAKER_01]: I'm Alex, wait, don't I'm Pete, that's what we call a early act twist because what we're actually doing here is we're reviewing a bunch of comics that came out on this very day, this Wednesday. 00:23.538 --> 00:30.687 [SPEAKER_01]: We are here to work through our stack, which is maybe your stack and your stack, which is our stack, our collective stack. 00:31.348 --> 00:32.309 [SPEAKER_01]: Let's get into it. 00:32.329 --> 00:38.577 [SPEAKER_01]: We have a lot of books to talk about because we read the correct amount of power and books, which is too many. 00:38.557 --> 01:02.320 [SPEAKER_01]: uh... let's kick it off with a little ultimatum latches and they're just in the funny myself the reason i say sometimes reading too much comics can be tough is like you don't get to spend as much time as you would like sometimes you know no and some of the topic book i lay down i read it i read it again that close my eyes and have a dream about each one 01:02.536 --> 01:08.062 [SPEAKER_00]: I do like to sit in the after-glow of a comic that I've loved. 01:08.102 --> 01:10.865 [SPEAKER_01]: You know, you can't even say you smoke a cigarette after every comment. 01:11.426 --> 01:12.427 [SPEAKER_01]: If I read every comment. 01:12.447 --> 01:14.289 [SPEAKER_00]: I do after a great comic. 01:14.309 --> 01:16.571 [SPEAKER_00]: There's something like there's this glow. 01:16.591 --> 01:21.416 [SPEAKER_00]: There's just, oh man, I have like your part of something that's great. 01:21.597 --> 01:24.900 [SPEAKER_00]: You know, like you were smart enough to be like, I knew this is going to be good. 01:25.240 --> 01:26.061 [SPEAKER_00]: This is great. 01:26.302 --> 01:30.366 [SPEAKER_00]: And you know, I called it, you know, you feel like you're a part of it. 01:30.346 --> 01:34.531 [SPEAKER_01]: That's really what an interesting insight whether you're like you pick up a comment. 01:34.551 --> 01:40.118 [SPEAKER_01]: You're like, this is a winner and then you're like nailed it At the end of it. 01:40.238 --> 01:55.797 [SPEAKER_01]: Well, what a nice little series of treats the stack is for you most of the time Well, let's kick it off as I said with ultimate black Panther number 24 from Marvel Comics from my Brian Hill art by Stefano Couselli Bringing the series to a close as the ultimate universe is a simultaneous a winding up 01:55.777 --> 02:02.634 [SPEAKER_01]: To a big confrontation with the maker and winding down this comic however is doing its own thing It's telling its own story. 02:02.714 --> 02:09.311 [SPEAKER_01]: It is only I would argue tangentially connected to the larger Super story going on in the rest of the ultimate book. 02:09.331 --> 02:09.572 [SPEAKER_01]: Pete. 02:10.173 --> 02:12.098 [SPEAKER_01]: How did you feel about this final issue? 02:12.348 --> 02:33.187 [SPEAKER_00]: It was cool, you know, we got to Charlie given some speeches, you know, a lot of like kind of cool stuff and then him and a coi a kind of maybe getting back together at least trying to have a kid which was nice, you know, she was like, oh, you stepped out on me on storm, but like, oh, we should say at the top spoilers for all the comments. 02:33.207 --> 02:36.369 [SPEAKER_01]: Yeah, we will spoil some of the things that happen in these acts. 02:36.390 --> 02:40.313 [SPEAKER_01]: We're not going to read them aloud or anything, but you will hear some of the reveals. 02:40.293 --> 02:54.031 [SPEAKER_00]: But I like this, you know, when you think of the ultimates, you want big swings, you want interesting things, and they did such a cool job of like getting, you know, galactic with black Panther and doing stuff in the space as well as Wakanda. 02:54.051 --> 02:56.594 [SPEAKER_00]: So, yeah, I was impressed with this. 02:56.654 --> 02:57.635 [SPEAKER_00]: I thought this was great. 02:57.655 --> 02:58.897 [SPEAKER_00]: I love the art style. 02:59.558 --> 03:02.582 [SPEAKER_00]: Also, you know, I'm a sucker for a ship. 03:02.602 --> 03:05.946 [SPEAKER_00]: So, yeah, I like this pairing. 03:05.926 --> 03:07.309 [SPEAKER_01]: He loves all ships. 03:07.329 --> 03:10.355 [SPEAKER_01]: You should see him down at the harbor being weird with the boats. 03:11.076 --> 03:13.080 [SPEAKER_01]: This comic closed out so strong. 03:13.140 --> 03:14.643 [SPEAKER_01]: I thought first series. 03:14.784 --> 03:17.369 [SPEAKER_01]: I mean our sort of medium. 03:17.389 --> 03:18.671 [SPEAKER_01]: It's not even really a complaint. 03:18.692 --> 03:21.758 [SPEAKER_01]: It's just this comic just feels like it's its complete own thing. 03:21.818 --> 03:23.681 [SPEAKER_01]: It doesn't have to be part of the ultimate universe. 03:23.702 --> 03:24.964 [SPEAKER_01]: This is just a good story. 03:24.944 --> 03:31.834 [SPEAKER_01]: And I want to highlight, especially the very conclusive nature of the back half of this book. 03:32.195 --> 03:33.897 [SPEAKER_01]: The writing is just excellent. 03:33.918 --> 03:37.803 [SPEAKER_01]: It feels so like specific and simple. 03:38.344 --> 03:39.806 [SPEAKER_01]: We've got a speech from Black Panther. 03:39.826 --> 03:40.568 [SPEAKER_01]: We are reparation. 03:40.588 --> 03:44.213 [SPEAKER_01]: We are just as we may not be permanent, but Wakanda is forever. 03:44.714 --> 03:45.535 [SPEAKER_01]: Wakanda forever. 03:45.903 --> 03:53.233 [SPEAKER_01]: And then we just circle through some characters, we hear storm, queen, we're kind of forever, strong words, required action. 03:53.373 --> 03:57.659 [SPEAKER_01]: I have time, I have time, like it's just, it's epic. 03:57.819 --> 04:00.203 [SPEAKER_01]: It's like a poetic the way it comes to an end. 04:00.243 --> 04:05.650 [SPEAKER_01]: And I thought that was just a really nice way to bring this book to a close, felt very deliberate. 04:05.849 --> 04:07.011 [SPEAKER_01]: Yeah. 04:07.031 --> 04:07.872 [SPEAKER_01]: Yeah, great. 04:07.892 --> 04:10.336 [SPEAKER_01]: Green all fronts fantastic. 04:10.376 --> 04:22.795 [SPEAKER_01]: Let's move on and talk about a little comment called Green Lantern Galactic Slam number one part of DCKO DC Comics, right by Jeremy Adams, Art by Kane Tormy and Pat Bootin. 04:22.775 --> 04:29.885 [SPEAKER_01]: Now, Pete, this feels like, yes, it is part of DCKO, much more on the tangential side of that as well. 04:30.326 --> 04:45.728 [SPEAKER_01]: It's Kyle Rainer, I'm going off on an adventure, something that Kyle Rainer does, famously one of my favorite comics is, when Kyle Rainer, when he was main green lantern, goes into a painting, 04:45.708 --> 05:01.219 [SPEAKER_01]: this comic is similar and vibe like a cariner goes off into i want to say wrestling world essentially yeah this really turns into a wrestling comic yeah it's a love letter this feels like a love letter from Jeremy Adams to just the wrestling across the board plus like 05:01.199 --> 05:06.170 [SPEAKER_00]: Dude, you get, oh my god, Batman here, and dude, you want to talk about a sick mallet. 05:06.311 --> 05:06.972 [SPEAKER_00]: You know what I mean? 05:07.092 --> 05:12.003 [SPEAKER_00]: And a sick mustache, uh, you don't, you don't see great mallets. 05:12.124 --> 05:12.805 [SPEAKER_00]: You know, like this. 05:12.885 --> 05:13.487 [SPEAKER_00]: You know what I mean? 05:13.527 --> 05:16.654 [SPEAKER_00]: This is just, uh, epic mallets status here. 05:16.754 --> 05:18.298 [SPEAKER_01]: So, you don't see great mallets pee. 05:18.318 --> 05:20.743 [SPEAKER_01]: You should come up to my hometown sometime. 05:20.723 --> 05:25.191 [SPEAKER_01]: Oh, yeah, Brooklyn, a lot of sick mullets, not, no, no, no, my, what I'm from. 05:25.551 --> 05:33.285 [SPEAKER_01]: I may be the accused city boy north of the accused from the the secret country above the top of New York state. 05:34.587 --> 05:37.973 [SPEAKER_01]: It's a, it's a mallet parade in a lot of ways and you'd really love it, I think. 05:38.645 --> 05:41.629 [SPEAKER_01]: It's like we looked at Rochester and we're like, look at those city folk. 05:42.471 --> 05:43.432 [SPEAKER_01]: Thank you, it was you and indicate. 05:43.452 --> 05:46.136 [SPEAKER_01]: Look at those garbage plate eating city folk. 05:46.156 --> 05:47.738 [SPEAKER_01]: Oh man, don't get me a hungry bro. 05:48.580 --> 05:50.122 [SPEAKER_01]: Uh, yeah, don't get me starving. 05:51.023 --> 05:51.844 [SPEAKER_01]: Really great art in this. 05:51.924 --> 05:57.873 [SPEAKER_01]: I thought it really matched the vibe of this being like a Russell slam situation. 05:59.455 --> 06:01.619 [SPEAKER_01]: We get to meet this Omega band man. 06:01.679 --> 06:03.361 [SPEAKER_01]: We get to really hang with him. 06:04.663 --> 06:05.985 [SPEAKER_01]: Yeah, I'll be on bro. 06:06.151 --> 06:08.154 [SPEAKER_01]: In a nice way, you learn his origin. 06:08.194 --> 06:11.039 [SPEAKER_01]: It feels like Jeremy Adams is committed to this character. 06:11.580 --> 06:14.425 [SPEAKER_01]: He will be returning to the page of the Green Lantern, which is fun. 06:15.006 --> 06:18.692 [SPEAKER_01]: He has like 80s, 90s wrestler vibe to him. 06:18.712 --> 06:22.218 [SPEAKER_01]: He also looks a little bit like a character from the cartoon Big City Greens. 06:22.278 --> 06:25.564 [SPEAKER_01]: If anyone watches that, fun show on the Dizz. 06:26.746 --> 06:31.534 [SPEAKER_01]: The Dirty Dizz, as we may and my kids call it. 06:32.864 --> 06:42.594 [SPEAKER_01]: But yeah, I enjoyed this, this is just a, but I would say, I would just caution you, this isn't going to have a lot of big connect points back to DCKL event. 06:42.615 --> 06:45.398 [SPEAKER_00]: Yeah, that's a little misleading on the cover for sure. 06:45.418 --> 06:52.785 [SPEAKER_01]: Yeah, it's, but it feels like a KO book and that it's just a big fight, but it is definitely not feeding into the main events. 06:53.106 --> 06:55.368 [SPEAKER_01]: The main event of that storyline. 06:56.209 --> 07:00.694 [SPEAKER_00]: Yeah, it takes our reversal sidebar. 07:01.096 --> 07:17.974 [SPEAKER_01]: Yeah, an arm bar side feel will if you will and we always will because Pete and I were a part of briefly a part of the WWE right Pete My time's right the comic book was we really were defeated quickly 07:17.954 --> 07:19.978 [SPEAKER_01]: You know, Russell Samania, let's welcome out our next comic book. 07:19.998 --> 07:20.680 [SPEAKER_01]: Please welcome to the show. 07:20.700 --> 07:21.622 [SPEAKER_01]: Please welcome to the show. 07:21.682 --> 07:22.544 [SPEAKER_01]: Please welcome to the show. 07:22.604 --> 07:23.145 [SPEAKER_01]: Please welcome to the show. 07:23.165 --> 07:24.327 [SPEAKER_01]: Please welcome to the show. 07:24.347 --> 07:24.888 [SPEAKER_01]: Please welcome to the show. 07:24.908 --> 07:25.650 [SPEAKER_01]: Please welcome to the show. 07:25.770 --> 07:26.311 [SPEAKER_01]: Please welcome to the show. 07:26.331 --> 07:26.933 [SPEAKER_01]: Please welcome to the show. 07:26.953 --> 07:27.534 [SPEAKER_01]: Please welcome to the show. 07:27.554 --> 07:28.175 [SPEAKER_01]: Please welcome to the show. 07:28.195 --> 07:28.756 [SPEAKER_01]: Please welcome to the show. 07:28.776 --> 07:29.879 [SPEAKER_01]: Please welcome to the show. 07:29.899 --> 07:30.460 [SPEAKER_01]: Please welcome to the show. 07:30.480 --> 07:31.081 [SPEAKER_01]: Please welcome to the show. 07:31.101 --> 07:31.883 [SPEAKER_01]: Please welcome to the show. 07:31.923 --> 07:32.464 [SPEAKER_01]: Please welcome to the show. 07:32.484 --> 07:33.446 [SPEAKER_01]: Please welcome to the show. 07:33.466 --> 07:34.108 [SPEAKER_01]: Please welcome to the show. 07:34.128 --> 07:34.669 [SPEAKER_01]: Please welcome to the show. 07:34.689 --> 07:35.230 [SPEAKER_01]: Please welcome to the show. 07:35.250 --> 07:35.811 [SPEAKER_01]: Please welcome to the show. 07:35.791 --> 07:37.413 [SPEAKER_01]: Make Michael Samaria. 07:37.513 --> 07:40.016 [SPEAKER_01]: This this is fun. 07:40.116 --> 07:41.778 [SPEAKER_01]: This is a big Tim Seely stack. 07:41.818 --> 07:43.140 [SPEAKER_01]: We got a couple books from our guy. 07:44.121 --> 07:52.530 [SPEAKER_01]: Yeah, but man, this I I really love this this has like 90s comic book fandom all over it. 07:52.550 --> 08:00.820 [SPEAKER_01]: Tim Seely did a book called local man that I loved Feel a little bit of shades of that type of storytelling here the x-force sort of the ultimate 08:00.800 --> 08:24.917 [SPEAKER_01]: uh... maybe origin of uh... local man's team in uh... that book but um... i love the the trip back to the nineties characters uh... that i felt legitimate nostalgia from seeing the photo that cable is holding on to in this uh... and it seems really interesting we got angel fash archangel you got boom boom and you got hell marine yeah 08:26.078 --> 08:43.260 [SPEAKER_00]: Pete you like so many guns and guns and stabs what do you think about this this was was awesome this was really you know T-Sills is having some fun here and it really jumps off the page yeah I thought this was a really cool interesting team 08:43.240 --> 08:47.928 [SPEAKER_00]: Great action It feels like a cool x-wars book. 08:47.948 --> 09:02.633 [SPEAKER_00]: I think they did such a great job of like getting you excited crazy last panel So yeah, as far as the first issue I think this is a success where they get you kind of hyped for this world and this team and then for what's to come 09:02.613 --> 09:04.495 [SPEAKER_01]: And Cable's mission is really interesting. 09:04.575 --> 09:07.258 [SPEAKER_01]: He is meant to stop in assassination and to do that. 09:07.278 --> 09:10.802 [SPEAKER_01]: He's putting together a team in one of which he is the assassin. 09:11.122 --> 09:19.992 [SPEAKER_01]: So he doesn't know who, but it's a great, great premise, great little bit of intrigue to carry through this book that is definitely going to be held for the shoot him up. 09:20.012 --> 09:21.734 [SPEAKER_01]: Yeah, I don't, I honestly don't think so. 09:22.355 --> 09:24.557 [SPEAKER_01]: You think anything is better, ma. 09:24.577 --> 09:24.938 [SPEAKER_01]: Boom, boom. 09:25.959 --> 09:27.881 [SPEAKER_01]: I think, no, I don't know. 09:27.921 --> 09:30.544 [SPEAKER_01]: I don't want to say who I think it is yet, but I think it's Cable. 09:31.385 --> 10:00.143 [SPEAKER_01]: the uh... all your favorites are back it's nice to see these characters uh... yeah and feel like it is cool again that's move on to our next book which uh... is another fave we've got our goyles and dark wing duck number one from dynamite rind by Greg Weissman and tads down to Brooklyn shoutouts to Brooklyn you're talking about the burrow or the gargoyle tomber doggo and also the super fan you know what i mean uh... uh... by zero uh... can gillosey 10:00.663 --> 10:01.024 [SPEAKER_00]: Great. 10:01.264 --> 10:03.207 [SPEAKER_00]: Yeah, you want to talk about nostalgia bass. 10:03.307 --> 10:04.068 [SPEAKER_00]: Yes, please. 10:04.649 --> 10:09.436 [SPEAKER_00]: It's like they brought the cartoon straight to life put into a comic book. 10:09.676 --> 10:27.141 [SPEAKER_00]: I felt like I was watching a fun crossover episode This was just such a cool thing and then Darkwing Ducca has that great line of like Give me back by Morgana, you know, he goes and fights for his villain there as he wants his villain back. 10:27.422 --> 10:28.223 [SPEAKER_01]: Well, this is 10:28.203 --> 10:56.488 [SPEAKER_01]: Bring to you that like I like the focus of this we talked to Greg Weissman last year on the podcast about how he has like books He has like a thousand page document of like the full gargoyles timeline and every book is a part of that even across over both like this that often You know might not be this is a part of the larger tapestry of these characters, which is really interesting That's why I appreciate the focus on Demona and Morgana at the beginning of this and we start the crossover starts with the villains first 10:56.468 --> 10:57.951 [SPEAKER_01]: very interesting choice. 10:58.031 --> 10:58.492 [SPEAKER_01]: Love that. 10:58.933 --> 10:59.635 [SPEAKER_01]: Billence first. 11:00.356 --> 11:00.997 [SPEAKER_01]: Billence first. 11:01.338 --> 11:10.036 [SPEAKER_01]: This book also, you know, darkening duck in itself was when I was a kid was always a weird cross over because launchpad was there. 11:11.660 --> 11:11.760 [SPEAKER_01]: Yeah. 11:12.500 --> 11:15.626 [SPEAKER_01]: It felt strange, I spent true spin-off energy. 11:16.628 --> 11:20.475 [SPEAKER_01]: But this really had me saying to myself, let's get dangerous. 11:21.677 --> 11:23.961 [SPEAKER_01]: Great, great tagline for a children's show. 11:24.201 --> 11:25.363 [SPEAKER_01]: Let's get dangerous. 11:25.684 --> 11:26.445 [SPEAKER_00]: Yeah, come on. 11:26.526 --> 11:28.990 [SPEAKER_01]: Said the TV to me when I was nine. 11:28.970 --> 11:29.612 [SPEAKER_00]: All right, go on. 11:29.632 --> 11:31.015 [SPEAKER_00]: This is one of my favorite shows. 11:31.075 --> 11:33.241 [SPEAKER_00]: Darkening Duck was also one of my favorites. 11:33.261 --> 11:42.505 [SPEAKER_00]: So this is in my nostalgia baths sweet spot and yeah, the art does just such a great job of capturing the feel of the show. 11:42.645 --> 11:45.392 [SPEAKER_00]: So I felt in good hands. 11:45.912 --> 11:49.477 [SPEAKER_01]: Yeah, and, you know, I love the Gargoyles comics. 11:49.777 --> 12:01.513 [SPEAKER_01]: I watched the Gargoyles cartoons every now and again, I haven't revisited Darkwing Duck, so it was great to see much bad, Gosling, all these characters back together, still out there living their lives. 12:01.794 --> 12:09.364 [SPEAKER_00]: And... Well, the romance, you know, the little kind of will, they won't, they have the cop and Goliath, I mean, come on, if. 12:09.384 --> 12:12.068 [SPEAKER_01]: Yeah, you're talking, of course, about Alisa Mazza. 12:12.589 --> 12:13.550 [SPEAKER_01]: Oh, yeah. 12:13.570 --> 12:15.733 [SPEAKER_01]: And will they get together? 12:15.713 --> 12:16.995 [SPEAKER_01]: Yes, I think the answer is yes. 12:18.618 --> 12:19.038 [SPEAKER_01]: But very good. 12:19.059 --> 12:20.020 [SPEAKER_01]: Check this out. 12:20.040 --> 12:21.402 [SPEAKER_01]: It's not a one shot as well. 12:21.462 --> 12:23.185 [SPEAKER_01]: This story continues on. 12:23.606 --> 12:23.726 [SPEAKER_01]: Yeah. 12:24.668 --> 12:39.232 [SPEAKER_01]: But let's jump into rogue number one from Marvel Comics through my Eric or Schultz art by Luigi Zagari, part of the shadows of tomorrow as we're, you know, moving out of age of revelation into a whole, another era, characters going in their own directions. 12:39.352 --> 12:40.033 [SPEAKER_01]: I would argue. 12:40.013 --> 12:41.955 [SPEAKER_01]: Yeah, out of the shadows. 12:42.055 --> 12:44.237 [SPEAKER_01]: I would say well the shadows are there. 12:44.637 --> 12:47.179 [SPEAKER_01]: Here we have rogue Having a vision. 12:47.980 --> 12:50.663 [SPEAKER_01]: She is getting into her nightmare. 12:51.343 --> 12:53.165 [SPEAKER_01]: Yes True. 12:53.845 --> 12:54.746 [SPEAKER_01]: What did you think of this? 12:54.766 --> 13:00.972 [SPEAKER_01]: Here's often skeptical of the X-Men universe But I have a feeling maybe this one was making me smile a little bit. 13:01.132 --> 13:10.020 [SPEAKER_00]: Yeah, I love this issue I thought this they did such a great job with the story and the art to kind of get you excited for what's to come and 13:10.000 --> 13:20.359 [SPEAKER_00]: It's this maybe team me up with the mystique and destiny that's kind of given away on the cover, but I love the setup of this and I think they did such a great job. 13:20.379 --> 13:23.164 [SPEAKER_00]: I can't wait for the next issue. 13:23.184 --> 13:27.030 [SPEAKER_00]: I thought this was awesome. 13:27.411 --> 13:32.380 [SPEAKER_00]: It was kind of cool because they did like small moments of rogue just kind of be staring off. 13:32.360 --> 14:01.810 [SPEAKER_01]: you know where else like we're gonna kind of get into this later but yeah so i'm excited about exploring some roast past and getting to know rogue maria i mean yeah america shows as a writer i feel like it's just really great really some of the details yeah really been loving watching her get more and more opportunities with different walks especially this one uh there's a lot of there's a horror element to this book that i think is really well done the way the 14:01.790 --> 14:08.220 [SPEAKER_01]: shown to us from different angles and we don't quite know what's real yet, but that's really, really draws me into this. 14:08.701 --> 14:09.041 [SPEAKER_01]: I love it. 14:09.061 --> 14:11.365 [SPEAKER_01]: This is rooted in uncanny X bin continuity. 14:11.866 --> 14:15.211 [SPEAKER_01]: The Gambit Rogue romance right now is just firing. 14:15.472 --> 14:18.136 [SPEAKER_01]: Like I think if you're at all, I've been a fan of these characters. 14:18.937 --> 14:22.142 [SPEAKER_01]: They seem like they're in the most stable relationship in all of entertainment. 14:22.162 --> 14:22.923 [SPEAKER_01]: So shout to that. 14:23.624 --> 14:28.472 [SPEAKER_01]: I love there's a vertical splash page in this, which again, throw back. 14:28.638 --> 14:36.105 [SPEAKER_01]: to a great comic that she finds mystique in this and just a really stark image of mystique that I thought was really cool. 14:36.905 --> 14:45.353 [SPEAKER_01]: We've learned so much about mystique from her series and the mystique destiny of romance and how they got together we got that last year which was really cool. 14:45.953 --> 14:50.237 [SPEAKER_01]: All of that playing into this comic which has a great mystery at its core. 14:50.438 --> 14:56.603 [SPEAKER_01]: I'd really enjoy this 14:56.887 --> 15:00.353 [SPEAKER_01]: Let's move on to talk about exquisite corpses number nine. 15:00.873 --> 15:07.003 [SPEAKER_01]: This is from image comics written by Tyler Boss with James Time and the fourth are by Valentin Delandro with Michael Walsh. 15:07.925 --> 15:13.013 [SPEAKER_01]: This town is being murdered by a bunch of killers, they're sort of four. 15:13.474 --> 15:23.991 [SPEAKER_01]: Two tracks of this story, there's a conspiracy of very rich people who have sent their assassins into this town and they score points by killing regular people in the town. 15:23.971 --> 15:28.605 [SPEAKER_01]: and then we're following the town's people and the killers actually as they fight their way. 15:29.187 --> 15:37.693 [SPEAKER_01]: This comic is upsetting, brutal, violent, but very compelling I think, what do you think? 15:37.792 --> 15:40.775 [SPEAKER_00]: Yeah, this is really fucked up, but it's also really amazing. 15:40.935 --> 15:44.760 [SPEAKER_00]: The arts I'm believable, the use of color in this comic is really impressive. 15:45.200 --> 15:46.982 [SPEAKER_00]: This is like scary, sexy, cool. 15:47.062 --> 15:52.208 [SPEAKER_00]: This is just dark, but interesting takes on things. 15:53.469 --> 15:55.872 [SPEAKER_00]: Yes, it's very fucked up, but it's also very good. 15:56.032 --> 16:01.377 [SPEAKER_00]: So this really plays with my emotions, and I kind of do a weird dance with this book. 16:01.478 --> 16:02.739 [SPEAKER_01]: But you do a weird dance. 16:03.139 --> 16:03.940 [SPEAKER_00]: Yeah, I'm into it. 16:04.341 --> 16:05.622 [SPEAKER_00]: Yeah, I mean, I'm into it. 16:05.804 --> 16:07.568 [SPEAKER_01]: This is the right kind of violence for you. 16:07.848 --> 16:08.229 [SPEAKER_01]: You're saying. 16:09.271 --> 16:16.326 [SPEAKER_00]: No, it's walking a little a line with me where it's like sometimes I'm like, yeah, this is, you know, I don't like points, you know what I mean? 16:16.426 --> 16:19.131 [SPEAKER_00]: I don't like, you shouldn't get points if you murder somebody. 16:20.093 --> 16:20.474 [SPEAKER_01]: That's true. 16:20.494 --> 16:22.619 [SPEAKER_01]: That's what society has said as well. 16:22.659 --> 16:26.226 [SPEAKER_01]: Yeah, it's just this book that's putting that out there. 16:26.206 --> 16:28.089 [SPEAKER_01]: I also really enjoyed this. 16:28.309 --> 16:32.775 [SPEAKER_01]: I feel like when we first started reading this, when first came out, it was such a big story. 16:32.795 --> 16:34.037 [SPEAKER_01]: There's so much going on. 16:34.438 --> 16:44.993 [SPEAKER_01]: And I think the book has done a great job of narrowing in on a couple of characters and the situations there in curious how the corner is going to be turned where art. 16:45.013 --> 16:47.857 [SPEAKER_01]: Because I really want the town to just kill now. 16:47.977 --> 16:52.804 [SPEAKER_01]: I want the regular 16:52.784 --> 16:54.486 [SPEAKER_01]: Yeah, yeah, I get get some vengeance. 16:54.506 --> 16:55.467 [SPEAKER_01]: See what I mean. 16:55.487 --> 16:56.609 [SPEAKER_01]: Yeah, that's healthy, right? 16:58.591 --> 17:00.154 [SPEAKER_00]: Ah, I feel like I'm the rock person. 17:00.174 --> 17:00.374 [SPEAKER_01]: I ask. 17:01.115 --> 17:01.936 [SPEAKER_01]: Great answer. 17:02.256 --> 17:03.338 [SPEAKER_01]: That's talk about sila. 17:03.498 --> 17:08.264 [SPEAKER_01]: Ninja number one, um, this from Marvel Comics, written by Tim Seely R by Nico Leone. 17:08.765 --> 17:09.425 [SPEAKER_01]: Tim Seely. 17:09.706 --> 17:10.807 [SPEAKER_01]: Tim Seely, back at it. 17:11.028 --> 17:12.970 [SPEAKER_01]: Um, and again, it's a little throwback stuff. 17:12.950 --> 17:36.443 [SPEAKER_01]: here we're getting into the sort of complicated story of siloq and Betsy Braddock, two characters that have a, I guess, complicated like a siloq is meant to be the same person as Betsy Braddock, we're finding out that there was a body switching soul swap thing and we're seeing that 17:36.423 --> 17:45.839 [SPEAKER_01]: Played out here after Betsy Braddock went into the siege perilous this comic set after the events of X-Men 250. 17:45.979 --> 17:54.795 [SPEAKER_01]: I want to say So really interesting stuff Pete How do you like this another X-Men comic that you like? 17:54.895 --> 17:55.596 [SPEAKER_01]: Question mark 17:55.778 --> 18:17.162 [SPEAKER_00]: yeah yeah i mean it's in great hands it's a great team behind it yeah i'm a fan of siloq um one done well and i feel like this is a great kind of set up there really team up this kind of ninja fight where we got electro a versus siloq here so i think that's such a great idea i can't wait to kind of 18:17.142 --> 18:19.285 [SPEAKER_00]: find out how this is all going to go down. 18:19.305 --> 18:21.428 [SPEAKER_00]: Yeah, this is enjoyable. 18:22.410 --> 18:26.576 [SPEAKER_00]: You know, you get to get inside a sidewalk, some island a little bit, which is fun. 18:26.616 --> 18:28.839 [SPEAKER_00]: JT says loves a little mind-homping. 18:29.300 --> 18:34.748 [SPEAKER_00]: So it's always nice to get inside somebody's had a little bit and see how they think and feel about stuff. 18:34.768 --> 18:39.235 [SPEAKER_00]: So yeah, I think as far as the first issue goes, this is a winner. 18:39.822 --> 18:46.890 [SPEAKER_01]: Yes, this picks up out from uncanny exponent number 251 when Betsy went through the siege perilous And you know, tell this story. 18:47.211 --> 18:55.941 [SPEAKER_01]: It's it's a complicated thing and I think Tim Silly does a great job of just owning that and getting into it He's a great writer that guy. 18:56.021 --> 18:57.162 [SPEAKER_01]: He's a great writer that guy. 18:57.222 --> 19:01.527 [SPEAKER_01]: They are feels simultaneously like a throwback to 19:01.507 --> 19:25.489 [SPEAKER_01]: that Chris Claremont era style of art which really works here especially when we get to the quantum side of the story and love just the perspective just jumps out to the there's just great wide wide shot panel of siloq climbing this mountain which I thought was really dope and agree setting up a character like Electra as the 19:26.380 --> 19:33.310 [SPEAKER_01]: I don't want to say Nemesis, I'm sure she's going to fight, but it feels like it's a sort of potential friends. 19:33.490 --> 19:36.074 [SPEAKER_01]: Yeah, so really enjoyed this as well. 19:36.554 --> 19:39.719 [SPEAKER_01]: Great stuff from our guy, Tim Seely. 19:39.759 --> 19:41.041 [SPEAKER_01]: Let's move on and talk about Seals. 19:41.541 --> 19:45.026 [SPEAKER_01]: Deceals of Comedy Gold of Sumerian Unlimited. 19:45.086 --> 19:47.510 [SPEAKER_01]: Number nine for DC Comics, and by Dan Slot. 19:47.990 --> 19:49.873 [SPEAKER_01]: Art by Mike Norton. 19:49.853 --> 19:55.103 [SPEAKER_01]: Dance thought out here writing Superman comics that are not a part of DCKO. 19:55.484 --> 19:58.910 [SPEAKER_01]: He's doing his own thing where Superman has some slightly different powers. 19:58.970 --> 20:00.794 [SPEAKER_01]: He turns to gold. 20:00.874 --> 20:02.717 [SPEAKER_01]: We are having a little bit more fun. 20:02.958 --> 20:07.266 [SPEAKER_01]: These feel like dance thoughts time on Spider-Man. 20:07.286 --> 20:09.330 [SPEAKER_01]: They just feel like dance slot comics. 20:09.310 --> 20:11.553 [SPEAKER_01]: Yeah, where it's it's having fun. 20:11.593 --> 20:14.097 [SPEAKER_01]: It's being a little weird in a good way in a good way. 20:14.137 --> 20:20.887 [SPEAKER_00]: Yes, yeah, sometimes things can feel too much like somebody and pull you out of the story, but it's kind of cool. 20:21.107 --> 20:28.177 [SPEAKER_00]: I feel like the art also brings a lightness of funness, which is kind of dance, lots of sweet spot, sometimes not all the time. 20:28.197 --> 20:30.601 [SPEAKER_01]: Dance, lots of sweet spot. 20:31.542 --> 20:38.592 [SPEAKER_00]: But yeah, I think this is uh, this is done really well, and it's kind of cool to have this 20:39.601 --> 20:47.316 [SPEAKER_00]: fun lightness to Superman sometimes in the Golden Superman stuff was cool so yeah great our great story I enjoyed this. 20:47.752 --> 20:51.076 [SPEAKER_01]: Yeah, this really has like silver age feels to it. 20:51.696 --> 20:56.902 [SPEAKER_01]: There's the scenes, there's a lot, there's like Perry White in here and Superman going to a baseball game. 20:56.982 --> 21:00.166 [SPEAKER_01]: Like he gets to be a hero, he gets to be having fun. 21:00.546 --> 21:08.515 [SPEAKER_01]: But it's in situations that we just don't see as much in modern comics of Superman, like blocking a bunch of deadly baseballs, flying at his feet. 21:08.535 --> 21:10.317 [SPEAKER_01]: Yeah, to come in like, it's all so fun. 21:10.297 --> 21:19.452 [SPEAKER_01]: It's also a fun, and it's nice to have this be a part of the canon right now even though it isn't playing directly into the main events of DCKO. 21:19.753 --> 21:22.117 [SPEAKER_01]: Sometimes you need to break, take a breather from the KO. 21:22.437 --> 21:24.300 [SPEAKER_01]: Yeah, it's a prank for the fighting. 21:24.561 --> 21:25.362 [SPEAKER_01]: Avocado breather. 21:26.003 --> 21:30.230 [SPEAKER_01]: Step out, grab a soda, go to the bathroom and enjoy a Superman unlimited. 21:30.270 --> 21:36.000 [SPEAKER_01]: Let's move on and talk about amazing Spider-Man dance, let's form a book, number 20. 21:35.980 --> 21:50.277 [SPEAKER_01]: from Marvel Comics, or by Joe Kelly, Art by John Remeda, Jr., this book has been alternating back and forth between Peter Parker and Space and Norman Osborne back in New York, maintaining the Spider-Man mantle and really going through it. 21:51.558 --> 22:02.511 [SPEAKER_01]: He's developed this mantra what would Peter do, and we get to see that really played out here as spider slayers have become goblin slayers, and they are there to kill Norman. 22:02.491 --> 22:04.956 [SPEAKER_01]: And he is in the stuck in the middle. 22:05.016 --> 22:06.840 [SPEAKER_01]: He's really been struggling with being a hero. 22:07.341 --> 22:13.473 [SPEAKER_01]: It's a strange mode for the Spider-Man book to be focusing on Norman wanting to be Peter. 22:13.573 --> 22:20.787 [SPEAKER_01]: And really, we're just with his inner monologue throughout this entire side of the book, but I gotta say, I like it. 22:21.307 --> 22:23.430 [SPEAKER_00]: Yeah, Joe Kelly's a hell of a writer. 22:23.470 --> 22:25.032 [SPEAKER_00]: This is a cool cover, by the way. 22:25.953 --> 22:27.956 [SPEAKER_00]: Remina Jr. Zars, fantastic. 22:28.036 --> 22:32.763 [SPEAKER_00]: That's not saying anything crazy, but yeah. 22:33.143 --> 22:37.229 [SPEAKER_00]: This is a hell of an issue, especially because that made dies in this issue. 22:37.329 --> 22:40.433 [SPEAKER_00]: So the next one's going to be heartbreaking to see how they're going to deal with that. 22:40.493 --> 22:48.184 [SPEAKER_00]: But this continues to be solid and interesting in a little kind of like off-center spider-man, which is fun. 22:48.244 --> 22:50.487 [SPEAKER_00]: So yeah, I'm, 22:50.467 --> 22:52.316 [SPEAKER_00]: It's definitely got a place in my heart. 22:53.803 --> 22:54.024 [SPEAKER_01]: Nice. 22:54.185 --> 22:54.707 [SPEAKER_01]: Yeah, same. 22:54.747 --> 22:58.425 [SPEAKER_01]: I'm going to be sad when this particular story ends because I've been really enjoying it. 22:58.445 --> 22:58.907 [SPEAKER_01]: Yes, Pete. 22:59.140 --> 23:07.969 [SPEAKER_00]: Did you, I just, you know, I kind of was waiting for a little reaction for you when I was like, hey, I made dies in this issue and yeah, I thought so on that. 23:08.449 --> 23:12.153 [SPEAKER_00]: She dies so often, she's sort of like the candy of Marvel County. 23:12.213 --> 23:12.554 [SPEAKER_00]: Wow. 23:12.894 --> 23:13.154 [SPEAKER_00]: Wow. 23:13.655 --> 23:13.915 [SPEAKER_00]: All right. 23:13.955 --> 23:17.979 [SPEAKER_00]: Well, as anyone else, it was kind of crazy in this issue. 23:18.059 --> 23:22.083 [SPEAKER_00]: She kind of like in the back of a panel just kind of dies. 23:22.243 --> 23:24.726 [SPEAKER_00]: So I was just like, wow, this is, 23:25.904 --> 23:28.067 [SPEAKER_00]: Can't wait to see how they deal with this next issue. 23:28.147 --> 23:31.653 [SPEAKER_00]: I'm hoping it's next issue, but maybe I think that's a no. 23:31.793 --> 23:36.280 [SPEAKER_01]: I mean, the character that dies based on the to be continued page is Spider-Man. 23:36.600 --> 23:44.352 [SPEAKER_00]: So well, no, but you see her kind of like she's there in the building and then they come crashing through the building. 23:44.467 --> 23:52.799 [SPEAKER_00]: And then she's kind of like in the background solely like it's almost like quicksand where she just kind of they're, you know, we see her disappear. 23:53.060 --> 23:53.661 [SPEAKER_01]: She's hiding. 23:53.681 --> 23:54.662 [SPEAKER_01]: She's very wierry. 23:54.842 --> 23:58.127 [SPEAKER_01]: She's like very, she could just slide in between stuff like a little. 23:58.828 --> 24:00.771 [SPEAKER_00]: So you don't think that. 24:01.312 --> 24:01.412 [SPEAKER_00]: That. 24:01.392 --> 24:26.978 [SPEAKER_01]: all her being there and then them crashing through the building and then you know the she's gonna be fine no I think she's like when Vekna attacks and stranger things she just breaks all of her bones in her hands and arms and just like slides into things oh okay do you know like a snake can open up at the jaw to like eat a big animal that's it may can do that to it's I do that every time I eat a garbage weight 24:27.633 --> 24:30.117 [SPEAKER_01]: You eat the entire play and part of your own. 24:30.137 --> 24:30.879 [SPEAKER_00]: I'm in charge. 24:32.161 --> 24:32.261 [SPEAKER_01]: Yeah. 24:32.281 --> 24:32.622 [SPEAKER_01]: Yeah. 24:32.642 --> 24:33.123 [SPEAKER_01]: That's cool. 24:33.203 --> 24:35.748 [SPEAKER_01]: I believe you a picks or it didn't happen. 24:36.268 --> 24:38.993 [SPEAKER_01]: We all want to see a post it for the people. 24:39.334 --> 24:41.298 [SPEAKER_01]: Let's talk about touched by a demon number. 24:41.418 --> 24:42.039 [SPEAKER_01]: Yes. 24:42.139 --> 24:46.046 [SPEAKER_01]: Dark horse comics by R and writing by Kristen Goodsnook. 24:46.847 --> 24:48.831 [SPEAKER_01]: Pete, what did you think about this one? 24:49.655 --> 25:06.499 [SPEAKER_00]: uh... man uh... what a last panel that twisted the end was very cool this is scary but awesome uh... love the art kind of brings a lightness to the kind of dark material demons and that kind of stuff but i love the the tone the vibe of this book 25:06.479 --> 25:10.609 [SPEAKER_00]: Um, it's like a cool balance of cartoon and dark subject matter. 25:10.629 --> 25:12.593 [SPEAKER_00]: I love this idea though. 25:12.634 --> 25:15.440 [SPEAKER_00]: I think this is like a well executed number one. 25:15.921 --> 25:19.670 [SPEAKER_00]: It does such a great job of kind of getting you like this is the world. 25:19.770 --> 25:22.537 [SPEAKER_00]: This is where we're going and you know, get on board. 25:22.637 --> 25:24.201 [SPEAKER_00]: So I'm on board man. 25:24.221 --> 25:25.163 [SPEAKER_00]: This is cool. 25:25.733 --> 25:26.695 [SPEAKER_01]: Yeah, I agree. 25:26.735 --> 25:30.621 [SPEAKER_01]: Like I love the art, the Christian Goods Knuck's art is very good. 25:30.661 --> 25:31.503 [SPEAKER_01]: We've seen it before. 25:32.224 --> 25:34.127 [SPEAKER_01]: We'll see it again, especially in this book. 25:34.969 --> 25:38.755 [SPEAKER_01]: We have a fall from grace into the demon world and things. 25:38.775 --> 25:41.680 [SPEAKER_01]: Please play on touch by an angel, but it's touch by a demon. 25:42.502 --> 25:42.602 [SPEAKER_01]: Yeah. 25:42.622 --> 25:45.126 [SPEAKER_01]: Touch by an angel, of course, the CBS show. 25:45.106 --> 25:47.128 [SPEAKER_01]: That what you're talking about Pete. 25:47.148 --> 25:50.111 [SPEAKER_01]: Yeah, or it's just some kind of dark after school special. 25:50.211 --> 25:55.635 [SPEAKER_01]: You don't know what you're talking about Yeah, yeah, did you watch a lot of the after school specials? 25:55.896 --> 26:07.766 [SPEAKER_01]: That's something that I feel like I don't I don't and that's a cliche that happened, but I don't tell like you would turn on the TV and like here's a special for you Don't learn a lesson about yeah Yeah, that happened. 26:08.147 --> 26:15.113 [SPEAKER_00]: I didn't do much watching those as much as like I knew we're on, but I didn't really watch 26:15.211 --> 26:18.782 [SPEAKER_01]: Oh, I was learning to let's get the interest. 26:18.802 --> 26:24.038 [SPEAKER_01]: That's the real lesson, but the lesson of this book is be careful what you tell people because they might just do it. 26:24.780 --> 26:25.262 [SPEAKER_01]: Great book. 26:25.703 --> 26:26.706 [SPEAKER_01]: Yeah, let's get up. 26:27.074 --> 26:35.403 [SPEAKER_00]: Yes, it's tough, you know, you give somebody advice and, you know, yeah, that revealed the end you're like, oh, oh, no, oh, oh God, no. 26:35.503 --> 26:49.299 [SPEAKER_01]: Yeah, sort of what I call a big oops, yeah, what's not an oops is our next book, Captain America number six from our common sort by ships in Arskie are by Frank Alpazar and Delio Diaz as speed as Captain America. 26:49.319 --> 26:55.866 [SPEAKER_01]: This is kicking off a new arc, we last had this story of, um, 26:56.318 --> 26:58.761 [SPEAKER_01]: Captain America led in that lot of area. 26:58.822 --> 27:03.468 [SPEAKER_01]: It was a bit, you know, I think we liked it, but it was sort of like, oh, it was sort of complicated. 27:04.069 --> 27:05.591 [SPEAKER_01]: This doom shadow part one. 27:05.811 --> 27:07.293 [SPEAKER_01]: This feels like a number one. 27:07.854 --> 27:10.979 [SPEAKER_01]: I feel like, yeah, you could easily start the series right here. 27:11.039 --> 27:15.225 [SPEAKER_01]: It this does so much laying out of Captain the situation. 27:16.026 --> 27:26.140 [SPEAKER_01]: There's a scene sort of the second scene in the book right after the cold open where a cap like just beats the shit out of a couple of assholes in a bar that I thought was fantastic. 27:26.120 --> 27:28.006 [SPEAKER_01]: This issue was excellent. 27:28.186 --> 27:35.529 [SPEAKER_01]: I really if you read the first couple and didn't like it I think some people were to were talking about that. 27:35.729 --> 27:39.842 [SPEAKER_01]: I would say come back and pick up this issue because this is I think where the story really starts 27:40.092 --> 27:40.873 [SPEAKER_00]: I agree. 27:40.893 --> 27:43.376 [SPEAKER_00]: It's really kind of kicks in the gear and this one for sure. 27:44.257 --> 27:53.990 [SPEAKER_00]: Great kind of setup here of the bigger thing that's happening of like right-hand versus cat-demerica, which is great, love the story, love the art. 27:54.311 --> 27:58.256 [SPEAKER_00]: We've got kind of a younger, square-jog-looking cap, but I'm here for it. 27:59.277 --> 28:04.564 [SPEAKER_00]: This is just solid comics and I cannot wait for the next issue. 28:04.612 --> 28:10.947 [SPEAKER_01]: it's got a little bit the art is really good, the anime style to some pants, but the Red Hulk is legit scary. 28:11.268 --> 28:22.654 [SPEAKER_01]: What I like about the subject matter here is that this is Steve struggling with anti-democratic people in America and then imported overseas. 28:22.634 --> 28:36.329 [SPEAKER_01]: And that's topical in a way that isn't directly commenting on our current politics, but it feels like a perfect issue for Captain America to have to react to someone who literally typifies America. 28:37.071 --> 28:39.597 [SPEAKER_01]: So like that is really cool. 28:40.285 --> 28:58.767 [SPEAKER_01]: definitely definitely pick this issue up even if you didn't like some of the previous ones uh the previous five in this run but let's talk about a book that I was excited about this week that is a sorted crisis events number eight from image comics written by a dentist camp art by Eric Zowodsky oh man 28:58.747 --> 29:23.978 [SPEAKER_01]: Now this coming, we're camping, the camping trip continues, this comic about a series of one-off issues highlighting a character that is going through some sort of displacement, often it's been time, in this case it's something a little different, I would say, where this is a bit of a better story, a character sort of falls into the gutter, 29:23.958 --> 29:26.440 [SPEAKER_01]: And that's the gutter between comic book panels. 29:27.001 --> 29:29.183 [SPEAKER_01]: Which I think is a cool, metacomic. 29:29.203 --> 29:35.930 [SPEAKER_01]: We've seen stories that do a little bit of this, but the tragedy of this one really got me. 29:37.872 --> 29:46.640 [SPEAKER_01]: I thought it was, I don't want to say too much about it because I just thought it was a great ride, beautiful art that takes you on a journey. 29:46.660 --> 29:50.043 [SPEAKER_01]: And we get to the style changes as the story goes on. 29:51.345 --> 29:52.846 [SPEAKER_01]: Yeah, it takes really, it's ways. 29:52.866 --> 29:53.847 [SPEAKER_01]: What do you think, Pete? 29:54.215 --> 29:54.976 [SPEAKER_00]: Yes, this is great. 29:55.276 --> 29:58.901 [SPEAKER_00]: I mean, I also love that assorted crisis events. 29:59.141 --> 30:00.223 [SPEAKER_00]: It kind of stands for ace. 30:00.323 --> 30:01.164 [SPEAKER_00]: I think that's kind of fun. 30:01.624 --> 30:05.089 [SPEAKER_00]: But yeah, this is just tripped out good time here. 30:05.109 --> 30:09.334 [SPEAKER_00]: I also like the kind of fill in the blank moment. 30:09.394 --> 30:12.498 [SPEAKER_00]: The guy a little meadow with the draw me a picture of love. 30:12.558 --> 30:13.500 [SPEAKER_00]: That was kind of cool. 30:13.880 --> 30:14.561 [SPEAKER_00]: Did very good. 30:14.581 --> 30:15.042 [SPEAKER_00]: It feels. 30:16.924 --> 30:21.690 [SPEAKER_00]: Yeah, you know, though kind of wandering through the comic. 30:22.615 --> 30:23.356 [SPEAKER_00]: is cool. 30:24.278 --> 30:26.642 [SPEAKER_00]: You know, it does get meta, but doesn't get weird. 30:26.662 --> 30:27.644 [SPEAKER_00]: It's fun. 30:27.724 --> 30:29.908 [SPEAKER_00]: The porcelain forest is kind of hilarious. 30:32.552 --> 30:35.738 [SPEAKER_01]: Yeah, if you've been like, we love ice cream, man. 30:35.998 --> 30:42.970 [SPEAKER_01]: And if you've been feeling a gap there, I think this is a great comic to to feel that gap. 30:43.203 --> 30:43.523 [SPEAKER_00]: Don't you? 30:43.543 --> 30:51.792 [SPEAKER_00]: Yeah, and if you also water like, man, I love seeing, you know, my favorite superheroes, but it would be cool to see a mall take into shit. 30:51.832 --> 30:54.195 [SPEAKER_00]: You know, this comic is for you, you know what I mean? 30:54.895 --> 30:56.617 [SPEAKER_01]: Yes, number one selling point. 30:57.578 --> 31:01.202 [SPEAKER_01]: It's sort of the dog's playing poker of the comic fandom. 31:01.222 --> 31:07.849 [SPEAKER_00]: It's a lot of people playing like, I like it, but you never get to see them doing normal stuff, like going to the bathroom or preparing a meal. 31:08.309 --> 31:12.754 [SPEAKER_01]: Yeah, a lot of people are saying, why does it hulk shit more? 31:13.308 --> 31:15.373 [SPEAKER_01]: people are saying that. 31:15.533 --> 31:17.999 [SPEAKER_01]: So we're here to demand yes. 31:19.662 --> 31:23.691 [SPEAKER_01]: You get to really see it, but Pete, you want to spin off. 31:24.413 --> 31:27.861 [SPEAKER_01]: The focus is a little more, you know. 31:28.642 --> 31:31.148 [SPEAKER_01]: Give us a top three of who you want featured in your room. 31:32.123 --> 31:35.007 [SPEAKER_00]: Well, I just want to, I want to pairing, you know what I mean? 31:35.087 --> 31:39.213 [SPEAKER_00]: I want to know like, this all-caf to use ultra-strong, you know what I mean? 31:39.273 --> 31:44.781 [SPEAKER_00]: Like, you know, someone is, you know, Mr. 31:44.801 --> 31:48.407 [SPEAKER_00]: Fantastic into angel soft, like, you know, who uses what? 31:48.527 --> 31:50.089 [SPEAKER_01]: You really want to know about their toilet paper? 31:50.670 --> 31:51.371 [SPEAKER_00]: Yeah, exactly. 31:52.072 --> 31:52.693 [SPEAKER_00]: Who uses this? 31:52.713 --> 31:56.258 [SPEAKER_01]: Why do you have a brand that you buy a particular brand all the time? 31:57.166 --> 31:59.070 [SPEAKER_00]: Well, I used to go hard for Sharman. 31:59.451 --> 32:01.075 [SPEAKER_00]: They used to be my like, jam. 32:01.496 --> 32:01.797 [SPEAKER_01]: Oh, sorry. 32:01.837 --> 32:03.742 [SPEAKER_01]: I'm writing that down to foot on our t-shirt. 32:04.303 --> 32:06.167 [SPEAKER_01]: I used to go hard for Sharman. 32:06.668 --> 32:06.949 [SPEAKER_00]: Yeah. 32:07.130 --> 32:10.016 [SPEAKER_00]: They were there for me when I needed them. 32:10.036 --> 32:10.137 [SPEAKER_00]: Okay. 32:10.157 --> 32:11.299 [SPEAKER_00]: But what happened to you? 32:11.339 --> 32:12.863 [SPEAKER_01]: You had a breakup with Sharman? 32:13.535 --> 32:15.678 [SPEAKER_01]: I want to go hard for Sharmin. 32:15.858 --> 32:17.200 [SPEAKER_00]: No, there's a story there. 32:17.681 --> 32:19.904 [SPEAKER_01]: That's a one line poem right there. 32:20.104 --> 32:21.767 [SPEAKER_01]: That's like Curtis having Wayship. 32:22.287 --> 32:24.010 [SPEAKER_01]: I used to go hard for Sharmin. 32:24.671 --> 32:27.695 [SPEAKER_00]: But he said, I was that way shit. 32:27.715 --> 32:27.815 [SPEAKER_00]: Yeah. 32:27.835 --> 32:28.176 [SPEAKER_00]: I don't know. 32:28.196 --> 32:30.058 [SPEAKER_00]: To my favorite. 32:31.801 --> 32:38.530 [SPEAKER_00]: In my house now, the pipes are so old and small that I got to use the 32:38.510 --> 32:46.943 [SPEAKER_00]: the kind of like kind of dissipates real quick, you know, the thousand sheets, you know, the stuff you got tiny pipes when it hits the water. 32:47.104 --> 32:47.364 [SPEAKER_00]: Yeah. 32:47.725 --> 32:48.846 [SPEAKER_00]: I got tiny pipes, man. 32:48.927 --> 32:51.911 [SPEAKER_01]: You're using some wispy single plug. 32:52.632 --> 32:54.195 [SPEAKER_00]: Yeah, I got to go single plug. 32:54.295 --> 32:56.499 [SPEAKER_01]: Bricks my heart, but oh, you should. 32:56.559 --> 32:58.322 [SPEAKER_01]: You got to break your heart, breaks your ass. 32:58.762 --> 33:00.645 [SPEAKER_01]: This is my guy used to go hard for Sherman. 33:01.086 --> 33:02.929 [SPEAKER_01]: I, uh, I'm going to clip this. 33:02.969 --> 33:05.353 [SPEAKER_01]: We got to post this to this separately. 33:05.373 --> 33:06.154 [SPEAKER_01]: It's a keeper. 33:06.775 --> 33:12.027 [SPEAKER_01]: But this comic is great if I get serious back a little bit here 33:12.142 --> 33:38.790 [SPEAKER_01]: yeah really nice great point yeah this review is not we don't want to put this section in with this review because this comic is great but you know well it's used to go hard for Sharman the fantastic for especially the characters in number issue number seven for Marvel Comics and by Ryan North are by Umberto Raymos here we are we great cover really putting this fine Susan storm stuff on that is Ben the last this issue in the one before 33:38.990 --> 33:39.651 [SPEAKER_01]: really cool. 33:40.754 --> 33:43.800 [SPEAKER_01]: This is a, yeah, part of invincible woman is the name of this arc. 33:44.582 --> 33:45.023 [SPEAKER_01]: Really cool. 33:45.985 --> 33:55.665 [SPEAKER_01]: The internal story doesn't quite focus on that in the same way, but I like the idea, Galactus is looking for Sue Storm and shit's about to go down them. 33:55.898 --> 33:59.483 [SPEAKER_01]: Last page reveal we get here of the invincible woman herself. 33:59.924 --> 34:00.905 [SPEAKER_01]: Oh, he's really cool. 34:00.925 --> 34:02.287 [SPEAKER_00]: I like what that's going to say. 34:02.367 --> 34:04.410 [SPEAKER_00]: That teaser image isn't saying. 34:04.751 --> 34:06.153 [SPEAKER_00]: Got you, right, Pete? 34:06.173 --> 34:06.834 [SPEAKER_00]: Oh, man. 34:06.874 --> 34:07.535 [SPEAKER_00]: Yeah, I really did. 34:07.835 --> 34:11.620 [SPEAKER_00]: But this is touching stuff that, you know, the things that parents do for the kids, man. 34:11.640 --> 34:12.121 [SPEAKER_00]: You know what I mean? 34:12.141 --> 34:17.769 [SPEAKER_00]: Like, Justin, you don't know about this, but like, really just some really cool kind of touching moments. 34:17.809 --> 34:19.832 [SPEAKER_00]: I was very moved by this issue. 34:19.872 --> 34:20.934 [SPEAKER_00]: I thought it was very cool. 34:21.795 --> 34:25.500 [SPEAKER_00]: But man, that teaser image just kind of melted my brain. 34:25.480 --> 34:30.352 [SPEAKER_00]: But yeah, I really enjoyed this and I'm a sucker for Ramles' art. 34:30.492 --> 34:31.655 [SPEAKER_00]: It's just so beautiful. 34:33.359 --> 34:36.486 [SPEAKER_00]: There's just the vibe of it just gets me every time I love it. 34:36.989 --> 34:45.120 [SPEAKER_01]: Yeah, this Rhinoarth has been writing fantastic for quite a bit now, and I really enjoyed steak. 34:45.180 --> 35:00.381 [SPEAKER_01]: It's a big family involved here, and that helps really flesh out the stories, and we get a great scene with Felicia Hardy, character I love, who has been put on the shelf a little bit because of the sales of the main comic. 35:00.361 --> 35:01.883 [SPEAKER_01]: I think that's ending very soon. 35:02.364 --> 35:03.486 [SPEAKER_01]: So it's cool to see her here. 35:04.347 --> 35:04.767 [SPEAKER_01]: Good book. 35:05.228 --> 35:06.250 [SPEAKER_01]: Let's talk Titans. 35:07.031 --> 35:08.032 [SPEAKER_01]: Number third. 35:08.052 --> 35:10.256 [SPEAKER_01]: Uh, I'll start 31 from DC Comics, right? 35:10.276 --> 35:12.078 [SPEAKER_01]: And by John Layman Art by Pete Woods. 35:12.619 --> 35:14.662 [SPEAKER_01]: Now the Titans is part DC KO. 35:14.702 --> 35:20.671 [SPEAKER_01]: The Titans are not in the fight for the to become the Omega King. 35:21.292 --> 35:24.917 [SPEAKER_01]: And the King Omega, I should say, the KO and KO. 35:24.897 --> 35:45.859 [SPEAKER_01]: instead they are here fighting on protecting earth which is a losing prospect as we know from the other issues in the DCK event but I like them doing this I think this particular issue has a lot of emotion while at the same time being just like a pretty big battle across the whole the whole issue. 35:46.058 --> 35:57.908 [SPEAKER_00]: yeah i loved all the twists and turns in this fun last panel uh love the kind of like oh shit moments here and i love the rock beats magic line that was great uh yeah you know 35:58.141 --> 36:01.025 [SPEAKER_00]: you got terrible versus the paradigms here. 36:01.065 --> 36:03.008 [SPEAKER_00]: This is just I like this. 36:03.088 --> 36:05.451 [SPEAKER_00]: I thought this was a very enjoyable comic. 36:06.192 --> 36:15.304 [SPEAKER_01]: It's rare to be crossed over to be like I actually want more of this little side part of it but I actually do want a little bit more of this part of the story because it's really cool. 36:15.445 --> 36:18.529 [SPEAKER_01]: This still is playing a lot of the titan's storyline stuff. 36:18.889 --> 36:26.680 [SPEAKER_01]: When really like the hero's defending earth from just the omega nest taking over such a cool idea and could be its own crossover. 36:26.660 --> 36:28.524 [SPEAKER_01]: Essentially, but we're not really getting that story. 36:28.544 --> 36:29.786 [SPEAKER_01]: So it's nice to get a taste here. 36:30.027 --> 36:34.034 [SPEAKER_01]: Not yet Not yet, but right now. 36:34.115 --> 36:39.185 [SPEAKER_01]: Let's talk mortal Thor number six from Marvel and by All-Uing Arby Pasquale Ferry. 36:39.886 --> 36:42.611 [SPEAKER_01]: Now this Thor is different, right Pete? 36:42.972 --> 36:43.032 [SPEAKER_01]: Yep 36:43.417 --> 36:47.181 [SPEAKER_01]: It sure is he's he doesn't get to fly around. 36:47.822 --> 36:49.224 [SPEAKER_01]: He has a hammer on a string. 36:49.784 --> 36:50.886 [SPEAKER_01]: He's a construction work. 36:51.647 --> 36:53.849 [SPEAKER_00]: But I don't appreciate your tone. 36:54.110 --> 37:00.357 [SPEAKER_00]: Just because it's a giant man who is blind and is unbelievable with a hammer. 37:00.577 --> 37:04.682 [SPEAKER_00]: You know, you're assuming that it's Thor, but it could. 37:04.662 --> 37:05.884 [SPEAKER_00]: Maybe not be him. 37:06.324 --> 37:06.825 [SPEAKER_00]: You know what I mean? 37:06.845 --> 37:08.748 [SPEAKER_00]: Yeah, and this is work. 37:08.768 --> 37:13.815 [SPEAKER_00]: It's really hard to kind of walk that line for some reason But I'm still here for it. 37:14.196 --> 37:19.123 [SPEAKER_00]: I know we're making fun of it, and it seems silly, but I'm having a blast with it. 37:19.423 --> 37:22.248 [SPEAKER_01]: This is cool I like this too. 37:22.288 --> 37:28.877 [SPEAKER_01]: I really like past school feasts art that all you ain't telling a weird story There's like a lot of like mitt symbolism. 37:29.098 --> 37:32.863 [SPEAKER_01]: There's a lot of snakes in this and there's snakes with calmer All the different ways 37:32.843 --> 37:55.206 [SPEAKER_00]: yeah uh... snakes popular right now at the think of having a hammer on a string though it just makes me laugh a little bit isn't that a weird no i mean i think it's smart you know especially for the different kind of combat work you know you know it kind of gives you a little bit more range you know so you know 37:56.536 --> 37:59.861 [SPEAKER_00]: You know the utility of it just makes sense to me. 38:00.603 --> 38:06.172 [SPEAKER_01]: I like the we should run an experiment We should get especially you you have a big lawn. 38:06.192 --> 38:13.604 [SPEAKER_01]: I'm assuming or like the back 40 acres from your cornfield or whatever You do for for farming. 38:14.145 --> 38:16.789 [SPEAKER_01]: Are you more of a pig farmer corn? 38:17.579 --> 38:35.217 [SPEAKER_01]: uh... neither but thank you for assuming both that your country always fair those you're not watching the video podcast peat has a uh... one of those moon shine containers with three exes on it and he's got a haste in his mouth and that's just the way he is he's a real start my jug band 38:35.197 --> 38:38.362 [SPEAKER_01]: Yeah, he's got, he's in how, how many jug bands are in these games? 38:38.422 --> 38:43.208 [SPEAKER_01]: It's a rubber bottom nightmare band, man. 38:43.228 --> 38:45.772 [SPEAKER_01]: But I want you to tie it to take a hammer. 38:46.133 --> 38:46.894 [SPEAKER_01]: You must have one. 38:47.354 --> 38:49.838 [SPEAKER_01]: Tie a little rope to it and go out and watch you just swing it around. 38:49.898 --> 38:52.682 [SPEAKER_01]: See how good you are at doing stuff with it. 38:53.928 --> 39:14.164 [SPEAKER_00]: Well, I mean, you know, like if we've seen maces and different kinds of things on strings, so like, you know, obviously if you pull it back to you, you don't catch it, you're fucked, but there is, you know, as silly as you think it is, I do think there, you know, it's a smooth use of it. 39:14.262 --> 39:22.250 [SPEAKER_01]: I understand that I could, like Batman fires a grappling, everyone fires grappling hooks and climbs shit where it's like that's so hard to land a grappling hook. 39:22.810 --> 39:26.874 [SPEAKER_01]: So like, you know, there's a lot of stuff that we, it's not quite believable. 39:27.214 --> 39:29.216 [SPEAKER_01]: But there's something about him swinging the hammer around. 39:29.236 --> 39:36.003 [SPEAKER_01]: I think it's because, like, Thor is very powerful, but the idea that his whole thing is like, he can really throw a hammer well. 39:36.924 --> 39:39.026 [SPEAKER_01]: It's, I don't think of that as his main power. 39:39.787 --> 39:40.287 [SPEAKER_00]: Yeah. 39:40.958 --> 39:42.760 [SPEAKER_01]: But that's what we're really emphasize. 39:42.780 --> 39:45.463 [SPEAKER_00]: Well, and you know, and they dealt with that in the movies. 39:45.664 --> 39:46.805 [SPEAKER_00]: You know what I mean? 39:47.105 --> 39:53.653 [SPEAKER_00]: I think it was the third door movie where he's talking to his father and he's like, what are you the god of hammers? 39:54.454 --> 39:59.159 [SPEAKER_00]: No man, the hammer was never your power, you know. 39:59.179 --> 40:00.961 [SPEAKER_00]: It's just a thing to give you to channel it. 40:01.021 --> 40:02.663 [SPEAKER_00]: So, you know, it's great. 40:02.683 --> 40:04.686 [SPEAKER_00]: He's trying to, he doesn't know who he is right now. 40:04.806 --> 40:06.628 [SPEAKER_00]: He's trying to figure things out. 40:06.608 --> 40:15.809 [SPEAKER_00]: Hey, I'll give them the camera on the string time, you know, until you can kind of reveal who we all have our hammer on the string time, you know, yeah, yeah, yeah. 40:15.829 --> 40:24.027 [SPEAKER_01]: But anyway, Pete, I want you to do that send a video and inevitably when you knock yourself out after you get hit with the hammer, I'll call an ambulance for you. 40:24.209 --> 40:29.337 [SPEAKER_00]: All thanks man, but truly you pay will you pay for the ambulance Ripper. 40:30.018 --> 40:41.475 [SPEAKER_01]: Well, hey, in where you live a country ambulance is just like an apple cart with donkey in front of that right Seven making a siren noise 40:42.704 --> 40:54.267 [SPEAKER_00]: Wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-wee-we 40:54.871 --> 40:55.312 [SPEAKER_00]: good stuff. 40:55.332 --> 40:56.754 [SPEAKER_00]: Who wants a Māori polmiz? 40:57.495 --> 41:00.139 [SPEAKER_01]: Well, let's talk power fantasy. 41:00.379 --> 41:04.105 [SPEAKER_01]: Number 50 is coming through and by Karen Gill and Art by Kaspar Wingard. 41:04.826 --> 41:07.610 [SPEAKER_01]: Big moves happening in this comic. 41:08.050 --> 41:14.059 [SPEAKER_01]: We're getting also a big reveal in the back matter that this comic after next issue is going on a little break. 41:14.079 --> 41:17.284 [SPEAKER_01]: A little hideous because this book is a lot of work. 41:17.433 --> 41:18.755 [SPEAKER_01]: from the creative team. 41:19.376 --> 41:25.425 [SPEAKER_01]: But what do you think about this epic confrontation and moment that happens in this? 41:25.826 --> 41:27.288 [SPEAKER_00]: Yeah, this is a crazy fucking issue. 41:27.348 --> 41:29.351 [SPEAKER_00]: This is awesome. 41:29.431 --> 41:30.072 [SPEAKER_00]: The art, though. 41:30.112 --> 41:34.699 [SPEAKER_00]: I mean, JJ says, let's just take a moment and talk about how great the art is. 41:34.719 --> 41:38.805 [SPEAKER_00]: I mean, the use of color, the shading, the big color choices. 41:40.848 --> 41:43.592 [SPEAKER_00]: Just like, there's like, 41:43.572 --> 41:48.437 [SPEAKER_00]: some panels are just one color and it's just so intense and so clean looking. 41:48.497 --> 41:54.083 [SPEAKER_00]: It's just man, it's really impressive artistic achievement. 41:54.123 --> 42:12.263 [SPEAKER_00]: It's almost like an anime style, but they have like, x-wage marks over characters' heads, but also like some cool, just like cut out, like it's like they took a artistic piece, like cut out and put it on in another piece, it's just 42:12.614 --> 42:15.899 [SPEAKER_00]: Slayers, a lot of layers, but yeah, I'm having a blast with this. 42:15.919 --> 42:17.141 [SPEAKER_00]: This was really impressive. 42:17.862 --> 42:32.243 [SPEAKER_01]: I also, the art, like I've been a big cast for Windguard fan all the way back to home, sick pilots, a common book that I love, and this, like these guys, Alex and I interviewed them over a year ago, but it's still a good interview to listen to. 42:32.263 --> 42:38.672 [SPEAKER_01]: They're very passionate about this book and just love working together on it, and you can see it really see it. 42:38.922 --> 42:44.549 [SPEAKER_01]: should be in the way that there's just so much life to the panels that I'll give to Casper Windgard. 42:45.210 --> 43:02.010 [SPEAKER_01]: But I cared Gill, I'm really writing the shit out of this, characters that are positioned like super powered nuclear power nations in a state of safety and a safe of careful, careful balance for so much of the beginning of this book. 43:01.990 --> 43:07.760 [SPEAKER_01]: Last couple of issues, things have just started to really fall out of balance and that means that big things are happening. 43:07.880 --> 43:08.882 [SPEAKER_01]: Characters are dying. 43:09.563 --> 43:10.424 [SPEAKER_01]: I won't say anything else. 43:10.705 --> 43:12.167 [SPEAKER_01]: Great issue, deaf pickup. 43:12.728 --> 43:15.894 [SPEAKER_01]: Pete, you've been looking for this next comic for quite some time. 43:15.934 --> 43:16.194 [SPEAKER_01]: Plan it. 43:16.214 --> 43:20.541 [SPEAKER_01]: She helped number three from Marvel Comics, and by Stephanie Phillips, are by Aaron Kuder. 43:21.162 --> 43:22.665 [SPEAKER_01]: Give it up, Pete. 43:22.949 --> 43:41.700 [SPEAKER_00]: oh my god you want to talk about a last panel reveal this shit is insane oh my god this continues to be so great i love this comic the art is absolutely amazing this is just a absolute blast such a well executed idea 43:41.680 --> 43:44.383 [SPEAKER_00]: Such a cool kind of thing to see. 43:44.443 --> 43:52.671 [SPEAKER_00]: She'll go through this kind of like covering For Hulk and how she deals with it. 43:52.691 --> 43:55.113 [SPEAKER_00]: Oh, I just I I love this. 43:55.153 --> 44:05.163 [SPEAKER_01]: This is just awesome awesome comics Let's say I Is it unfair to compare two things you like really, but I'm enjoying this more than planet. 44:05.283 --> 44:10.388 [SPEAKER_01]: Oh wow watch your goddamn mouth man I love that she Hulk is just 44:10.368 --> 44:36.696 [SPEAKER_01]: she just works in such counter position to what is happening in the vibe of cigar like it's it's really good the the last page reveal i won't say it the same as you did peep but it is excellent really speaking to the what's come before when it comes to she-hulk the art's great it feels epic and also retro you sort of a gladitorial while also feeling very modern and 44:36.676 --> 44:50.979 [SPEAKER_00]: I just really ride with Jen throughout this whole story, so yeah, what's also cool about the reveal is it's like been you have to be have been reading She-Hulk for a while to get that reveal. 44:50.999 --> 44:53.082 [SPEAKER_00]: Well not for a while, but like 44:53.264 --> 45:05.058 [SPEAKER_00]: following what's been going down because otherwise you're like, who the, why is this a big deal, but yeah, I cannot wait to see how they're going to deal with it because it is a big deal, and I'm very excited for what's happening next. 45:05.659 --> 45:06.600 [SPEAKER_01]: It is a big deal. 45:07.541 --> 45:08.322 [SPEAKER_01]: What's the big deal? 45:08.463 --> 45:15.591 [SPEAKER_01]: Star Trek the last Starship number four from IDW written by Jackson Kelly and Colin Lansing are by Adrian Bonilla. 45:16.472 --> 45:22.680 [SPEAKER_01]: We talked to Kelly and Lansing on the show about this book a couple, 45:22.660 --> 45:37.761 [SPEAKER_01]: This book really able to take the Star Trek universe in yet another different set in a future that's been talked about in the TV universe after the burn. 45:38.622 --> 45:45.552 [SPEAKER_01]: This issue takes another big step forward, I would say, into a lot of stuff that's happening. 45:45.572 --> 45:47.615 [SPEAKER_01]: We're focusing on one particular character here. 45:48.055 --> 45:49.377 [SPEAKER_01]: Pete, how'd you feel about it? 45:49.627 --> 46:05.391 [SPEAKER_00]: yeah this is just well first off cool cover um i i love the art on this book is really impressive this has been like you know i'm not a huge strucky but the writing on this has just been so good it pulls you in and takes 46:05.371 --> 46:06.894 [SPEAKER_00]: such good care of you. 46:06.914 --> 46:19.496 [SPEAKER_00]: Yeah, just really impressed with like the shading and the look and the feel that this kind of has, it's just really epic and it really feels like such a great space adventure just by the look of it. 46:20.217 --> 46:22.080 [SPEAKER_00]: But yeah, I'm not. 46:22.280 --> 46:27.787 [SPEAKER_00]: I don't know what that black armbeam means at the end of this comic, but I'm like, oh shit. 46:28.528 --> 46:28.969 [SPEAKER_00]: Oh shit. 46:28.989 --> 46:31.252 [SPEAKER_00]: That seems like an important bit of... 46:31.272 --> 46:32.574 [SPEAKER_00]: Seems like a big deal. 46:32.814 --> 46:34.857 [SPEAKER_01]: And for next time, three for any outfit. 46:35.538 --> 46:36.599 [SPEAKER_01]: I agree with you about the art. 46:36.679 --> 46:40.905 [SPEAKER_01]: It's really nice, a particular in this issue, which is sort of telling a larger backstory. 46:41.526 --> 46:47.033 [SPEAKER_01]: The great thing about this book is it's ability to go really big with some issues. 46:47.053 --> 46:52.000 [SPEAKER_01]: We've seen previous this one, but also then zero in really finely on a particular moment. 46:51.980 --> 46:55.207 [SPEAKER_01]: I definitely worth the pick-up at this time. 46:55.247 --> 47:00.700 [SPEAKER_00]: It's a good thing like when they put on a black armband and baseball, somebody's died, you know what I mean? 47:01.281 --> 47:06.413 [SPEAKER_00]: Wow, Pete really bringing up some, I don't know, baseball deaths. 47:06.433 --> 47:09.600 [SPEAKER_01]: Random things that maybe probably don't tie in. 47:09.580 --> 47:11.344 [SPEAKER_01]: I mean, I'm wearing a black car, man. 47:11.644 --> 47:12.065 [SPEAKER_01]: All the time. 47:12.125 --> 47:12.466 [SPEAKER_01]: I didn't. 47:12.606 --> 47:15.472 [SPEAKER_01]: That was a whole when Superman died in the 90s. 47:15.492 --> 47:16.154 [SPEAKER_01]: Is it black? 47:16.174 --> 47:20.042 [SPEAKER_00]: Yeah, you went through a big phase of wearing black arm bands, Superman died. 47:20.062 --> 47:24.311 [SPEAKER_01]: I had, um, it was black just all up and down my sleeves, Naga. 47:24.331 --> 47:25.834 [SPEAKER_01]: It's like a turtle neck arm, man. 47:26.101 --> 47:42.810 [SPEAKER_01]: really want to real e-mail phase one superman died that was it was tough for you hundred percent uh right i love that guy you know superman yeah yeah yeah but he's bad important yeah that's the important thing you know just like my childhood pet he's back 47:43.651 --> 47:44.192 [SPEAKER_01]: but died. 47:44.672 --> 47:44.993 [SPEAKER_01]: Okay back. 47:45.093 --> 47:49.079 [SPEAKER_01]: Let's talk wicked, which is road. 47:49.119 --> 47:51.462 [SPEAKER_01]: This is issue number two. 47:51.662 --> 47:55.548 [SPEAKER_01]: It's from Marvel written by White Kennedy Arby Andy Pereira. 47:56.129 --> 48:06.143 [SPEAKER_01]: We're following wicked as he is back to Earth with Holkling by his side in a different way as we find out in this issue. 48:06.764 --> 48:09.608 [SPEAKER_01]: I want to commend this 48:09.588 --> 48:12.891 [SPEAKER_01]: Getting this really like getting it's hard into the story. 48:13.231 --> 48:23.561 [SPEAKER_01]: I thought this was and taking characters that don't often have this tone and putting it into a very fairytale almost like books of magic. 48:24.542 --> 48:31.148 [SPEAKER_01]: That type of storytelling where everything becomes a bit symbolic characters are put in different places very quickly. 48:31.188 --> 48:34.531 [SPEAKER_01]: I'm thinking of fables as well. 48:34.591 --> 48:35.952 [SPEAKER_01]: This is your reminded me of Pete. 48:35.972 --> 48:36.793 [SPEAKER_01]: What did you think of it? 48:37.870 --> 48:38.531 [SPEAKER_00]: This is fun. 48:38.551 --> 48:47.625 [SPEAKER_00]: I love the nameless the fox, the fact that thing thing, boom, shows off, got me really gasped up. 48:48.085 --> 48:49.207 [SPEAKER_00]: Yeah, this is a blast. 48:49.788 --> 48:54.135 [SPEAKER_00]: Love the art, love these kind of characters, and it's a cool cover here. 48:54.195 --> 48:59.102 [SPEAKER_00]: You got the classic classic kind of puppet master set up here, you know. 48:59.082 --> 49:01.745 [SPEAKER_01]: Yeah, almost as a whole thing becomes a puppet. 49:01.805 --> 49:09.755 [SPEAKER_01]: We've got Baba Yaga, a crazy thing that is a real like story. 49:10.015 --> 49:16.703 [SPEAKER_01]: It's like a Russian folklore about a witch that lives in a house with chicken legs and it's so comic book ready. 49:17.044 --> 49:21.349 [SPEAKER_01]: I think that's why we've seen it in a lot of different comics, but wild stuff. 49:21.429 --> 49:24.853 [SPEAKER_01]: I think this, it's nice that Marvel can have this little corner of the universe. 49:24.873 --> 49:28.077 [SPEAKER_01]: It's a little bit weird or excuse me, then we're used to. 49:29.002 --> 49:31.767 [SPEAKER_01]: Let's start with the magic and the weirdness, you know what I mean? 49:31.787 --> 49:32.107 [SPEAKER_01]: Come on. 49:32.188 --> 49:51.702 [SPEAKER_01]: Yeah, I love being weird I used to go hard for sharmon Wonder Woman number 29 from BC Comics or in Vice-Defyney Williams, Archbite Jeff Spokes kicking off a brand new story from this series that we read the shit out of Pete, what's it then? 49:52.762 --> 50:22.583 [SPEAKER_00]: it's great I mean cool cover uh... interesting you know we we've got this kind of like baby situation you know um... interested to kind of get to the bottom of this like is this baby cursed or not type of thing but you know um... it was cool to see kind of like wonder woman go back to her island and their friends and be like y'all a little overwhelmed i got a baby and they're like hey listen it's cool you know 50:22.563 --> 50:25.185 [SPEAKER_00]: help you and look after you and I was like, oh, that's nice. 50:25.225 --> 50:27.748 [SPEAKER_00]: You know, it's nice to have people in your life like that, you know what I mean? 50:28.508 --> 50:30.790 [SPEAKER_01]: Yeah, big pivot from what's come before here. 50:30.890 --> 50:32.251 [SPEAKER_01]: So it's definitely Williams on it. 50:32.632 --> 50:33.953 [SPEAKER_01]: I'd like to art. 50:34.293 --> 50:35.114 [SPEAKER_01]: It's very cool. 50:35.474 --> 50:36.315 [SPEAKER_01]: It feels different. 50:36.916 --> 50:38.197 [SPEAKER_01]: There's a lot of sparring. 50:38.237 --> 50:41.219 [SPEAKER_01]: How would you feel Pete if you were sparring as much as these? 50:41.840 --> 50:44.482 [SPEAKER_01]: Is they're doing on the mascara? 50:44.502 --> 50:46.244 [SPEAKER_02]: Why is that part of your life? 50:48.065 --> 50:48.306 [SPEAKER_00]: Yeah. 50:48.626 --> 50:48.926 [SPEAKER_00]: Yeah. 50:48.986 --> 50:50.648 [SPEAKER_00]: You know, you go through different things. 50:51.168 --> 50:52.249 [SPEAKER_00]: What would you 50:53.562 --> 51:11.271 [SPEAKER_00]: Well kind of sparring when I was working at a tough crowd with Colin Quinn because fun fact Colin Quinn was really into boxing and he would have a trainer come and you can sign up for time on your lunch break and get free boxing lessons which was cool. 51:11.591 --> 51:14.035 [SPEAKER_01]: So you wait, you fought Colin Quinn? 51:14.842 --> 51:26.622 [SPEAKER_00]: No, Colin Quinn had a heavy bag in his office and if you were having a tough day, you'd go in there and just kind of vent on the bag which eventually Colin was like, Pete, you have to go back to your desk. 51:26.803 --> 51:27.784 [SPEAKER_01]: You can't be in here. 51:27.804 --> 51:29.768 [SPEAKER_01]: I was like, fuck you. 51:30.769 --> 51:32.833 [SPEAKER_01]: You know, I hate my boss. 51:32.813 --> 51:47.464 [SPEAKER_00]: But yeah, like he had he worked with boxers as part of his kind of like physical daily kind of like you know how you go running He worked uh, you know, he would do some boxing so like it was nice stuff that he would share 51:47.596 --> 52:09.570 [SPEAKER_00]: with us and we could sign up during our lunch time to work with the uh... yeah so but yeah i don't like the inner fighting you know when uh... you know people are supposed to be on the same team are fighting uh... in this comic it's uh... it's tough it's not like when uh... my parents fight but uh... you know but they're they're while working together i mean the name of this arc is the village 52:09.668 --> 52:12.253 [SPEAKER_01]: So I think it's like, it takes a village to raise a child. 52:12.313 --> 52:13.195 [SPEAKER_01]: I think is what they're getting. 52:13.255 --> 52:14.959 [SPEAKER_01]: Sure, though, type of. 52:14.979 --> 52:19.448 [SPEAKER_01]: What I was in elementary school, my best friend, we were just friends, school. 52:19.568 --> 52:21.091 [SPEAKER_01]: We would like re-comics and stuff. 52:21.572 --> 52:24.237 [SPEAKER_01]: And then he got into karate, and then all he wanted to do was spar. 52:24.858 --> 52:26.682 [SPEAKER_01]: And I don't like to get kicked. 52:26.746 --> 52:28.548 [SPEAKER_01]: So then we have to be friends. 52:28.809 --> 52:29.589 [SPEAKER_00]: Well, that's the thing. 52:29.650 --> 52:32.833 [SPEAKER_00]: I mean, you can spar with your friends, but it would always be one. 52:32.853 --> 52:34.335 [SPEAKER_00]: So one hits somebody too hard. 52:34.916 --> 52:36.498 [SPEAKER_00]: And then it's just fucking on. 52:36.538 --> 52:37.900 [SPEAKER_00]: And now you're fighting your friend. 52:37.980 --> 52:39.281 [SPEAKER_00]: And that never ends well. 52:39.301 --> 52:42.165 [SPEAKER_00]: So yeah, that is what happens. 52:42.185 --> 52:44.307 [SPEAKER_00]: It leads to my friendships that way. 52:44.327 --> 52:45.629 [SPEAKER_01]: Yeah, from just to fight. 52:45.709 --> 52:48.693 [SPEAKER_01]: Well, we have, we've never physically fought. 52:48.773 --> 52:51.496 [SPEAKER_01]: You've definitely punched me, you're a puncher. 52:52.417 --> 52:53.999 [SPEAKER_01]: Yeah, I like to punch. 52:54.019 --> 52:55.080 [SPEAKER_01]: Yeah. 52:55.101 --> 52:55.521 [SPEAKER_01]: Really great. 52:56.497 --> 53:18.319 [SPEAKER_01]: uh... let's talk x-man never twenty four uh... part of shadows of tomorrow from our comics are my genica r by toni daniel this focusing on some feelings the villains of three k uh... we get to send her nova we get the three k characters we get a little bit of joseph doing it he's got full magneto in this comic 53:18.299 --> 53:34.671 [SPEAKER_01]: and Darkbeast himself comes to hang, and this definitely, it says on the top of the cover page, this is an age of revelation, epilogue, and this definitely does feel like the epilogue where we're getting the villains from 53:35.258 --> 53:51.167 [SPEAKER_01]: previous continuity, and Dark Beast, who, as spoiler here, was secretly in the future along with Cyclops, learning all the bad shit, and bringing it back so that 3K can now create the X virus that did so much damage during age of revelation. 53:51.187 --> 53:57.418 [SPEAKER_00]: P. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. H. 53:59.052 --> 54:11.172 [SPEAKER_00]: I don't like this all this focus on the villains and you know, yeah, it's a dark beast all this just makes me you don't like dark beast 54:13.497 --> 54:22.237 [SPEAKER_00]: You know, I don't I, you know, this whole like, oh, I've got to go to the future and all this bullshit and you know, it just loses me. 54:23.841 --> 54:29.734 [SPEAKER_01]: What do you think about so Joseph the clone of magneto is in this comic and he's like, call me magneto. 54:30.288 --> 54:39.001 [SPEAKER_01]: I find it interesting, and part of the plot here is that they have to get his helmet is psychic energy blocking helmet that regular magneto has. 54:39.502 --> 54:40.964 [SPEAKER_01]: How do they eat you have this helmet? 54:41.465 --> 54:49.317 [SPEAKER_01]: How do you get the, they pass, because every retreats the, the psychic energy blocking helmet as, well, I can't get through that, it's impossible. 54:50.098 --> 54:52.421 [SPEAKER_01]: You know, and there's, there was only one of them, Magneto had it. 54:52.441 --> 54:53.663 [SPEAKER_01]: And now there's only two. 54:54.200 --> 54:55.302 [SPEAKER_01]: They didn't clone the helmet. 54:55.962 --> 55:01.350 [SPEAKER_00]: Well, if you clone somebody with the helmet on, you know, don't you clone the helmet, you know what I mean? 55:01.750 --> 55:04.735 [SPEAKER_01]: That's definitely not how cloning works. 55:05.015 --> 55:09.922 [SPEAKER_01]: It's not like making a copy on a copy machine. 55:09.942 --> 55:13.427 [SPEAKER_00]: Well, I wouldn't know, but I hear you. 55:13.467 --> 55:15.870 [SPEAKER_01]: You don't know about copy machines, you would love them. 55:16.812 --> 55:17.814 [SPEAKER_01]: It takes a picture. 55:17.974 --> 55:21.038 [SPEAKER_00]: Oh, I know way too much about copy machines my friend. 55:21.459 --> 55:26.867 [SPEAKER_00]: Oh, yeah, I still want it was a PA for many years I know really copy Jackie over here. 55:27.488 --> 55:33.818 [SPEAKER_00]: Oh, yeah, yeah, I had to get in there man when those jams happened You got like crawl in and find your yourself a paper jams. 55:34.779 --> 55:35.901 [SPEAKER_01]: Oh, yeah, do come on man. 55:36.863 --> 55:37.183 [SPEAKER_01]: Wow 55:37.400 --> 56:04.909 [SPEAKER_00]: that's nice yeah sorry i'm a line producer some way up yeah you don't know about that like i.t.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s.s. 56:05.294 --> 56:13.089 [SPEAKER_00]: Okay, there's one vote for that and then the guy who looks exactly like Magmino, but isn't Magmino But then wants you to call him Magmino. 56:13.109 --> 56:13.650 [SPEAKER_00]: I'm like dude. 56:13.670 --> 56:14.391 [SPEAKER_00]: What I agree? 56:14.411 --> 56:15.032 [SPEAKER_00]: That's weird. 56:15.233 --> 56:18.619 [SPEAKER_00]: This is a collection of assholes So who am I rooting for? 56:18.779 --> 56:19.421 [SPEAKER_00]: You know what I mean? 56:21.004 --> 56:28.618 [SPEAKER_01]: Well, these are the villains the thing is I'm sort of interested in what's gonna come of the darkbees stuff and the creation of the X virus 56:28.598 --> 56:36.289 [SPEAKER_01]: we've had a lot of continuity in the X-Men world of them trying to people trying to make the virus and people having to stop it. 56:37.431 --> 56:46.323 [SPEAKER_01]: So I don't know if we want to relive that again but I do like that that as a follow-off, a shadow of tomorrow from age of revelation. 56:46.343 --> 56:54.555 [SPEAKER_01]: 3K I still can't quite get on board with what's happening with 3K so that's a little bit 56:54.603 --> 57:00.032 [SPEAKER_01]: I would like to get back to the main X-Men in just really settling with what they're up to. 57:01.335 --> 57:10.230 [SPEAKER_01]: But let's talk American, American Capre number three from Dark Horse Comics, her and my Dan Houser and Lazlo are by David Lappin. 57:10.270 --> 57:13.696 [SPEAKER_01]: This is a wild comic. 57:13.716 --> 57:17.623 [SPEAKER_01]: There's a lot of crimes going on and a lot of people 57:17.789 --> 57:21.120 [SPEAKER_01]: investigating them or committing them. 57:21.662 --> 57:28.044 [SPEAKER_01]: And I think it's all going to come together into some sort of big American paper. 57:28.084 --> 57:30.853 [SPEAKER_01]: But what do you think about the individual pieces here? 57:33.162 --> 57:51.262 [SPEAKER_00]: Yeah, we've got a lot of characters and, um, you know, great art, grimy and kind of dirty, like, uh, you know, this comic, and I feel like they're doing such a good job of kind of harnessing that, uh, but a great combo of writing an art here, uh, interesting story. 57:51.422 --> 57:53.885 [SPEAKER_00]: I'm, I'm interesting seeing how this turns out. 57:54.846 --> 57:59.271 [SPEAKER_00]: Um, the, uh, yeah, there's some interesting language in here, which, 58:02.137 --> 58:03.500 [SPEAKER_00]: You don't like it's under my skin. 58:04.482 --> 58:15.488 [SPEAKER_01]: I ate the term that they use in here that you're talking about the character, the wife who's obsessed with internet culture. 58:16.092 --> 58:21.844 [SPEAKER_01]: Yes, yes, yeah, I mean it's a you know, it's not championing that kind of rhetoric. 58:21.944 --> 58:33.467 [SPEAKER_01]: I don't think it is it is sort of satirizing I think one of the character that this issue focuses on is playing in a local cowboy indie film. 58:33.568 --> 58:36.193 [SPEAKER_01]: It seems like it goes home to his wife and kid 58:36.173 --> 58:48.768 [SPEAKER_01]: The wife is a very aggressive online conservative who has a lot of bleeds and lot of conspiracy theories and chases a lot of bad ideas and has come to hate most people. 58:49.249 --> 58:55.937 [SPEAKER_01]: While the sun is obsessed with video games and wants to be a hero in a very abstract killing alien sort of way. 58:56.457 --> 59:02.164 [SPEAKER_01]: So it's very much commenting on modern America, but I do like the individual 59:02.144 --> 59:05.948 [SPEAKER_01]: And I am curious how everyone is very intense in this book. 59:06.469 --> 59:09.012 [SPEAKER_01]: So I want to see how these little threads start to come together. 59:09.893 --> 59:10.694 [SPEAKER_01]: I didn't enjoy it. 59:11.795 --> 59:14.478 [SPEAKER_01]: Let's talk Hulk smash everything. 59:15.279 --> 59:25.350 [SPEAKER_01]: When he's not in the toilet number two from Marvel Comics written by Ryan North, by Ben Sanzo Kaurutu, or Karatu, I should say, Pete. 59:25.330 --> 59:27.955 [SPEAKER_01]: This is, this is everything you could do. 59:27.975 --> 59:30.139 [SPEAKER_00]: Yeah, I mean, this is just, this is just, this is just fun. 59:30.199 --> 59:31.100 [SPEAKER_00]: This is just fun. 59:31.601 --> 59:38.514 [SPEAKER_00]: Hulk back in time, kind of just smashing, and then the leader shows up, and he's like, go, I'll fight whoever, man. 59:38.714 --> 59:39.816 [SPEAKER_00]: I'll fight dinosaurs. 59:40.377 --> 59:41.219 [SPEAKER_00]: I don't give a fuck. 59:41.920 --> 59:45.807 [SPEAKER_00]: But yeah, this is just a great concept while executed, love the art style. 59:46.649 --> 59:48.452 [SPEAKER_00]: It's just blast, it's just fun. 59:48.837 --> 59:49.378 [SPEAKER_01]: Very fun. 59:49.458 --> 59:51.079 [SPEAKER_01]: Emphasis on the art here. 59:51.139 --> 59:56.645 [SPEAKER_01]: This is a big sort of like, um, let's let the Hulk be in the middle of some wild things. 59:57.045 --> 01:00:01.190 [SPEAKER_01]: He's fighting the, um, asteroid that killed the dinosaurs essentially here. 01:00:01.610 --> 01:00:02.111 [SPEAKER_00]: I love it. 01:00:02.131 --> 01:00:03.472 [SPEAKER_01]: You see the Earth's idea. 01:00:04.033 --> 01:00:05.354 [SPEAKER_01]: Yeah. 01:00:05.374 --> 01:00:11.280 [SPEAKER_01]: This is, the right north is having fun in this comic and it just feels very loose and free. 01:00:11.841 --> 01:00:14.203 [SPEAKER_01]: I definitely enjoy the read on this one. 01:00:14.183 --> 01:00:17.949 [SPEAKER_01]: Let's talk red code number 16 from ghost machine and image comics. 01:00:17.969 --> 01:00:18.971 [SPEAKER_01]: This is a comic. 01:00:18.991 --> 01:00:19.833 [SPEAKER_01]: I really enjoy it. 01:00:19.853 --> 01:00:21.996 [SPEAKER_01]: It's written by Jeff Johns, R. by Brian Hitch. 01:00:23.198 --> 01:00:31.412 [SPEAKER_01]: This is red code has been, I talked about this in the live show, but it's a comic that has a similar story structure to a comic I love. 01:00:31.452 --> 01:00:33.576 [SPEAKER_01]: Starman, where our main character, 01:00:34.028 --> 01:00:56.762 [SPEAKER_01]: is doing this thing sometimes it's a stand-alone story where it's just a light-hearted near-do well mission sometimes it's something with a little more weight the main story from the beginning of the run of the series was red coat versus Benedict Arnold we're picking up where that left off here in this issue kicking off a larger 01:00:56.742 --> 01:01:00.628 [SPEAKER_01]: sort of main story arc and I really liked it. 01:01:00.828 --> 01:01:12.166 [SPEAKER_01]: It's brought together some of the pieces we haven't really seen seen in a while and I just like that there's a confrontation this issue that I thought was really well written and I like the different character motivations. 01:01:12.928 --> 01:01:14.730 [SPEAKER_01]: One of my faves in the stack right now, Pete. 01:01:16.012 --> 01:01:18.296 [SPEAKER_00]: Yeah, I just this is an impressive run. 01:01:18.336 --> 01:01:24.606 [SPEAKER_00]: This right coat run that there's been going on. 01:01:24.957 --> 01:01:54.390 [SPEAKER_00]: and it wins me over every time the writing is that good the ideas are that sharp it's just really great art really cool writing this is just uh... it keeps it keeps winning you over and every time like you're saying they got new ideas they're pushing this character in different ways and it uh... continues to impress and uh... the art is just as good as the writing and the writing is really impressive 01:01:55.298 --> 01:01:59.904 [SPEAKER_01]: Great book, let's talk X-Men of Apocalypse Number 2. 01:02:00.865 --> 01:02:04.750 [SPEAKER_01]: This is from Marvel Comics, from my Jeff Loeb, art by Simone Demeo. 01:02:05.531 --> 01:02:13.881 [SPEAKER_01]: We're following a team of mutants from the age of Apocalypse as they travel to different important moments in the X-Men history. 01:02:14.783 --> 01:02:22.352 [SPEAKER_01]: This moment is when Jean Grey showed up on the steps of X-Manchin on Grey Mulkin Lane. 01:02:22.332 --> 01:02:24.635 [SPEAKER_01]: And they just sort of fight for some reason. 01:02:26.016 --> 01:02:27.038 [SPEAKER_01]: What do you think about this, Pete? 01:02:28.359 --> 01:02:34.307 [SPEAKER_00]: Well, this is just a great, because it brings me back to the Age of Apocalypse and the Art Style. 01:02:34.367 --> 01:02:35.528 [SPEAKER_01]: And Age of Love! 01:02:36.469 --> 01:02:43.418 [SPEAKER_00]: Yeah, I just seen the Art Style, seeing the kind of graphic of Age of Apocalypse. 01:02:43.438 --> 01:02:47.783 [SPEAKER_00]: It's got a warm place in my heart, so I'm like, Oh, fun, this is a cool idea. 01:02:48.539 --> 01:03:05.890 [SPEAKER_00]: fun well executed here great scene phoenix forces it brings me back and they do such a good job of kind of like revisiting that idea and then kind of heightening it so I feel like this is a great package tight package if you will take package he says 01:03:06.241 --> 01:03:22.546 [SPEAKER_01]: This the art is excellent this and you know, there's some there's some good scenes It's a little bit hard to tell the logic of the main story doesn't quite make sense It is funny we pick up when Jean Guy Grey arrives at the x-manchin and a few pages later She's like trying on her x-man uniform. 01:03:22.566 --> 01:03:24.629 [SPEAKER_01]: I was like how's that how's that work? 01:03:24.670 --> 01:03:26.292 [SPEAKER_01]: Do they already have that they for? 01:03:27.048 --> 01:03:28.009 [SPEAKER_01]: that doesn't make sense. 01:03:28.770 --> 01:03:40.201 [SPEAKER_01]: So I don't know exactly if it's a story that doesn't have holes in it, but I do really like Nate, the character, Nate Gray, X man, so great to see him here. 01:03:41.162 --> 01:03:45.065 [SPEAKER_00]: We jump to a classic field to dreams logic. 01:03:45.166 --> 01:03:46.147 [SPEAKER_00]: If you make it, they'll come. 01:03:46.207 --> 01:03:54.895 [SPEAKER_00]: If you make a storm uniform 01:03:55.685 --> 01:03:56.206 [SPEAKER_01]: That's right. 01:03:56.507 --> 01:04:00.735 [SPEAKER_01]: Dress for the job you want, it's like make the clothes for the person you want to show up. 01:04:02.098 --> 01:04:02.459 [SPEAKER_01]: That's great. 01:04:02.519 --> 01:04:03.380 [SPEAKER_01]: Exactly. 01:04:03.401 --> 01:04:09.292 [SPEAKER_01]: Well, I've had a Santa Claus outfit in my bedroom for 35 years, and that fuck hasn't shown up yet. 01:04:09.974 --> 01:04:13.120 [SPEAKER_00]: Well, I think this year's going to be your year, buddy. 01:04:13.319 --> 01:04:15.544 [SPEAKER_01]: Okay, well keep it fresh. 01:04:16.045 --> 01:04:20.213 [SPEAKER_01]: I'll keep I do keep it very fresh But I will say just highlighting one more time. 01:04:20.234 --> 01:04:22.158 [SPEAKER_01]: This is a modemail art is very good. 01:04:22.278 --> 01:04:32.880 [SPEAKER_01]: Even if the story doesn't quite make a complete sense Yeah, I'm blinded by this by the art on this so yeah, yes, my Pete has gone blind 01:04:32.860 --> 01:04:48.349 [SPEAKER_01]: Let's start the power's 25 number five from Dark Horse Comics, or in by Brian Michael Bendis, art by Michael Avon, oh my hey, we had Mr. Brian Michael Bendis on our live show last week and we talked a bit about power. 01:04:48.429 --> 01:04:49.772 [SPEAKER_00]: We didn't talk about this. 01:04:49.752 --> 01:05:05.972 [SPEAKER_01]: very much but yeah we did we talked about his work in Avengers 800 but we definitely talked about this for a little bit and what a departure it was from the original power story and how many big creative swings they take on this and this issue I feel like really is a great example of that 01:05:05.952 --> 01:05:07.314 [SPEAKER_01]: There's so much happening. 01:05:07.634 --> 01:05:08.655 [SPEAKER_01]: There's great dialogue. 01:05:08.675 --> 01:05:30.921 [SPEAKER_01]: It's what you expect from a bandist homing book art that is like just of that of his style very action-oriented, great character feelings that really about the look of the characters that you can see the way they're feeling, which is helps to back up bandices great dialogue as his hard-boiled cop dialogue. 01:05:30.941 --> 01:05:35.706 [SPEAKER_01]: I think I've been 01:05:37.070 --> 01:05:38.833 [SPEAKER_00]: Yeah, I'm just so happy this is back. 01:05:39.354 --> 01:05:43.141 [SPEAKER_00]: Just to kind of be reading this book again and seeing the art. 01:05:43.161 --> 01:05:49.813 [SPEAKER_00]: It just all brings back such great kind of memories and emotions from an amazing series. 01:05:50.575 --> 01:05:53.901 [SPEAKER_00]: But also they make it came on the beginning, which is cool. 01:05:54.041 --> 01:05:55.243 [SPEAKER_00]: You know, give a shout out. 01:05:55.283 --> 01:05:57.567 [SPEAKER_00]: It's the anniversary why not celebrate it. 01:05:57.587 --> 01:05:59.010 [SPEAKER_00]: So it's cool to see that. 01:06:00.188 --> 01:06:15.152 [SPEAKER_00]: Also, just such a cool fun interrogation scene, you know, we've seen a lot of those movies and, you know, all sorts of stuff and so that was just so well done and the art is just so amazing. 01:06:16.434 --> 01:06:20.560 [SPEAKER_00]: This is just great comics and really fun and worth it. 01:06:20.860 --> 01:06:30.774 [SPEAKER_01]: Bendis, not missing a beat, still in top form, but let's talk the darkness, number two, from Top Cal Image Comics, and by Mark Silvestri, are by Raymond Gay. 01:06:31.235 --> 01:06:36.502 [SPEAKER_01]: So this comic, I talked earlier about comics that feel of the 90s. 01:06:37.063 --> 01:06:40.708 [SPEAKER_01]: This feels like you pulled it out of a dollar bin. 01:06:40.688 --> 01:06:48.668 [SPEAKER_01]: Blu some dust off it and it's feels like this is literally of the 90s The shame Alex isn't here because he loves this shit. 01:06:49.068 --> 01:06:55.163 [SPEAKER_00]: Oh, yeah, this is shame, but yeah Let's just find the classic angels versus demons. 01:06:55.203 --> 01:06:55.845 [SPEAKER_00]: We're going to kill 01:06:55.825 --> 01:06:57.908 [SPEAKER_00]: getting the set up on this issue. 01:06:58.669 --> 01:06:59.230 [SPEAKER_00]: Great art. 01:06:59.290 --> 01:07:08.943 [SPEAKER_00]: I mean the yellow in the angels and this is so impressive and so kind of like almost glowing and in jellic way. 01:07:09.003 --> 01:07:11.847 [SPEAKER_00]: It's quite a feat. 01:07:11.867 --> 01:07:17.695 [SPEAKER_00]: I can't imagine how they kind of made that happen and how much it cost to print. 01:07:17.715 --> 01:07:19.217 [SPEAKER_00]: But man, 01:07:20.429 --> 01:07:49.828 [SPEAKER_01]: it's yeah if you like the darkness you're gonna love it I don't know why I like the darkness but I do and so I'm enjoying the heck out of this yeah you know that's the thing is like I think if you like this like P now because you're really on board I think it's fine I just don't it's a little still to the weird I think throughout it feels very old fashioned the story telling but the visuals are cool and like you said the colors are really 01:07:49.808 --> 01:07:52.732 [SPEAKER_01]: There's a certain quality to it. 01:07:52.812 --> 01:07:59.702 [SPEAKER_01]: I feel like the colors that take you back, but it's got that very 90s comic book like color layering stuff too. 01:07:59.802 --> 01:08:01.104 [SPEAKER_01]: Yeah. 01:08:01.124 --> 01:08:02.907 [SPEAKER_01]: So, Shows to You Guys. 01:08:03.327 --> 01:08:11.479 [SPEAKER_01]: And let's close up our stack with Miss, True's Dale, and the Rise of Man, number two from Dark Horse Written by Mike Mignola, art by Jesse Lonerkin. 01:08:11.459 --> 01:08:13.883 [SPEAKER_01]: Jesse Lonerkin arts sick. 01:08:13.924 --> 01:08:35.323 [SPEAKER_01]: I feel like Mike Mignolo is like, I want to work with them and let's do this and that's what we get is a good story in this The art is so sick in this like the way the we have our main character is true's Dale and the sort of the god position that she's put in and 01:08:35.843 --> 01:08:43.049 [SPEAKER_01]: the sort of curse of man on the earth, there's a lot of mythological history of the different ages of creatures here. 01:08:43.630 --> 01:08:55.681 [SPEAKER_01]: But there's just like maybe a third of the comic is these layered panels where it's mistrues Dale and Hellboy divided up between different lines on the page and it's so cool. 01:08:56.221 --> 01:09:05.850 [SPEAKER_01]: It's such a, like I felt like I was being pulled into the page on 01:09:05.830 --> 01:09:07.892 [SPEAKER_00]: cool way of storytelling. 01:09:07.932 --> 01:09:15.559 [SPEAKER_00]: It's just hard to because like, I'm like, oh man, this is a team that does halboi. 01:09:16.480 --> 01:09:18.282 [SPEAKER_00]: Why are we getting halboi? 01:09:18.382 --> 01:09:21.865 [SPEAKER_00]: And they're even showing us like, oh man, halboi is done amazing. 01:09:22.025 --> 01:09:23.286 [SPEAKER_00]: Just look tasty. 01:09:23.306 --> 01:09:31.174 [SPEAKER_00]: Yeah, you're like, stop teasing me because this character is great and does deserve their own story. 01:09:31.614 --> 01:09:33.576 [SPEAKER_00]: But it's like, it's hard because it's like, oh, 01:09:34.602 --> 01:09:36.225 [SPEAKER_00]: It's all one story. 01:09:36.606 --> 01:09:37.608 [SPEAKER_01]: I think that's the point. 01:09:37.928 --> 01:09:38.129 [SPEAKER_00]: Yeah. 01:09:39.391 --> 01:09:40.473 [SPEAKER_00]: Oh, yeah. 01:09:40.493 --> 01:09:41.556 [SPEAKER_00]: It is a hell boy story. 01:09:41.896 --> 01:09:43.539 [SPEAKER_00]: So yeah, this is awesome. 01:09:44.722 --> 01:09:45.824 [SPEAKER_00]: I just miss out boy. 01:09:46.064 --> 01:09:47.627 [SPEAKER_00]: But all that is side. 01:09:47.667 --> 01:09:52.577 [SPEAKER_00]: This is a fantastic, artistic, amazing comic. 01:09:53.030 --> 01:10:11.317 [SPEAKER_01]: Yeah, and if you like monsters and the whole boy world, you will love this comic if you like monsters if you are monsters You're gonna love it and that's it for the stack everybody Stacom it up we have officially stacked it up You can we back here next week with a whole new batch of comics. 01:10:11.337 --> 01:10:21.552 [SPEAKER_01]: You can check us out on our live show every Tuesday night at seven You can check out comic book club news every day Drop a lot of news comic news of about comics 01:10:21.532 --> 01:10:37.988 [SPEAKER_01]: We have a bunch of podcasts coming up about to cover Wonderman as that's coming out You can check out our Patreon and our Patreon Slack where we spend all day talking about stuff Subscribe to our other stuff check set us an email at comic book club live 01:10:37.968 --> 01:10:43.540 [SPEAKER_01]: at gmail.com, check out comicbookclublive.com for this podcast is so much more. 01:10:44.082 --> 01:10:54.124 [SPEAKER_01]: And until next time, we will see you at the comic book shop, especially if you like Pete used to go hard for Sharman. 01:10:54.144 --> 01:10:55.347 [SPEAKER_01]: I knew that was coming back. 01:10:55.587 --> 01:10:56.770 [SPEAKER_01]: You knew it was coming. 01:11:03.871 --> 01:11:18.792 [SPEAKER_02]: They sit on crappy couches and they let us see what we can And he's telling nothing, they'll let us let your destiny To grab your ring, hammer, don't be late, or it'll