WEBVTT 00:09.058 --> 00:09.878 [SPEAKER_01]: What is up everybody? 00:09.918 --> 00:10.799 [SPEAKER_01]: Welcome to the stack. 00:11.019 --> 00:11.699 [SPEAKER_01]: I'm Alex. 00:12.079 --> 00:24.584 [SPEAKER_01]: I'm Pete and on the stack we talk about a bunch of books that have come out this week and if you like an ad free version of this podcast at all the podcasts we do patreon.com slash comic book club just get a plug that 00:24.684 --> 00:38.548 [SPEAKER_01]: right here at the top, but let's get into the comic books, which are a little more fun than the plugs, and talk about Chita and Cheshire Robb, the Justice League number one from DC Comics, written by Greg Rucca, art by Nicholas Scott. 00:38.908 --> 00:43.170 [SPEAKER_01]: This is a iconic creative team who are taking on the two 00:44.150 --> 00:48.613 [SPEAKER_01]: Villains of the title who are planning on doing the deed of the title. 00:48.633 --> 00:50.395 [SPEAKER_01]: They're going to rob the watch tower. 00:50.415 --> 00:53.637 [SPEAKER_01]: There's a lot of work going on here as these two clash. 00:53.677 --> 00:57.640 [SPEAKER_01]: If you don't know them, Cheetah is classic Wonder Woman villain. 00:57.680 --> 00:59.481 [SPEAKER_01]: And this is set in continuity. 00:59.541 --> 01:11.409 [SPEAKER_01]: It picks up after the point that we last are in the card run of Wonder Woman and Cheshire loves poison and she loves poisoning things and killing people and working as an assassin and fighting that way. 01:12.510 --> 01:20.601 [SPEAKER_01]: I had a lot of fun with this, and I was also surprised though, I should have been given the team how deep this was as well. 01:20.761 --> 01:24.406 [SPEAKER_01]: There's a poignancy and sadness going between it, particularly for the beginning. 01:24.426 --> 01:25.908 [SPEAKER_01]: But what did you think, Pete? 01:26.509 --> 01:27.811 [SPEAKER_02]: Well, first off, cool cover. 01:29.893 --> 01:30.674 [SPEAKER_02]: Yeah, this is fun. 01:30.835 --> 01:37.823 [SPEAKER_02]: I like the fact that they're going to try to do this horrible idea, which is try to rob the Justice League. 01:38.064 --> 01:38.304 [SPEAKER_02]: Why? 01:38.564 --> 01:40.106 [SPEAKER_02]: Why would you think you could get away with that? 01:40.587 --> 01:42.069 [SPEAKER_02]: But this is exciting. 01:42.109 --> 01:43.691 [SPEAKER_02]: Like they're going to put a crew together. 01:44.131 --> 01:48.477 [SPEAKER_02]: They're going to kind of have a plan and then hopefully it will go go horribly wrong. 01:49.137 --> 01:53.460 [SPEAKER_02]: and they won't rob the Justice League, but I'm on board. 01:53.520 --> 02:02.604 [SPEAKER_02]: I think they do a good job of setting this up and kind of like getting you excited for the, you know, kind of the crew building montage that maybe we're gonna get, you know what I mean? 02:03.085 --> 02:17.853 [SPEAKER_01]: The things that I really like about this, and I should definitely put a blanket spoiler warning for everything we're going to talk about here on the podcast today, but it starts off with Cheetah being frustrated and angered because she has this unending hunger because of her curse. 02:18.918 --> 02:29.361 [SPEAKER_01]: We don't really talk about this through the rest of the issue, but I do think this is the underlying thing, the idea of the series, is Cheetah doesn't want to be Cheetah anymore. 02:29.701 --> 02:35.563 [SPEAKER_01]: We haven't seen that, how that plays out necessarily with Cheshire, who mostly is like, yeah, another good time killing people. 02:35.703 --> 02:37.364 [SPEAKER_01]: Let's go, make them explode. 02:38.024 --> 02:40.905 [SPEAKER_01]: And that is fun, and that's enjoying, but I assume 02:41.585 --> 02:44.868 [SPEAKER_01]: There's going to be a little more going on with her as well. 02:45.308 --> 02:48.811 [SPEAKER_01]: Plus, you're getting Nicolas Scott's art, which is impeccable. 02:48.951 --> 02:50.092 [SPEAKER_01]: The action is great. 02:50.112 --> 02:52.054 [SPEAKER_01]: The character is great. 02:52.354 --> 02:56.018 [SPEAKER_01]: There's a seed where it's just the two of them sitting at a diner and it's fascinating. 02:56.038 --> 02:57.179 [SPEAKER_01]: It's a little fun. 02:57.259 --> 02:58.059 [SPEAKER_01]: It's a cool panel. 02:58.079 --> 02:59.140 [SPEAKER_01]: You're right. 02:59.781 --> 03:02.563 [SPEAKER_01]: Just a really, really good kickoff to a series. 03:03.565 --> 03:07.646 [SPEAKER_01]: Why don't we move on, talk about something that I'm very excited to talk to you about Pete. 03:08.126 --> 03:10.567 [SPEAKER_01]: All new venom number nine from Marvelous. 03:11.127 --> 03:14.088 [SPEAKER_01]: Written by Alan Ewing, art by Carlos Gomez. 03:14.488 --> 03:17.689 [SPEAKER_02]: Get them to mention the story of turning into a super Saiyan. 03:19.690 --> 03:20.310 [SPEAKER_02]: Come on. 03:20.670 --> 03:21.430 [SPEAKER_02]: Come on, Al. 03:21.510 --> 03:22.430 [SPEAKER_02]: Don't let me down. 03:22.470 --> 03:23.571 [SPEAKER_02]: You're so close. 03:23.631 --> 03:24.531 [SPEAKER_02]: Are we doing this? 03:24.951 --> 03:27.092 [SPEAKER_02]: Are we fucking doing this right now? 03:27.152 --> 03:27.852 [SPEAKER_01]: Come on, bro. 03:28.452 --> 03:34.357 [SPEAKER_01]: So what Peter's freaking out about right now is the first half of the issue is finishing up the fight with Dr. Octopus. 03:34.397 --> 03:38.480 [SPEAKER_01]: We have various syndbeats or a fighting neck against him and the prison that they're in. 03:38.981 --> 03:49.809 [SPEAKER_01]: But there's a swerve about two-thirds of the way through the issue after Barry Jane, who is currently vettum, comes home and finally has a heart to heart with top-not himself, Paul. 03:49.829 --> 03:50.109 [SPEAKER_01]: Paul. 03:51.371 --> 03:53.154 [SPEAKER_01]: Pete, you want to take it away? 03:53.194 --> 03:58.582 [SPEAKER_01]: Because I'm curious to hear, like, talk me through your feelings reading this issue. 03:58.682 --> 03:59.343 [SPEAKER_01]: Just to do it. 03:59.383 --> 04:00.104 [SPEAKER_01]: I love to hear it. 04:00.846 --> 04:05.853 [SPEAKER_01]: I knew what was going to happen and I kind of wanted to be like a ghost over your shoulder and watch it again. 04:06.506 --> 04:08.648 [SPEAKER_02]: Yeah, so first off, really cool cover. 04:09.829 --> 04:12.451 [SPEAKER_02]: Fun, fun, fun, fun, fight sequence. 04:12.852 --> 04:13.913 [SPEAKER_02]: I love a great cover. 04:13.993 --> 04:15.054 [SPEAKER_02]: It's inside the shirt. 04:15.094 --> 04:22.621 [SPEAKER_01]: When it's just such a feeling, especially, I want to know whether you like the cover or not in the answer, because always at the beginning of my notes, otherwise, what are we even doing? 04:22.641 --> 04:22.901 [SPEAKER_02]: All right. 04:24.262 --> 04:32.008 [SPEAKER_02]: Yeah, so we get this MJ and Paul talk and I'm going oh yes because Paul is doing all of the wrong things. 04:32.048 --> 04:33.229 [SPEAKER_02]: He's not reading the room. 04:33.249 --> 04:36.212 [SPEAKER_02]: He's just going into his speech, which you know, nervous guy. 04:36.332 --> 04:36.832 [SPEAKER_02]: I get it. 04:36.892 --> 04:37.673 [SPEAKER_02]: You know what I mean? 04:38.013 --> 04:46.219 [SPEAKER_02]: You got someone you want to get out of your chest and yeah, so he does this dump and talks about how much he loves MJ and she's like, yeah, well 04:47.040 --> 04:47.841 [SPEAKER_02]: I want to break up. 04:47.941 --> 04:49.442 [SPEAKER_02]: And I jumped out of my seat. 04:49.462 --> 04:51.443 [SPEAKER_02]: No, it's like, yes. 04:53.845 --> 04:54.946 [SPEAKER_02]: Peace out, Paul. 04:55.326 --> 04:56.507 [SPEAKER_02]: This clears the deck. 04:57.288 --> 05:01.291 [SPEAKER_02]: And I was like losing my mind. 05:02.271 --> 05:08.076 [SPEAKER_02]: But then I'm thinking like no way amazing spider-man is going to kind of fall up on this. 05:08.296 --> 05:09.457 [SPEAKER_02]: Like I didn't think about that. 05:09.477 --> 05:10.338 [SPEAKER_01]: Don't jump to get it. 05:10.358 --> 05:11.218 [SPEAKER_01]: We're getting it. 05:11.278 --> 05:11.959 [SPEAKER_02]: We're getting it. 05:11.979 --> 05:14.361 [SPEAKER_02]: I just can't believe that this kept going. 05:14.641 --> 05:16.202 [SPEAKER_02]: Like, because this was enough, I was like, 05:17.014 --> 05:17.755 [SPEAKER_02]: Oh, this is great. 05:17.815 --> 05:19.957 [SPEAKER_02]: Notice this is just great news. 05:20.077 --> 05:23.140 [SPEAKER_02]: So I was very excited reading this, losing my mind. 05:24.000 --> 05:28.525 [SPEAKER_02]: Chair and Al's name just going, come on Al, do it, do what the fans want. 05:28.765 --> 05:30.987 [SPEAKER_02]: Al, be the hero that we need right now. 05:31.047 --> 05:32.328 [SPEAKER_02]: This world is insane. 05:32.789 --> 05:34.630 [SPEAKER_02]: We need this Al, come out. 05:35.631 --> 05:40.252 [SPEAKER_01]: And I will just mention, though they aren't directly connected. 05:40.272 --> 05:45.914 [SPEAKER_01]: I would recommend reading all the Venom, then, and these are the Spider-Man after that. 05:46.034 --> 05:47.435 [SPEAKER_01]: That's the same order I read it in. 05:47.455 --> 05:52.896 [SPEAKER_01]: And again, they're not explicitly connected, but you can draw your own connections. 05:52.976 --> 05:56.177 [SPEAKER_02]: But also Alex does a, you know, he takes this time. 05:56.237 --> 06:02.499 [SPEAKER_02]: He puts together the stack, not only in order, but he curates the stack for you. 06:03.179 --> 06:04.380 [SPEAKER_02]: And I think he does a great job. 06:04.420 --> 06:04.740 [SPEAKER_01]: Thank you. 06:05.100 --> 06:06.021 [SPEAKER_01]: Thank you so much, Peter. 06:06.041 --> 06:07.062 [SPEAKER_01]: I really appreciate that. 06:07.602 --> 06:09.344 [SPEAKER_01]: I've been really enjoying this series. 06:09.364 --> 06:12.707 [SPEAKER_01]: I regard this of what's going on with Paul and Mary Jade. 06:12.907 --> 06:26.038 [SPEAKER_01]: In fact, I think like we talked about it before, all the stuff with Paul, this series has been very funny as Dylan just rips into him and he just keeps dropping bummer after bummer about his personality. 06:28.080 --> 06:29.301 [SPEAKER_01]: I really like this conversation. 06:29.341 --> 06:40.208 [SPEAKER_01]: I like that the that everything slowed down for a moment to just have this conversation between the couple that is long overdue rather than battling through the superhero nature of it. 06:41.409 --> 06:53.396 [SPEAKER_01]: It's interesting the place that they end up in and I'm curious to see what happens next because I do think not to contradicts Pete, but I do think they're plagued with our emotions a little bit. 06:53.496 --> 06:55.558 [SPEAKER_01]: I do think there's going to be questions about like 06:56.118 --> 06:58.920 [SPEAKER_01]: How much of this breakup is Mary Jane and how much is that? 06:59.181 --> 07:00.642 [SPEAKER_01]: That we're going to follow going forward. 07:00.982 --> 07:01.863 [SPEAKER_01]: That doesn't be in the fair. 07:04.559 --> 07:08.361 [SPEAKER_02]: famously loves drinking fans tears just like loves it. 07:08.761 --> 07:25.769 [SPEAKER_01]: It's a soap opera and so many people not you of course beat but so many people forget this all the time that the whole idea is to get emotions out of you on these things and if it was actually just like yes Mary jaded Peter or happy forever the end 07:26.269 --> 07:28.651 [SPEAKER_01]: That was show every day for that coming. 07:28.731 --> 07:29.691 [SPEAKER_01]: Nothing will happen. 07:29.952 --> 07:31.312 [SPEAKER_01]: That is the end of the comic. 07:31.473 --> 07:33.714 [SPEAKER_01]: I want to read something where two people are happy. 07:33.874 --> 07:34.655 [SPEAKER_01]: All right, sue me. 07:36.083 --> 07:36.343 [SPEAKER_01]: short. 07:37.104 --> 07:40.645 [SPEAKER_01]: Go read the marriage papers in the New York Times. 07:40.665 --> 07:41.686 [SPEAKER_01]: The marriage papers? 07:41.826 --> 07:43.147 [SPEAKER_01]: I don't know what are they called. 07:43.247 --> 07:43.687 [SPEAKER_01]: What are they called? 07:43.727 --> 07:45.688 [SPEAKER_01]: Marriage announcements. 07:46.468 --> 07:54.412 [SPEAKER_01]: If you want to read that, they're right next to the funny pages and it's basically the same thing to me because the divorce rate is high in this country and it's my problem. 07:54.512 --> 07:57.093 [SPEAKER_02]: Okay, everyone's like, oh, Peter can't be happy. 07:57.133 --> 07:57.894 [SPEAKER_02]: Peter can't be happy. 07:58.354 --> 07:59.755 [SPEAKER_02]: Oh, shut up. 08:00.663 --> 08:02.604 [SPEAKER_02]: We can have moments of goodness. 08:03.044 --> 08:11.969 [SPEAKER_02]: We can also have a relationship that is a rock, that is a staple, and other things happen to them, okay? 08:12.169 --> 08:13.470 [SPEAKER_01]: I don't disagree with you on that. 08:13.670 --> 08:18.453 [SPEAKER_01]: But the place that we are in right now, it already happened, they already broke up. 08:18.953 --> 08:27.938 [SPEAKER_01]: So as it is, this tension between Paul and Mary Jade, Seig, where that goes, how that plays into her relationship with Peter, what Paul does next, 08:28.378 --> 08:32.442 [SPEAKER_01]: That instantly makes all of this much more interesting to follow for me. 08:33.463 --> 08:33.763 [SPEAKER_01]: All right. 08:34.224 --> 08:34.584 [SPEAKER_01]: We'll see. 08:35.105 --> 08:36.105 [SPEAKER_01]: Anyway, good stuff. 08:36.246 --> 08:37.507 [SPEAKER_01]: Excited to see what happens next. 08:37.547 --> 08:38.027 [SPEAKER_01]: Let's talk. 08:38.127 --> 08:41.611 [SPEAKER_01]: Archie versus minor threats number one from Dark Horse comics. 08:41.651 --> 08:46.956 [SPEAKER_01]: And it archie comics written by Patton Oswell, Jordan blue and to be heek art by Scott Koblish. 08:47.376 --> 08:51.100 [SPEAKER_01]: Per the title, we are getting these two weird worlds mashed together. 08:51.540 --> 09:08.757 [SPEAKER_01]: specifically the Riverdale kids thanks to some shenanigans from Sabrina end up heading to the same city as the Biter Threats characters with everybody getting embroiled into it including Archie Eddig op and playtimes gang by the end of the issue then I 09:11.371 --> 09:18.736 [SPEAKER_01]: These two tastes could not be bore on like each other like this is not like oh you got peanut butter by chocolate which frankly are very complimentary. 09:18.776 --> 09:25.079 [SPEAKER_01]: It's like they are it's you got fish in my Something that does work with fish. 09:25.239 --> 09:29.662 [SPEAKER_01]: I don't know I was about to say peanut butter, but you're gonna be to put a fish Maybe chocolate fish. 09:29.762 --> 09:30.602 [SPEAKER_01]: No, that works well. 09:30.643 --> 09:34.305 [SPEAKER_01]: I don't know a lot of taste work together is my point Anyway 09:36.707 --> 09:40.248 [SPEAKER_01]: What I really liked about this issue is Scott Kovlish draws it into entirely different styles. 09:40.268 --> 09:43.170 [SPEAKER_01]: For the other two characters, he draws them as a classy, arsey characters. 09:43.490 --> 09:53.253 [SPEAKER_01]: For the minor threats characters, he draws them in a more gritty style that is complementary to the dark course book, and seeing them together, clashes so hard in such a fascinating way, great issue. 09:53.854 --> 09:55.274 [SPEAKER_02]: This is a fantastic issue. 09:55.294 --> 09:57.455 [SPEAKER_02]: I also love the art on the covers. 09:57.475 --> 10:00.156 [SPEAKER_02]: This is a cool cover, since a great tone for this book. 10:00.856 --> 10:02.017 [SPEAKER_02]: And this is a blast. 10:02.837 --> 10:03.477 [SPEAKER_02]: Love the art. 10:03.657 --> 10:04.658 [SPEAKER_02]: Love the story. 10:05.178 --> 10:13.322 [SPEAKER_02]: This feels like just really well executed idea with this crossover and Sabrina thrown in the mix here. 10:13.982 --> 10:19.625 [SPEAKER_02]: This is all the things that I love together and this is really well executed. 10:19.645 --> 10:22.966 [SPEAKER_02]: This issue gets me very excited about what's to come. 10:23.006 --> 10:24.307 [SPEAKER_02]: This is in great hands. 10:24.767 --> 10:25.907 [SPEAKER_02]: I love this team. 10:25.928 --> 10:28.989 [SPEAKER_02]: I feel like this is going to really take off. 10:29.349 --> 10:31.311 [SPEAKER_02]: This is a fantastic first issue. 10:31.351 --> 10:33.133 [SPEAKER_02]: I'm very excited for what's to come here. 10:34.334 --> 10:34.735 [SPEAKER_01]: Absolutely. 10:34.755 --> 10:39.740 [SPEAKER_01]: Superman number ten from DC Comics, written by Jason Aaron, art by Carmine D. G. and Demenico. 10:41.041 --> 10:44.985 [SPEAKER_01]: Big issue here as Superman faces down with race all Google. 10:46.117 --> 10:53.885 [SPEAKER_01]: leading to a big twist reveal at the end of the issue that I really feel like I should have saw coming up, but I love what it has to say here. 10:54.246 --> 11:05.077 [SPEAKER_01]: Another great issue might only little qualm with it, as much as I would really like Carmine D. G. and D. D. because art is it's a little bummer, a bit of a bummer to be that absolute Superman has 11:08.364 --> 11:15.879 [SPEAKER_01]: has had several artists at this point when the absolute line has been so purposeful and art forward. 11:15.939 --> 11:17.562 [SPEAKER_01]: This is the one book that feels like 11:18.848 --> 11:22.990 [SPEAKER_01]: they've been going forward so quickly and they keep switching it up a little bit and it's good issue. 11:23.150 --> 11:23.910 [SPEAKER_01]: It looks good. 11:24.091 --> 11:30.434 [SPEAKER_01]: It's not that it's worse or better than what Rafa's had and if all was doing, but I missed the consistency of that. 11:31.294 --> 11:31.794 [SPEAKER_02]: Interesting. 11:31.854 --> 11:32.174 [SPEAKER_02]: Okay. 11:32.635 --> 11:35.396 [SPEAKER_02]: Well, yeah, I feel like the first off cool cover. 11:35.416 --> 11:37.977 [SPEAKER_02]: Yeah, we kind of get this 11:39.538 --> 11:42.281 [SPEAKER_02]: reveal at the end here that's kind of a no shit moment. 11:43.202 --> 11:46.044 [SPEAKER_02]: And my only, I love this book. 11:46.084 --> 11:48.947 [SPEAKER_02]: This continues to be a great kind of series. 11:48.967 --> 11:51.549 [SPEAKER_02]: We're ten deep here and I'm having a blast. 11:51.850 --> 11:57.435 [SPEAKER_02]: But something that was teased earlier, which I'm hoping we're going to get back to is the lowest and 11:57.875 --> 12:08.381 [SPEAKER_02]: this version of Superman's, maybe relationship, maybe how they work together or something, because they met a couple times, and they're in such different places. 12:08.782 --> 12:18.568 [SPEAKER_02]: Those are very excited to kind of get a new take on a very old relationship, but they kind of went away from that, and I'm hoping they're gonna get back to that. 12:19.148 --> 12:26.553 [SPEAKER_02]: But all that being said, a lot of action in here, some crazy kind of twists and turns, I'm still on this ride and love it. 12:27.433 --> 12:28.014 [SPEAKER_02]: Interesting. 12:28.414 --> 12:36.780 [SPEAKER_01]: Based on what you said earlier in the podcast, I wouldn't have expected that you'd want to see something romantic happen in one of these comic books, but I guess so. 12:39.522 --> 12:47.968 [SPEAKER_01]: What I like about the reveal at the edge, and I'm not really spoiled like it, but one of the big themes that Jason Erid has been playing with throughout this book is how corporations 12:48.468 --> 12:51.451 [SPEAKER_01]: control every aspect of human life. 12:51.731 --> 13:00.699 [SPEAKER_01]: And here we get to see how that affects different sides of the issue is the best way that I'm going to say it to something side. 13:01.179 --> 13:09.146 [SPEAKER_01]: Well, there is manipulation that goes on where billionaires are playing both sides against each other to reach their own ends. 13:09.327 --> 13:14.971 [SPEAKER_01]: And that's exactly what they're doing through your, through the lens of a big action Superman adventure. 13:16.080 --> 13:20.102 [SPEAKER_01]: One world under doom, number six from Marvel Written by Ryan North, Art by R.B. 13:20.222 --> 13:25.083 [SPEAKER_01]: Silva, and this issue, one of the most dynamic things that can happen does happen. 13:25.604 --> 13:29.005 [SPEAKER_01]: Read Richards and Dr. Dube sit down and have a televised debate. 13:29.965 --> 13:39.251 [SPEAKER_02]: Oh man, now you say that and it's funny, but I was like hang on every word of this debate. 13:39.331 --> 13:50.759 [SPEAKER_02]: I thought this was such a interesting battle of wits that they both signed up for and I was kind of like, yo, Mr. Fantastic, you're smart, but like, 13:51.619 --> 13:54.221 [SPEAKER_02]: Dr. Doom is kind of a speech giver. 13:54.562 --> 14:00.507 [SPEAKER_02]: I mean, like, so this was a cool kind of set up, and I think really well delivered. 14:00.627 --> 14:11.057 [SPEAKER_02]: I thought, you know, not normally not a fan of speeches, but this I thought did such a great job of giving us kind of bite-sized parts and make it really interesting. 14:11.437 --> 14:16.481 [SPEAKER_02]: And the kind of twists and turns that happen afterwards, you know, crazy kind of reveal. 14:16.561 --> 14:17.002 [SPEAKER_02]: We haven't 14:18.343 --> 14:24.765 [SPEAKER_02]: You know, all we've heard about is dooms plans, but now we kind of get a look into what's actually going on. 14:24.885 --> 14:28.647 [SPEAKER_02]: And yeah, our true colors are showing here. 14:28.727 --> 14:31.068 [SPEAKER_02]: So this has been such a cool set up. 14:31.768 --> 14:34.429 [SPEAKER_02]: And yeah, I cannot wait for the next issue. 14:34.489 --> 14:35.189 [SPEAKER_02]: This is great. 14:35.269 --> 14:36.990 [SPEAKER_02]: I'm having a blast with this one world. 14:37.050 --> 14:37.590 [SPEAKER_01]: Interesting. 14:37.810 --> 14:58.862 [SPEAKER_01]: Well, first of all, I'm glad you're enjoying it, but just to you, I definitely had the opposite reaction because when they get to the debate, there are several sections where it's like, let's have this debate, and the next panels were like, well, they have that debate, and it was quite the debate, and they said several things, and people were hanging on their every word, and I'm like, I'd love to hear what they were saying. 14:58.882 --> 15:00.663 [SPEAKER_01]: That was so interesting. 15:01.583 --> 15:03.664 [SPEAKER_01]: Both read Richards and what were their arguments? 15:03.764 --> 15:04.344 [SPEAKER_01]: I don't know. 15:04.364 --> 15:07.065 [SPEAKER_01]: And they gave us a little snippet of it. 15:07.485 --> 15:10.066 [SPEAKER_01]: I wasn't through all the speech, bro. 15:10.466 --> 15:11.566 [SPEAKER_01]: I know you don't. 15:11.986 --> 15:18.088 [SPEAKER_01]: But the nothing ideologically has worked about this comic book or made Eddie sense whatsoever so far. 15:18.108 --> 15:23.450 [SPEAKER_01]: So if there was Eddie Chads to get through some sort of philosophy, it just struck me. 15:23.490 --> 15:24.850 [SPEAKER_01]: This is nothing against right door through. 15:24.870 --> 15:27.451 [SPEAKER_01]: I think it's doing a bag of job on Fantastic Four. 15:27.491 --> 15:29.132 [SPEAKER_01]: I think there are a lot of things amazing. 15:31.189 --> 16:00.215 [SPEAKER_02]: somebody like a Jonathan Hickman or a Grant Morris or something could have put some crazy ideas in there that would have really showed us the ideological difference between these two characters rather than yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada yada 16:00.235 --> 16:01.355 [SPEAKER_02]: talk about history. 16:01.795 --> 16:02.936 [SPEAKER_02]: I'll tell you about history. 16:02.956 --> 16:13.218 [SPEAKER_02]: I thought there was great where, you know, instead of it just being giant blacks of just dialogue, the way it was broken up, I felt like it flowed so much better. 16:13.318 --> 16:21.000 [SPEAKER_02]: So, uh, sorry, we had opposite reactions, but I really liked the more digestible kind of breakdown of it. 16:21.060 --> 16:25.261 [SPEAKER_02]: So, you're interested in the chat GPT version. 16:25.701 --> 16:26.221 [SPEAKER_01]: I don't know. 16:26.321 --> 16:26.781 [SPEAKER_01]: I don't know. 16:27.561 --> 16:28.842 [SPEAKER_02]: Go fuck yourself, Cornell. 16:28.982 --> 16:30.404 [SPEAKER_02]: I'm not going to sit here for this. 16:30.544 --> 16:43.837 [SPEAKER_01]: I will say the one thing that I I also didn't love the reveal of how do is getting his power because I felt like we knew that was coming but at the same time it's such a bummer to be like, oh, so he was just do come on. 16:44.577 --> 16:50.143 [SPEAKER_02]: Oh, the guy who's been a super villain this whole time you're bummed that he's still a super villain bro. 16:50.463 --> 16:52.024 [SPEAKER_01]: No, my main thing is that like 16:52.665 --> 17:05.377 [SPEAKER_01]: I don't think they've really done enough with the concept of him being source of a supreme and the idea that everything that he's done is super source of a supreme is basically the exact same thing we would see in any Dr. Strange comic, which is fine. 17:05.738 --> 17:14.126 [SPEAKER_01]: The reveal here, as we said in spoiler warning, is that he is having a billion what he calls volunteers who is sucking the energy off of to power his magic. 17:14.326 --> 17:31.767 [SPEAKER_01]: classic matrix humans are about a hundred percent yeah but they're again there doesn't seem to be anything different than what he could have done as source of supreme so I like maybe we'll find out but why was he sucking the power for really people why did he do this there was nothing that 17:32.287 --> 17:33.628 [SPEAKER_01]: We'll see just a litigated there. 17:33.789 --> 17:35.310 [SPEAKER_01]: And yeah, again, maybe we'll find out. 17:35.670 --> 17:45.780 [SPEAKER_01]: The one very cool moment that also ended up weird was when he approved the cover, actually ripped off Mr. Fantastic's face, but then Mr. Fantastic's face kept talking. 17:46.380 --> 17:47.502 [SPEAKER_01]: Separate from his skull. 17:47.582 --> 17:51.806 [SPEAKER_01]: So I have some follow-up questions, but maybe I'll leave them for another time. 17:52.246 --> 17:52.646 [SPEAKER_02]: Oh, wow. 17:52.686 --> 17:55.929 [SPEAKER_02]: You just, you don't know how face talking happens when you don't have a face. 17:57.558 --> 17:59.619 [SPEAKER_01]: Well, you are a face scientist, Pete. 17:59.659 --> 18:01.240 [SPEAKER_01]: So if you could explain it to me, that would be great. 18:01.421 --> 18:01.881 [SPEAKER_02]: Yeah, sure. 18:01.901 --> 18:09.207 [SPEAKER_02]: So even if you were, it comes down to a classic kind of saying and olden days Japan. 18:09.367 --> 18:16.172 [SPEAKER_02]: Even if you were to cut a samurai's head clean off, he would still be able to finish one task with uncertainty. 18:16.572 --> 18:22.136 [SPEAKER_02]: So even if you are ripping off somebody's face while they're talking, they still get to chance to finish their sentence. 18:23.017 --> 18:29.898 [SPEAKER_01]: And now when you say finish their tasks, that's because they're using chatGPT, which is so fast and powerful, they can answer any of your questions instantly. 18:30.118 --> 18:30.919 [SPEAKER_02]: What is happening? 18:31.619 --> 18:35.140 [SPEAKER_02]: Why is doom and chatGPT lining up for you in your head? 18:35.620 --> 18:36.000 [SPEAKER_02]: I don't know. 18:36.260 --> 18:37.400 [SPEAKER_02]: Because they both suck. 18:37.920 --> 18:38.140 [SPEAKER_01]: All right. 18:38.400 --> 18:39.480 [SPEAKER_02]: What are we going to talk about? 18:39.500 --> 18:43.781 [SPEAKER_02]: We're all trying to do man's up being a bad guy in this. 18:43.861 --> 18:45.882 [SPEAKER_02]: I was really hoping he was going to turn around. 18:45.982 --> 18:51.723 [SPEAKER_01]: I think the world, I'm just saying that doesn't seem to be a clear reason why Eddie of this is happening. 18:52.123 --> 18:57.264 [SPEAKER_01]: Well, he's read up her six to two from the short from image comics written your feet. 18:57.484 --> 18:58.024 [SPEAKER_01]: I'm Alex. 18:58.044 --> 18:59.485 [SPEAKER_01]: So these are all of our games. 18:59.505 --> 19:00.745 [SPEAKER_01]: Let's just say names from now on. 19:01.245 --> 19:02.645 [SPEAKER_01]: Rid by that's what I'm going to do. 19:02.705 --> 19:06.586 [SPEAKER_01]: Actually, rid by James time of the fourth art by Fredondo Blanco. 19:07.486 --> 19:10.567 [SPEAKER_01]: In this issue, we're still in the future of the world. 19:10.607 --> 19:18.789 [SPEAKER_01]: The question marks whether we'll ever get back to the present, but the future has been destroyed by the naked people who are powered by the 19:20.109 --> 19:25.192 [SPEAKER_01]: And they are ready to destroy the last vestiges of civilization. 19:25.212 --> 19:27.013 [SPEAKER_01]: What do you think about this one, Pete? 19:27.713 --> 19:30.795 [SPEAKER_02]: Well, you know, it's kind of weird. 19:30.935 --> 19:33.756 [SPEAKER_02]: It's funny that you called it to naked people because it might not. 19:33.776 --> 19:38.458 [SPEAKER_02]: I was like, it's really turned into the naked people versus the clothing people here. 19:38.558 --> 19:45.522 [SPEAKER_02]: And, you know, I guess the naked people are the bad guys, but, you know, it's like, this is what it's like every day on a dude beach. 19:46.117 --> 19:51.781 [SPEAKER_02]: Yeah, I just, I want the future to be like, you know what, you know, naked people don't have to be the evil ones. 19:51.821 --> 19:52.402 [SPEAKER_02]: You know what I mean? 19:52.422 --> 19:54.163 [SPEAKER_01]: Well, maybe they're not. 19:54.743 --> 19:55.244 [SPEAKER_01]: Maybe they're not. 19:55.284 --> 19:58.046 [SPEAKER_01]: They keep saying like it's not what you think and it's not bad. 19:58.146 --> 20:00.568 [SPEAKER_01]: So maybe the nudists have it right. 20:02.013 --> 20:03.093 [SPEAKER_02]: Yeah, I agree. 20:04.393 --> 20:16.136 [SPEAKER_02]: So first off, love this art, the style, the colors really set this amazing kind of tone for this comic, this kind of futuristic tone, if you will, which I think is such a cool choice. 20:16.516 --> 20:21.797 [SPEAKER_02]: This is a haunting kind of story, and the art is such a great job of pulling us into this world. 20:22.777 --> 20:28.218 [SPEAKER_02]: I also like the small moments that we had in this comic, where the guys just like, man, 20:29.266 --> 20:34.668 [SPEAKER_02]: taking a nice shower, you know, it's like heaven, you know, oh man, nothing like a good cup of coffee. 20:35.528 --> 20:36.188 [SPEAKER_02]: Fun, right? 20:36.308 --> 20:42.970 [SPEAKER_02]: In this giant crazy story, you know, the small kind of things are just so important. 20:43.030 --> 20:50.473 [SPEAKER_02]: So even though this book is insane at times, it's nice that they do kind of have these smaller, more powerful moments. 20:51.493 --> 20:54.854 [SPEAKER_02]: Yeah, but, you know, evil naked people really making this tough. 20:54.954 --> 20:57.676 [SPEAKER_02]: So, I do think this is very interesting. 20:57.856 --> 20:58.596 [SPEAKER_02]: I love the art. 20:58.696 --> 20:59.596 [SPEAKER_02]: I love the writing. 21:00.137 --> 21:02.438 [SPEAKER_02]: I'm excited to keep reading and find out what hobbies. 21:03.478 --> 21:05.539 [SPEAKER_01]: Justice League vs. Godzilla vs. Kong. 21:05.579 --> 21:09.681 [SPEAKER_01]: Two, number three for DC Comics, written by Brad Boochelado, art by Christian Duché. 21:10.161 --> 21:20.005 [SPEAKER_01]: The Justice League characters are over in the monster verse now, Superman is fighting Lex Luther in the land of the Big Bunkies from the Last Godzilla X-Con. 21:20.525 --> 21:24.986 [SPEAKER_01]: The other characters are doing a bunch of other things that are going on. 21:25.006 --> 21:38.689 [SPEAKER_01]: I know that's how it's very vague, but everybody sort of over the place to a little bits of business tried to figure out what the Legion of Doom and Task Force X are up to which is make giant Kaiju-sized versions of themselves. 21:40.890 --> 21:47.555 [SPEAKER_01]: But between everything I want to talk about I think the weirdest idea this issue has to let's get into it. 21:47.695 --> 21:49.857 [SPEAKER_01]: Yeah, I don't know for thinking about the same thing. 21:49.877 --> 21:51.298 [SPEAKER_01]: Is it Quinn? 21:51.538 --> 21:52.659 [SPEAKER_01]: Yeah, with herself. 21:52.739 --> 21:53.600 [SPEAKER_01]: Yeah, it's dude. 21:54.281 --> 21:55.442 [SPEAKER_01]: Oh my god. 21:55.462 --> 21:59.004 [SPEAKER_01]: So the idea here is that the monsterverse 22:00.025 --> 22:04.570 [SPEAKER_01]: isn't just another universe, it is part of the DC multiverse. 22:04.971 --> 22:10.777 [SPEAKER_01]: So all the characters from the DC universe exist to the modesterverse just they are different. 22:10.898 --> 22:18.426 [SPEAKER_01]: So for example, Harley Quinn goes to see her doctor, Harley Quinn Zell and asks her where Mr. J is 22:20.208 --> 22:25.032 [SPEAKER_01]: So she could find the normal Joker who is different from the Joker at her universe. 22:25.673 --> 22:31.337 [SPEAKER_01]: And she calls out, I'm forgetting who, but she calls out at least one other person that she thinks exists in the universe. 22:32.018 --> 22:33.359 [SPEAKER_01]: That's weird. 22:33.960 --> 22:35.681 [SPEAKER_01]: That is really weird. 22:35.721 --> 22:40.445 [SPEAKER_02]: So I want to talk about why you think it's weird versus why I think it's weird because there's no way this line's up. 22:41.046 --> 22:41.566 [SPEAKER_02]: Definitely not. 22:41.986 --> 22:43.127 [SPEAKER_02]: I think it's weird because 22:44.370 --> 22:48.394 [SPEAKER_02]: I thought Harley Quinn came to the understanding that Mr. J is bad for her. 22:48.974 --> 22:54.340 [SPEAKER_02]: And the fact that she wants to try to date another Miss J, I'm like, dude, you're sliding backwards, girl. 22:54.360 --> 22:55.721 [SPEAKER_02]: Like, what are you doing? 22:55.761 --> 22:58.604 [SPEAKER_02]: Like, this guy is a horrible decision for you. 22:58.744 --> 23:00.866 [SPEAKER_02]: I thought we were on the same page of that. 23:01.326 --> 23:08.093 [SPEAKER_02]: And I thought you were never a kind of wanting to get back together with Mr. J. So when she's having this conversation with 23:09.149 --> 23:12.832 [SPEAKER_02]: You know, Dr. Quinzel, I was just, I was heartbroken. 23:12.872 --> 23:13.793 [SPEAKER_02]: I was just heartbroken. 23:13.833 --> 23:18.517 [SPEAKER_02]: The fact that she's trying to date another joke or just, it hurts me. 23:18.677 --> 23:19.498 [SPEAKER_02]: It hurts me to read. 23:19.518 --> 23:30.367 [SPEAKER_01]: I hear you and that is a fair point that I definitely did not think about, but I do think it's excused a little bit by the fact that this is a different version of the DC universe. 23:30.387 --> 23:32.029 [SPEAKER_01]: This is not the main light comics version. 23:32.529 --> 23:38.415 [SPEAKER_01]: as we've seen because various characters have permanently died over the course of these two series in crazy ways. 23:38.996 --> 23:44.361 [SPEAKER_01]: The thing that's weird to me about it is this is canonical with the Monsterverse. 23:45.101 --> 23:53.650 [SPEAKER_01]: So they have now established that somewhere the Monsterverse movies, while Godzilla attacks are going on, there's a Harley Quinn that's just running around and 23:53.990 --> 23:56.331 [SPEAKER_01]: There's probably a Clark Kent and a Lewis Slade. 23:56.731 --> 23:59.732 [SPEAKER_01]: There's a metropolis out there somewhere, maybe things like that. 24:00.192 --> 24:01.332 [SPEAKER_01]: That's strange. 24:01.552 --> 24:06.413 [SPEAKER_01]: I don't think that's anything to ever address to the movies in any way, but that weirds be out there. 24:06.734 --> 24:07.114 [SPEAKER_01]: That's all. 24:07.814 --> 24:10.515 [SPEAKER_02]: It would be cool to suit man like Punch Gunsville and one of the movies. 24:12.476 --> 24:16.459 [SPEAKER_01]: By other things like I wish there were more Godzilla and Kong in this. 24:16.580 --> 24:17.741 [SPEAKER_01]: I know there's not a lot. 24:17.961 --> 24:20.764 [SPEAKER_02]: That's what's my next note was like hey man, you know, be cool. 24:20.784 --> 24:23.446 [SPEAKER_02]: Some Godzilla Kong, you know what I mean? 24:23.826 --> 24:26.349 [SPEAKER_01]: Call me very just to sleep heavy. 24:26.549 --> 24:27.130 [SPEAKER_01]: It's pretty cool. 24:27.150 --> 24:27.230 [SPEAKER_01]: Yeah. 24:27.370 --> 24:29.592 [SPEAKER_01]: And they get like, wow, it's Kong. 24:29.732 --> 24:30.753 [SPEAKER_01]: Ooh, there's Godzilla. 24:30.773 --> 24:31.694 [SPEAKER_01]: You don't do much. 24:32.054 --> 24:32.255 [SPEAKER_02]: Nope. 24:33.035 --> 24:38.278 [SPEAKER_02]: No, yeah, the last page reveal is a little kind of like, yeah, let's get back to the good part. 24:39.138 --> 24:39.599 [SPEAKER_02]: Cool. 24:40.359 --> 24:44.241 [SPEAKER_01]: I hate reading about Harley sliding backwards in her life. 24:45.722 --> 24:49.524 [SPEAKER_01]: If we could get a little bit more about Barry Allen's headblood, I think that would be great. 24:51.011 --> 24:52.192 [SPEAKER_01]: All right, let's move on talk about. 24:53.153 --> 24:55.636 [SPEAKER_01]: Great art, great art, and I'm enjoying it anyway. 24:55.656 --> 24:57.457 [SPEAKER_01]: Yes, I am having a blast. 24:58.078 --> 24:59.860 [SPEAKER_01]: Captain America number two from Marvel. 24:59.880 --> 25:02.002 [SPEAKER_01]: My chips and our ski art by Velario. 25:02.222 --> 25:04.905 [SPEAKER_01]: She'd eat the big reel at the end of the last issue. 25:04.945 --> 25:07.267 [SPEAKER_01]: This takes place shortly after Captain America. 25:07.747 --> 25:09.850 [SPEAKER_01]: was unfrozen from the ice. 25:10.210 --> 25:24.567 [SPEAKER_01]: They've shipped to the timeline so that there was another Captain American named David Colton who was brought around and he fought in the Iraq war and is helping bring down the Taliban to give you an idea of the sliding timeline of when cap was unfrozen. 25:25.048 --> 25:26.710 [SPEAKER_01]: Still weird on that, but 25:27.791 --> 25:37.015 [SPEAKER_01]: I do think what Chip Sedarski and company are building here is interesting as you have these two very different cops in America is coming up against doom. 25:37.875 --> 25:46.759 [SPEAKER_01]: It's very winter soldier quoted by which I be on the movie because it's challenging caps morality right after this unfrozen. 25:47.499 --> 25:48.840 [SPEAKER_01]: Should he go to see his gray? 25:48.900 --> 25:49.720 [SPEAKER_01]: Should he be good? 25:49.800 --> 25:50.541 [SPEAKER_01]: Should he be bad? 25:50.601 --> 25:51.341 [SPEAKER_01]: What should he do? 25:51.821 --> 25:53.162 [SPEAKER_01]: And that's a good place to put it. 25:54.272 --> 25:54.892 [SPEAKER_02]: Yeah, I agree. 25:54.952 --> 26:02.617 [SPEAKER_02]: Like I wasn't excited about the over-the-top douchebag camp to America, but it just makes our boy look how much better. 26:02.717 --> 26:07.800 [SPEAKER_01]: So I thought, how do you feel about the fact that we already have two or three of those? 26:08.400 --> 26:09.481 [SPEAKER_02]: Yeah, this is another one. 26:09.541 --> 26:11.402 [SPEAKER_02]: It just seems like, you know. 26:12.353 --> 26:13.494 [SPEAKER_02]: Oh, why do we keep doing this? 26:13.594 --> 26:16.356 [SPEAKER_02]: But apparently it's a fun well to go back to. 26:17.096 --> 26:18.017 [SPEAKER_02]: Also, great cover. 26:18.357 --> 26:19.698 [SPEAKER_02]: Cool, Doom vs. Cap. 26:19.878 --> 26:22.780 [SPEAKER_02]: It gets you excited for what they kind of build up to. 26:22.840 --> 26:25.882 [SPEAKER_02]: So I feel like they do a good job of delivering on that. 26:27.623 --> 26:28.264 [SPEAKER_02]: Love the art. 26:29.224 --> 26:30.125 [SPEAKER_02]: I thought this was fun. 26:31.306 --> 26:32.887 [SPEAKER_01]: Rick and Morty versus the universe. 26:32.927 --> 26:33.667 [SPEAKER_01]: Summer of love. 26:33.707 --> 26:36.909 [SPEAKER_01]: Number one from Odie Press Written by Daniel Kiddlesmith and Judy Houser. 26:37.009 --> 26:38.590 [SPEAKER_01]: Art by Phil Murphy. 26:39.723 --> 26:44.330 [SPEAKER_01]: This is the second part of the Rick and Morty versus the universe crossover. 26:44.350 --> 26:49.738 [SPEAKER_01]: Excuse me, which mostly includes a mini series and that a couple of one shot spin offs. 26:50.058 --> 26:52.482 [SPEAKER_01]: Here we're going to see some or take the universe. 26:53.778 --> 26:55.760 [SPEAKER_01]: onto a bachelor at party. 26:56.460 --> 27:03.046 [SPEAKER_01]: And I will say as a fat of the show, I think they perfectly challenge the total of the show here. 27:03.386 --> 27:12.654 [SPEAKER_01]: Not just in the humor, but also the pathos of the show in this issue because it really digs into subversychology in an interesting way, so really like this issue. 27:12.815 --> 27:14.056 [SPEAKER_01]: Also, crazy violent. 27:15.197 --> 27:15.958 [SPEAKER_02]: Yeah, well, yeah. 27:16.118 --> 27:18.860 [SPEAKER_02]: I mean, it's Rick and Morty, but yeah, I agree. 27:18.900 --> 27:26.325 [SPEAKER_02]: I do think this says such a great job of channeling the cartoon and making it feel like it really is an extension of that and in the universe. 27:28.226 --> 27:35.271 [SPEAKER_02]: Yeah, I mean, it's a summer-ish, which, you know, I mean, you know, summer's a cool character, but maybe not my favorite. 27:36.152 --> 27:37.093 [SPEAKER_01]: But I'm sure favorite. 27:37.813 --> 27:42.817 [SPEAKER_02]: Well, I mean, you know, I would go with probably Rick. 27:46.922 --> 28:13.890 [SPEAKER_02]: That definitely feels like you've never watched an episode or read it If you read anything you'd just know the name of the show and set the first word No, I mean I've seen a lot of I love and Well, I mean it was hard because I was like all there's a lot of fun You know characters, but Rick is raging alcohol like and you know struggles with that so you know, it's something that I think it's relatable 28:14.267 --> 28:16.289 [SPEAKER_02]: Yeah, it's really, well, I like that about them. 28:16.690 --> 28:26.941 [SPEAKER_02]: Anyways, yeah, I mean, you know, summers like fuck you, I'm gonna throw the craziest rage here, this world has ever seen, so fun, set up, you know what I mean? 28:27.201 --> 28:28.582 [SPEAKER_02]: And they deliver on that promise. 28:29.443 --> 28:35.766 [SPEAKER_01]: Storm, number eleven from Marvel, written by Merua Yudale, art by Mario Centuro with CFVia. 28:35.966 --> 28:42.929 [SPEAKER_01]: If you're interested in this crossover, check out the interview we did with Merua when he was on our live show a couple of weeks back. 28:43.449 --> 28:48.932 [SPEAKER_01]: But as this is the second part of the Thunder War crossover that takes place entirely in Storm. 28:49.412 --> 28:55.875 [SPEAKER_01]: And boy, boy, there is a lot going on in between a Thunder Council convening 28:56.615 --> 29:03.397 [SPEAKER_01]: an evil thunder god closing in on storm also galactis is just kind of like hanging out. 29:05.158 --> 29:06.038 [SPEAKER_01]: Lots happening here. 29:06.558 --> 29:07.598 [SPEAKER_02]: I'm not going to let you. 29:09.059 --> 29:11.859 [SPEAKER_02]: First off, let me just start by saying, amazing cover. 29:12.620 --> 29:13.460 [SPEAKER_02]: This is awesome. 29:13.700 --> 29:16.062 [SPEAKER_02]: I'm having such a blast with this storm comic. 29:16.322 --> 29:17.343 [SPEAKER_02]: This is so great. 29:17.743 --> 29:20.185 [SPEAKER_02]: I was geeking out, beta-ray builds in this. 29:20.205 --> 29:22.206 [SPEAKER_02]: This is, this is really badass. 29:22.566 --> 29:25.428 [SPEAKER_02]: This whole God council meeting thing was awesome. 29:27.209 --> 29:36.116 [SPEAKER_02]: The image of Galactus sitting next to a hospital is a very powerful image in an unbelievable panel. 29:36.216 --> 29:38.297 [SPEAKER_02]: So when you were like, oh, Galactus is hanging out. 29:38.577 --> 29:39.178 [SPEAKER_02]: Why is it? 29:40.348 --> 29:40.848 [SPEAKER_01]: I like that. 29:40.868 --> 29:43.690 [SPEAKER_01]: I thought it was fun, but why was it powerful? 29:44.350 --> 29:51.014 [SPEAKER_02]: Because dude, even a hospital takes a giant entity and makes him sit the fuck down. 29:51.174 --> 29:55.356 [SPEAKER_02]: Like the fact that he's just like sitting next to a hospital comes somber. 29:56.375 --> 30:01.959 [SPEAKER_01]: A lot of such issues have been put to you that Galactus needed to deal with our overcrowded health care system. 30:02.399 --> 30:07.322 [SPEAKER_02]: Yeah, it's a real problem, and even Galactus needs to sit down and be like, I don't know if I can fix this. 30:07.342 --> 30:09.484 [SPEAKER_02]: This is fucking shitty, bro. 30:09.884 --> 30:10.084 [SPEAKER_02]: Yes. 30:10.364 --> 30:10.945 [SPEAKER_01]: I'm sorry. 30:10.985 --> 30:17.009 [SPEAKER_01]: It doesn't say devour of worlds on your at-net card, so we can accept. 30:21.311 --> 30:22.032 [SPEAKER_02]: It's not funny. 30:22.272 --> 30:23.633 [SPEAKER_02]: It's not funny because it's true. 30:25.073 --> 30:26.834 [SPEAKER_02]: Yeah, this continues to be so great. 30:26.874 --> 30:28.155 [SPEAKER_02]: I don't have cobra. 30:28.295 --> 30:30.236 [SPEAKER_02]: I am cobra. 30:30.336 --> 30:32.998 [SPEAKER_02]: Yeah, amazing art. 30:33.498 --> 30:37.440 [SPEAKER_02]: This continues to be on the pole list. 30:37.720 --> 30:38.941 [SPEAKER_02]: This is great. 30:40.527 --> 30:41.008 [SPEAKER_01]: Great stuff. 30:41.168 --> 30:41.929 [SPEAKER_01]: Beautiful art. 30:42.410 --> 30:55.526 [SPEAKER_01]: This is one thing that I did want to call out that I think I've been forgetting to mention the sound effects in this book or so there's a thing where it's like I'm forgetting these aqua experts like swipe grab throw very fun makes me laugh every time 30:56.154 --> 31:01.720 [SPEAKER_01]: absolute green lantern number five from DC Comics, or by Al-Yu-Aing, art by Geno-Ai-Lin-Z. 31:02.220 --> 31:08.506 [SPEAKER_01]: In this fight, in this issue, there is a big fight between Joe Mullin and Hal Jordan. 31:08.907 --> 31:14.573 [SPEAKER_01]: Hal Jordan is the black hand, Joe Mullin is the green lantern, but there's the very different continuity. 31:14.633 --> 31:17.676 [SPEAKER_01]: We have a lot of different things going on at the same time here. 31:18.116 --> 31:20.438 [SPEAKER_01]: as we continue to flesh out this mythology. 31:20.899 --> 31:32.589 [SPEAKER_01]: I continue to really like this book, but we have hit a critical mass in terms of greed, led to things where it starts to feel like we just sort of threw everything up in the air and jumbled it around. 31:32.649 --> 31:38.535 [SPEAKER_01]: So I'm like, oh, that's hector habit, but that thing is a yellow fear, lantern, but that means a different thing. 31:38.555 --> 31:41.578 [SPEAKER_01]: So there's a little bit of a puzzle going on in my brain when I'm reading this. 31:42.341 --> 32:01.276 [SPEAKER_02]: okay that's fair uh cool cover uh creepy ring the beginning which uh horror movie star and i'm always like oh this is too scary for me maybe i should be reading this but amazing art a lot of kind of tendical stuff but uh love the kind of big green lantern symbol that was very cool looking uh 32:03.518 --> 32:07.882 [SPEAKER_02]: I thought the last panel kind of ending was really cool, the B without fear. 32:08.002 --> 32:08.462 [SPEAKER_02]: That's fun. 32:09.603 --> 32:14.147 [SPEAKER_02]: Yeah, I like the look of this and I like how different it feels from other DC stuff. 32:14.207 --> 32:20.512 [SPEAKER_02]: I like the fact that this is taking big swings and doing stuff with characters and pushing them in weird directions. 32:20.593 --> 32:23.075 [SPEAKER_02]: So yeah, this continues to be very enjoyable. 32:24.442 --> 32:32.986 [SPEAKER_01]: Daredevil, cold day and hell at number three from Marvel Written by Charles Sol, art by Steve McNevin, is the final issue of this three issue prestige series. 32:33.006 --> 32:34.426 [SPEAKER_01]: Come on. 32:34.446 --> 32:47.011 [SPEAKER_01]: As Daredevil who brief, old man, Daredevil who briefly has his powers back is trying to save the city for bullseye who was imprisoned, Punisher and a girl who can create big lights and explosions. 32:47.612 --> 32:50.253 [SPEAKER_01]: Pete, you were psyched about this one, you got to be. 32:51.155 --> 32:51.515 [SPEAKER_02]: Take it away. 32:52.016 --> 32:53.698 [SPEAKER_02]: Oh my god, this was so awesome. 32:53.798 --> 32:57.061 [SPEAKER_02]: This to me is just a legendary run here. 32:57.582 --> 32:58.763 [SPEAKER_02]: What a cool idea. 32:58.863 --> 33:00.024 [SPEAKER_02]: What a great concept. 33:02.465 --> 33:04.626 [SPEAKER_02]: Cool looking cover, but man is it fucked up. 33:04.766 --> 33:07.587 [SPEAKER_02]: I mean, I will be damned. 33:07.647 --> 33:09.847 [SPEAKER_02]: This is just an unbelievable comic. 33:09.887 --> 33:12.648 [SPEAKER_02]: There were so many O shit panels and O shit moments. 33:14.329 --> 33:22.471 [SPEAKER_02]: The, you know, two spoilers, but the bull's eye spitting his tooth out and then saying bull's eye, I lost my mind. 33:22.531 --> 33:23.512 [SPEAKER_02]: That was so cool. 33:24.192 --> 33:25.032 [SPEAKER_02]: Oh my God. 33:25.932 --> 33:28.173 [SPEAKER_02]: And the, were glorious. 33:28.293 --> 33:30.774 [SPEAKER_02]: I love the Daredevil speech to the kid. 33:31.754 --> 33:33.495 [SPEAKER_02]: Oh, amazing art and action. 33:33.556 --> 33:36.578 [SPEAKER_02]: This is just legendary Daredevil stuff. 33:36.618 --> 33:44.884 [SPEAKER_02]: I feel like Charles sold in such a great job of like really capturing this idea and playing it out in such a epic way. 33:44.944 --> 33:48.046 [SPEAKER_02]: And see, we can even start just kind of escalates it too. 33:49.549 --> 34:00.638 [SPEAKER_02]: It was crazy to see Daredevil versus Bullseye in this and then the use of Frank cancel is so fucked up a great really felt like Frank even though it was a shell of himself. 34:01.319 --> 34:05.262 [SPEAKER_02]: Oh my god, just some just some amazing panels. 34:05.302 --> 34:10.306 [SPEAKER_02]: This is a hell of a ride, a hell of a read called day and fuck it out. 34:12.217 --> 34:39.927 [SPEAKER_01]: it would be very easy for this to feel derivative of the dark night returns and it's clearly inspired by that like we've talked about over the course of the three issues but I think they really stuck the lad dig here and then like you said they made it they powered through that feeling by making it very fun big action a big mission statement on Daredevil and who he is bullseye it who he is maybe less so on Frank Castle because he's mostly like 34:40.647 --> 34:43.270 [SPEAKER_01]: It had reached almost ten monster in this thing. 34:44.331 --> 34:49.978 [SPEAKER_01]: But very fun, gorgeous art from Stephen Niven as well. 34:50.138 --> 34:56.426 [SPEAKER_01]: And I think just a nice little Koda on Charles Souls run on Daredevil as well. 34:57.635 --> 35:15.445 [SPEAKER_01]: ancestral recall number one from a holy comments from my jorded clerk art by addigan ill-han if you didn't listen to it go listen to our interview with jorded clerk from this week's live show but this is about a guy named melden who is feeling artistically stimied when his wife is taken by a high for the future 35:15.925 --> 35:18.407 [SPEAKER_01]: And so he tries to get her back. 35:18.827 --> 35:26.592 [SPEAKER_01]: And as he does, cosmically, somehow he starts accessing powers from ancestors past from the history. 35:27.593 --> 35:31.975 [SPEAKER_01]: Great art, like we talked about on the show, really fun wild mix of concepts here. 35:32.576 --> 35:37.519 [SPEAKER_01]: And even though there is a lot going on, it keeps a really character focused very light throughout. 35:38.520 --> 35:40.261 [SPEAKER_02]: Yeah, this is just so cool. 35:40.421 --> 35:41.822 [SPEAKER_02]: I really loved this kind of 35:43.837 --> 35:51.103 [SPEAKER_02]: Part of a love story that we see kind of get ripped apart and this is such an interesting unique idea. 35:51.123 --> 35:59.631 [SPEAKER_02]: I love the kind of like the way the main character talks through grunts and kind of messy scrambled word balloons. 36:00.331 --> 36:03.254 [SPEAKER_02]: It's just it's got such a great feel to it. 36:03.274 --> 36:07.457 [SPEAKER_02]: You immediately kind of like a rooting for this character in such a great way. 36:08.358 --> 36:13.481 [SPEAKER_02]: And the art sets such a cool tone to a world that you want to explore more. 36:13.501 --> 36:16.742 [SPEAKER_02]: Yeah, I was really impressed with this as a number one issue. 36:16.762 --> 36:26.847 [SPEAKER_02]: And yeah, this is crazy kind of idea that in the future, you know, if you screw something up, they can kind of take things away. 36:26.907 --> 36:27.728 [SPEAKER_02]: So I don't know. 36:28.848 --> 36:29.789 [SPEAKER_02]: Very kind of cool. 36:29.869 --> 36:31.330 [SPEAKER_02]: And I want more. 36:31.370 --> 36:32.090 [SPEAKER_02]: I can't wait for more. 36:33.295 --> 36:34.696 [SPEAKER_01]: Well, Blake, have you all missed it? 36:34.977 --> 36:40.061 [SPEAKER_01]: Number one, for boobs, studios written by Ethan S. Parker and Griffin Sheridan, art by Keith Browning. 36:40.101 --> 36:49.470 [SPEAKER_01]: This focuses on a woman who ran away from home when she was a kid comes back as a much older woman and finds things have really taken a turn for the worst. 36:49.510 --> 36:52.893 [SPEAKER_01]: There's a bunch of twists and turns here by the end of the book. 36:53.874 --> 36:59.158 [SPEAKER_01]: But as usual for this tea, I thought it was really a nice dark character work. 36:59.699 --> 37:09.367 [SPEAKER_01]: The twists, multiple twists in the final pages really bring it to focus what they're trying to do with the series or at least blow it wide open. 37:09.748 --> 37:17.535 [SPEAKER_01]: But even up until then, I thought through the sparseness of the dialogue and the art, they did a really good job of the idea 37:18.175 --> 37:42.205 [SPEAKER_01]: of what it is like to leave a place and then come back years later and per the title feel like oh you blinked and everything changed you changed the world around you changed some of the things are the same but mostly everything is different yeah just really the cover does such a great job of setting up this kind of intense creepiest kind of like you don't know what you're going to get 37:43.453 --> 37:45.634 [SPEAKER_02]: really impressed with the art and the tone of this. 37:47.094 --> 37:54.537 [SPEAKER_02]: Like you said, so many cool kind of twists and turns, but man, that creepy ass last panel, who little gets you. 37:55.317 --> 38:01.619 [SPEAKER_02]: But yeah, if you love kind of horror twists and turns kind of thing, this will be perfect for you. 38:02.659 --> 38:07.463 [SPEAKER_01]: Batgirl number ten from DC Comics written by Tate Bromble art by Takeshi Miyazawa. 38:07.843 --> 38:20.293 [SPEAKER_01]: Last issue, Batgirl found out that she has a secret half brother who's been training to be just like her and they were attacked by the first of many warriors who are coming for them together. 38:20.333 --> 38:22.995 [SPEAKER_01]: They try to fight that warrior this issue. 38:23.556 --> 38:24.276 [SPEAKER_01]: Doesn't quite work. 38:24.977 --> 38:26.638 [SPEAKER_01]: You know, they can't really quite get together. 38:27.019 --> 38:28.840 [SPEAKER_01]: And then they figure out how to get it together. 38:28.860 --> 38:29.921 [SPEAKER_01]: I love the 38:32.310 --> 38:34.654 [SPEAKER_01]: issue focused nature of this book. 38:34.874 --> 38:36.036 [SPEAKER_01]: I love the action. 38:36.177 --> 38:37.919 [SPEAKER_01]: I love what they're saying about Batgirl. 38:38.741 --> 38:43.228 [SPEAKER_01]: I was the holdout at the beginning of this run, but I am all in at this point. 38:43.388 --> 38:45.312 [SPEAKER_01]: No pun on the DC initiative. 38:45.799 --> 38:47.340 [SPEAKER_02]: Nice, dude, I love to hear that. 38:47.380 --> 38:48.441 [SPEAKER_02]: Yeah, amazing cover. 38:50.002 --> 38:58.849 [SPEAKER_02]: Yeah, love the fact that we're sitting in this brother's sister reveal and the kind of things that are happening in it and love the art, love the action. 38:58.909 --> 39:02.792 [SPEAKER_02]: This is one of my favorites on the shelves right now. 39:03.752 --> 39:09.457 [SPEAKER_02]: And as Jay T's, sis will always says, he loves brain hump and a man to we get inside the character's heads. 39:10.417 --> 39:13.820 [SPEAKER_01]: And, sorry, real quick, which is the monster? 39:14.320 --> 39:17.122 [SPEAKER_01]: Which episode did he say that I'm that he loves brain-humping? 39:17.142 --> 39:19.504 [SPEAKER_02]: Oh, God, he said it for so long. 39:19.544 --> 39:23.107 [SPEAKER_02]: He's always said, like, oh, yeah, I love getting inside character's heads, you know what I mean? 39:23.127 --> 39:25.889 [SPEAKER_01]: Oh, but, yeah, no, I've heard the kid get inside character's heads. 39:25.929 --> 39:27.550 [SPEAKER_01]: You like to say that he says that a lot. 39:27.930 --> 39:30.472 [SPEAKER_01]: But when specifically did he say brain-humping? 39:30.492 --> 39:32.534 [SPEAKER_02]: Oh, man, he said it a bunch. 39:32.614 --> 39:35.236 [SPEAKER_02]: I can't remember when the last time he said it. 39:35.256 --> 39:37.938 [SPEAKER_01]: Did you write it down on one of your RPS pads or something like that? 39:40.858 --> 39:42.199 [SPEAKER_01]: Sorry, wrong podcast. 39:42.239 --> 39:43.320 [SPEAKER_00]: We talked about that on it. 39:43.340 --> 39:44.460 [SPEAKER_00]: So across the streams. 39:44.520 --> 39:45.681 [SPEAKER_01]: Don't cross the streams. 39:45.741 --> 39:47.442 [SPEAKER_01]: Nobody has to know about your RBs. 39:47.462 --> 39:56.988 [SPEAKER_02]: There was an artist where you said RBs and then that's Silva. 40:00.670 --> 40:05.573 [SPEAKER_01]: Here's the thing about RB Silva is literally every time I read an issue of what we're all done to do. 40:06.294 --> 40:10.916 [SPEAKER_01]: I get to Brian North and Art by RB Silva and I'm like, sir, this is an RB's. 40:12.217 --> 40:14.839 [SPEAKER_01]: And I feel like that's probably rude to two of him. 40:14.939 --> 40:16.340 [SPEAKER_01]: Yeah, I don't want to say that. 40:16.380 --> 40:17.460 [SPEAKER_01]: Because it's amazing. 40:17.661 --> 40:18.661 [SPEAKER_01]: It's amazing. 40:19.081 --> 40:19.962 [SPEAKER_01]: I don't want to say that. 40:20.082 --> 40:21.703 [SPEAKER_01]: I would never say that out loud. 40:22.343 --> 40:23.084 [SPEAKER_02]: Yeah. 40:23.104 --> 40:25.385 [SPEAKER_01]: Certainly not on some sort of recorded medium. 40:25.946 --> 40:27.286 [SPEAKER_01]: Oh, that would be so embarrassing. 40:27.507 --> 40:27.827 [SPEAKER_02]: It would. 40:28.690 --> 40:29.171 [SPEAKER_02]: for me. 40:29.852 --> 40:40.793 [SPEAKER_02]: But yeah, if your real thought monster like JT says, you know, you'll definitely kind of enjoy the fact that we do get to kind of learn more about background, which is really great. 40:41.323 --> 40:48.806 [SPEAKER_01]: Well, why don't you all hump your brains over to the next one with amazing spider bad number died from marvel written by Joe Kelly, art by Michael Dowling. 40:49.506 --> 41:00.771 [SPEAKER_01]: Pete excited to hear what you thought about this one as Peter Parker recovers from his beating of a lifetime in the last issue from Helgate turns out he's seemingly given up being spider baddies got a 41:01.431 --> 41:03.573 [SPEAKER_01]: Boot cast on his foot. 41:03.973 --> 41:07.196 [SPEAKER_01]: He's actually going to his job, but he's not talking to Adne. 41:07.596 --> 41:10.719 [SPEAKER_01]: He's not dating Shay, the love of his life. 41:11.179 --> 41:12.601 [SPEAKER_01]: He's dating somebody else. 41:12.701 --> 41:14.082 [SPEAKER_01]: It seems like who's hung. 41:14.582 --> 41:15.563 [SPEAKER_01]: Who is hung? 41:15.763 --> 41:17.865 [SPEAKER_01]: That is the big question on everybody's lips. 41:18.426 --> 41:20.648 [SPEAKER_01]: But we also get like we hit it earlier. 41:21.168 --> 41:28.755 [SPEAKER_01]: Seemingly, sort of the pseudo second part of this conversation as MJ comes to see Peter and reveal that she's fed him over to UP. 41:29.710 --> 41:33.313 [SPEAKER_02]: Yeah, so the emotional roller coaster of this is just insane. 41:33.654 --> 41:37.878 [SPEAKER_02]: But first off, crazy cover, really impressive art. 41:39.940 --> 41:41.701 [SPEAKER_02]: But what the fuck just happened, dude? 41:41.781 --> 41:42.863 [SPEAKER_02]: I was on such a high. 41:42.983 --> 41:44.524 [SPEAKER_02]: I was having such a great time. 41:45.985 --> 41:53.192 [SPEAKER_02]: But okay, so MJ, that it, it's like, if I read this wrong, but it feels like MJ shows up to Peter's, 41:54.652 --> 41:54.892 [SPEAKER_02]: All right. 41:54.912 --> 41:56.772 [SPEAKER_02]: Well, you talked about this. 41:56.852 --> 41:57.973 [SPEAKER_02]: Do you want to leave this out? 41:57.993 --> 42:01.113 [SPEAKER_01]: Because it feels like you're trapped in a glass cage of your own emotion. 42:01.293 --> 42:03.554 [SPEAKER_02]: I don't live in trapped in a glass cage of emotion. 42:03.854 --> 42:05.154 [SPEAKER_02]: And milk was a horrible choice. 42:05.494 --> 42:16.957 [SPEAKER_02]: But I have to say that like the also the stuff that happened before this was upsetting because like as we know, as we've seen, Peter Parker has these skills. 42:16.997 --> 42:18.577 [SPEAKER_02]: He has this responsibility. 42:18.837 --> 42:22.778 [SPEAKER_02]: And so when a back-eye goes by and he just goes, yeah, I'm not going to do anything about it. 42:22.838 --> 42:23.158 [SPEAKER_02]: I was like, 42:24.357 --> 42:31.261 [SPEAKER_02]: You know, this was a big kind of moment for a Peter Parker before, where it was a great ability, great responsibility. 42:31.561 --> 42:37.024 [SPEAKER_02]: You know, like this whole thing of like, you can't sit on this sidelines and let bad guys just run around. 42:37.164 --> 42:38.785 [SPEAKER_02]: And that's exactly what he was doing in this. 42:38.825 --> 42:41.046 [SPEAKER_02]: So I was like, what the fuck is going on? 42:41.547 --> 42:51.272 [SPEAKER_02]: And then more what the fuck is going on because MJ shows up to be like, hey, I love you and he goes, oh, well, I thought maybe you wanted to get back together and 42:52.913 --> 43:10.222 [SPEAKER_02]: turns around to leave and I was like how how did this how did you get confused like how did you mess this up Peter he is she is mj's in front of you and I feel like we cut away and I'm like the next thing that should be said is mj going yeah let's get back together 43:10.902 --> 43:13.123 [SPEAKER_02]: But I feel like that's not what's going to happen. 43:13.203 --> 43:15.443 [SPEAKER_02]: So I was just, I can't. 43:15.883 --> 43:17.464 [SPEAKER_01]: You were really going through it now. 43:17.504 --> 43:20.925 [SPEAKER_01]: Pete, let me just lay it out for anybody who didn't read this issue. 43:21.445 --> 43:25.666 [SPEAKER_01]: So MJ comes over and it's like, hey, I don't have any problems right now. 43:26.566 --> 43:28.206 [SPEAKER_01]: I need a friend to be clear. 43:28.326 --> 43:30.667 [SPEAKER_01]: I just need you as a friend and then shows him. 43:30.687 --> 43:32.407 [SPEAKER_02]: She doesn't say to be clear. 43:32.447 --> 43:33.508 [SPEAKER_02]: I just need you as a friend. 43:33.628 --> 43:34.788 [SPEAKER_01]: She says that's the exact time. 43:34.808 --> 43:35.948 [SPEAKER_01]: She says I need a friend. 43:36.588 --> 43:37.849 [SPEAKER_01]: No, she said, okay. 43:38.929 --> 43:44.232 [SPEAKER_01]: I'm sorry, but she says I need you as a friend like they emphasize the word friend. 43:44.492 --> 43:54.718 [SPEAKER_01]: That's what she needs right now because the thing she needs to talk to about is the fact that she's been bound with vettoms, vettoms pops out and Peter is like says exactly what you said. 43:55.479 --> 43:58.540 [SPEAKER_01]: I actually thought that maybe you say we're gonna say we're gonna get back together. 43:58.640 --> 44:01.882 [SPEAKER_01]: You wanted to get back together and then he closes the door on her. 44:02.162 --> 44:03.423 [SPEAKER_02]: How does he do it on that? 44:03.563 --> 44:04.764 [SPEAKER_02]: How does he whip on that? 44:05.304 --> 44:33.495 [SPEAKER_01]: because he doesn't want to see think he's she's talking about her and that I'm getting together like being friends like why does he think like oh I thought you want to feel like you are missing something here she just listen to what listen to the words that are coming out of my mouth you say friend but I do understand the real is coming out of my mouth no you're supposed to say nobody understands the words coming out of mouth I'm dropping so many references to make you feel better people I appreciate that but I can't 44:34.993 --> 44:44.398 [SPEAKER_01]: MJ comes over not because of the events of all new venom this past issue but because she is bound to venom and she's having some troubles with that she needs to talk to Peter about it. 44:44.958 --> 44:47.679 [SPEAKER_01]: She emphasizes him just like listen to be clear. 44:47.879 --> 44:48.460 [SPEAKER_01]: I need you. 44:48.580 --> 44:52.662 [SPEAKER_01]: I know we're having our troubles because of everything that's been going on between us. 44:52.722 --> 44:55.303 [SPEAKER_01]: We haven't necessarily been see guy to eye but 44:56.817 --> 44:59.680 [SPEAKER_01]: I need your help because I don't know what to do about the fact that I am venom. 45:00.260 --> 45:02.402 [SPEAKER_01]: That is what she is saying to him. 45:02.422 --> 45:05.926 [SPEAKER_01]: He, meanwhile, thought she was going to say, I'm still in love with you. 45:05.966 --> 45:06.907 [SPEAKER_01]: Let's get back together. 45:07.187 --> 45:08.748 [SPEAKER_01]: She didn't say that. 45:08.768 --> 45:09.269 [SPEAKER_01]: He, whatever. 45:09.369 --> 45:12.592 [SPEAKER_01]: He is going through his pissed off clothes, the door, and slams it into her face. 45:12.992 --> 45:14.594 [SPEAKER_01]: So they don't get to have that conversation. 45:14.614 --> 45:16.476 [SPEAKER_01]: A couple of little takeaways there. 45:17.216 --> 45:17.336 [SPEAKER_01]: One, 45:18.097 --> 45:24.479 [SPEAKER_01]: Yes, of course, there are feelings between them, but yes, of course, that would be your slowly building up to her, but they are taking their time or mind you. 45:24.499 --> 45:31.562 [SPEAKER_01]: I don't think I've ever said this before, but these comics are a soap opera, and they are playing with your emotions here, Pete, by God. 45:32.422 --> 45:37.284 [SPEAKER_01]: Second of all, we don't know what's going on with Peter Parker very purposefully in this issue. 45:37.384 --> 45:40.865 [SPEAKER_01]: Something happened to him between the last issue with this issue that led to this. 45:41.745 --> 45:44.607 [SPEAKER_01]: We do know this is maybe a mild spoiler, but they've already put this out. 45:44.787 --> 45:45.528 [SPEAKER_01]: It's lists. 45:45.848 --> 45:48.790 [SPEAKER_01]: There seems to be potentially two spider bags that are coming up. 45:48.890 --> 45:53.114 [SPEAKER_01]: We get to see one of them at the end of this issue, which is a very violent spider band. 45:53.554 --> 45:58.438 [SPEAKER_01]: And there is another one that's going to be coming up soon that's used to be a cosmic spider man who is in space. 45:59.078 --> 46:08.322 [SPEAKER_01]: So my guess, this is just a theory, but my guess is that whatever happened with Helgate may have split Spider-Man not into two, but into three. 46:08.863 --> 46:11.544 [SPEAKER_01]: So we are getting the Earth-Bound very violent Spider-Man. 46:11.564 --> 46:22.449 [SPEAKER_01]: We're getting the Space-Bound probably Heroic Spider-Man, and that I think we have Peter Parker who has been separated into this guy who has separated himself from everybody else. 46:22.909 --> 46:24.530 [SPEAKER_01]: So once they are integrated again, 46:25.270 --> 46:34.755 [SPEAKER_01]: Whether it is to or three of them, we're going to have to deal with the fallout of this, and maybe have that conversation with Mary Jane down the road, but that's not going to happen right now. 46:35.275 --> 46:37.076 [SPEAKER_02]: Okay, no emotion, Jones. 46:37.456 --> 46:40.658 [SPEAKER_02]: How did you feel when you read that fucking talk between the two of them? 46:41.358 --> 46:41.918 [SPEAKER_02]: I felt great. 46:42.038 --> 46:43.079 [SPEAKER_02]: I love door slams. 46:43.099 --> 46:44.880 [SPEAKER_01]: They're one of my favorite sounds in the world. 46:46.112 --> 46:47.113 [SPEAKER_01]: You're like, no, cool. 46:47.333 --> 46:55.277 [SPEAKER_01]: It plays on your emotions because you're like, oh man, is she coming to say that she's in love with Peter and she's not and then he rejects her. 46:55.497 --> 46:56.678 [SPEAKER_01]: Of course, that's hard. 46:56.898 --> 47:00.660 [SPEAKER_01]: We, Pete, we want to see them together. 47:00.780 --> 47:02.301 [SPEAKER_01]: Everybody wants to see them together. 47:02.321 --> 47:07.744 [SPEAKER_01]: The thing is though, like, I don't need to see them together right now and be done with the story. 47:07.764 --> 47:09.725 [SPEAKER_01]: I enjoy the aching. 47:12.014 --> 47:12.955 [SPEAKER_01]: All right, bro. 47:13.135 --> 47:15.417 [SPEAKER_01]: That is the beauty of a romantic comedy. 47:15.858 --> 47:22.243 [SPEAKER_01]: And I know the thing you like is the kiss at the end and you always fast forward through the entire romantic comedy. 47:22.583 --> 47:25.666 [SPEAKER_01]: Just watch the kiss at the end and are happy for the rest of your day, right? 47:26.247 --> 47:26.487 [SPEAKER_01]: Yes. 47:26.927 --> 47:27.248 [SPEAKER_01]: Oh, no. 47:27.288 --> 47:27.448 [SPEAKER_01]: Good. 47:27.868 --> 47:28.949 [SPEAKER_01]: Hellboy in love. 47:29.069 --> 47:30.029 [SPEAKER_01]: Look, they're in love. 47:30.049 --> 47:30.870 [SPEAKER_01]: Hellboy in love. 47:30.890 --> 47:31.590 [SPEAKER_01]: The art of fire. 47:31.610 --> 47:32.111 [SPEAKER_01]: Oh boy, it's in trouble. 47:32.131 --> 47:32.991 [SPEAKER_02]: Oh boy, it's in trouble. 47:33.392 --> 47:34.252 [SPEAKER_01]: Oh boy, it's in trouble. 47:34.372 --> 47:35.173 [SPEAKER_01]: Oh boy, it's in trouble. 47:35.193 --> 47:35.733 [SPEAKER_01]: Oh boy, it's in trouble. 47:35.833 --> 47:36.474 [SPEAKER_01]: Oh boy, it's in trouble. 47:36.494 --> 47:37.454 [SPEAKER_01]: Oh boy, it's in trouble. 47:37.474 --> 47:39.055 [SPEAKER_01]: Oh boy, it's in trouble. 47:39.135 --> 47:40.316 [SPEAKER_01]: Oh boy, it's in trouble. 47:40.336 --> 47:41.397 [SPEAKER_01]: Oh boy, it's in trouble. 47:41.437 --> 47:42.077 [SPEAKER_01]: Oh boy, it's in trouble. 47:42.097 --> 47:42.898 [SPEAKER_01]: Oh boy, it's in trouble. 47:42.918 --> 47:43.498 [SPEAKER_01]: Oh boy, it's in trouble. 47:43.518 --> 47:44.139 [SPEAKER_01]: Oh boy, it's in trouble. 47:44.159 --> 47:44.719 [SPEAKER_01]: Oh boy, it's in trouble. 47:44.739 --> 47:45.860 [SPEAKER_01]: Oh boy, it's in trouble. 47:45.880 --> 47:46.720 [SPEAKER_01]: Oh boy, it's in trouble. 47:46.740 --> 47:47.481 [SPEAKER_01]: Oh boy, it's in trouble. 47:47.501 --> 47:48.522 [SPEAKER_01]: Oh boy, it's in trouble. 47:48.542 --> 47:50.043 [SPEAKER_01]: Oh boy, it's in trouble. 47:50.063 --> 47:51.524 [SPEAKER_01]: Oh boy, it's in trouble. 47:51.884 --> 47:52.744 [SPEAKER_01]: Oh boy, it's in trouble. 47:52.764 --> 47:53.545 [SPEAKER_01]: Oh boy, it's in trouble. 47:53.565 --> 47:54.746 [SPEAKER_01]: Oh boy, it's in trouble. 47:54.766 --> 47:55.766 [SPEAKER_02]: Oh boy, it's in trouble. 47:55.786 --> 47:56.567 [SPEAKER_02]: Oh boy 47:58.035 --> 48:01.456 [SPEAKER_02]: Yeah, I mean, this was just kind of a great kind of like, oh, sweet start. 48:01.577 --> 48:04.038 [SPEAKER_02]: And then it's like, oh, God, all there in real trouble. 48:04.718 --> 48:10.140 [SPEAKER_02]: You know, you can't just wake up a witch and think everything's going to go according to plan. 48:10.180 --> 48:10.801 [SPEAKER_02]: You know what I mean? 48:10.841 --> 48:12.701 [SPEAKER_02]: Like you just, I mean, that would just be dumb. 48:14.642 --> 48:21.427 [SPEAKER_02]: You would think cowboy after all these years would maybe have a little bit better knowledge of that, but hey, I'm still having a blast. 48:21.687 --> 48:35.576 [SPEAKER_02]: I miss out boys, so it's nice to get this version of cowboy and Yeah, I mean, I'm not completely one over by her, but I'm starting to be I Just feel like she's she's trouble right now. 48:35.636 --> 48:37.077 [SPEAKER_02]: She's she's kind of 48:39.894 --> 48:43.986 [SPEAKER_02]: Yeah, I don't know, but this is very enjoyable fantastic art. 48:44.849 --> 48:46.373 [SPEAKER_02]: Sometimes you've all in love with a trouble maker. 48:46.394 --> 48:47.136 [SPEAKER_02]: I don't know what to tell you. 48:48.373 --> 48:58.580 [SPEAKER_01]: Birds of prey, number twenty four, from DC Comics, written by Kelly Thompson, art by Sammy Bosery, and this issue, the birds are continuing the fight to rescue Barda from Inc. 48:58.600 --> 49:03.103 [SPEAKER_01]: a black egg met a human who has covered entire body and take her in her over. 49:04.124 --> 49:11.709 [SPEAKER_01]: As usual, this book, Great Art, Beautiful Action, and just some really, Kelly Thompson is just really good about 49:12.429 --> 49:20.362 [SPEAKER_01]: Thinking to steps ahead for her characters so that they can all kind of one up each other one after another and it's just a very fun read. 49:21.488 --> 49:22.288 [SPEAKER_02]: Yeah, I agree. 49:22.348 --> 49:23.308 [SPEAKER_02]: This is a blast. 49:23.408 --> 49:24.389 [SPEAKER_02]: I love this team. 49:24.469 --> 49:28.729 [SPEAKER_02]: I want them to never stop making this comic because it's just so awesome. 49:29.269 --> 49:30.010 [SPEAKER_02]: Look at this cover. 49:30.090 --> 49:30.690 [SPEAKER_02]: It's so cool. 49:31.830 --> 49:33.290 [SPEAKER_02]: Barta is the best. 49:34.290 --> 49:37.751 [SPEAKER_02]: Yeah, I love all the action in this. 49:37.811 --> 49:45.552 [SPEAKER_02]: And it's just and always says, you know, there's some fun head hunting moments in here where you really inside the person's head and, uh, kind of, I'm sorry. 49:45.572 --> 49:48.453 [SPEAKER_01]: You changed it from brain hunting to head hunting, is that? 49:49.803 --> 50:10.506 [SPEAKER_01]: No, it's as you always said sometimes he's talking about a hump and sometimes he's talking about hunting but you know don't do that definitely don't do that because some problems in both directions, but this is a Continuous to be an amazing comic 50:11.533 --> 50:16.634 [SPEAKER_01]: Wolverine by Chris Claremont number one for Marvel written by Chris Claremont art by Tom Riley. 50:16.654 --> 50:23.436 [SPEAKER_01]: This is actually a reprint from I'm forgetting the exact name, but I think it was like Paragon edition or something like that. 50:23.456 --> 50:28.898 [SPEAKER_01]: It was this really, really high and prestige collection of Chris Claremont stories. 50:28.938 --> 50:34.219 [SPEAKER_01]: So for the first time it's being published as a single issue, but it's got Wolverine. 50:34.340 --> 50:36.040 [SPEAKER_01]: He's fighting Saber tooth the rest of the 50:36.220 --> 50:37.221 [SPEAKER_01]: X-Men get involved. 50:37.281 --> 50:38.923 [SPEAKER_01]: It's heavily tied to continuity. 50:39.463 --> 50:42.806 [SPEAKER_01]: You got some great Tom Riley art here. 50:42.987 --> 50:48.892 [SPEAKER_01]: If you've been enjoying this stuff over on GI Joe, you get more of that pristine action in this issue. 50:50.013 --> 50:50.454 [SPEAKER_01]: Get a lot. 50:50.654 --> 50:56.840 [SPEAKER_01]: You gotta know what's going on with Chris Clarebaud's run on X-Men to understand this, but I do, so I liked it. 50:57.533 --> 50:59.294 [SPEAKER_02]: Yeah, I was very excited by this. 50:59.334 --> 51:10.220 [SPEAKER_02]: This is an intense ish, but a lot goes down tons of fighting, saber tooth, fucking shit up physically and mentally, just amazing art and action. 51:10.240 --> 51:12.661 [SPEAKER_02]: Yeah, this is awesome. 51:13.081 --> 51:21.748 [SPEAKER_01]: It's funny that it is much more a sabre-to-story than a world we need, sorry, like he's basically side-lined at a certain point, and it becomes about a lot of other things. 51:21.908 --> 51:24.350 [SPEAKER_01]: But the other things are really fun. 51:24.891 --> 51:29.335 [SPEAKER_01]: And the way sabre-to takes down the X-bet one by one is really cool. 51:29.475 --> 51:32.938 [SPEAKER_01]: So if you are a fan, this is a good one to pick up. 51:33.578 --> 51:52.110 [SPEAKER_01]: something is killing the children number forty three from boob studios written by james time the fourth art by were there dill dara this is another back at the day issue as we're following young erica slaughter and her mentor at the alpine retreat were of course there are monsters who are you're not going to believe this killing the children. 51:52.610 --> 51:57.353 [SPEAKER_01]: Oh come on I know and things are starting to come to ahead in this issue. 51:59.154 --> 52:05.618 [SPEAKER_01]: I will say another great issue of this book always enjoy this book, but I saw a thing right before we got on. 52:05.998 --> 52:07.099 [SPEAKER_01]: This is not a bad button. 52:07.219 --> 52:13.182 [SPEAKER_01]: This is like kind of like a hunting button or a hunting button, whichever one you want to call. 52:13.222 --> 52:15.343 [SPEAKER_01]: I don't know what term you usually use be it. 52:15.877 --> 52:16.637 [SPEAKER_01]: It's what he says. 52:17.178 --> 52:17.758 [SPEAKER_01]: No, it's you. 52:17.838 --> 52:20.499 [SPEAKER_01]: I think you talk about humping butts and hunting butts. 52:20.559 --> 52:22.740 [SPEAKER_01]: He talks about humping braids and hunting braids. 52:23.320 --> 52:24.861 [SPEAKER_01]: Anyway, I know both of you very well. 52:25.981 --> 52:26.861 [SPEAKER_01]: James started the fourth. 52:27.162 --> 52:42.368 [SPEAKER_01]: Somebody put up it response to like a what's the worst piece of bad writing advice that still works for you prompt on blue sky and somebody put up that what they do is they write out all of the dialogue first. 52:43.248 --> 52:46.109 [SPEAKER_01]: before they go back and write anything else for their comics. 52:46.229 --> 52:49.190 [SPEAKER_01]: They're like, that might be terrible, but that's kind of what I do and works for me. 52:49.730 --> 52:56.172 [SPEAKER_01]: And James Tarr, the fourth said, that's what I do for something is killing the children for forty-five issues so far. 52:56.692 --> 53:02.514 [SPEAKER_01]: So what he does was apparently write out all of the dialogue first, then go back and revise it. 53:02.614 --> 53:07.616 [SPEAKER_01]: And that's when he adds panel breaks and starts planning out the pacing of it and everything. 53:07.636 --> 53:09.817 [SPEAKER_01]: And obviously like, revising the dialogue from there. 53:11.197 --> 53:24.252 [SPEAKER_01]: I do think that explains a lot about the pace of this book, which often feels like twenty pages of, here is a wash of a couple of things that happen in the middle of other things. 53:24.853 --> 53:31.941 [SPEAKER_01]: It is a very decompressed book that way, and I think that probably comes from this method that he's using, which I thought was interesting. 53:32.720 --> 53:33.841 [SPEAKER_02]: Yeah, that is interesting. 53:34.281 --> 53:35.822 [SPEAKER_02]: Yeah, I love this book. 53:36.183 --> 53:37.524 [SPEAKER_02]: This continues to be amazing. 53:37.564 --> 53:44.769 [SPEAKER_02]: It's fun to kind of get this look back at young Erica's life and kind of how she was trained and brought up and stuff. 53:44.829 --> 53:52.214 [SPEAKER_02]: So and yeah, it's also just great to have somebody who's like listening to the kids and helping them. 53:53.535 --> 53:56.458 [SPEAKER_02]: That's really sweet and amazing and all this madness. 53:57.118 --> 53:59.100 [SPEAKER_02]: God, I love this art and this just 53:59.760 --> 54:02.321 [SPEAKER_02]: continues to be such a legendary comic. 54:02.381 --> 54:03.762 [SPEAKER_02]: Yeah, man, this is awesome. 54:04.322 --> 54:06.943 [SPEAKER_01]: And I'll mention the other piece of news about this book. 54:06.983 --> 54:10.845 [SPEAKER_01]: This came out of San Diego, Comic-Cod, which is bananas. 54:11.425 --> 54:16.207 [SPEAKER_01]: They've been contracted to do at least one hundred issues of this book. 54:16.327 --> 54:17.067 [SPEAKER_01]: Wow. 54:17.567 --> 54:19.348 [SPEAKER_01]: Yeah, which is crazy. 54:19.428 --> 54:25.531 [SPEAKER_01]: This book comes out by, hopefully, they're not even to issue fifty at, and they're already contracted well through. 54:26.011 --> 54:27.972 [SPEAKER_01]: Buckle issue one hundred or beyond. 54:28.032 --> 54:28.232 [SPEAKER_01]: Yeah. 54:28.592 --> 54:31.921 [SPEAKER_02]: I just have a little staple that's gonna run for a little bit, you know? 54:32.101 --> 54:32.863 [SPEAKER_01]: Yeah, why not? 54:32.883 --> 54:33.826 [SPEAKER_02]: Yeah. 54:34.620 --> 54:40.725 [SPEAKER_01]: Radiant Black, number thirty six from image comics written by Kyle Higgins and Joe Clark, art by Stefano Simion. 54:40.745 --> 54:56.897 [SPEAKER_01]: This is not exactly a done in one issue because there's ramifications for the future, but we are following a new radiant yellow and radiant yellow for those who are not familiar with the book is somebody who can see future possibilities and then act of them, that's their power. 54:57.257 --> 55:04.042 [SPEAKER_01]: Here we get a homeless woman who becomes the bearer of the radiant yellow and it follows what happens to her. 55:04.622 --> 55:06.884 [SPEAKER_01]: I thought this was a great issue. 55:07.064 --> 55:11.127 [SPEAKER_01]: Really sad, poignant, creatively done with the art. 55:11.588 --> 55:15.251 [SPEAKER_01]: I love that they threw this in the middle of the ongoing story of Marshall. 55:16.140 --> 55:20.641 [SPEAKER_02]: Yeah, it's really impressive to be able to pull this off in everything that's happening. 55:20.681 --> 55:21.201 [SPEAKER_02]: You know what I mean? 55:21.221 --> 55:25.122 [SPEAKER_02]: Because it's like, I'm paper you would think, hey, what the fuck you doing? 55:25.162 --> 55:31.204 [SPEAKER_02]: You're like, all the stuff going on and it's like, let's really slow this down and really kind of set a different kind of tone. 55:31.924 --> 55:34.404 [SPEAKER_02]: And this feels very different, which is impressive. 55:34.984 --> 55:36.205 [SPEAKER_02]: But also fits. 55:36.805 --> 55:42.706 [SPEAKER_02]: I was just really impressed by the swings that this book is taking and it feels so cool but different. 55:43.206 --> 55:45.667 [SPEAKER_02]: But also a part of it all, amazing art. 55:46.307 --> 55:50.128 [SPEAKER_02]: very cool idea and well executed and press them serve. 55:51.048 --> 55:52.389 [SPEAKER_02]: God, I love this book. 55:53.449 --> 56:02.451 [SPEAKER_01]: Gwen Pool, number four, from Marvel, written by Kevin Scott, art by Stefano Nessie, and this issue Gwen Pool is dead and her spirit is taken over Spider-Man. 56:02.892 --> 56:08.313 [SPEAKER_01]: Meanwhile Gwen Stacy has been resurrected by the weapon X program as tried to figure out what her origin is. 56:08.733 --> 56:17.821 [SPEAKER_01]: And we do in fact find out what our origin is and it is a very deep dive continuity thing that's going on here as we continue to walk through the series. 56:19.562 --> 56:28.350 [SPEAKER_01]: I don't want to slag this off too much, but even with this explanation or particularly with this explanation, I do not know what's going on here. 56:28.410 --> 56:31.232 [SPEAKER_01]: Like I understand what's going on here, but I don't know 56:32.649 --> 56:59.536 [SPEAKER_02]: why we're doing any of this either for Gwenpool or Gwen Stacy or Spider-Man or Cape Bishop or even Jeff the Ladshark why exactly he's there I'm very confused about this topic yeah yeah I'm glad to hear you say that because I thought maybe it was just me but a lot of ghost bodies switching things going on here they keep track of and then I mean there's fun moments that Jeff stuff was fun and you know I like 57:01.747 --> 57:05.036 [SPEAKER_02]: you know the humor of this is well but yeah this guy 57:06.290 --> 57:09.472 [SPEAKER_01]: It just feels like maybe there's too many things going on. 57:09.732 --> 57:15.276 [SPEAKER_01]: Like, I like Gwenpool breaking out of the page and going meta and figuring out what's going on. 57:15.716 --> 57:22.501 [SPEAKER_01]: If they wanted to see something about death and resurrection in comic books, I think they could have done that with a Gwenpool story. 57:22.521 --> 57:27.384 [SPEAKER_01]: And those parts are kind of interesting and certainly very fun and wiki. 57:27.984 --> 57:32.407 [SPEAKER_01]: But then the Gwen Stacy stuff, if they wanted to wrap up a bit of continuity that 57:33.070 --> 57:35.891 [SPEAKER_01]: mostly nobody remembered from decades ago. 57:37.012 --> 57:44.134 [SPEAKER_01]: They could have done that separately from Gwenpool because they're both Gwen's, but Gwenpool is Gwendolyn Pool. 57:44.215 --> 57:45.675 [SPEAKER_01]: She's not Gwen Stacy. 57:45.695 --> 57:49.177 [SPEAKER_01]: And they're not doing enough with the fact that like they confuse each other. 57:49.197 --> 57:52.018 [SPEAKER_01]: This is also not the character of Gwen Stacy. 57:52.078 --> 57:53.558 [SPEAKER_01]: She's somebody entirely different. 57:54.058 --> 57:54.959 [SPEAKER_01]: So again, it's like 57:56.422 --> 58:03.947 [SPEAKER_01]: Too many ideas going on at the same time, and they're clashing too hard with each other when one of them might have made for a more interesting release. 58:03.967 --> 58:06.689 [SPEAKER_02]: The classic hat on the hat, the classic hat on the hat. 58:07.343 --> 58:08.443 [SPEAKER_01]: hat on a hat. 58:09.124 --> 58:13.325 [SPEAKER_01]: Have you seen, sorry, this is a side thing, but this is stop leave from saying hat on a hat recently. 58:13.765 --> 58:14.645 [SPEAKER_01]: Did you watch hacks? 58:14.966 --> 58:15.586 [SPEAKER_01]: Do you watch hacks? 58:16.346 --> 58:16.646 [SPEAKER_01]: Uh, yeah. 58:17.086 --> 58:17.326 [SPEAKER_01]: Okay. 58:17.346 --> 58:19.067 [SPEAKER_01]: Did you watch the most recent season of hacks? 58:19.747 --> 58:19.907 [SPEAKER_01]: No. 58:20.407 --> 58:20.547 [SPEAKER_01]: Okay. 58:20.567 --> 58:27.470 [SPEAKER_01]: And the most recent season of hacks, they're, they bring in Deborah Vaz brings it a medium to the new writers room. 58:27.490 --> 58:28.990 [SPEAKER_01]: They're working in where they fired everybody. 58:29.030 --> 58:30.131 [SPEAKER_01]: They're bringing the new writers. 58:30.651 --> 58:33.672 [SPEAKER_01]: And the medium is like, there's a lot of weird energy in this room. 58:34.292 --> 58:36.293 [SPEAKER_01]: I keep hearing the phrase hat on a hat. 58:38.154 --> 58:42.056 [SPEAKER_01]: and it's very funny when I was like, oh no, stop calling me out show. 58:43.277 --> 58:44.618 [SPEAKER_01]: Never saying that again. 58:45.318 --> 58:46.058 [SPEAKER_01]: Anyway, great job. 58:46.699 --> 58:52.242 [SPEAKER_01]: Poison Ivy number thirty five from DC Comics written by G. Willow Wilson, art by Marcyo Tecara. 58:53.002 --> 59:03.308 [SPEAKER_01]: Big things going down this issue is poison ivy settles her beef with the Seattle plant gang, but it's definitely not today, but that's what we're going to call them anyway. 59:05.089 --> 59:18.983 [SPEAKER_01]: The one thing that I'll say without spoiling too much about this issue, though we can certainly get into it, is I love that this series continues to not shy away from poison either being a villain, even though she is conflicted by what she does. 59:20.601 --> 59:37.837 [SPEAKER_02]: Yeah, yeah, it's crazy that there's that like really badass panel where you know spoilers, which she says, you know, the bat, the cortical bat person's like, you know, you should have killed me, it would have been nicer, and then Poison Ivy says, I know. 59:37.857 --> 59:40.980 [SPEAKER_02]: Oh, that is some cold shit, man. 59:41.660 --> 59:42.061 [SPEAKER_02]: Amazing. 59:42.922 --> 59:43.882 [SPEAKER_02]: But to be honest with you, 59:44.837 --> 59:45.678 [SPEAKER_02]: Oh, I'm just thinking. 59:46.278 --> 59:56.226 [SPEAKER_02]: Yeah, I'm here for who Janet's gonna end up with because the I'm pulled for Crock and Janet and I don't know man. 59:56.426 --> 59:56.986 [SPEAKER_02]: I don't know. 59:57.407 --> 01:00:05.833 [SPEAKER_02]: Janet's been kind of all over the place and you know, I just wanted to land safely and I don't know why, but I'm pulling for Crock. 01:00:06.073 --> 01:00:07.634 [SPEAKER_02]: You're you're shipping Jock. 01:00:08.195 --> 01:00:08.355 [SPEAKER_01]: Yeah. 01:00:08.395 --> 01:00:08.595 [SPEAKER_01]: Yeah. 01:00:09.276 --> 01:00:10.457 [SPEAKER_01]: I feel like I like Jock. 01:00:10.717 --> 01:00:11.818 [SPEAKER_01]: We did this show maybe four. 01:00:12.899 --> 01:00:15.162 [SPEAKER_01]: Anyway, great comic consistently great. 01:00:15.283 --> 01:00:19.489 [SPEAKER_01]: Tramps of the Apocalypse number two from Dark Horse Comics by Alice Darrow. 01:00:19.509 --> 01:00:20.831 [SPEAKER_01]: This is a terrible book. 01:00:21.252 --> 01:00:27.482 [SPEAKER_01]: Said a post-apocalyptic future where men are men and women are women and women are trying to kill them whenever they can. 01:00:28.322 --> 01:00:32.083 [SPEAKER_01]: Man, I just in particular love the art in this book. 01:00:32.163 --> 01:00:34.404 [SPEAKER_01]: We're following our titular tramps. 01:00:34.584 --> 01:00:47.289 [SPEAKER_01]: I guess I don't think they call themselves trasm, but these three women who are driving along, they have captured one of the mouth action who is super tidy and they keep carrying it and like bike baskets and things. 01:00:47.749 --> 01:00:49.069 [SPEAKER_01]: It's just very fun. 01:00:49.509 --> 01:00:50.930 [SPEAKER_01]: I'm having a fun time reading this book. 01:00:51.290 --> 01:00:52.211 [SPEAKER_02]: This is fun. 01:00:52.711 --> 01:00:56.273 [SPEAKER_02]: This is weird, but very entertaining tons of action and silliness. 01:00:56.753 --> 01:01:01.416 [SPEAKER_02]: Love the art style, love the tone of this humor, love the whole vibe of this. 01:01:01.776 --> 01:01:02.457 [SPEAKER_01]: This is great. 01:01:02.837 --> 01:01:12.723 [SPEAKER_01]: Yeah, it's really skewering masculinity and the atmosphere in a very specific way that only really works through sci-fi satire. 01:01:12.863 --> 01:01:16.105 [SPEAKER_01]: So if that's the sort of thing you're looking for, definitely pick this up. 01:01:16.925 --> 01:01:22.031 [SPEAKER_01]: On Caddy X-Men, number nine, TD for Marvel, written by Gale Simone, art by David Marquez for the cover. 01:01:22.412 --> 01:01:22.953 [SPEAKER_01]: Great cover. 01:01:23.333 --> 01:01:31.803 [SPEAKER_01]: We get to see that Gale Simone is once again writing dead pool and outlawed back together. 01:01:31.823 --> 01:01:35.468 [SPEAKER_01]: They've been hired for a job that sends them into direct conflict with the 01:01:35.668 --> 01:01:36.528 [SPEAKER_01]: the X-Men. 01:01:36.908 --> 01:01:46.171 [SPEAKER_01]: Meanwhile, the X-Men are, as usual, grappling with a lot of different things, including the very friendly mayor of New Orleans who wants to set up an uncaddy village theme park for them. 01:01:46.591 --> 01:01:51.452 [SPEAKER_01]: Curious what our new Orleans listeners think about this particular plot point. 01:01:51.572 --> 01:01:52.312 [SPEAKER_01]: I guess we'll see. 01:01:52.692 --> 01:01:54.973 [SPEAKER_01]: Let us know in the comments or on the discord. 01:01:55.513 --> 01:01:56.613 [SPEAKER_01]: What do you think about this one, Pete? 01:01:57.377 --> 01:02:00.160 [SPEAKER_02]: Yeah, this is a great team and a sweet issue. 01:02:00.700 --> 01:02:01.441 [SPEAKER_02]: Love the ending. 01:02:01.481 --> 01:02:02.662 [SPEAKER_02]: Hit you right in the fields. 01:02:03.984 --> 01:02:10.730 [SPEAKER_02]: You know, the only kind of qualms I was the little upset that Deadpool kind of fucked with Mr. Waffles a little bit, brother and that. 01:02:11.571 --> 01:02:12.752 [SPEAKER_02]: I'm having a great time. 01:02:13.713 --> 01:02:14.073 [SPEAKER_02]: This is a 01:02:15.234 --> 01:02:16.275 [SPEAKER_02]: very enjoyable issue. 01:02:16.935 --> 01:02:25.422 [SPEAKER_01]: Yeah, I really like the second half this issue in particular, where Jubilee is wrapping around to the plot line that was left dangling after the free comic book day issue. 01:02:25.842 --> 01:02:36.050 [SPEAKER_01]: Like you said, very poignant, very interesting and a really dark beginning involving, I think it's one, the Sentinel people who are running a great walk in prison. 01:02:37.211 --> 01:02:44.297 [SPEAKER_01]: But if anything felt for this issue, this book, it was pretty deadpooled outlaw who kind of show up fight or like, 01:02:44.677 --> 01:02:47.158 [SPEAKER_01]: So you guys later, that's pretty much it. 01:02:47.559 --> 01:02:50.700 [SPEAKER_01]: I wish they played into it like a little bit more. 01:02:50.760 --> 01:02:51.541 [SPEAKER_01]: That would have been nice. 01:02:51.881 --> 01:02:54.362 [SPEAKER_01]: But it was so many pages, you know? 01:02:54.442 --> 01:02:55.403 [SPEAKER_01]: Oh, they so many pages. 01:02:55.803 --> 01:02:57.544 [SPEAKER_01]: Only so many years in life. 01:02:59.682 --> 01:03:07.047 [SPEAKER_01]: Sisterhood, a high street story, number two from Ghost Machide and image comics written by my tells The Chut, art by Layla Lays. 01:03:07.507 --> 01:03:19.193 [SPEAKER_01]: We are following two best friends from childhood, one who died in a sorority hazing accident, but thanks to a little supernatural shenanigans over on high street. 01:03:19.674 --> 01:03:25.437 [SPEAKER_01]: She is now a water zombie living in mirrors and glass windows and things get darker from 01:03:25.937 --> 01:03:26.317 [SPEAKER_01]: there. 01:03:27.397 --> 01:03:31.618 [SPEAKER_01]: One of the big questions that I had had for the first issue is how does this continue? 01:03:31.698 --> 01:03:32.898 [SPEAKER_01]: How does this be a series? 01:03:33.358 --> 01:03:41.880 [SPEAKER_01]: And I think with the second issue, it really proved how it does as they are going to slowly take revenge on somebody. 01:03:42.100 --> 01:03:47.001 [SPEAKER_01]: One by one, but not revenge it away that our living character may like. 01:03:47.761 --> 01:03:48.942 [SPEAKER_01]: This is good. 01:03:49.262 --> 01:03:50.842 [SPEAKER_01]: Good series, dark and twisted. 01:03:52.161 --> 01:03:52.821 [SPEAKER_02]: Yeah, agreed. 01:03:53.122 --> 01:03:58.325 [SPEAKER_02]: And the kind of creepy water zombie thing is really effective. 01:03:58.445 --> 01:04:04.169 [SPEAKER_02]: And yeah, you like the twists and turns in the kind of like, what just happened? 01:04:04.249 --> 01:04:05.250 [SPEAKER_02]: That's all really fun. 01:04:05.350 --> 01:04:06.651 [SPEAKER_02]: So this continues to be great. 01:04:07.291 --> 01:04:11.855 [SPEAKER_02]: And I'm excited for more revenge from the world of the water zombie. 01:04:13.166 --> 01:04:17.908 [SPEAKER_01]: Arcana Royale, number four from Dark Horse Comics, written by Colin Bun, art by A.C. 01:04:17.968 --> 01:04:18.708 [SPEAKER_01]: Zamudio. 01:04:18.748 --> 01:04:27.392 [SPEAKER_01]: There's the final issue of this series about a sort of poker game that is for the fate of the entire world, played the demons of otherworldly beings. 01:04:27.832 --> 01:04:31.354 [SPEAKER_01]: Get Stark, gets bloody as it reaches its climactic end. 01:04:31.674 --> 01:04:32.954 [SPEAKER_01]: Really enjoyed this series. 01:04:33.014 --> 01:04:36.976 [SPEAKER_01]: If you missed it, definitely pick it up and trade or the individual issues. 01:04:37.336 --> 01:04:40.918 [SPEAKER_01]: It's interesting world that they leave open potentially for more. 01:04:41.928 --> 01:04:50.199 [SPEAKER_02]: Yeah, and cool cover, love this kind of like high stakes card play and fun and the twists and turns, the arts great. 01:04:51.361 --> 01:04:56.447 [SPEAKER_02]: Hard to make something that's kind of like a still kind of thing will great, but it really does a great job at it. 01:04:56.487 --> 01:04:57.949 [SPEAKER_02]: So, bear enjoyable. 01:04:59.028 --> 01:05:05.730 [SPEAKER_01]: And last but not least, ultimate Wolverine number eight for Marvel Written by Chris Condon, art by Alessandro Capuchio. 01:05:05.790 --> 01:05:10.132 [SPEAKER_01]: Now that Wolverine has been unbrainwashed, that's definitely not the word. 01:05:10.492 --> 01:05:13.713 [SPEAKER_01]: He and the rest of the mutants are going to free some other people. 01:05:14.213 --> 01:05:21.995 [SPEAKER_01]: Unfortunately, Angel, as you can see on the cover, has gotten their first and it is bloody and bad. 01:05:22.055 --> 01:05:24.476 [SPEAKER_01]: You seem to be cheering Pete, so what'd you think about this one? 01:05:24.836 --> 01:05:25.638 [SPEAKER_02]: It's a trap. 01:05:25.898 --> 01:05:27.702 [SPEAKER_02]: Yeah, cool cover. 01:05:28.804 --> 01:05:31.689 [SPEAKER_02]: Yeah, just bad ass last panel. 01:05:33.812 --> 01:05:48.978 [SPEAKER_02]: Yeah, this is just kind of a great action art kind of cool tone and fun kind of this, you know, Bucky Barnes kind of Wolverine type of thing. 01:05:49.058 --> 01:06:02.203 [SPEAKER_02]: So yeah, I'm very much enjoying this and I keep meaning to talk about this but complimenting Marvel's kind of two page touching Peter David thing is 01:06:02.948 --> 01:06:06.691 [SPEAKER_02]: something I keep meaning to bring up and was in this issue as well. 01:06:06.751 --> 01:06:11.696 [SPEAKER_02]: So, it's great to kind of see Marvel kind of do that for people. 01:06:12.396 --> 01:06:17.421 [SPEAKER_01]: I really like this book, but two things that I find interesting that are related. 01:06:17.441 --> 01:06:22.105 [SPEAKER_01]: One, I'm not quite sure what this is now that Wolverine is in brainwash. 01:06:22.225 --> 01:06:28.750 [SPEAKER_01]: Now that he is at the winter soldier, he seems to be Wolverine, which is cool, but how is this different? 01:06:28.790 --> 01:06:30.452 [SPEAKER_01]: How is this the ultimate Wolverine? 01:06:30.892 --> 01:06:31.693 [SPEAKER_01]: I guess we'll find out. 01:06:31.813 --> 01:06:36.979 [SPEAKER_01]: And the other thing is this is more ultimate expend than ultimate expend. 01:06:37.259 --> 01:06:49.813 [SPEAKER_01]: So again, like I said, these related, but I wonder how we get back to really getting that razor focus on Wolverine versus making it a classic expend team up book. 01:06:50.353 --> 01:06:54.377 [SPEAKER_01]: in a dark future, which we've seen in the regular universe a lot of times. 01:06:54.798 --> 01:07:01.565 [SPEAKER_01]: So, like this gorgeous art, like you said, but those are questions I have as we continue throughout this book. 01:07:02.749 --> 01:07:04.169 [SPEAKER_01]: And that is it for the stack. 01:07:04.350 --> 01:07:10.792 [SPEAKER_01]: If you like to support this podcast and all the podcasts, we do patreon.com slash comic book club, also video live show every Tuesday night at seven p.m. 01:07:10.832 --> 01:07:12.492 [SPEAKER_01]: Facebook and YouTube coming out. 01:07:12.512 --> 01:07:16.813 [SPEAKER_01]: We would love to chat with you about comic books, Apple Spotify, Android or the app of your choice. 01:07:17.414 --> 01:07:19.074 [SPEAKER_01]: Subscribe, listen, and follow the show. 01:07:19.134 --> 01:07:23.135 [SPEAKER_01]: Comic book club live.com for this podcast and many more. 01:07:23.556 --> 01:07:28.737 [SPEAKER_01]: Until next time, keep humping in brains, but not hunting them because those are two different things. 01:07:29.137 --> 01:07:30.218 [SPEAKER_01]: Two very different things. 01:07:35.271 --> 01:07:40.215 [SPEAKER_00]: Now let's just turn back to number one. 01:07:40.316 --> 01:07:43.738 [SPEAKER_00]: There is music and I get it and I want the beat. 01:07:44.139 --> 01:07:45.380 [SPEAKER_00]: There's no gonna mind. 01:07:45.420 --> 01:07:50.204 [SPEAKER_00]: We take our music sales and it's done now. 01:07:50.264 --> 01:07:52.926 [SPEAKER_00]: Ready, get this out of the sales. 01:07:53.066 --> 01:07:54.567 [SPEAKER_00]: It's a pop-up. 01:08:03.396 --> 01:08:08.338 [SPEAKER_00]: They sit on crappy couches and they let us see what we can. 01:08:08.458 --> 01:08:13.400 [SPEAKER_00]: And he's a monkey, they're like fast, they're short, they speak. 01:08:13.520 --> 01:08:18.702 [SPEAKER_00]: To wrap your brain paleer, don't be late for it, they're real.