WEBVTT 00:08.363 --> 00:10.344 [SPEAKER_04]: When does that make any welcome to the stack? 00:10.524 --> 00:11.224 [SPEAKER_04]: I'm Alex. 00:12.204 --> 00:12.785 [SPEAKER_04]: Just it. 00:14.285 --> 00:19.607 [SPEAKER_04]: And on the stack, we talked about a bunch of books that came out this week and we review them. 00:20.127 --> 00:21.688 [SPEAKER_04]: And lots of big stuff coming out. 00:21.728 --> 00:25.009 [SPEAKER_04]: So why don't we kick it off with the biggest monster of them? 00:25.189 --> 00:26.190 [SPEAKER_04]: All Godzilla. 00:26.790 --> 00:28.510 [SPEAKER_04]: Number one from ID.com. 00:28.530 --> 00:29.371 [SPEAKER_03]: You're written by Tim. 00:29.411 --> 00:30.731 [SPEAKER_03]: You're written by Tim. 00:30.911 --> 00:32.292 [SPEAKER_03]: You're written by Tim. 00:33.230 --> 00:35.851 [SPEAKER_03]: Well, let's get to climbing up to the top of the stack. 00:36.111 --> 00:38.252 [SPEAKER_03]: This, I've seen enough of this monster. 00:38.932 --> 00:40.413 [SPEAKER_04]: Well, no, I'll tell you what. 00:40.453 --> 00:42.434 [SPEAKER_04]: This has art by Nikola Sismedia. 00:42.754 --> 00:44.435 [SPEAKER_04]: We had Tim Silly on the show. 00:44.475 --> 00:53.899 [SPEAKER_04]: Yeah, we have the show to talk about this because this is the kick off to the Kaisai era, which is a new cohesive mythology around Godzilla. 00:55.079 --> 00:57.480 [SPEAKER_04]: to other titles, potentially more to come. 00:57.800 --> 01:07.165 [SPEAKER_04]: But the big deal here is we're getting Godzilla released and was sort of awakened by this Kaisae energy years later. 01:07.185 --> 01:20.891 [SPEAKER_04]: There are G force, which are like a combo of the ultimates and GI Joe, and a bunch of other things trying to take down Godzilla and other Kaisu as an enter a kid who may have the power to take down Godzilla single. 01:21.091 --> 01:27.933 [SPEAKER_04]: And we talked about this on the live show a bit, but what you guys think about it now that it's out in the world. 01:29.094 --> 01:29.774 [SPEAKER_01]: This is great. 01:30.114 --> 01:31.574 [SPEAKER_01]: First off, really fun cover. 01:33.615 --> 01:41.077 [SPEAKER_01]: So normally I don't like to read the human parts, but what Tim Seely did here is he made it. 01:41.117 --> 01:42.398 [SPEAKER_03]: Wait, so who do you reading? 01:43.593 --> 01:44.234 [SPEAKER_04]: He didn't normally. 01:44.774 --> 01:46.196 [SPEAKER_04]: Godzilla rarely speaks. 01:46.776 --> 01:57.627 [SPEAKER_04]: I don't want to go into this too much because this makes me so mad and Peter and I have talked about this several times because for example with a Godzilla movie won't watch the movie. 01:57.727 --> 02:01.331 [SPEAKER_04]: He watched a highlights real where he fast forwards to the monster fights. 02:02.011 --> 02:04.694 [SPEAKER_04]: So he's never actually seen a Godzilla movie. 02:05.095 --> 02:06.096 [SPEAKER_04]: That's true. 02:06.136 --> 02:06.776 [SPEAKER_04]: You are not. 02:06.936 --> 02:10.539 [SPEAKER_04]: Have you watched one front-to-back for the beginning to the end without fast forwarding? 02:10.879 --> 02:11.060 [SPEAKER_04]: No. 02:11.740 --> 02:11.980 [SPEAKER_04]: Right. 02:12.020 --> 02:13.482 [SPEAKER_04]: So you've never watched a Godzilla. 02:13.502 --> 02:15.203 [SPEAKER_04]: Or I've seen it. 02:15.243 --> 02:21.668 [SPEAKER_04]: So you're not actually a Godzilla fan because the filmmakers and actors put a lot of hard work into this thing. 02:22.048 --> 02:23.890 [SPEAKER_00]: I want to see what is the future. 02:24.310 --> 02:25.591 [SPEAKER_04]: Oh, great. 02:25.611 --> 02:27.092 [SPEAKER_04]: I'm also wearing a t-shirt. 02:27.192 --> 02:29.094 [SPEAKER_04]: I'm a big fan of the color blue. 02:29.514 --> 02:30.275 [SPEAKER_04]: Well, congratulations. 02:30.335 --> 02:31.716 [SPEAKER_03]: How do you feel that someone looks? 02:32.445 --> 02:36.882 [SPEAKER_03]: have some and look to you Pete and they only saw the t-shirt and didn't see the human underneath. 02:37.728 --> 02:40.851 [SPEAKER_01]: You know, hey, you know, you got to meet people where they are, you know what I mean? 02:41.131 --> 02:48.777 [SPEAKER_01]: And so what I, what Tim seemed to say was that he heard that criticism and said, you know what, I'm going to make the people stuff so good. 02:49.198 --> 02:51.400 [SPEAKER_01]: You have to read it and he got me. 02:51.640 --> 02:53.601 [SPEAKER_01]: And yeah, I like this idea. 02:53.982 --> 02:58.505 [SPEAKER_01]: This interesting kind of thing of like, because God's ill usually he doesn't care about humans. 02:58.526 --> 03:00.227 [SPEAKER_01]: He'll step on them and that kind of stuff. 03:00.267 --> 03:02.089 [SPEAKER_01]: I mean, there's certain he does care about. 03:02.449 --> 03:02.649 [SPEAKER_01]: But 03:03.970 --> 03:26.082 [SPEAKER_01]: it was crazy to see like he stopped his tracks attacked this one guy and this guy has Kaiju power so this is a very interesting idea something new in the godzilla world you know we usually just get mothro and all sorts of stuff but this is kind of an interesting take where the humans have you know Kaiju powers maybe so this is like a little godzilla 03:27.603 --> 03:28.063 [SPEAKER_03]: That's right. 03:28.223 --> 03:28.403 [SPEAKER_03]: Yeah. 03:28.743 --> 03:29.124 [SPEAKER_03]: Yeah. 03:29.144 --> 03:30.344 [SPEAKER_03]: God Zuki as it. 03:30.644 --> 03:36.246 [SPEAKER_04]: Before we move on to your thoughts, Justin, can I mention the insane opposite problem that Pete has? 03:36.786 --> 03:41.748 [SPEAKER_04]: He told me he watched wicked, but fast forwarded through the musical number. 03:42.180 --> 03:44.101 [SPEAKER_04]: This isn't just a shitting on Pete. 03:44.862 --> 03:46.703 [SPEAKER_04]: No, I feel like it's a related problem. 03:46.743 --> 03:58.592 [SPEAKER_04]: The fact that you're fast forwarding through Godzilla movies and just watching the monster fights means, and then watching, watching the, watching the, watching the non-musical scenes of a musical is insane behavior. 03:58.853 --> 03:59.453 [SPEAKER_03]: What do you like? 03:59.593 --> 04:02.055 [SPEAKER_03]: Just like, chatting and chatting. 04:02.756 --> 04:05.438 [SPEAKER_03]: Are there like, and ah, and then you cut. 04:05.578 --> 04:06.078 [SPEAKER_01]: I'm sorry. 04:06.238 --> 04:08.080 [SPEAKER_01]: I'm a fat of the libretto. 04:08.720 --> 04:09.440 [SPEAKER_01]: Well, here we go. 04:09.521 --> 04:10.621 [SPEAKER_01]: So interesting thing. 04:10.641 --> 04:13.303 [SPEAKER_01]: We talk about a K-pop demon hunters. 04:13.563 --> 04:15.544 [SPEAKER_01]: I tried to fast forward through the songs. 04:16.004 --> 04:18.866 [SPEAKER_01]: But by the end, they won me over and I end up watching the whole thing. 04:19.046 --> 04:19.286 [SPEAKER_01]: Wow. 04:19.326 --> 04:20.647 [SPEAKER_01]: What a real trap for the art. 04:20.747 --> 04:21.867 [SPEAKER_01]: What did you think of this bug? 04:24.518 --> 04:28.260 [SPEAKER_03]: I mean, I have the opposite take on Godzilla from Pete. 04:28.360 --> 04:33.822 [SPEAKER_03]: To me, Godzilla is mostly a mountain that occasionally turns its top to shoot fire out of it. 04:33.942 --> 04:34.642 [SPEAKER_03]: Take a volcano. 04:34.702 --> 04:36.863 [SPEAKER_03]: It's a directional volcano is what Godzilla is. 04:37.284 --> 04:38.844 [SPEAKER_03]: So I don't find that super interesting. 04:39.164 --> 04:44.046 [SPEAKER_03]: What I like about this is the characters are really engaging really fun. 04:44.166 --> 04:52.470 [SPEAKER_03]: I like that it's taking Godzilla and making actual story around it that feels germane to it without being like 04:53.370 --> 04:54.611 [SPEAKER_03]: a forced twist. 04:54.651 --> 04:57.413 [SPEAKER_03]: I mean, Tim Sillies, so good at doing that. 04:57.913 --> 04:59.014 [SPEAKER_03]: He's a great writer. 04:59.034 --> 05:02.516 [SPEAKER_03]: He's been writing everything for the last decade in comics. 05:03.037 --> 05:05.238 [SPEAKER_03]: So, and cares deeply about the stories he's telling. 05:05.338 --> 05:18.848 [SPEAKER_03]: And this, you can see that in what he's doing here, he's setting up a team of characters that are already, you can see the seeds of how they're not going to get along, being planted now, and that's really exciting for this book. 05:19.308 --> 05:21.470 [SPEAKER_04]: Yeah, it feels completely fresh. 05:21.550 --> 05:33.197 [SPEAKER_04]: I knew I was a little dubious about it before we got into it, even though in the creative team, just because it felt like, oh, we did it with the energon universe, the absolute universe and ultimate universe. 05:33.237 --> 05:35.319 [SPEAKER_04]: Yeah, yeah, we're just going to do that with Godzilla as well. 05:35.379 --> 05:43.184 [SPEAKER_04]: But this really does feel like a fresh and different take on Godzilla that still makes sense if you are a fan of the property previously, which Pete is the 05:43.224 --> 06:03.015 [SPEAKER_04]: not is really love the art in here throughout a great book excited to read more superman number twenty eight from DC comics written by Joshua Williams in art by Dan mora is a big kick off to the next leg of DC's all in story as superman is attacked by the legion of dark side 06:03.555 --> 06:11.059 [SPEAKER_04]: And again, the even bigger twist by the end of the issue, I should put blanket spoiler warning for everything that we're going to talk about here in the stack. 06:11.639 --> 06:13.460 [SPEAKER_04]: But we've talked about this incessantly. 06:13.540 --> 06:21.544 [SPEAKER_04]: Josh and Williamson knows exactly what he's doing, writing Superman, Dan Moore and draws, I believe every book that is being put out, every single comic. 06:21.904 --> 06:22.984 [SPEAKER_04]: And I don't know how he does it. 06:23.825 --> 06:28.507 [SPEAKER_04]: But I thought there was really fun at twists and turns in here that I was not expecting. 06:28.954 --> 06:30.956 [SPEAKER_03]: Definitely, first of all, let me say blanket spoiler. 06:30.996 --> 06:31.636 [SPEAKER_03]: It's a comforter. 06:32.277 --> 06:34.418 [SPEAKER_03]: We should always be willing to say that. 06:35.379 --> 06:40.063 [SPEAKER_03]: Pete has an afghan on his lap as always as a Pennsylvania company. 06:40.103 --> 06:41.464 [SPEAKER_04]: Quick, what's your blanket spoiler? 06:41.504 --> 06:46.868 [SPEAKER_04]: My blanket spoiler is put in a pillow under the blanket so it gives like a little extra comfort where I can put my hands. 06:47.460 --> 06:48.441 [SPEAKER_04]: Oh, you got pillows all around. 06:48.481 --> 06:49.201 [SPEAKER_04]: Why do you sleep? 06:49.241 --> 06:49.982 [SPEAKER_04]: Like a little prince? 06:50.302 --> 06:52.243 [SPEAKER_04]: They're talking about. 06:52.723 --> 06:54.485 [SPEAKER_04]: They look like a spoiler, Pete. 06:54.505 --> 06:56.706 [SPEAKER_03]: They look like a little pillow coffin to sleep in. 06:56.766 --> 06:57.627 [SPEAKER_03]: You little vampire? 06:57.787 --> 06:58.307 [SPEAKER_03]: Pretty much. 06:58.928 --> 06:59.428 [SPEAKER_03]: My God. 07:01.595 --> 07:03.416 [SPEAKER_03]: Pete seems at a pile of clean laundry. 07:03.616 --> 07:04.056 [SPEAKER_03]: That's right. 07:04.076 --> 07:06.117 [SPEAKER_01]: That's the best thing when it's warm. 07:06.157 --> 07:08.478 [SPEAKER_03]: I've been, I've been, you get somewhat clean. 07:08.518 --> 07:13.861 [SPEAKER_03]: I've been roasted for, it's like when you do laundry and then you dump on your bed and then you don't fold it and then you're like, I'm tired. 07:15.422 --> 07:18.623 [SPEAKER_03]: I got roasted about that for a very long time in my life. 07:19.944 --> 07:21.144 [SPEAKER_03]: And now I'm a big old grown-up. 07:22.165 --> 07:28.548 [SPEAKER_03]: Speaking of grown-ups, this book is about Superman facing a lot of grown-up problems like all your old friends coming to kill you and your family. 07:30.477 --> 07:41.123 [SPEAKER_03]: And you know, we've talked a lot about how the time-trapper stuff doomsday is like, this character has become so important to this Superman story. 07:41.763 --> 07:42.764 [SPEAKER_03]: And I like it. 07:42.984 --> 07:46.626 [SPEAKER_03]: A lot of people I feel like are like, I don't really, I can't find an access point here. 07:47.046 --> 07:48.607 [SPEAKER_03]: Just right, just go on for the ride. 07:48.707 --> 07:49.888 [SPEAKER_03]: It's a fun character. 07:50.368 --> 07:55.170 [SPEAKER_03]: It's a good use of Superman lore and DC lore for this. 07:55.751 --> 07:58.352 [SPEAKER_03]: The reveal at the end, I was like, what are we doing here? 07:58.792 --> 07:59.533 [SPEAKER_03]: Yeah, bye. 08:00.434 --> 08:03.077 [SPEAKER_03]: I love the Omega-powered Legion. 08:03.318 --> 08:06.302 [SPEAKER_03]: They are in this comic legitimately scary. 08:06.742 --> 08:09.546 [SPEAKER_03]: I was scared of them and so that's hard to do. 08:11.232 --> 08:14.676 [SPEAKER_01]: Yeah, first off, the wink at the end really kind of threw me. 08:14.736 --> 08:22.924 [SPEAKER_01]: I was having a great time up until then, you know, kind of this cool story of Superman being excited to visit the, you know, the old Legion. 08:23.265 --> 08:26.408 [SPEAKER_01]: And, you know, I thought that was great. 08:26.789 --> 08:27.810 [SPEAKER_01]: There was tons of action. 08:27.830 --> 08:29.071 [SPEAKER_01]: There was very fast paced. 08:30.372 --> 08:31.614 [SPEAKER_01]: And then I got very excited. 08:32.885 --> 08:40.791 [SPEAKER_01]: because then they killed off the entire Justice League, which includes Green Arrow, so sucking Green Arrow, you fucking blow. 08:42.092 --> 08:44.354 [SPEAKER_04]: What is wrong with you? 08:45.515 --> 08:48.937 [SPEAKER_04]: I love the sequence where the Legion kills everybody off as well. 08:49.017 --> 08:52.380 [SPEAKER_04]: I thought there was really well done and incredibly tense throughout. 08:52.720 --> 08:58.625 [SPEAKER_04]: I don't know if you guys noticed, but there's a seed where Superman is talking to Mach Kent back in Smallville and his older room. 08:58.645 --> 08:59.726 [SPEAKER_04]: That's a good news. 09:00.466 --> 09:04.509 [SPEAKER_04]: there is a mighty crab joys poster on the wall. 09:04.569 --> 09:09.391 [SPEAKER_04]: Superman thought that was very cute that they did that this week in particular, but this is great. 09:09.672 --> 09:17.416 [SPEAKER_04]: I to talk specifically about the thing that happens at the end, Superboy Prime is back and it is a total swerve. 09:17.696 --> 09:22.960 [SPEAKER_04]: I think at the end of the issue that he is dead bullying out and breaking the fourth wall, but 09:24.335 --> 09:32.439 [SPEAKER_04]: I imagine this is Joshua Williamson and probably by extension Scott Snyder who is helping arc tech this being like this is a big deal. 09:32.599 --> 09:36.900 [SPEAKER_04]: This is just not just the other event like you know when super boy prime shows up. 09:37.321 --> 09:40.462 [SPEAKER_04]: She's about to go down and that's exactly what's going to happen here. 09:41.097 --> 09:47.782 [SPEAKER_04]: Yeah, so good stuff of these expiter man eight from Marvel written by Joe Kelly art by John Ramita Jr. 09:47.842 --> 10:04.375 [SPEAKER_04]: and Todd knock the amazing spider man is in for the fight for his life against Helgate Not the area or the online blog, but a giant areas looking guy and Yeah, it doesn't go that well for spider man 10:05.133 --> 10:09.915 [SPEAKER_03]: Yeah, I mean, Joe Kelly likes to write Spider-Man getting his ass kicked. 10:10.295 --> 10:13.317 [SPEAKER_03]: I feel like we've seen so much of a wrecked Spider-Man. 10:14.377 --> 10:16.358 [SPEAKER_03]: But I'm still on board with this. 10:16.938 --> 10:22.321 [SPEAKER_03]: There's an artist change in the middle of this comic, right, that I found a bit of a shock. 10:23.001 --> 10:26.122 [SPEAKER_03]: But I do, I like what's happening here. 10:26.722 --> 10:41.989 [SPEAKER_03]: I feel like the flashback stuff that Joe Kelly's doing to a young Peter is really interesting and fleshing out Spider-Man in a way that really is humanizing him, making him make mistakes in a way that I feel like we haven't seen before. 10:42.929 --> 10:43.729 [SPEAKER_03]: So that's really cool. 10:44.029 --> 10:47.691 [SPEAKER_03]: Pete, I'm curious, there's some interesting Mary Jane work. 10:47.751 --> 10:49.572 [SPEAKER_01]: Yeah, that's, this was very upsetting. 10:49.892 --> 10:50.292 [SPEAKER_01]: Don't you think? 10:50.992 --> 10:53.536 [SPEAKER_01]: fun cover, you know, uh, got very excited. 10:53.977 --> 11:04.532 [SPEAKER_01]: It's interesting to talk about the change of artists later in the stack room and get to the thing that really kind of freaked me out about that, but uh, not so much bother me in this issue, um, but I did 11:05.982 --> 11:10.584 [SPEAKER_01]: It's the MJ and top bun guy is just makes me want a barf. 11:11.124 --> 11:17.286 [SPEAKER_01]: And but at the end, it seems like Spider-Man's bun is dead. 11:17.386 --> 11:20.807 [SPEAKER_01]: So you know, this amazing run is over. 11:21.347 --> 11:21.888 [SPEAKER_01]: Just like the 11:23.048 --> 11:31.755 [SPEAKER_03]: Well, but I think Mary Jane thinks it was the first sort of gesture toward Mary Jane, maybe feeling more connected to Peter than we've seen in a while. 11:31.815 --> 11:37.120 [SPEAKER_04]: The thing that was confusing to me about that scene is we don't Mary Jane is venom now. 11:37.380 --> 11:40.723 [SPEAKER_04]: So when she sees like, oh no, Spider-Man has a trouble across town. 11:41.283 --> 11:47.949 [SPEAKER_04]: Why is her first action to tell Paul and Dylan Brock and not turn into venom and go help Spider-Man? 11:48.289 --> 11:55.991 [SPEAKER_04]: And I think the answer is to not over-complicate this issue of an amazing spider band, but as somebody who does read both those comics, little weird to be. 11:56.311 --> 11:57.011 [SPEAKER_03]: That's all. 11:57.131 --> 11:59.492 [SPEAKER_03]: I made it feel like that's was going to happen next issue. 11:59.532 --> 12:06.594 [SPEAKER_03]: That scene gets cut out pretty quickly, but I also feel like Spider-Man feels like he's being taken somewhere else at the next issue. 12:06.634 --> 12:08.934 [SPEAKER_03]: So, I don't know, the marriage end stuff was intriguing to me. 12:08.954 --> 12:10.855 [SPEAKER_03]: I feel like- There you say. 12:12.015 --> 12:15.637 [SPEAKER_04]: towards it in Paul and Mary Jane or definitely on the rocks over in Venom. 12:15.697 --> 12:17.417 [SPEAKER_04]: So I think we are headed towards something. 12:17.777 --> 12:18.858 [SPEAKER_04]: I did what I ask you guys. 12:18.938 --> 12:26.101 [SPEAKER_04]: Maybe I'm just reading this entirely wrong because first of all, very brutal fight with Helgate really well drawn. 12:26.181 --> 12:28.061 [SPEAKER_04]: It's always by Chuck Meijer Jr. 12:28.662 --> 12:36.965 [SPEAKER_04]: But all of the dialogue that's happening feels like they're not listening to each other, which I know is a crazy thing to say with Spider-Man of this big villain Helgate. 12:37.405 --> 12:44.208 [SPEAKER_04]: But the way that the writing hellgate feels like he's not a villain and a spider ran just listen to what he was saying. 12:44.228 --> 12:47.089 [SPEAKER_04]: He'd be like, okay, what do you need help with? 12:47.409 --> 12:48.450 [SPEAKER_04]: And this would all stop. 12:50.478 --> 12:55.502 [SPEAKER_03]: I think the way I listen to I heard in my head is Helgate sort of talking to himself. 12:55.862 --> 12:57.984 [SPEAKER_03]: He's a lot of like this guy sucks. 12:58.084 --> 12:59.686 [SPEAKER_03]: Why do I have to learn from him? 13:00.106 --> 13:03.349 [SPEAKER_03]: So I feel like and Peter's like, I don't know what you're talking about. 13:03.429 --> 13:04.750 [SPEAKER_03]: Stop trying to kill me. 13:05.151 --> 13:05.651 [SPEAKER_03]: I agree with you. 13:05.671 --> 13:09.895 [SPEAKER_03]: They're not he's Helgate's ignoring Spider-Man because he's being annoying. 13:10.275 --> 13:14.741 [SPEAKER_03]: and Helgate is annoyed at this boss character that he's talking to also. 13:15.061 --> 13:24.233 [SPEAKER_04]: So I, I just feel, it feels like there's a twist coming that all of these fights could have been avoided if they just stopped and talked to each other. 13:25.194 --> 13:26.375 [SPEAKER_04]: but whatever I guess we'll say. 13:26.575 --> 13:28.515 [SPEAKER_03]: That's true and literally everything. 13:28.535 --> 13:38.019 [SPEAKER_04]: Well, as I say, the voice said, kill number one from image comics written by size barrier art by the Nessa Dell Ray. 13:38.580 --> 13:51.925 [SPEAKER_04]: This is set deep in the woods where Park Ranger, I want to say, who is very pregnant is tried to deal with a bunch of folks that are trying to push her in different directions, leading to 13:53.526 --> 14:17.267 [SPEAKER_03]: it climactic devastating thing that happens that says the expire really got a control just and I think you were excited about this one so take yes I really enjoyed this I really like the Vanessa Delray R is different than a lot of other art out there I've really liked the way it really brought you into the environment this is like a hot like very rural area we're out in it 14:18.008 --> 14:22.130 [SPEAKER_03]: This park-ranger character, the story kept me guessing I didn't know what was happening. 14:22.190 --> 14:30.935 [SPEAKER_03]: We get the twist that you mentioned that I don't want to spoil because it caught me off guard in a great way and I just like these characters. 14:31.455 --> 14:35.177 [SPEAKER_03]: This feels very original and fresh to me, so it really really took me in. 14:35.997 --> 14:53.992 [SPEAKER_01]: yeah this is an intense story it's a little too intense for me when there is someone who's pregnant um i have a hard time just because i'm like oh god she shouldn't be doing this oh oh no oh why oh this poor baby um so yeah it's it's 14:54.772 --> 14:55.353 [SPEAKER_01]: It's intense. 14:55.393 --> 14:56.354 [SPEAKER_01]: There's a lot going on. 14:56.414 --> 14:56.974 [SPEAKER_01]: It's amazing. 14:57.655 --> 14:59.096 [SPEAKER_01]: I love all the twists and turns. 15:00.037 --> 15:04.782 [SPEAKER_01]: And this is, yeah, very kind of cool reveal at the end. 15:05.723 --> 15:10.648 [SPEAKER_01]: But the layer of pregnancy on top of all this tension is just, it's a lot for me. 15:11.248 --> 15:12.510 [SPEAKER_03]: What if she had the baby in her hands? 15:15.192 --> 15:22.239 [SPEAKER_01]: Well, it'd be a little bit better with the drinking and the other smoking and stuff like that, but no, not in the hands it wouldn't, yeah, so I don't know man. 15:22.960 --> 15:25.663 [SPEAKER_04]: I just wanted to add on real quick about Vanessa Del Rey's art. 15:25.703 --> 15:31.669 [SPEAKER_04]: She's been doing this book with Brian Asarello that I'm blanking on the name of over at Booster Dio's. 15:32.390 --> 15:33.811 [SPEAKER_04]: This is the metal 15:34.612 --> 15:43.723 [SPEAKER_04]: Yes, this is much less abstract than that, which I was like it felt more controlled and a little more grounded, which I appreciated. 15:43.743 --> 15:48.868 [SPEAKER_04]: It was a little easier to follow the action in this book that the other book, but I agree good stuff. 15:48.968 --> 15:51.972 [SPEAKER_03]: That's called the creeping below, creeping below, so there we go. 15:52.492 --> 15:58.057 [SPEAKER_04]: Batman, one sixty-one from DC Comics for my Jeff Loeb, art by Jim Lee, and two issues. 15:58.077 --> 16:21.174 [SPEAKER_04]: The two continues as Batman fights bat girl and a bunch of other people fight a bunch of other people and stuff is going down and everybody's very mad at Batman because he helped the Joker or something that he does on like a regular basis, like they teamed up just a little while ago, but it's pretty shocking and bad and really breaking the bat family here. 16:22.135 --> 16:23.977 [SPEAKER_04]: Who boy, nothing is ever going to be the same. 16:24.778 --> 16:25.419 [SPEAKER_01]: Come on, man. 16:25.639 --> 16:27.041 [SPEAKER_01]: You don't have to say it all like that. 16:27.121 --> 16:29.183 [SPEAKER_01]: This is exciting Batman stuff here. 16:29.544 --> 16:32.828 [SPEAKER_01]: First off, I just want to take a moment and enjoy the Jim Lee cover. 16:33.989 --> 16:34.550 [SPEAKER_01]: I don't know, man. 16:34.570 --> 16:38.875 [SPEAKER_01]: Some about Jim Lee and Batman brings me back to a magical time. 16:38.955 --> 16:41.198 [SPEAKER_03]: So it was because he way drew it before. 16:41.638 --> 16:42.920 [SPEAKER_01]: Yeah, that's what I'm saying. 16:42.940 --> 16:44.682 [SPEAKER_03]: Probably what's spring anyway. 16:44.702 --> 16:46.224 [SPEAKER_03]: That's it's something you're talking to. 16:46.244 --> 16:51.790 [SPEAKER_04]: Can I suggest something Peter been thinking about this a lot with the like the whole nostalgia bath this bringing back to a magical time? 16:52.811 --> 17:01.782 [SPEAKER_04]: Would it be worth reflecting on what it is about your life right now that's not working instead of looking back to a time when it was better? 17:02.142 --> 17:02.802 [SPEAKER_00]: Hey, very good therapy. 17:02.822 --> 17:03.243 [SPEAKER_00]: I don't need more. 17:03.263 --> 17:03.643 [SPEAKER_00]: This is for you. 17:03.663 --> 17:03.963 [SPEAKER_00]: This is for you. 17:03.983 --> 17:04.483 [SPEAKER_04]: This is for you. 17:04.543 --> 17:05.023 [SPEAKER_01]: This is for you. 17:05.063 --> 17:05.924 [SPEAKER_01]: This is for you. 17:06.264 --> 17:06.624 [SPEAKER_00]: This is for you. 17:06.644 --> 17:07.164 [SPEAKER_01]: This is for you. 17:07.184 --> 17:07.665 [SPEAKER_01]: This is for you. 17:07.705 --> 17:08.625 [SPEAKER_05]: This is for you. 17:08.645 --> 17:09.165 [SPEAKER_01]: This is for you. 17:09.185 --> 17:09.585 [SPEAKER_01]: This is for you. 17:09.605 --> 17:10.046 [SPEAKER_01]: This is for you. 17:10.066 --> 17:10.706 [SPEAKER_01]: This is for you. 17:10.726 --> 17:11.746 [SPEAKER_01]: This is for you. 17:11.766 --> 17:12.507 [SPEAKER_01]: This is for you. 17:18.690 --> 17:21.111 [SPEAKER_01]: You know, things are better when you're little. 17:21.211 --> 17:24.673 [SPEAKER_01]: I don't know to tell you man, but Get out of my fucking head. 17:24.973 --> 17:27.395 [SPEAKER_04]: All I'm saying is think about how you can take that joy. 17:27.415 --> 17:29.756 [SPEAKER_04]: You felt better the little and bring it to the present day. 17:30.396 --> 17:33.158 [SPEAKER_04]: Go fuck your bucket with that joy. 17:33.298 --> 17:36.660 [SPEAKER_03]: I will be I will be invoicing both of you for our hour here. 17:36.700 --> 17:36.900 [SPEAKER_01]: Great. 17:37.140 --> 17:38.520 [SPEAKER_01]: Great, yeah, I'll add it to the list. 17:39.281 --> 17:41.841 [SPEAKER_01]: First off, crazy stuff going down in this. 17:41.881 --> 17:46.743 [SPEAKER_01]: You hate to see teammates fight, which maybe people can relate to on this episode. 17:47.123 --> 17:50.964 [SPEAKER_01]: But yeah, just some badass stuff. 17:51.224 --> 17:52.325 [SPEAKER_01]: Also, some weird stuff. 17:52.365 --> 17:54.085 [SPEAKER_01]: I was complimenting Jim Lee's art. 17:54.445 --> 18:00.847 [SPEAKER_01]: And then there's this moment where Robbins, like, yeah, I'm going to call in all these bats and their birds. 18:01.127 --> 18:03.308 [SPEAKER_01]: And I'm just like, well, what? 18:03.748 --> 18:04.509 [SPEAKER_01]: It's happening. 18:04.709 --> 18:06.251 [SPEAKER_01]: He's about to use bats. 18:06.531 --> 18:07.172 [SPEAKER_01]: Look like birds. 18:07.192 --> 18:09.234 [SPEAKER_01]: Yeah, and he's robbing, but he's calling them bats. 18:09.274 --> 18:10.155 [SPEAKER_01]: I'm just like, all right. 18:10.175 --> 18:15.882 [SPEAKER_01]: Well, I don't know if someone didn't relay Jim Lee the A. You know, they have a whole conversation about that afterwards. 18:15.962 --> 18:17.964 [SPEAKER_04]: Or Batman's like, wow, you turned the bit to birds. 18:18.044 --> 18:18.925 [SPEAKER_04]: And he's like, sure, dead. 18:18.945 --> 18:20.247 [SPEAKER_04]: Oh, cool. 18:20.387 --> 18:20.747 [SPEAKER_04]: All right. 18:20.787 --> 18:21.808 [SPEAKER_04]: I improved on the design. 18:22.569 --> 18:23.409 [SPEAKER_01]: Oh, awesome. 18:23.750 --> 18:31.292 [SPEAKER_01]: Anyways, um, Batman Dex, Bane, I said, Oh, shit out loud and lost my mind. 18:31.332 --> 18:33.373 [SPEAKER_01]: I had a lot of fun with that moment. 18:34.093 --> 18:39.275 [SPEAKER_01]: And the fact that Alfred got a little, uh, little revenge there made me so happy. 18:39.735 --> 18:45.077 [SPEAKER_01]: But, uh, otherwise just seeing Batman fight, uh, back or all is, uh, it's heartbreaking. 18:45.577 --> 18:47.998 [SPEAKER_03]: I hope Alfred got to make a tiny sandwich in his grave. 18:48.278 --> 18:49.899 [SPEAKER_01]: Yeah, that little cucumber sandwich. 18:50.439 --> 18:54.281 [SPEAKER_03]: I will say I that pan the page of Batman punching bean was cool. 18:54.561 --> 18:55.262 [SPEAKER_01]: Yeah, definitely. 18:55.382 --> 19:02.285 [SPEAKER_03]: I was I was height for that, but let me also say when I was reading the comics in the stack and I was like Batman one sixty one and I saw the hittuce and the cover. 19:02.305 --> 19:03.666 [SPEAKER_03]: I was like, oh man. 19:04.486 --> 19:06.507 [SPEAKER_03]: That was going to be a regular Batman comic. 19:07.447 --> 19:23.786 [SPEAKER_03]: Because this story is just like I just don't like the chess metaphor the top I was like get out of here with this We've seen this thousands of times how are you doing a like the pawn is taking I'm like get the fuck out 19:23.946 --> 19:25.567 [SPEAKER_03]: Thank you. 19:25.707 --> 19:27.048 [SPEAKER_03]: Shocking writing. 19:27.068 --> 19:30.250 [SPEAKER_03]: I just the characters feel like sketches. 19:30.951 --> 19:32.972 [SPEAKER_03]: They don't feel like there's not much depth to them. 19:33.512 --> 19:36.214 [SPEAKER_03]: I just wish this was charting a different path. 19:36.374 --> 19:37.835 [SPEAKER_03]: Everyone's behaving strangely. 19:37.875 --> 19:38.716 [SPEAKER_03]: The background fight. 19:38.756 --> 19:40.337 [SPEAKER_03]: I was like, this is not them. 19:40.357 --> 19:41.798 [SPEAKER_03]: It doesn't feel. 19:41.878 --> 19:44.439 [SPEAKER_03]: And then we see the bat family about to fight them. 19:44.699 --> 19:48.202 [SPEAKER_03]: And suddenly, for some reason, the ridler's there in a weird outfit. 19:50.361 --> 19:55.891 [SPEAKER_00]: Riddle me this yeah, there was a sale at lows and got some sweet clothes 19:59.600 --> 20:01.481 [SPEAKER_03]: That's right. 20:02.122 --> 20:03.483 [SPEAKER_03]: That's he spin bars. 20:03.523 --> 20:04.004 [SPEAKER_03]: Let's go. 20:04.424 --> 20:06.586 [SPEAKER_03]: I don't know that's a riddle, but I did like it. 20:06.626 --> 20:09.689 [SPEAKER_03]: I would say I do buy a lot of my clothes at Lowe's. 20:09.789 --> 20:10.830 [SPEAKER_04]: Yeah, I'll tell you what. 20:11.270 --> 20:18.036 [SPEAKER_04]: I like paving the Lowe's clothes rhyme better than this entire issue of that. 20:18.056 --> 20:18.316 [SPEAKER_04]: That's it. 20:20.358 --> 20:26.462 [SPEAKER_04]: It does storm number ten for Marvel Written by Murrowa Yodale Art by Lucas Wernick. 20:26.502 --> 20:28.723 [SPEAKER_04]: This is the kick off of Thunder War. 20:29.163 --> 20:31.485 [SPEAKER_04]: And the man is this wild. 20:31.625 --> 20:33.906 [SPEAKER_04]: I don't even know how to describe what goes out of this. 20:33.946 --> 20:36.848 [SPEAKER_04]: But because now so many things happened here. 20:37.528 --> 20:39.529 [SPEAKER_04]: This is Edless Wild. 20:39.549 --> 20:42.471 [SPEAKER_04]: That's an issue to one issue. 20:42.491 --> 20:44.352 [SPEAKER_04]: It is utterly insane. 20:44.392 --> 20:45.733 [SPEAKER_04]: And I say that compliment really. 20:46.553 --> 20:54.361 [SPEAKER_03]: But the thing about this book is it is wildly imaginative and there's so much happening on it's so vivacious, but it's still so composed. 20:54.861 --> 21:02.949 [SPEAKER_03]: It's just amazing to me for a comic that, you know, these aren't names that we've seen working in the industry for ten years. 21:03.150 --> 21:07.214 [SPEAKER_03]: And this comic feels so like complete and lively. 21:07.374 --> 21:10.497 [SPEAKER_03]: It's just, it's such a breath of fresh air every time I pick it up. 21:10.757 --> 21:11.920 [SPEAKER_03]: I love what's happening in it. 21:12.421 --> 21:13.083 [SPEAKER_03]: It's wild. 21:13.223 --> 21:14.406 [SPEAKER_03]: The villains are cool. 21:14.526 --> 21:16.731 [SPEAKER_03]: They're just hanging out in a tree for some reason. 21:18.636 --> 21:20.279 [SPEAKER_03]: It's just everything's great about this book. 21:21.117 --> 21:21.778 [SPEAKER_01]: Yeah, I agree. 21:21.978 --> 21:23.279 [SPEAKER_01]: It's a ton of fun. 21:23.460 --> 21:25.422 [SPEAKER_01]: A lot goes down in this issue. 21:25.442 --> 21:36.314 [SPEAKER_01]: Yeah, we see characters that are kind of probably dusted off to kind of bring in to here, but very well used and very interesting. 21:37.175 --> 21:40.399 [SPEAKER_01]: It's kind of weird though, that she's surfing like this silver surf around the cover. 21:41.522 --> 21:50.665 [SPEAKER_04]: Yeah, I don't know if that exactly connects to this, but I will say one thing that is great about this book is this has been an amazing reclamation project for maggot. 21:50.685 --> 21:51.725 [SPEAKER_04]: That was huge. 21:51.745 --> 21:52.346 [SPEAKER_03]: That was huge. 21:52.466 --> 21:56.287 [SPEAKER_04]: Ridiculously fun character and there is such a good seed in this book. 21:57.127 --> 22:06.110 [SPEAKER_04]: Several good seeds, but one seed in particular that I'm thinking about where... Magistar roasting manifold is so funny. 22:06.911 --> 22:07.091 [SPEAKER_03]: Yes. 22:08.211 --> 22:08.511 [SPEAKER_04]: It's great. 22:08.731 --> 22:09.352 [SPEAKER_04]: This is great. 22:09.652 --> 22:16.196 [SPEAKER_04]: I don't know if I can recommend jumping it with this issue, but maybe you should because we talk a lot about this issue. 22:16.936 --> 22:24.641 [SPEAKER_04]: Well, we talk a lot about that idea of what you were kid when you'd go and be like, oh, what's this random issue of X bed and the be like, well, my body's blown. 22:25.041 --> 22:30.264 [SPEAKER_04]: This is the sort of thing that you had to somebody be like, you're not going to know what's going on, but you're going to want to know more. 22:30.824 --> 22:31.965 [SPEAKER_04]: So yeah, great stuff. 22:32.920 --> 22:52.322 [SPEAKER_04]: Void rivals number twenty one from skybout a damage covixer by robber Kirkman art by Connor use in this issue a large man in a metal suit and another large man in a metal suit are fighting and there's a small boy there and meanwhile the void rivals are no longer fighting but they are exchanging hands 22:53.453 --> 23:10.210 [SPEAKER_03]: So in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark, so in the dark 23:11.849 --> 23:13.791 [SPEAKER_01]: Yeah, all their bullshit aside. 23:13.811 --> 23:15.433 [SPEAKER_01]: This is very enjoyable. 23:15.453 --> 23:19.858 [SPEAKER_01]: A lot of big battles kind of brooding and things going down in this issue. 23:20.479 --> 23:27.507 [SPEAKER_01]: I've been enjoying this from the first-ish till now and I cannot wait to see what's going to happen next. 23:28.047 --> 23:29.929 [SPEAKER_01]: Great art and great team on this. 23:30.730 --> 23:38.072 [SPEAKER_03]: I want to pause here and be like, and try to figure out why this isn't working for me, my speaking selfishly, and maybe Alex. 23:38.952 --> 23:40.812 [SPEAKER_03]: And P, maybe you can make a case on why it is. 23:41.293 --> 23:43.713 [SPEAKER_03]: Because there's so many interesting elements here. 23:43.873 --> 23:48.274 [SPEAKER_03]: I like the two warring worlds, the two warriors that come together and develop a friendship. 23:48.854 --> 23:51.155 [SPEAKER_03]: The scugzoid cutaways are interesting. 23:51.515 --> 23:54.716 [SPEAKER_03]: Even the transformers, I like their hangin' out. 23:55.156 --> 23:57.056 [SPEAKER_03]: Revealing them is fun. 23:57.696 --> 23:59.477 [SPEAKER_03]: It was such a surprising thing. 24:00.177 --> 24:14.035 [SPEAKER_03]: But for some reason, these things are coming together and it just feels like every puzzle piece is not fitting for me or like we're not getting into any, I don't know what character I ride within this or like an emotional depth or something. 24:14.055 --> 24:14.775 [SPEAKER_03]: There's something missing. 24:15.478 --> 24:20.281 [SPEAKER_04]: Well, I think you just hit the nail on the head is that everything is given equal weight. 24:20.461 --> 24:26.125 [SPEAKER_04]: We should be focusing on the title characters, these two void rivals, who are from opposite houses. 24:26.185 --> 24:27.866 [SPEAKER_04]: It should be a Romeo and Juliet thing. 24:28.286 --> 24:38.913 [SPEAKER_04]: But instead, particularly in an issue like this, void rivals, transformers, big metal guys at scuxoids, fighting, and that eventually won with a beard being like, I'm the ultimate scuxoid. 24:39.394 --> 24:43.737 [SPEAKER_04]: Are all given like the same amount of dramatic heft with none? 24:44.557 --> 24:59.207 [SPEAKER_04]: a lot of emotion there because also everybody is very casual about everything including like the small boy who's like up to big robots probably should get out of the way this no one of them one wasn't the one I was expecting okay 25:01.312 --> 25:23.402 [SPEAKER_01]: I think you know that I do think there's something interesting too because if you aren't someone who's like me is just happy to see them there isn't enough story for you to kind of get and it's excited as I am or to get involved do you know what I mean because the fact I'm like oh shit I remember that transfer rise to half that one and oh my god that guy so 25:26.743 --> 25:35.745 [SPEAKER_01]: If you haven't seen Transformer that animated movie in a while, you know, they're pulling from that on a regular basis and it's pretty amazing. 25:36.166 --> 25:41.587 [SPEAKER_01]: So if you kind of don't have those touch points, these things don't care to you. 25:41.607 --> 25:44.808 [SPEAKER_01]: You don't care about them, so there isn't that kind of end. 25:45.598 --> 25:49.302 [SPEAKER_01]: you're looking for your in and because it's all over you don't have it. 25:49.903 --> 26:00.414 [SPEAKER_03]: That could be, but I also think the casual nature, it's a little too, everyone's a little too cool for school when we really want them to be like very stressed out about what's going on around. 26:01.155 --> 26:02.397 [SPEAKER_01]: Yeah, I can't believe it, yeah. 26:03.351 --> 26:06.833 [SPEAKER_04]: Well, let's talk about book where everybody is stressed out. 26:07.113 --> 26:12.656 [SPEAKER_04]: Absolute Martian man hunter number five from DC Comics, who went by Dennis Camp, or by Havir Rodriguez. 26:13.177 --> 26:20.461 [SPEAKER_04]: This issue, it is night in the city and everybody is being corrupted by a white Martian and everything is starting to go horribly, horribly wrong. 26:20.481 --> 26:25.884 [SPEAKER_04]: It's our detective and his Martian parasite, buddy, maybe himself. 26:25.964 --> 26:26.924 [SPEAKER_04]: We don't totally know. 26:26.944 --> 26:31.347 [SPEAKER_04]: Are trying to track down the source of this leading. 26:32.109 --> 26:38.113 [SPEAKER_04]: to is a very surprising last page that blows the absolute universe wide open in a big way. 26:39.254 --> 26:42.397 [SPEAKER_04]: Another fantastic, gorgeously drawn issue of this book. 26:42.857 --> 26:57.467 [SPEAKER_01]: Yeah, I mean, these covers should just be collected and studied and marbled for their achievements because the the the artistry and what's happening is it's just off the page. 26:57.528 --> 26:58.068 [SPEAKER_01]: This is just 26:58.668 --> 27:00.588 [SPEAKER_01]: I love paging through this. 27:00.728 --> 27:06.990 [SPEAKER_01]: I love going back to this when I'm having a bad day or whatever just looking at this comic makes me happy. 27:07.050 --> 27:09.070 [SPEAKER_01]: This is really impressive art. 27:10.030 --> 27:13.991 [SPEAKER_01]: I've read a ton of DC comics and have never seen anything like this. 27:14.731 --> 27:24.553 [SPEAKER_01]: It's really an achievement of artistry with what they're doing in this comic and using the panels and the coloring and everything is just 27:25.393 --> 27:35.938 [SPEAKER_01]: It's the next level and it's really bringing such a vibe to this comic and such an aura that it's just making everything that much more kind of on. 27:36.018 --> 27:41.160 [SPEAKER_01]: So yeah, I just can't get over how beautiful and amazing this is. 27:41.240 --> 27:48.483 [SPEAKER_01]: But a lot of ghosts down in there's a scary cliffhanger at the end and a holy shit I can't believe everything that's happening. 27:48.903 --> 27:52.405 [SPEAKER_01]: But yeah, a story wise is also really impressive to have. 27:53.545 --> 27:55.567 [SPEAKER_01]: This kind of access to Martian man under. 27:56.507 --> 27:58.329 [SPEAKER_03]: Oh, great access VIP. 27:59.430 --> 28:03.994 [SPEAKER_03]: I feel like, you know, this comics can be this title is going to be nominated for awards for sure. 28:05.074 --> 28:11.500 [SPEAKER_03]: I honestly think this issue might be the issue that gets put up for for the bigger the bigger ice in our awards because 28:12.100 --> 28:14.902 [SPEAKER_03]: It's pushing the larger DC story forward. 28:15.342 --> 28:17.324 [SPEAKER_03]: It's pushing the Martian man, hunter story forward. 28:17.344 --> 28:26.329 [SPEAKER_03]: But it's also just telling an interesting story about light and darkness and how we act as people doing an highly visual format. 28:26.810 --> 28:30.992 [SPEAKER_03]: This is like, you can pick up this as a standalone issue and just enjoy the shit out of it. 28:31.072 --> 28:38.037 [SPEAKER_03]: Like Pete was saying, it can literally pick your mood up because of the lush universe you're just getting to explore. 28:39.498 --> 28:46.185 [SPEAKER_04]: Right away, it's number two from Marvel, written by Rainbow Rell, art by Elena Cossagrande and Roberta Ingrinata. 28:46.265 --> 28:48.608 [SPEAKER_04]: And this issue's Chase Stein is back. 28:49.108 --> 28:56.276 [SPEAKER_04]: That's really complicating things for the team of runaways who are trying to run away from Dr. Doom, who is after their friend, Doombot. 28:56.856 --> 28:57.777 [SPEAKER_04]: How'd you feel about this issue? 28:59.695 --> 29:23.303 [SPEAKER_03]: I love hanging out with these characters again and like their dramas for whatever reason if it's the runaways themselves or rainbows work on it like I've just caught up in their interpersonal drama all the time with these these characters and it's really good it just works the chase girl Victor budding love triangle here is awesome these characters are so likable even doom bat 29:24.263 --> 29:27.527 [SPEAKER_03]: She has, as we know, I'm a C-fifty-three, Shouts to Mission to Zix. 29:27.567 --> 29:32.473 [SPEAKER_03]: I wonder if that's where they pulled the name from for this, because that's the name of a character on that. 29:32.793 --> 29:36.638 [SPEAKER_03]: And it's also our droid, so that's crazy, but this comic, very good. 29:37.461 --> 29:38.001 [SPEAKER_01]: Yeah, I agree. 29:38.021 --> 29:39.022 [SPEAKER_01]: This is really great. 29:39.042 --> 29:42.844 [SPEAKER_01]: It reminds me of the original kind of runaways run that got so popular. 29:43.184 --> 29:46.506 [SPEAKER_01]: You know, we've got characters that we like and we're rooting for. 29:46.687 --> 29:48.808 [SPEAKER_01]: And it's, uh, it's really awesome. 29:49.308 --> 29:54.431 [SPEAKER_01]: Uh, you know, Chase is back and, you know, they're doomed by gets to stay for a little bit. 29:54.451 --> 29:56.512 [SPEAKER_01]: So some, some, it wins here. 29:56.573 --> 29:57.693 [SPEAKER_01]: It's very exciting stuff. 29:58.153 --> 29:59.434 [SPEAKER_01]: Great art, great story. 29:59.514 --> 30:00.375 [SPEAKER_01]: It's very enjoyable. 30:01.693 --> 30:08.238 [SPEAKER_04]: Farrell, number of fifteen from image comics written by Tony Fleece, art by Trish Forstner and Tode Rodriguez. 30:08.699 --> 30:25.933 [SPEAKER_04]: Our cats have managed to escape from the rabid cats outside inside of a pet store, but it's maybe even worth inside as the pet store is ruled by a series of rules and also they eat their yarn. 30:26.987 --> 30:28.008 [SPEAKER_04]: Ah, yeah, I had to say it. 30:28.248 --> 30:29.029 [SPEAKER_01]: Yeah, I had to say it. 30:29.089 --> 30:31.490 [SPEAKER_01]: You got to be Tony, fleece and Kennedy be with us. 30:31.530 --> 30:32.631 [SPEAKER_01]: They eat the babies. 30:33.232 --> 30:34.392 [SPEAKER_01]: Not the babies, Tony. 30:34.433 --> 30:35.333 [SPEAKER_01]: Come on, bro. 30:35.433 --> 30:37.715 [SPEAKER_03]: Every time I taste the best, you're gonna eat it. 30:37.735 --> 30:38.615 [SPEAKER_03]: You want the feel. 30:39.036 --> 30:39.496 [SPEAKER_03]: Right, right. 30:39.856 --> 30:40.297 [SPEAKER_03]: Oh, what? 30:40.357 --> 30:40.937 [SPEAKER_03]: It's soft. 30:41.137 --> 30:41.738 [SPEAKER_04]: It's soft. 30:42.258 --> 30:43.119 [SPEAKER_04]: Uh, supple. 30:43.499 --> 30:47.582 [SPEAKER_04]: You're telling me, okay, end of the world zombie situations since we're humans. 30:48.162 --> 30:49.403 [SPEAKER_04]: No consequences. 30:49.863 --> 30:50.784 [SPEAKER_04]: No consequences. 30:50.844 --> 30:53.346 [SPEAKER_04]: You're inside of a nursery in a hospital. 30:53.906 --> 30:55.087 [SPEAKER_04]: You're getting pretty hungry. 30:55.508 --> 30:56.188 [SPEAKER_04]: What do you do, Pete? 30:56.368 --> 30:58.009 [SPEAKER_04]: I'm not going to eat a baby, bro. 30:58.029 --> 30:59.250 [SPEAKER_04]: Uh, yeah. 30:59.350 --> 31:02.172 [SPEAKER_01]: I, uh, what are just a baby looking for? 31:02.212 --> 31:03.453 [SPEAKER_03]: Can we clip that real quick? 31:03.533 --> 31:04.154 [SPEAKER_03]: We just clip that. 31:04.194 --> 31:04.954 [SPEAKER_03]: That's a good. 31:05.215 --> 31:05.875 [SPEAKER_03]: That's a keeper. 31:07.396 --> 31:08.277 [SPEAKER_01]: Yeah. 31:08.637 --> 31:09.118 [SPEAKER_01]: Uh, this. 31:10.445 --> 31:19.477 [SPEAKER_01]: You know, I'm into deep for this story to walk away because I really want these goddamn cats to make it out of this fucking nightmare apocalypse. 31:20.057 --> 31:25.124 [SPEAKER_01]: So I'm into deep, but man, this is just every time I think they got to break it. 31:25.384 --> 31:27.067 [SPEAKER_01]: It's worse than I can ever imagine. 31:29.328 --> 31:54.893 [SPEAKER_01]: they disneyed the the art of this so it's like your childhood you're like oh man I love this art it makes me feel like I'm watching a hundred one Dalmatians or something just really great art and makes you feel friendly and good inside and then they just fucking they stick in they twist the knife and they're just like oh yeah you haven't fun here's the thing though a hundred and one Dalmatians you don't think they ate one of them 31:55.856 --> 32:00.082 [SPEAKER_03]: That's a movie built around eating dogs, by the way, killing them. 32:00.603 --> 32:01.745 [SPEAKER_04]: Yeah, making them into that. 32:01.785 --> 32:04.268 [SPEAKER_04]: And then they have the meat left so they eat the meat. 32:04.849 --> 32:05.610 [SPEAKER_04]: They eat the babies. 32:05.871 --> 32:08.615 [SPEAKER_03]: You don't want to throw away all that dog meat. 32:11.898 --> 32:13.119 [SPEAKER_03]: It's a wasteful. 32:13.559 --> 32:15.120 [SPEAKER_03]: Come on. 32:15.180 --> 32:20.062 [SPEAKER_03]: Yeah, and like we can get into our favorite recipes, our favorite breeds to cook the fair. 32:20.102 --> 32:21.482 [SPEAKER_01]: Come on, dude. 32:21.602 --> 32:25.984 [SPEAKER_03]: But I think the larger she should talk about is how these cats be fucking pee there. 32:26.044 --> 32:27.804 [SPEAKER_03]: They're puffin' that fluff out here. 32:29.865 --> 32:33.867 [SPEAKER_03]: There's a lot of cat sexual energy in this common right now. 32:35.456 --> 32:37.599 [SPEAKER_03]: Uh, so shout out to that. 32:37.659 --> 32:40.463 [SPEAKER_01]: He's like, yeah, do you step it out? 32:40.724 --> 32:42.466 [SPEAKER_03]: You're literally being a cat. 32:42.506 --> 32:44.750 [SPEAKER_03]: He's that cat's being a bit of a dog, you know? 32:46.990 --> 32:49.871 [SPEAKER_04]: Harfide book really well done before we move on. 32:49.911 --> 32:51.032 [SPEAKER_04]: I just mentioned Pete. 32:51.252 --> 32:53.213 [SPEAKER_04]: Where do you think baby back ribs come from? 32:53.593 --> 32:54.313 [SPEAKER_04]: Oh, come on, dude. 32:54.333 --> 32:54.973 [SPEAKER_04]: This sounds true. 32:55.314 --> 32:56.074 [SPEAKER_04]: I mean, think about it. 32:56.354 --> 32:56.534 [SPEAKER_04]: Nope. 32:56.714 --> 32:57.975 [SPEAKER_03]: There's they're called. 32:58.175 --> 32:58.655 [SPEAKER_03]: I'm not gonna. 32:58.675 --> 32:59.315 [SPEAKER_03]: They're called that. 32:59.335 --> 33:00.636 [SPEAKER_04]: They're literally called that. 33:00.776 --> 33:03.297 [SPEAKER_04]: It's not what they're asked your server next time. 33:03.357 --> 33:06.078 [SPEAKER_04]: You're a chilies or I will regularly. 33:06.838 --> 33:08.399 [SPEAKER_03]: Yeah, pizza rang a chilies. 33:08.619 --> 33:09.620 [SPEAKER_03]: And you know that. 33:09.800 --> 33:11.400 [SPEAKER_03]: That's where I was coming every time. 33:11.721 --> 33:12.261 [SPEAKER_01]: My favorite. 33:13.740 --> 33:29.631 [SPEAKER_04]: I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, I do it, 33:38.757 --> 33:40.860 [SPEAKER_04]: for what's coming up at the DC universe. 33:41.661 --> 33:47.470 [SPEAKER_04]: I think we're a little mixed on the VR yesterday crossover, but how did you feel about this epilogue? 33:48.672 --> 33:49.572 [SPEAKER_03]: I like this epilogue. 33:49.972 --> 33:53.694 [SPEAKER_03]: I like the way they're bringing Mark Wade's bringing in all these random characters. 33:53.734 --> 34:11.080 [SPEAKER_03]: This is like, it's funny that we're getting this alongside the new history of the DC universe because we get so many little panels here where they just cut to an interesting sort of lost character like the Batman who replaced Bruce after his back was broken. 34:11.100 --> 34:11.980 [SPEAKER_03]: All the superheroes. 34:12.620 --> 34:13.961 [SPEAKER_03]: as real, yeah. 34:14.021 --> 34:16.803 [SPEAKER_03]: We get just so many little cutaways which are fun. 34:16.923 --> 34:24.127 [SPEAKER_03]: And the return of the two, the two, what's his name? 34:25.028 --> 34:28.170 [SPEAKER_03]: Teesphere's fighting to bring back our loss. 34:28.190 --> 34:30.231 [SPEAKER_03]: Mr. Truffett, yes, Mr. Truffett. 34:30.491 --> 34:32.152 [SPEAKER_03]: Very topical, I should definitely know that. 34:33.573 --> 34:34.394 [SPEAKER_03]: It was really cool. 34:35.614 --> 34:36.835 [SPEAKER_03]: I think this comic is great. 34:37.015 --> 34:41.238 [SPEAKER_03]: Even though there's truly so much going on in it, I really enjoyed it. 34:42.038 --> 34:42.758 [SPEAKER_01]: Yeah, I agree. 34:42.778 --> 34:46.099 [SPEAKER_01]: This is a blast epic looking kind of cover here. 34:47.219 --> 34:58.082 [SPEAKER_01]: Yeah, I'm a little over the time-trapper keeper thing, but other than that, I thought this was like ton of action, a lot of cool stuff happening. 34:59.642 --> 35:00.802 [SPEAKER_01]: Yeah, great art. 35:01.523 --> 35:03.763 [SPEAKER_01]: Yeah, this is fun. 35:04.283 --> 35:10.545 [SPEAKER_01]: It seems like they're having fun with this and the kind of red hood, all the powers, Batman, Green Lantern thing. 35:10.885 --> 35:11.865 [SPEAKER_01]: Guy is interesting. 35:12.545 --> 35:24.388 [SPEAKER_03]: You know, we talk a lot about last page reveals and it's usually like turn the page care surprising characters there or a great image the last just line the Batman says at the end of this comic is so good. 35:24.848 --> 35:31.670 [SPEAKER_03]: It's just it makes me want to just like rip it dope and I want a time trap myself into the next issue immediately. 35:32.010 --> 35:32.090 [SPEAKER_04]: Whoa 35:33.220 --> 35:37.941 [SPEAKER_04]: Gwynpool, number three from Marvel, written by Kevin Scott, art by Stefano Nessie. 35:38.181 --> 35:50.064 [SPEAKER_04]: Last issue, Gwynpool was killed, so Spider-Man Kate Bishop, at Jeff the Landshark, have headed to her funeral, but also headed to her funeral as the resurrected Gwynstacey, who is also a weapon ex now. 35:50.644 --> 36:00.426 [SPEAKER_04]: But Gwynpool is in totally dead, she's actually a ghost who is able to possess people and is using that to fight back against Gwynstacey. 36:01.127 --> 36:03.027 [SPEAKER_04]: What is going on in 36:03.267 --> 36:03.687 [SPEAKER_04]: this book. 36:04.628 --> 36:08.672 [SPEAKER_01]: Well, if there's a lot going on, but I do think it's fun. 36:08.752 --> 36:10.593 [SPEAKER_01]: There's a lot of funny lines in here. 36:10.653 --> 36:13.416 [SPEAKER_01]: I like the murder barbie line. 36:13.456 --> 36:14.336 [SPEAKER_01]: I thought that was fun. 36:15.758 --> 36:18.780 [SPEAKER_01]: Jordan D. White gets a shout on this book, which I enjoyed. 36:18.800 --> 36:20.822 [SPEAKER_01]: And twist at the end. 36:21.262 --> 36:24.125 [SPEAKER_01]: And Alex, I'm surprised that you're a ghost. 36:24.185 --> 36:26.467 [SPEAKER_01]: I'm surprised you didn't like this one. 36:26.887 --> 36:28.548 [SPEAKER_01]: And finally saw myself on screen. 36:28.628 --> 36:30.130 [SPEAKER_04]: What do you think about this, Justin? 36:31.212 --> 36:35.978 [SPEAKER_03]: I mean, it is, it's moving through a lot of ideas quickly and it's like, 36:37.533 --> 36:39.474 [SPEAKER_03]: But I should say, I like this. 36:39.594 --> 36:41.254 [SPEAKER_03]: The art is nice in this. 36:41.494 --> 36:45.835 [SPEAKER_03]: It's sort of jumping the line between your some classic superhero style art. 36:46.075 --> 36:53.738 [SPEAKER_03]: And then we get a moment where Gwen Pools goes into Peter Parker and we get some nice retro art that I really liked in here. 36:53.758 --> 36:57.239 [SPEAKER_03]: I like the speed at which this is moving. 36:57.539 --> 37:01.120 [SPEAKER_03]: It's just, it's going, you know, it's breaking the fourth wall. 37:01.640 --> 37:05.681 [SPEAKER_03]: It's diving into a Hawkeye and like, there's just a 37:06.588 --> 37:10.640 [SPEAKER_03]: It's just a hard to hold my hands or put my hands around the whole story as it's happening. 37:11.098 --> 37:14.060 [SPEAKER_04]: Well, well, well, look who came around. 37:14.080 --> 37:23.425 [SPEAKER_04]: At the first issue, I remember I said, I don't understand what they're trying to aim towards here and you're like, well, hold on, that's what the rest of the series is for. 37:23.485 --> 37:28.248 [SPEAKER_04]: And then after the second issue is like, I still don't know what the point of this is in terms of what we're saying about. 37:28.308 --> 37:34.092 [SPEAKER_04]: Gwen Bull or Gwen Stacy or even Spider-Man or anything like that, you're like, hold on, they'll get to it, they'll get to it. 37:34.552 --> 37:37.934 [SPEAKER_04]: Well, we're three issues in and you finally agree with me, Justin. 37:38.354 --> 37:42.539 [SPEAKER_03]: I always sit on my own guitar once I got you good just now. 37:42.880 --> 37:43.460 [SPEAKER_03]: God. 37:43.721 --> 37:44.402 [SPEAKER_03]: I'm really good. 37:44.422 --> 37:45.723 [SPEAKER_03]: This one's really going to smart. 37:46.124 --> 37:49.808 [SPEAKER_03]: Really going to sting that and all the cat sex from that comic. 37:51.751 --> 37:54.033 [SPEAKER_03]: Those are the two things I'm really going to take home with me. 37:55.094 --> 38:06.261 [SPEAKER_04]: But the Department of Truth, number of thirty-two, if it's comics written by James Time of the Fourth, Art by Lintizia, Katanichi, there's an arc focusing on internet memes specifically. 38:06.421 --> 38:07.762 [SPEAKER_04]: Wait, what is it, the band with the hat? 38:08.123 --> 38:09.043 [SPEAKER_04]: That's not the band. 38:09.083 --> 38:10.244 [SPEAKER_03]: That's the one in the comic. 38:10.544 --> 38:10.924 [SPEAKER_03]: Yeah. 38:11.365 --> 38:13.906 [SPEAKER_03]: You're talking about the slenderman, the slenderman. 38:14.387 --> 38:21.331 [SPEAKER_04]: But yeah, no, the band with the hat, what's actually called, because the band with the hat is from Curious George, and that's not what we're talking about here. 38:21.791 --> 38:23.353 [SPEAKER_03]: I think this is based on slenderman. 38:23.853 --> 38:23.993 [SPEAKER_04]: Yeah. 38:25.319 --> 38:27.720 [SPEAKER_03]: In the comic, it's called, it's called the hat man. 38:28.160 --> 38:29.881 [SPEAKER_04]: Hot man, hat man, not the bad with hat. 38:30.001 --> 38:30.141 [SPEAKER_03]: Yes. 38:30.261 --> 38:30.621 [SPEAKER_03]: Oh, yeah. 38:31.141 --> 38:32.001 [SPEAKER_04]: Anyway, killer. 38:32.021 --> 38:35.802 [SPEAKER_03]: What do you think it's going to be a curious George reveal? 38:37.443 --> 38:38.283 [SPEAKER_03]: The ultimate mean. 38:38.823 --> 38:39.044 [SPEAKER_03]: Yeah. 38:39.564 --> 38:40.544 [SPEAKER_03]: Does he have a yellow hat? 38:40.704 --> 38:42.125 [SPEAKER_03]: They have it established yet, right? 38:42.425 --> 38:43.025 [SPEAKER_03]: It's in shadow. 38:43.605 --> 38:44.265 [SPEAKER_03]: We may never know. 38:46.326 --> 38:46.746 [SPEAKER_03]: It's funny. 38:46.766 --> 38:49.447 [SPEAKER_03]: Do you think curious George, everyone has a hat these days? 38:51.380 --> 38:51.740 [SPEAKER_04]: It's true. 38:52.100 --> 38:56.502 [SPEAKER_04]: Do you think curious George would have worked the same if instead of the bad with the yellow hat it was slender man? 38:57.683 --> 38:58.883 [SPEAKER_03]: That's the kind of story I want. 38:59.383 --> 39:00.524 [SPEAKER_03]: That's some absolute energy. 39:00.584 --> 39:01.844 [SPEAKER_03]: Pete, what did you think of this? 39:02.304 --> 39:03.845 [SPEAKER_03]: What do you think of the slender man? 39:04.265 --> 39:05.506 [SPEAKER_01]: This is your cup of tea. 39:05.526 --> 39:07.086 [SPEAKER_01]: You love the apartment of truth. 39:07.146 --> 39:10.008 [SPEAKER_01]: So I'm patiently waiting for you to talk about this comic. 39:10.228 --> 39:11.928 [SPEAKER_01]: I think the shit is scary as fuck. 39:13.229 --> 39:15.510 [SPEAKER_01]: But I'm excited for what's to come. 39:15.590 --> 39:18.011 [SPEAKER_01]: The birds aren't real conspiracy theory. 39:18.652 --> 39:19.773 [SPEAKER_01]: It's very fun in the back. 39:20.073 --> 39:20.714 [SPEAKER_03]: Yeah. 39:20.794 --> 39:28.921 [SPEAKER_03]: J-side comics are just great at back matter, really taking the themes they're working with and putting them into a different story or idea. 39:29.422 --> 39:33.726 [SPEAKER_03]: What I think is remarkable about this is it feels like a completely different comic. 39:34.552 --> 39:44.797 [SPEAKER_03]: We're getting a little bit, it's taking the idea of Department of Truth that we create the reality that we live in and if enough people believe in something, it becomes literally real in the world around us. 39:45.257 --> 39:52.061 [SPEAKER_03]: Really smart, especially in this day and age, whether there's so many fake things that we're exposed to and many people believe in them. 39:52.501 --> 39:55.723 [SPEAKER_03]: This feels like there, it feels like a separate title that's going in a different direction. 39:55.743 --> 39:59.384 [SPEAKER_03]: We get a little bit of shades of our characters that we've seen or throughout the series. 39:59.424 --> 40:00.065 [SPEAKER_03]: So I don't know 40:01.428 --> 40:07.995 [SPEAKER_03]: how they will, this will fold into the larger story, because it's such a modern version of their premise. 40:08.596 --> 40:11.559 [SPEAKER_03]: But I'm along for this ride talked about. 40:11.579 --> 40:13.120 [SPEAKER_03]: I'm like, it's, it's a great comic. 40:13.241 --> 40:15.383 [SPEAKER_03]: I like the new characters, I like the old characters. 40:15.838 --> 40:18.941 [SPEAKER_01]: It's an impressive artistic kind of achievement. 40:18.961 --> 40:23.286 [SPEAKER_01]: It's very hard for the tone that it sets with this apartment truth. 40:23.726 --> 40:25.708 [SPEAKER_01]: Also, it's been going for a while. 40:25.768 --> 40:31.795 [SPEAKER_01]: So they keep kind of cranking out these ideas and conspiracy theories and other things. 40:31.875 --> 40:34.878 [SPEAKER_01]: It's really impressive what they were been able to do on this run. 40:35.690 --> 40:44.496 [SPEAKER_04]: I really like this arc a lot, and I particularly like it because of the TZ Academy cheese art, which has been so good over on something as killing. 40:44.516 --> 40:52.362 [SPEAKER_04]: The children and house of slaughter, specifically house of slaughter, and that whole part of the universe, but great stuff, good title. 40:52.962 --> 40:57.966 [SPEAKER_04]: Absolutely, Wonder Woman number ten from DC Comics, written by Kelly Thompson, art by Hayden Sherman. 40:58.326 --> 41:02.609 [SPEAKER_04]: Wonder Woman is still trapped in a maze and trying to get folks out. 41:02.709 --> 41:07.733 [SPEAKER_04]: She is being attacked by a evil sorceress who is leading a bunch of merman. 41:08.314 --> 41:13.017 [SPEAKER_04]: And as bad as things get, this issue is still really funny at points. 41:13.998 --> 41:16.580 [SPEAKER_04]: And emotional heart deeply has felt as well. 41:19.367 --> 41:20.428 [SPEAKER_03]: That's all we had to say. 41:20.608 --> 41:20.848 [SPEAKER_03]: Great. 41:22.089 --> 41:23.230 [SPEAKER_03]: This is your themepe. 41:23.270 --> 41:25.811 [SPEAKER_01]: This is your themepe. 41:26.352 --> 41:35.997 [SPEAKER_03]: I just want you to have the chance to really talk about it because if how much you love the art and the writing in this comic, the characters and sort of the new darker take on the Wonder Woman origin. 41:36.017 --> 41:37.939 [SPEAKER_03]: So really, look at forward to hearing your take. 41:37.959 --> 41:38.719 [SPEAKER_03]: All right. 41:38.819 --> 41:39.940 [SPEAKER_03]: Anytime you're ready to do it. 41:39.980 --> 41:41.000 [SPEAKER_03]: But look at this cover. 41:41.020 --> 41:43.342 [SPEAKER_01]: Let me say before you do this cover though. 41:43.942 --> 41:45.264 [SPEAKER_01]: You took away my cover. 41:46.325 --> 41:47.026 [SPEAKER_01]: You fucker. 41:47.447 --> 41:48.528 [SPEAKER_01]: You left me nothing. 41:49.409 --> 41:51.451 [SPEAKER_01]: Another amazing issue. 41:52.532 --> 41:53.093 [SPEAKER_01]: Love the art. 41:53.133 --> 41:53.854 [SPEAKER_01]: Love the action. 41:53.994 --> 41:55.236 [SPEAKER_01]: Funding inside. 41:55.256 --> 41:58.159 [SPEAKER_01]: Wonder Woman's head is Justin says, brain me. 41:59.200 --> 42:03.105 [SPEAKER_01]: And we get a flashback, which is just very touching. 42:03.585 --> 42:03.906 [SPEAKER_01]: Great. 42:04.586 --> 42:10.989 [SPEAKER_01]: I'm loving all we are learning about Wonder Woman and you know how great she is. 42:11.069 --> 42:14.911 [SPEAKER_01]: So just really really love this badass story. 42:15.011 --> 42:21.614 [SPEAKER_01]: Kelly Thompson is doing an amazing job and I get excited every issue and every issue they deliver. 42:22.455 --> 42:26.036 [SPEAKER_03]: Brain me because I'm in here with Wonder Woman. 42:26.076 --> 42:28.458 [SPEAKER_03]: I do think inside there had idea. 42:28.498 --> 42:32.259 [SPEAKER_03]: That's why I say my padded catchphrase by the t-shirt now. 42:32.479 --> 42:32.900 [SPEAKER_03]: Brain me. 42:35.877 --> 43:05.424 [SPEAKER_03]: what they've done with absolutely is they've made the most heroic character I think in comics yes she is the most like pure of her like does it for they talk about the right I know right does it for the right reasons we have all these gods being like yo this is something's crazy about this kid she's too good but she's but you're just brooding for her so hard in every issue and it's just such an accomplishment and our matches that it's it's made fantastic agreed 43:07.185 --> 43:27.016 [SPEAKER_04]: the uncanny x-band numbery teen from marvel written by gal Simone art by luchiano vecchio in this issue the x-band go to a friendship day celebration in their honor in the as you say the local town but it's doorlands right New Orleans is the local town and that in the middle of course of stuff goes to 43:27.016 --> 43:29.938 [SPEAKER_04]: down and they end up saying the people and that's the issue. 43:30.059 --> 43:31.500 [SPEAKER_01]: It's local for Stray bullies. 43:31.840 --> 43:40.267 [SPEAKER_01]: Yeah, first off, this is a real emotional roller coaster for me because I hated the cover because I was like, why is Wolverine, luckily he's going to barf like what's up with that. 43:42.489 --> 43:47.954 [SPEAKER_01]: I was all upset and then I started reading this and I was like, oh my god, I'm having such a great time. 43:49.255 --> 43:54.760 [SPEAKER_01]: Yeah, it's great to see people working together and getting along. 43:54.860 --> 44:02.767 [SPEAKER_01]: So I very much enjoyed this even though I had a little bit of a slow start and then built up to the action, but man, by the end of it, I was having a great time. 44:03.843 --> 44:13.676 [SPEAKER_03]: I like the way that they've been able to combine our young for some and then the main team, the sort of outsiders and our uncanny X-Men team. 44:14.277 --> 44:15.919 [SPEAKER_03]: And sort of share a focus a little bit. 44:15.939 --> 44:17.822 [SPEAKER_03]: We had a big arc that just wrapped up. 44:19.364 --> 44:37.206 [SPEAKER_03]: focusing on the younger four characters so it's nice to have the shift over to Rogue Gambit and all of them and then the message was just really sweet by the end I got caught up in the emotions I always say heart me when I get caught up in the feelings so I was definitely there with it and great night crawler scene 44:38.726 --> 44:44.928 [SPEAKER_04]: I love a night crawler romance, so I am very into that. 44:45.128 --> 44:46.588 [SPEAKER_04]: That's really working very well. 44:46.848 --> 44:55.730 [SPEAKER_04]: Also, great, really well drawn moment from Luciano Vecchio of the team finally get to get to costumes again, which we haven't seen for a very long time. 44:55.910 --> 44:58.571 [SPEAKER_04]: Clearly, they were holding back for this, but it's very nice. 44:58.591 --> 44:59.251 [SPEAKER_04]: It's iconic. 45:00.011 --> 45:01.552 [SPEAKER_04]: And I also really enjoyed this issue. 45:01.632 --> 45:03.012 [SPEAKER_04]: I do have one little 45:04.613 --> 45:05.954 [SPEAKER_03]: Oh, yeah, that's it. 45:05.974 --> 45:06.695 [SPEAKER_03]: Here we go. 45:06.955 --> 45:07.715 [SPEAKER_03]: It's warm. 45:07.755 --> 45:09.777 [SPEAKER_03]: Yeah, I'd like you to. 45:09.837 --> 45:10.878 [SPEAKER_04]: I'd quibble me quick. 45:12.039 --> 45:12.679 [SPEAKER_04]: I love. 45:12.700 --> 45:15.842 [SPEAKER_04]: I love going to those for the clothes. 45:18.991 --> 45:29.240 [SPEAKER_04]: As I love them going to this carnival, it's weird to me that the main thing that they need to deal with is somewhere else because they're at this carnival. 45:29.260 --> 45:31.061 [SPEAKER_04]: They're like, oh no, the school is on fire. 45:31.161 --> 45:41.009 [SPEAKER_04]: Let's leave this carnival and go to an entirely different location to deal with the problem there versus things going wrong at the carnival and then having to deal with it. 45:41.593 --> 45:55.280 [SPEAKER_03]: It was a strange, a misdirect, because I think we get Wolverine sort of being like something bad's going to happen here, and he goes to fight the guy that grew up with Gambit and sort of his little barge enemy who was actually helping them there. 45:55.320 --> 46:01.363 [SPEAKER_03]: So I think it's a red herring, and then they all see fire in the distance and have to run and do it. 46:01.883 --> 46:03.424 [SPEAKER_03]: So yeah, it was a little strange. 46:04.965 --> 46:12.133 [SPEAKER_03]: Like a first responder idea that they were going with there where they had to go and get to the children's hospital and stop it from burning down. 46:12.813 --> 46:16.357 [SPEAKER_03]: But everyone got to be just a great hero in this coming. 46:17.595 --> 46:23.557 [SPEAKER_04]: Lost fantasy, number three from image comics written by Kurt Pires, art by Luca Casalanguida. 46:23.958 --> 46:31.421 [SPEAKER_04]: We are following Final Fantasy meets a guy with a light saber fighting monsters throughout town as well as law enforcement. 46:31.901 --> 46:34.502 [SPEAKER_04]: This book is beautiful to look at and absolutely wild. 46:35.603 --> 46:36.163 [SPEAKER_03]: Great. 46:36.584 --> 46:40.107 [SPEAKER_03]: Yeah, it's I don't quite like the lost fantasy aspect. 46:40.147 --> 46:41.269 [SPEAKER_03]: I'm like, what does this mean? 46:41.309 --> 46:43.091 [SPEAKER_03]: Because I like the the story. 46:43.111 --> 46:49.858 [SPEAKER_03]: I just don't quite see the the titleing is getting in my way for some reason because it feels so different from that. 46:49.898 --> 46:50.258 [SPEAKER_03]: I don't know. 46:50.879 --> 46:51.820 [SPEAKER_03]: Maybe that's a small. 46:51.860 --> 46:52.641 [SPEAKER_03]: That's a quibble. 46:55.063 --> 46:59.865 [SPEAKER_01]: Well, yeah, I mean, there's nothing like started with an epic sword fight scene, so that got me right away. 47:00.925 --> 47:04.926 [SPEAKER_01]: Tons of action, twists and turns, crop cops, evil worms. 47:05.446 --> 47:06.347 [SPEAKER_01]: This is just awesome. 47:06.427 --> 47:07.307 [SPEAKER_01]: I love the pace. 47:07.687 --> 47:09.688 [SPEAKER_01]: You're driving out of control today. 47:09.928 --> 47:12.289 [SPEAKER_01]: And I loved all the actions. 47:12.329 --> 47:13.089 [SPEAKER_01]: Oh, I think yes. 47:14.619 --> 47:19.988 [SPEAKER_03]: You've been taking here that even watching M&M's master class, right? 47:20.429 --> 47:23.915 [SPEAKER_03]: And that's really getting you into that eight mile error shit, right? 47:24.756 --> 47:25.157 [SPEAKER_03]: That's right. 47:25.177 --> 47:26.199 [SPEAKER_03]: Yeah, mom's spaghetti. 47:28.123 --> 47:34.745 [SPEAKER_04]: New history of the DC universe number two from DC comics written by Mark Wade, art by Michael Alred and Brad Walker. 47:34.785 --> 47:42.807 [SPEAKER_04]: We're continuing our walk through the revised and co-related version of the history of the DC universe. 47:42.887 --> 47:44.667 [SPEAKER_04]: Justin, you loved the last one. 47:44.927 --> 47:46.688 [SPEAKER_04]: Justin, how'd you feel about this? 47:47.648 --> 47:51.372 [SPEAKER_03]: I love information and we just get so much here. 47:52.073 --> 48:02.523 [SPEAKER_03]: It's a great information, a lot of splash pages featuring characters together that you wouldn't normally see hanging out like Lobo. 48:03.583 --> 48:32.430 [SPEAKER_03]: Who I think most people know is space Wolverine hanging out with geophores the Omega man and vigilante So like this is almost we we were talking a bit about in the Patreon discord about the Good and bad things of the swim suit issues and this has swim suit issue Anderson where it's like a lot of like just basic information about these characters put together in a nice nice package to look at 48:33.385 --> 48:34.826 [SPEAKER_01]: You love a type package. 48:35.607 --> 48:38.870 [SPEAKER_01]: Yeah, so I think first off, awesome cover. 48:38.950 --> 48:40.932 [SPEAKER_01]: I'm in Chris Samney killing it. 48:41.032 --> 48:41.913 [SPEAKER_01]: That's very cool. 48:43.634 --> 48:52.222 [SPEAKER_01]: I was a little distracted because they switch artists back and forth in between different I almost wanted them to kind of go half and half or like 48:52.622 --> 48:58.264 [SPEAKER_01]: Okay, or give me the villains of one artist in that just because the back and forth was pulling me out of it. 48:58.324 --> 49:02.365 [SPEAKER_01]: You know, all reds are is so cool, but it's so different. 49:02.566 --> 49:04.126 [SPEAKER_01]: You know, I mean it's a different tone. 49:04.586 --> 49:14.770 [SPEAKER_01]: So it just kind of pulls me out a little bit, which I don't like because it's amazing art, but it just I don't know a collides for me a little bit in this and when I was having some trouble, but 49:15.910 --> 49:23.154 [SPEAKER_01]: Yeah, you learn stuff if you're looking for like gray art and little bits of information about heroes and birth villains. 49:23.574 --> 49:24.854 [SPEAKER_01]: This is your jam. 49:25.415 --> 49:41.182 [SPEAKER_04]: Yeah, either follows the Tateen Titans on Instagram or by this comic either way either way the seasons number six from image comics written by Rick Romander art by Paul as a seda in this issue's summer season 49:41.903 --> 49:52.516 [SPEAKER_04]: is trying to get away from spring seasons is trying to get away from an evil carnival who is after her and has gotten her sisters and parents and is she going to escape? 49:52.656 --> 49:54.378 [SPEAKER_04]: I guess we'll find out by the end of this issue. 49:54.758 --> 49:57.922 [SPEAKER_04]: Justin, I know you're pretty hyped about this, so take it away. 49:59.393 --> 50:00.875 [SPEAKER_03]: I've said it many times. 50:00.895 --> 50:05.278 [SPEAKER_03]: I just love the art in this comic pipe, all as I say it is. 50:05.378 --> 50:08.681 [SPEAKER_03]: So nice and recommenders really leaning into such a summertime book. 50:09.461 --> 50:19.209 [SPEAKER_03]: The colors are excellent, bringing in like a lot of bright colors, everything is nice and sunny, even though we're getting into just a horrifying underbelly here. 50:19.229 --> 50:25.934 [SPEAKER_03]: This issue really struck me the Alice in Wonderlandness of it, which I liked that journey. 50:26.174 --> 50:26.875 [SPEAKER_03]: I like the 50:28.077 --> 50:46.002 [SPEAKER_03]: The recommenders always saying something larger, all the characters in this comic are struggling with their insecurities until they get drawn into a mirror, a hand mirror that gives them everything they want, as a probably a direct metaphor for the cell phones that we hold on to our faces. 50:46.823 --> 50:52.564 [SPEAKER_03]: Most of the days when I was getting from it, but wonderful fantastical story. 50:53.325 --> 50:54.145 [SPEAKER_03]: One of my favorites. 50:55.202 --> 50:56.323 [SPEAKER_01]: beautiful cover. 50:56.903 --> 51:04.607 [SPEAKER_01]: This is just creepy, tripped out, but also magical and there's a ton of hope in there, which is great. 51:04.667 --> 51:11.591 [SPEAKER_01]: But man, the panels on this, the artistic choice is just one experience just reading this comic. 51:11.671 --> 51:16.733 [SPEAKER_01]: It really sucks you into this world and such a impressive creative way. 51:16.813 --> 51:19.915 [SPEAKER_01]: Just really, really worth it for the art alone. 51:19.935 --> 51:21.676 [SPEAKER_01]: And the story is amazing. 51:21.756 --> 51:30.421 [SPEAKER_01]: Mel, but man, just next level, the artistry and the characters, it's so creepy and so wild and so bright. 51:30.521 --> 51:42.728 [SPEAKER_01]: And like we were talking about earlier, this juxtaposition of this kind of bright, magical world and the darkness underneath is such an interesting one to punch that keeps me coming back for more. 51:42.748 --> 51:48.551 [SPEAKER_01]: I cannot wait to read the next issue every issue of this has just been absolutely fantastic. 51:50.052 --> 51:51.172 [SPEAKER_04]: Look into my eyes. 51:51.272 --> 51:54.153 [SPEAKER_04]: Number one, from Bad Cave Studios by Rubin. 51:54.333 --> 52:01.054 [SPEAKER_04]: This takes place in a world with a new social media app that is really messing things up for some people in the local school. 52:01.074 --> 52:02.034 [SPEAKER_04]: It's in teens. 52:02.274 --> 52:04.335 [SPEAKER_01]: I'm trying to look into your eyes to make it tough. 52:04.475 --> 52:04.615 [SPEAKER_01]: Oh. 52:05.995 --> 52:09.136 [SPEAKER_04]: That's that. 52:09.596 --> 52:11.596 [SPEAKER_04]: I've never seen you bulge your eyes like that. 52:11.636 --> 52:12.156 [SPEAKER_04]: That was creepy. 52:12.236 --> 52:14.277 [SPEAKER_04]: Oh yeah, I can like bulge them straight out. 52:14.357 --> 52:14.997 [SPEAKER_04]: It's pretty gross. 52:15.197 --> 52:15.757 [SPEAKER_03]: Oh my god. 52:15.937 --> 52:16.277 [SPEAKER_03]: It's why. 52:16.297 --> 52:17.838 [SPEAKER_04]: And that's my review of the book. 52:18.418 --> 52:19.478 [SPEAKER_04]: You're like large marge. 52:23.313 --> 52:38.418 [SPEAKER_03]: This reminds me a bit of the real love it comic that I really like the one hundred percent and it's crazy because she did I believe a variant cover for this very cover that is actually really nice, but that was called crave I want to say 52:38.858 --> 52:43.980 [SPEAKER_03]: Yeah, but this comic is hard to know exactly what's happening. 52:44.020 --> 52:48.962 [SPEAKER_03]: It's moving so fast and it's like very much like hey, why look over here. 52:48.982 --> 52:49.343 [SPEAKER_03]: Look over here. 52:49.363 --> 52:49.843 [SPEAKER_03]: Look over here. 52:50.763 --> 52:59.627 [SPEAKER_03]: I think we lose lose touch of what the thread is because it has the similar dread that Crave had, but it's just there's so much else going on here. 53:00.291 --> 53:07.255 [SPEAKER_04]: I think the problem is the characters because it feels like you're cutting in the middle of something where it's like, you know these guys. 53:07.576 --> 53:08.356 [SPEAKER_04]: You've met before. 53:08.396 --> 53:09.337 [SPEAKER_04]: You know all these people. 53:09.437 --> 53:10.598 [SPEAKER_04]: You hang out with them at high school. 53:10.638 --> 53:11.278 [SPEAKER_04]: Okay, let's go. 53:11.438 --> 53:12.539 [SPEAKER_04]: They're having this big problem. 53:12.559 --> 53:13.159 [SPEAKER_04]: What's the problem? 53:13.299 --> 53:14.280 [SPEAKER_04]: We'll tell you about it later. 53:14.960 --> 53:20.784 [SPEAKER_04]: So it's like dropping in the middle of a conversation with a bunch of people that you have never met before in your entire life. 53:20.984 --> 53:23.666 [SPEAKER_04]: But art-wise, I thought this was really interesting. 53:23.706 --> 53:23.986 [SPEAKER_04]: It's very 53:23.986 --> 53:24.547 [SPEAKER_00]: It's very intense. 53:24.707 --> 53:26.629 [SPEAKER_04]: It's very into social media. 53:26.669 --> 53:34.758 [SPEAKER_04]: So it's packed in every page, but still the action is clear at the same time, which I think is a hard balance to strike. 53:35.158 --> 53:37.901 [SPEAKER_04]: So from that part, it's successful, but I agree with you. 53:37.941 --> 53:41.004 [SPEAKER_04]: It is hard to hold on to the narrative. 53:41.725 --> 53:44.567 [SPEAKER_03]: Yeah, let's get past the hype of the first half sorry sorry. 53:44.587 --> 53:51.231 [SPEAKER_03]: Let's get past the hype of the first half of the comic and into like we get some horror look looks and pages in the back half. 53:51.351 --> 53:55.094 [SPEAKER_03]: I thought it settled a little bit and maybe it's gonna get somewhere sorry people 53:56.105 --> 54:07.291 [SPEAKER_01]: No, yeah, I just, I think the crazy cool cover, unbelievable art, you know, kind of high school mean girls situation with some dark horror elements sprinkled in. 54:07.311 --> 54:18.317 [SPEAKER_01]: I don't know what's going on, but I want to read more just because the art has pulled me in and the kind of perspective of the panels, but yeah, if someone's like, hey, what's this about? 54:18.337 --> 54:20.378 [SPEAKER_01]: I would just say, look into my eyes. 54:22.373 --> 54:49.994 [SPEAKER_04]: I screened number forty four for the image comics written by Matt W. Maxwell prints art by martin morazo this issue as usual is another horror and the theology issue this time taking the form of a terrifying performance review are they all oh man oh yeah what is you have you have a job yeah I do have you never had a performance review Justin I don't think I have wow what 54:51.626 --> 54:53.288 [SPEAKER_03]: I mean, I guess I have it. 54:53.328 --> 54:54.509 [SPEAKER_01]: It's like an audition. 54:55.489 --> 55:02.635 [SPEAKER_01]: Yeah, it's kind of like an audition, but with an audition, you could get a job with this. 55:02.695 --> 55:05.317 [SPEAKER_01]: You could lose your job, you don't know what I mean. 55:06.118 --> 55:10.322 [SPEAKER_01]: And it's usually someone who doesn't know what they're talking about, giving you a shit ton of advice. 55:10.482 --> 55:12.203 [SPEAKER_01]: Anyways, enough of that. 55:13.384 --> 55:19.608 [SPEAKER_01]: I recommend this is issue number forty four and I just want to admire the roller coaster while we're on it. 55:20.329 --> 55:22.150 [SPEAKER_01]: This comic never disappoints. 55:22.470 --> 55:23.591 [SPEAKER_01]: It's fucking creepy. 55:23.871 --> 55:30.935 [SPEAKER_01]: You have no idea what our angle or what they're going to come at you, but you know they're coming for you and man alive. 55:30.955 --> 55:31.496 [SPEAKER_01]: I just 55:32.716 --> 55:34.216 [SPEAKER_01]: I am so impressed by this. 55:34.476 --> 55:42.898 [SPEAKER_01]: This is really so messed up that it's so much jargon of corporate America and just the title alone, the way they repeat it. 55:43.018 --> 55:50.679 [SPEAKER_01]: It's just, it creeps me out and it's, it's everything that's wrong with this world with a little hope of what's right. 55:50.759 --> 56:00.581 [SPEAKER_01]: It's really impressive what they're doing here and man, forty-four issues of like, oh God, what is this going to be and they're still delivering? 56:02.036 --> 56:05.760 [SPEAKER_03]: A great fantastic, I like the way this story landed. 56:05.780 --> 56:06.861 [SPEAKER_03]: I thought it was really cool. 56:07.441 --> 56:14.608 [SPEAKER_03]: And in a, at this comic, I've reminds me of George Saunders writing a lot, especially this issue, I felt like. 56:16.657 --> 56:32.697 [SPEAKER_04]: Thundercats, Powerpuff Girls, Number One from Dynamite, Rinite Polina Ganna show art by Coleman Angle is picking up on the free comic book day issue that does with the title says crosses over the two properties and here they go on a adventure together on third earth, I want to say. 56:33.238 --> 56:36.563 [SPEAKER_04]: Yeah, Pete, this is your jams. 56:36.723 --> 56:40.929 [SPEAKER_01]: Yes, I love both our cats and powerpuff girls. 56:41.030 --> 56:42.472 [SPEAKER_01]: So, thank you. 56:43.073 --> 56:43.693 [SPEAKER_01]: This is fun. 56:44.595 --> 56:47.539 [SPEAKER_01]: Yeah, the powerpuff girls go to save thunder cats just 56:48.400 --> 57:04.108 [SPEAKER_01]: just funny moments enjoyable story kind of great to see them kind of working together a piece in this together and then it felt like there were shots taken at Furby so yeah I was having a blast with this and thought it was adorable in all the right ways 57:05.607 --> 57:10.431 [SPEAKER_03]: I agree with you, very adorable, and how about all that thunder cat-fucking happening in here? 57:10.451 --> 57:12.232 [SPEAKER_03]: Famously crazy. 57:12.312 --> 57:16.496 [SPEAKER_03]: I don't know, what's going on with comics these days. 57:16.656 --> 57:23.001 [SPEAKER_04]: When he held up the sort of moments in yelled puff the flum, that's very surprising. 57:23.501 --> 57:25.042 [SPEAKER_03]: felt really seen in that moment. 57:26.403 --> 57:32.786 [SPEAKER_03]: But I was actually, I actually think this was, the crossover was really different. 57:33.287 --> 57:34.307 [SPEAKER_03]: They really pushed it. 57:34.447 --> 57:38.409 [SPEAKER_03]: It could have been something that isn't, that just was a fun little arc. 57:38.449 --> 57:40.611 [SPEAKER_03]: But I think they got into some interesting things. 57:40.651 --> 57:45.693 [SPEAKER_03]: There's this sort of, that we had, they have to unlock the thought of cats who had that sort of poison. 57:45.713 --> 57:47.294 [SPEAKER_03]: But I say, I really like stuff like that. 57:47.354 --> 57:48.195 [SPEAKER_03]: Reminds me of the, 57:48.775 --> 58:01.756 [SPEAKER_03]: He maintained human Ninja Turtles crossover that I believed him silly did that I thought, you know, battered way above it's average for like just telling a really in-depth story when it was a book that did probably didn't need to. 58:01.916 --> 58:02.637 [SPEAKER_03]: This does the same thing. 58:03.921 --> 58:21.662 [SPEAKER_04]: sleep number three for maybe comics by zander cannon this is focusing on a guy who probably turns into a giant wolf monster every time he goes to sleep but we're only following when he is awake between those points and seeing the destruction that he has left around him 58:22.643 --> 58:30.455 [SPEAKER_04]: Man, this book has built bigger and bigger and in a more tense and upsetting way every single issue. 58:31.076 --> 58:37.065 [SPEAKER_04]: Love the art here, which is very cartoony and mostly black and white with splashes of red throughout. 58:38.446 --> 58:44.832 [SPEAKER_04]: This issue our character starts to panic and it's, I am terrified to see what happens next. 58:44.992 --> 58:46.593 [SPEAKER_04]: Peach, you had a question? 58:46.653 --> 58:47.254 [SPEAKER_01]: I have a question. 58:47.354 --> 58:58.143 [SPEAKER_01]: So every issue is like, oh shit, he's awake and it's, you know, if he is the wearable for the monster he's turning into like, what does he do during the day? 58:58.203 --> 58:59.244 [SPEAKER_01]: How does he deal, right? 58:59.725 --> 59:04.149 [SPEAKER_01]: So my question you guys is like, how many more issues can we keep this up? 59:04.887 --> 59:08.128 [SPEAKER_01]: before, you know, we gotta see it. 59:08.328 --> 59:08.868 [SPEAKER_01]: You know what I mean? 59:08.908 --> 59:09.788 [SPEAKER_01]: Like, it's gotta happen. 59:10.068 --> 59:16.390 [SPEAKER_01]: And maybe by the end of this issue, that's the last time, but I was like, all right, we can't keep it. 59:16.410 --> 59:17.731 [SPEAKER_01]: Like, I need answers. 59:17.811 --> 59:19.091 [SPEAKER_01]: Like, this is just a new one. 59:19.171 --> 59:20.671 [SPEAKER_01]: Yeah, it's getting, it's getting. 59:20.991 --> 59:23.632 [SPEAKER_01]: But like you said, Alex, the art is unbelievable. 59:23.712 --> 59:29.994 [SPEAKER_01]: And the use of red as kind of this interesting storyteller is just fantastic choice. 59:30.594 --> 59:31.514 [SPEAKER_03]: So let me get a straight Peter. 59:31.554 --> 59:33.335 [SPEAKER_03]: Are you trying to say, bring me? 59:34.722 --> 59:37.464 [SPEAKER_01]: You try to say, you've never been in this head of it. 59:37.825 --> 59:40.286 [SPEAKER_01]: I would never take your, I mean, that's the thing. 59:40.326 --> 59:44.249 [SPEAKER_01]: We're in his head, but it doesn't matter because he's not the monster. 59:44.349 --> 59:45.510 [SPEAKER_01]: We don't know. 59:46.031 --> 59:47.472 [SPEAKER_01]: We won't get that answer in his head. 59:47.492 --> 59:49.573 [SPEAKER_01]: You know, we got to see when he's asleep. 59:50.234 --> 59:55.317 [SPEAKER_03]: We truly, if for our own personal brands, we cannot take each other's catch phrases. 59:55.858 --> 59:58.780 [SPEAKER_03]: But I do think this comic is super type and end of time. 59:59.260 --> 01:00:00.381 [SPEAKER_03]: A lot of twists and turns. 01:00:01.001 --> 01:00:01.482 [SPEAKER_03]: Great cover. 01:00:04.775 --> 01:00:06.496 [SPEAKER_03]: Um, I do I haven't seen your names. 01:00:06.736 --> 01:00:07.697 [SPEAKER_03]: I yeah, sorry. 01:00:08.157 --> 01:00:09.939 [SPEAKER_03]: We have our fun, but we got to say real stuff. 01:00:10.259 --> 01:00:18.545 [SPEAKER_03]: Um, the an anxiety story about where we're being aware of if I haven't seen before, I don't think, and this really, really does it. 01:00:19.265 --> 01:00:20.706 [SPEAKER_04]: I want to concentrate on what Pete said. 01:00:21.006 --> 01:00:22.547 [SPEAKER_04]: I don't ever want to see the world. 01:00:22.728 --> 01:00:26.410 [SPEAKER_03]: I think we'll get a last page of last issue reveal. 01:00:29.542 --> 01:00:36.870 [SPEAKER_04]: I mean, Texarkana number one from Dark Horse Comics written by Christopher Monfett are to buy Miguel Martos. 01:00:37.330 --> 01:00:48.903 [SPEAKER_04]: This is about a super natural investigator traveling through Mid-America and the stopping set of super natural beings, but a very casual way, even though they're pretty awful. 01:00:50.046 --> 01:00:50.326 [SPEAKER_04]: period. 01:00:51.127 --> 01:00:52.288 [SPEAKER_04]: Yeah. 01:00:52.928 --> 01:00:53.829 [SPEAKER_04]: I'm done now. 01:00:54.269 --> 01:00:54.749 [SPEAKER_01]: Okay. 01:00:54.829 --> 01:00:55.030 [SPEAKER_01]: Yeah. 01:00:55.050 --> 01:00:56.911 [SPEAKER_01]: Well, this is some tripped out of evil shit. 01:00:57.331 --> 01:00:58.252 [SPEAKER_01]: Amazing art. 01:00:58.652 --> 01:00:59.553 [SPEAKER_01]: Gross as hell. 01:01:01.074 --> 01:01:03.055 [SPEAKER_01]: This is a creepy ass story. 01:01:03.115 --> 01:01:04.256 [SPEAKER_01]: My mind was blown. 01:01:04.856 --> 01:01:07.819 [SPEAKER_01]: And, uh, yeah, this come to come. 01:01:07.899 --> 01:01:08.839 [SPEAKER_01]: I haven't been right since. 01:01:10.340 --> 01:01:10.701 [SPEAKER_01]: Wow. 01:01:12.102 --> 01:01:12.542 [SPEAKER_01]: Interesting. 01:01:12.582 --> 01:01:14.343 [SPEAKER_04]: See this was the device. 01:01:14.583 --> 01:01:15.164 [SPEAKER_01]: This is it. 01:01:15.224 --> 01:01:15.404 [SPEAKER_01]: Yeah. 01:01:15.444 --> 01:01:16.365 [SPEAKER_01]: This was what I did. 01:01:17.145 --> 01:01:17.866 [SPEAKER_01]: Finally got him. 01:01:17.946 --> 01:01:19.046 [SPEAKER_01]: And you were fine before. 01:01:20.588 --> 01:01:24.132 [SPEAKER_01]: I mean, that's up for debate, but, you know, yeah. 01:01:24.493 --> 01:01:27.296 [SPEAKER_03]: And I wouldn't even say we have to debate too much, I think we can all agree. 01:01:27.316 --> 01:01:27.396 [SPEAKER_03]: Nope. 01:01:30.836 --> 01:01:46.339 [SPEAKER_03]: But for this comic, the art reminded me of who's the artist that did cross back in the one who's a great maybe that's yeah had there's a great sort of horrifying moment that happens when they're jerking off on the bullets as well. 01:01:46.359 --> 01:01:47.119 [SPEAKER_03]: You're thinking of right. 01:01:47.780 --> 01:01:48.700 [SPEAKER_03]: Yes, yes. 01:01:49.380 --> 01:01:50.900 [SPEAKER_03]: Can't believe they were fucking those bullets. 01:01:53.201 --> 01:01:53.741 [SPEAKER_03]: It's crazy. 01:01:55.115 --> 01:02:08.558 [SPEAKER_03]: No, I was talking about when the monster, the dead, the combined corpses that also had antlers jammed up through the bottom of the guy's chin and came out of his nose. 01:02:09.298 --> 01:02:10.839 [SPEAKER_03]: That reminded me of crossed. 01:02:11.659 --> 01:02:17.300 [SPEAKER_03]: But I do like the way, this kind of kind of gets a funny tone of like, these guys like another fucking day on the job. 01:02:17.720 --> 01:02:24.282 [SPEAKER_03]: And it's like him stopping a poisoned town from like consuming itself. 01:02:25.003 --> 01:02:34.965 [SPEAKER_03]: So I do, I think that's working I like it and I like that it's really focusing in though on this very particular feud rather than being a story of the week kind of a thing. 01:02:36.155 --> 01:02:44.623 [SPEAKER_04]: Exquisite Corpse is number three for the image comics written by Pornseck, piece of shote, with James Town in the fourth, art by Valentin Delanjo with Michael Walsh. 01:02:45.104 --> 01:02:55.954 [SPEAKER_04]: We are following a small town which is beset by insane serial killers all part of a contest by the secret cabal that controls if not America, maybe the entire world. 01:02:57.155 --> 01:03:04.759 [SPEAKER_04]: and they are competing to find out who will be in control of the person who controls the serial killer who is left at the end will win. 01:03:05.259 --> 01:03:06.900 [SPEAKER_04]: So we're also following the outside. 01:03:06.920 --> 01:03:18.886 [SPEAKER_04]: I believe the way they're just breaking down is James time in the fourth and Michael Walsh are doing the rich people outside and everybody else is doing exquisite corpse style, the inside area. 01:03:18.967 --> 01:03:23.869 [SPEAKER_04]: What's going on in the town, which I wondered about in the first issue and I guess he or she did. 01:03:25.550 --> 01:03:27.131 [SPEAKER_04]: But I get it now, and I think that's it. 01:03:27.171 --> 01:03:30.654 [SPEAKER_03]: Well, well, I guess in the third issue, you really learned about it. 01:03:31.235 --> 01:03:31.615 [SPEAKER_03]: I did. 01:03:31.915 --> 01:03:32.195 [SPEAKER_03]: I did. 01:03:32.255 --> 01:03:33.096 [SPEAKER_03]: Thank you, Justin. 01:03:33.236 --> 01:03:34.977 [SPEAKER_03]: Well, I think you've been hoisted on. 01:03:34.997 --> 01:03:37.399 [SPEAKER_04]: I've been hoisted on your petard. 01:03:37.920 --> 01:03:38.380 [SPEAKER_04]: That's all. 01:03:38.400 --> 01:03:39.821 [SPEAKER_04]: You can cut my petard. 01:03:39.901 --> 01:03:42.203 [SPEAKER_04]: I've been hoisted on somebody else's petard. 01:03:43.264 --> 01:03:45.425 [SPEAKER_03]: I think you can be, but that's just regular war. 01:03:45.966 --> 01:03:47.027 [SPEAKER_03]: That's not something. 01:03:47.567 --> 01:03:50.609 [SPEAKER_03]: That's the whole point of war is that you get hoisted on my petard. 01:03:51.070 --> 01:03:51.230 [SPEAKER_01]: Well, 01:03:53.022 --> 01:03:54.763 [SPEAKER_01]: I just wanted to say, I can't believe we did it. 01:03:54.783 --> 01:03:55.544 [SPEAKER_01]: Is it a guitar? 01:03:55.564 --> 01:03:56.704 [SPEAKER_01]: Do you have a guitar to take? 01:03:57.885 --> 01:03:58.545 [SPEAKER_03]: So we're doing it. 01:03:58.745 --> 01:04:07.829 [SPEAKER_04]: Yeah, a guitar essentially said to me the other day that you should never waste a guitar at a land war in Russia. 01:04:08.410 --> 01:04:09.410 [SPEAKER_04]: Who guess that work? 01:04:10.871 --> 01:04:11.391 [SPEAKER_01]: Yeah. 01:04:11.431 --> 01:04:11.571 [SPEAKER_01]: Yeah. 01:04:12.031 --> 01:04:14.253 [SPEAKER_01]: So I guess that makes a good piece to take. 01:04:15.914 --> 01:04:27.725 [SPEAKER_01]: I feel personally attacked by this issue and this was very upsetting creepy peat who eats babies or parts babies. 01:04:28.285 --> 01:04:29.867 [SPEAKER_03]: This is the eating babies thing now. 01:04:32.169 --> 01:04:35.110 [SPEAKER_01]: You made me wait till the end of the stack for this. 01:04:36.331 --> 01:04:45.514 [SPEAKER_01]: I have to write a letter to these writers and just be like, how dare you the creepy peak character looks way too much like me. 01:04:45.954 --> 01:04:53.377 [SPEAKER_01]: And yeah, it was very hard to read this because of this awful character that I am nothing. 01:04:54.297 --> 01:04:54.797 [SPEAKER_04]: I'm sorry. 01:04:54.817 --> 01:05:04.924 [SPEAKER_04]: I got to say he isn't anything like you because at no point did you see him with delicious baby gristle coming off of his lips because he had just eaten a fresh baby straight out of the desert. 01:05:05.564 --> 01:05:07.646 [SPEAKER_03]: Must be nice to see yourself in comics, Pete. 01:05:08.026 --> 01:05:10.788 [SPEAKER_03]: I did find it interesting because a lot of people are named Pete. 01:05:11.288 --> 01:05:11.468 [SPEAKER_03]: Right. 01:05:11.628 --> 01:05:11.849 [SPEAKER_03]: Right. 01:05:11.889 --> 01:05:12.089 [SPEAKER_03]: Sure. 01:05:12.389 --> 01:05:19.253 [SPEAKER_03]: So like it's not necessarily you, but when I saw Chris, the waiter from Chile's two in here, I knew it was you. 01:05:19.994 --> 01:05:21.295 [SPEAKER_03]: I knew it was our Pete. 01:05:22.095 --> 01:05:37.604 [SPEAKER_03]: uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... 01:05:46.849 --> 01:05:49.031 [SPEAKER_03]: have her L turned into a dub. 01:05:50.191 --> 01:05:57.877 [SPEAKER_04]: Geiger, number sixteen from Gus machine, an image comics written by Jeff Johns, art by Ebon Winkle in this issue. 01:05:57.977 --> 01:06:04.361 [SPEAKER_04]: Geiger is dealing with a man who wrecked the entire world and tried to fix a couple of things of the process. 01:06:06.122 --> 01:06:07.143 [SPEAKER_04]: What do we think about this one? 01:06:09.837 --> 01:06:10.538 [SPEAKER_01]: Cool cover. 01:06:11.278 --> 01:06:13.140 [SPEAKER_01]: Yeah, I'm enjoying this still. 01:06:13.520 --> 01:06:16.403 [SPEAKER_01]: I got some three headed dog time. 01:06:16.443 --> 01:06:17.824 [SPEAKER_01]: So it's happy about that. 01:06:18.344 --> 01:06:19.265 [SPEAKER_01]: Some three action. 01:06:19.966 --> 01:06:20.907 [SPEAKER_01]: Yeah, three headed dog. 01:06:21.627 --> 01:06:22.008 [SPEAKER_01]: Just two. 01:06:22.308 --> 01:06:22.828 [SPEAKER_01]: Oh, just two. 01:06:23.249 --> 01:06:24.450 [SPEAKER_01]: The back part is the tail. 01:06:28.625 --> 01:06:30.726 [SPEAKER_03]: By the way, Pete, stop feeding my dog. 01:06:30.986 --> 01:06:32.947 [SPEAKER_03]: You're feeding the wrong. 01:06:32.967 --> 01:06:34.328 [SPEAKER_03]: You're feeding the downstairs mouth. 01:06:34.808 --> 01:06:38.170 [SPEAKER_03]: Don't, don't, there's no treats necessary. 01:06:38.250 --> 01:06:43.393 [SPEAKER_01]: And hopefully the robot guy will get fixed and yeah, so I'm having a blast with this. 01:06:43.413 --> 01:06:44.993 [SPEAKER_01]: Just don't join me. 01:06:48.635 --> 01:06:49.636 [SPEAKER_03]: I'm enjoying this too. 01:06:51.208 --> 01:06:54.092 [SPEAKER_04]: I think we're right on a guess. 01:06:54.292 --> 01:07:01.861 [SPEAKER_03]: No, I'm not, I have a guess, but my guess is focused on just getting my clothes down a lows and all this great peak. 01:07:01.901 --> 01:07:04.004 [SPEAKER_03]: We got some great peak times tonight. 01:07:04.104 --> 01:07:07.008 [SPEAKER_03]: That's Pete's my guy, and I ride with my guy. 01:07:09.248 --> 01:07:10.269 [SPEAKER_04]: what we wrap up there. 01:07:10.629 --> 01:07:12.671 [SPEAKER_04]: If you'd like to support this podcast, it's all the podcast. 01:07:12.691 --> 01:07:15.032 [SPEAKER_04]: We do patreon.com slash comic book club. 01:07:15.433 --> 01:07:17.514 [SPEAKER_04]: Also, we do a live show every Tuesday night at seven. 01:07:17.554 --> 01:07:19.436 [SPEAKER_04]: Sure Facebook and YouTube, but come hang out. 01:07:19.456 --> 01:07:20.957 [SPEAKER_04]: We would love to chat with you about comic books. 01:07:21.437 --> 01:07:24.939 [SPEAKER_04]: Apple Spotify Android or the app of your choice to subscribe to this and follow the show. 01:07:24.960 --> 01:07:29.263 [SPEAKER_04]: Comic book club live.com for this podcast and many more until next time. 01:07:29.803 --> 01:07:32.085 [SPEAKER_04]: We'll see you at the comic book. 01:07:32.425 --> 01:07:34.186 [SPEAKER_04]: Bring me Pete. 01:07:34.206 --> 01:07:34.486 [SPEAKER_04]: Bring me. 01:07:47.089 --> 01:07:54.753 [SPEAKER_02]: You're listening, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't. 01:08:11.187 --> 01:08:14.569 [SPEAKER_02]: They sit on frantic arches and they let us see what we can. 01:08:14.729 --> 01:08:28.115 [SPEAKER_02]: And he's just a monkey, they look like fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast, they're so fast,