|
|
"Why I Observe the Sabbath at Home in the D" by Melba Joyce Boyd
the slow kill is
a ruthless dirge
bestowed on children
beveled in star spangled
irreligious wars
over oil or vanishing
sweet waters
while political thugs
betray language
and hide behind skin
tone and trickery like
vindictive republicans
and nonliterary
news announcers
choking on gasoline
fumes gulping the
Gulf of Mexico
as drug dealers in
disguise sneak
across border lines
not to pick
oranges, or tobacco,
or strawberries fields
laden with pesticides
of transient cancers
or corn genetically
grown for lactating
breasts of chickens
and teenagers
breeding like livestock
criminalized at birth
to fit the description
as by- products for
the prison industry or
hypnosis by X-boxes,
romance gangsta songs
and infractions of
demented movie stars
who never visit the
dark side of Detroit,
Newark, Cleveland or
Spanish- speaking
Chicago or L.A. or
any urban reservation
where desperation
breeds athletes
for battlefields
on 2-D distractions
if they can duck
that bullet shot
below the hoop,
across playground
perimeters,
a hit meant
for Antoyne,
DeAndre’s cousin
who spells his name
with a “y”
to make him feel special
when his mama calls
his name before
an incidental,
insult of vocabulary
incites someone’s
paranoid, frenetic,
delusional child
toting an automatic
to celebrate himself
on TV’s First 48
while his parents
disappear inside
supersized churches
hoisting misery
like pagan sacrifices
for gilded prophets
sporting blue,
alligator shoes
and gold-toothed
grins that glitter
when abusing
the Bible,
misquoting Matthew,
Mark, Luke, John,
and the Apostle Paul,
dancing preachers
dredging up testaments
condemning material
enslavement and
promising life
after Jesus’ death
paid for in platinum
offering plates sucking
juice out the side
of bent necks
of faithful flocks
to put premium gas
in luxury convertibles
with chrome hub caps
spinning in reverse,
in sync with wall street
investors confiscating
cityscapes by burning
houses on Halloween eve,
disabling maple trees,
ravaging evergreens,
damning rivers,
offending any
semblance of
justice until
memories curdle
in shadows of
premature death
and black streaks
of light appear
on tombstones
like hieroglyphic
tattoos encrypting
mortal damnation.