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The 30 Best Dystopian Novels of All Time - Paste

Dystopias have become a emglish genre over the last century as dytsopian writers witnessed and reacted against imperialism, two world wars, including the Nazi and Stalin regime and the treacherous Holocaust. These writers played with the darkest sides of humanity, unearthed by war and good books dystopian english and used satiric irony to present a destructive vision of the future.

Dystopian novels are characterized by englishh lack of individual freedom, heroes that know something is wrong and gpod many WTF moments that make you rethink the current status quo and become aware of the constructed nature of our values and standards.

This dystopian novel list is nowhere near a complete entlish of all dystopian books, but on it are some of the greatest dystopian works of literature of all time though most is from the 20th and 21st centuries. If you're a fan of H. Wells or George Orwell but are looking for more recent content, the best dystopian books list is the place to be.

If you want dystopia without the reading, check out the greatest dystopian and near-future movies or get some synopses on the 13 best dystopian novels. First Published: Genres Book : Utopian and dystopian fiction, Social science fiction, Political fiction.

Original Language: Goood Language. More Nineteen Eighty-Four. More Fahrenheit More Animal Farm. Xystopian Brave New World.

More Lord of the Flies. More The Handmaid's Tale. Subjects: Brainwashing, Classics. More A Clockwork Orange. Genres Book : Social science, Speculative fiction, Soft science good books dystopian english, Utopian and dystopian fiction, Children's literature. More The Giver. Genres Good books dystopian english : Speculative fiction, Utopian and dystopian fiction, Alternate history, Young adult literature, Adventure fiction.

More The Hunger Games. More Good books dystopian english Road. Subjects: England, Anarchism. More V for Vendetta. Genres Book : Speculative fiction, Utopian and dystopian fiction, Thriller, Young adult literature, Dystooian fiction. Genres Book : Science Fiction. Subjects: Human extinction, Dystipian. Genres Book : Speculative fiction, Utopian and dystopian fiction, Dystopia.

More The Maze Runner. Genres Book : Speculative fiction, Apocalyptic and post-apocalyptic fiction, Children's literature, Fiction, Young adult literature. Nineteen Eighty-Four George Orwell. Nineteen Goof, sometimes published asis a dystopian novel by English author Fahrenheit Ray Bradbury. Fahrenheit is a dystopian novel by Ray Bradbury published in It is regarded as one Gpod Farm George Good books dystopian english. Animal Farm is an allegorical and dystopian novella by George Orwell, first published in Brave New World Aldous Huxley.

Brave New World good books dystopian english a novel written in by Aldous Huxley and published in Set in Lord of the Flies William Golding. The Handmaid's Tale Margaret Atwood. The Handmaid's Tale is a dystopian novel, a work of speculative fiction, by Canadian dystpian A Clockwork Orange Anthony Burgess. A Clockwork Orange is a dystopian novella by Anthony Burgess published in Set in a near The Giver Lois Lowry.

The Giver is a American social science fiction children's novel by Lois Lowry. It is set The Hunger Games Suzanne Collins. It is Do Androids Dream of Electric Sheep? Philip K. The Road Cormac McCarthy. It is a post-apocalyptic tale of Watchmen is a comic-book limited series written good books dystopian english Alan Moore, artist Dave Gibbons, and Catching Fire Suzanne Collins.

Catching Fire is a science fiction young adult novel by American novelist Suzanne V for Vendetta Alan Moore. Mockingjay Suzanne Dyxtopian. Mockingjay is a good books dystopian english fiction novel by American author Suzanne Collins. It is the last Ready Player One Ernest Cline. Ready Player One is a science fiction and dystopian novel by Ernest Cline.

The book good books dystopian english The Children of Men P. The Children of Men is a dystopian novel by P. James that was published in Divergent Good Books Phrase 100 Veronica Roth. Logan's Run is a novel by William F. Nolan and Good books dystopian english Clayton Johnson.

Published init The Maze Runner James Dashner. The Dytsopian Runner is the first book in a good books dystopian english post-apocalyptic dystopian science fiction The Running Man Stephen King. The Running Man is a science fiction novel by Stephen King, first published under the A Scanner Darkly Philip K.

Insurgent Veronica Roth. Insurgent is a book written by Veronica Roth Starship Troopers Robert A. Starship Troopers is a military science fiction novel by Robert A. Heinlein, first published


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We will not remove any content for bad language alone, or for being critical of a book. Tags: dystopia , dystopia-only , dystopian , dystopias , sci-fi , science-fiction , society , teen , ya , young-adult.

Laura books 22 friends. Michelle books 1 friend. Malia books 7 friends. Josie books 38 friends. Rach books friends. Ricki books friends. Byron 'Giggsy' books friends. Post a comment �. Mar 19, PM. Awesome list.

May 02, AM. I love YA dystopia books. They are my favorite kind. I think people should right more of them. Unwind and The Hunger Games trilogy are definitely my favorites. Aug 14, PM. I quite enjoy this list. Sep 24, PM. It Good Books 13 Year Olds 70 demonstrates how devastating even the most mundane changes to a culture can be. And in telling the story from the perspective of a retired woman regaling readers with her teen exploits, it demonstrates how all things ebb and flow, even misguided totalitarian policies.

You just have to push back when the tide comes in. The plot behind Philip K. Do Androids Dream of Electric Sheep? North America has consolidated under one privatized government, comprised of a web of companies with their own acronym: ONAN because author David Foster Wallace goes out of his way to make a jerk off joke. Meanwhile, a herd of monster hamsters roams the massive irradiated chunk of what used to be the northeastern U.

The compelling thread in this book is the structural implication that the dystopic future has already been set in motion by the events of the present�and the past. Multi-POV narratives can be challenging to sustain, even when all the characters are in the same story; accomplishing that with six separate, barely-connected narratives is almost a magic trick.

Nobel Prize-winner Kazuo Ishiguro plays a litany of tricks on his readers with Never Let Me Go , most notably sneaking a dystopian science-fiction premise into this literary meditation on mortality. Never Let Me Go is a melancholy coming-of-age story with a cast fated since birth to never see an advanced age, and its dystopia is one all-too-familiar: a world in which certain classes live well, and others are effectively doomed.

Chances are, you first read The Giver in school. Set in what appears to be a utopia, the novel introduces a young boy named Jonas who lives in a pain-free society. The world runs on conformity and contentment�at the price of emotion. So when Jonas is selected to be the next Receiver of Memory and is introduced to past secrets, he finds himself questioning the world around him.

The Giver asks big questions about what people are willing to sacrifice in order to feel safe: Would you give up all feeling for a life without crime or sickness? And what is the value of your individuality? Pilgrim may be unstuck in time, but the governments in Slaughterhouse-Five are the ones caught in a cycle of reliving the past yet learning nothing from their mistakes.

Set in a world ravaged of natural beauty�all humans are cursed to live with wrinkled gray skin, scraggly hair and red eyes unless they can pay a talent-wielding Belle to have their situation changed� The Belles unveils a dystopia that is more enticing, more feminine and more brutally brittle than any that have come before. Its young protagonist, Belle Camellia Beauregard, is the perfect tour guide through this brutality, balanced between being a wide-eyed Pollyanna amazed by life beyond the walls of her sheltered upbringing and a keen-eyed judge of the moral hypocrisy her sugary world holds.

The time spent observing the broken world of Orleans through her empathetic eyes, building the foundation for the society-shattering fireworks threatened by the sequel, is well worth every second. Of all the indignities that Alan Moore has suffered across his long career, the proliferation of the Guy Fawkes mask among anonymous sects of Internet users is certainly high on the list. Worse, though, is how increasingly feasible the plot of V for Vendetta , his landmark comic series created with artist David Lloyd, has become in recent years.

Over the course of the series, readers learn that V, the masked vigilante, was driven to action by his experience in one of the concentration camps. As Atwood has said repeatedly over the years, every mistreatment, restriction or torture has a real-world precedent. There is a reason this book is a mainstay in high school English curriculum; we just need to find a way to make that first reading stick.

Depicting a science-driven society that has been stripped of the emotional resonance of birth and death in the name of comfort and happiness, Brave New World reveals a world that has been anesthetized rather than brutalized. The result is that its bottle-grown casts and calming supply of soma are impossible to ignore in the age of distraction and income inequality. His benevolent overlords have provided him with some war happening somewhere for some reason so that he, and the rest of the population, can be sure that the government is really in his best interests.

In fact, the news always has some story about Paris Hilton or yet another white girl who has been abducted by some evil bastard who is biologically wired by , years of human evolution to fuck year-olds, but is socially conditioned to be obsessed with sex, yet also to feel guilty about it.

This culminates into a distorted view of sexuality, and results in rape and murder, which both make for very good news topics.

The television also plays on his fears of the unknown by exaggerating stereotypes of minorities and homosexuals, under the guise of celebrating "diversity", but even these images of being ghetto-fabulous and a lisping interior designer actually exist solely to promote racism and homophobia, which also prove to be efficient distractions. For some reason, Winston gets tired of eating recycled Pop Tarts and eating happy pills and pretending to be interested in sports and manufactured news items.

But, in the end, they fix him and he's happy again. Or something. On the novel front, the characters are bland and you only care about them because of the awful things they live through. As a novel all the political exposition is heavyhanded, and the message completely overrides any sense of storytelling.

As an essay, the points it makes can be earthshaking. It seems everyone who has so much as gotten a parking ticket thinks he lives in a dystopia. Every administration that reaches for po is not a particularly good novel, but it is a very good essay. Every administration that reaches for power, injures civil liberties or collaborates too much with media is accused of playing Big Brother. These are the successes of 's paranoia, far outliving its original intent as a battery against where Communism was going Orwell was a severely disappointed Marxist , and while people who compare their leaders to Big Brother are usually overreaching themselves and speak far away from Orwell's intent and vision, it is a useful catchcloth for dissent.

Like so many immortalized books with a social vision, 's actual substance is so thin that its ideologies and fear-mongering aspects can be stretched and skewed to suit the readers. If you'd like a better sense of the real world and Orwell's intents, rather than third-hand interpretations of his fiction, then his Homage to Catalonia is highly recommended.

I'm gonna ask myself a mandatory question and say nothing more. Why the fuck had I not read this book before? View all 34 comments. This was the book that started my love affair with the dystopian genre.

And maybe indirectly influenced my decision to do a politics degree. I was only 12 years old when I first read it but I suddenly saw how politics could be taken and manipulated to tell one hell of a scary and convincing story. I'm a lot more well-read now but, back then, this was a game-changer. I started to think about things differently. View all 25 comments. This was an up and down kind of read for me. There were parts that I really enjoyed and parts that I found extremely difficult to maneuver through.

I'm glad that I decided to pick it up and give it a go, because it's one that I've been curious about for a long time. I can definitely see why so many people love this book.

It explores a lot of things that we see happening in the world today. I can't say I'm leaving it as a massive fan, but I'm sure it's one that I'll continue to think about. View all 24 comments. I am a big fan of speculative fiction and in my literary travels I have encountered a myriad of dystopias, anti-utopias and places and societies that make one want to scream and Despite being published back in , I have ye I am a big fan of speculative fiction and in my literary travels I have encountered a myriad of dystopias, anti-utopias and places and societies that make one want to scream and The very mention of either of those terms invokes images of Nazis and Soviet gulags in my mind.

Yet Orwell's creation is in many ways even more insidious than these real-world bogeymen. I first read this book when I was 12 years old in 7th grade as a Anyway, I decided to re-read this book recently as an adult in the hopes that I would be able to gain a great appreciation for this classic. Well, the book did more than that. From the very first sentence, "It was a bright, cold day in April, and the clocks were striking thirteen" to the unforgettable final sentence which I will not give away here , this story sucked me in, beat the living shit out of me and through me out the other side a hollow, wasted wreck.

I know, it doesn't sound very cheery, but it is a life-changing experience. I have always thought that one of the best and most important qualities of science fiction is that it frees the author to take the controversial, politically charged issues and trends of the day and create a possible future based on exaggerations of such trends and in so doing present a compelling and critical argument for change.

Well NO ONE has ever done a better job than better Orwell in showing the possible nightmare and thus potential danger of a society without basic civil liberties and a government with complete and unchallenged control. View all 45 comments. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected.

Or in Newspeak "Double Plus Good. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried. This book is like the dystopian Lord of the Rings , with its richly developed culture and economics, not to mention a fully YOU.

This book is like the dystopian Lord of the Rings , with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it.

The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down. I read Fahrenheit over ten years ago in my early teens. At the time, I remember really wanting to read , although I never managed to get my hands on it. I'm almost glad I didn't.

Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. From the start, the author manages to articulate so many of the things I have thought about but have never been able to find a way to put into words. Even in the first few chapters I found myself having to stop just to quietly consider the words of Mr Orwell.

For instance, he talks about how the act of writing itself is a type of time travel. It is communicating with the future. I write these words now, but others may not discover them for hours, weeks, or even years. For me, it is one time. For you the reader, it is an entirely different one.

Just the thought that reading and writing could one day be outlawed just shivers my timbers. I related to Winston so much in that way. I would have found a way to read or write. The politics and psychology of this novel run deep. The society in the book has no written laws, but many acts are punishable by death. The slogan of the Party War is Peace Individuality is frowned upon and could lead to being labeled a traitor to the Party.

I also remember always wondering why the title was I was familiar with the concept of Big Brother and wondered why that wasn't the name of the book. In the story, they don't actually know what year it is because so much of the past has been erased by the Ministry of Truth. It could very easily have been I think that makes the title more powerful. Something as simple as the year or date is unknown to these people. They have to believe it is whatever day that they are told it is.

They don't have the right to keep track. Knowledge is powerful. Knowledge is necessary. But according to Big Brother. Ignorance is strength. These are usually things that distance me from a book and from the characters, but Orwell managed to keep me fully enthralled. He frequently talks in circles and ideas are often repeated but it is still intriguing, none the less. I must admit that I zoned out a bit while Winston was reading from The Book, but I was very fascinated by the culture.

Sometimes it seems as though the only way to really experience a characters emotions is through first person. This is not the case with this book, as it is written in third person; yet, I never failed to be encompassed in Winston's feelings. George manages to ensure that the reader never feels disconnected from the events that are unfolding around them, with the exception of the beginning when Winston is just starting to become awakened. I developed a strong attachment to Winston and thrived on living inside his mind.

I became a member of the Thought Police, hearing everything, feeling everything and last but not least, what the Thought Police are not allowed to do questioning everything. I wasn't expecting a love story in this book, but the relationship between Julia and Winston was truly profound. I enjoyed it even more than I would have expected and thought the moments between them were beautiful. I wasn't sure whether he was going to eventually betray Julia to the Party or not, but I certainly teared up often when it came to their relationship.

George has an uncanny ability to get to the base of the human psyche, at times suggesting that we need to be at war for many different reasons, whether it's at war with ourselves or with others. That is one thing I have never understood: why humans feel the need to destroy and control each other.

It seems that the main and recurring message in this book is about censorship and brainwashing. One, censorship, is limited and little exposure to ideas of the world; the other, brainwashing, is forced and too much exposure to a certain ideas.

Both can be extremely dangerous. Inside the ministry of Truth, he demonstrates the dangers of censorship by showing how the Party has completely rewritten the past by forging and abolishing documents and physical evidence.

We also spend quite a bit of time with Winston in the Ministry of Love, where the brainwashing takes place. Those who commit thoughtcrime are tortured until they grow to love and obey Big Brother and serve only the interests of the Party.

A common theme occurred to me throughout the book, although it wasn't necessarily referenced consistently. The good of the many is more important than the good of the one. There are so many variables when it comes to this statement and for the most part it seems natural to say, "Of course, the many is more important than the one", but when inside Winston's head, all that I began to care about was his well-being and not if he was able to help disband or conquer the Party and Big Brother.

I just wanted him to be at peace. Whether or not the good of all is more important than that of the one, I can't answer. I think most people feel their own happiness is more important than the rest of the world's, and maybe that's part of the problem but it's also human nature.

I only wish we could all accept one other regardless of belief and culture and not try to force ways of life onto other people. Maybe I'm naive for thinking that way, but so be it. I almost don't know what to think about this book. I'm not even sure my brain still works, or if it ever worked right at all. This book has a way of making you think you know exactly what you believe about everything and then turning you completely upside down and making you question whether or not you believe anything at all about anything.

It's the strangest thing. Perhaps not. Everything about this book is captivating. It's groundbreaking yet at the same time, purely classic. Ahead of its time, yet timeless. Basically, I think everyone should read at some point. You really have to be in the mood to work at reading it, though. But it's all worth it in the end. It's absolutely incredible and I loved it. I don't re-read many books but this will definitely be one of them.

It is a hard read, but more importantly, it is a MUST read. View all 39 comments. The novel is set in Airstrip One, formerly Great Britain, a province of the superstate Oceania, whose residents are victims of perpetual war, omnipresent government surveillance and public manipulation. Oceania's political ideology, euphemistically named English Socialism shortened to "Ingsoc" in Newspeak, the government's invented langua Oceania's political ideology, euphemistically named English Socialism shortened to "Ingsoc" in Newspeak, the government's invented language is enforced by the privileged, elite Inner Party.

Via the "Thought Police", the Inner Party persecutes individualism and independent thinking, which are regarded as "thoughtcrimes". View all 10 comments. Cynical, scathing, and not without its flaws, this is still a stark, haunting glimpse at what could be. Freedom is slavery. The closing lines still come to me sometimes and remind me of depths that I can only imagine.

Forty years it had taken him to learn what kind of smile was hidden beneath the dark moustache. O cruel, needless misunderstanding! O stubborn, self-willed exile from the loving breast! Two gin-scented tears trickled down the sides of his nose. But it was all right, everything was all right, the struggle was finished.

He had won the victory over himself. The scene that I most often think is when Winston and Julia are captured. Winston Smith cautiously and surreptitiously discovers the Brotherhood led by Goldstein and then learns all too well about O'Brien's duplicitous doublethink.

More than just a cautionary political tale, Orwell has described an ideological abyss into which we must not gaze; a glimpse at authoritarianism power plays to which the Nazis and Soviets never descended.

While we can appreciate the reminder to avoid authoritarianism and his prophetic vision, the idea that truth can be arranged through media is perhaps the most relevant for us today. In the past I have somewhat overlooked Julia as a character and thought that Orwell had neglected to form a strong female character, however I now think that she is every bit as strong as Winston and plays a central role in.

Whereas Winston hates the party and wants to overturn it, Julia is much more practical and realistic in her rebellion. Winston thinks about the nature of the totalitarianism in abstract ways, Julia uses the terms of doublethink against the party and makes her frank sexuality a systematic rejection of party principle.

Winston embodies the use of media as propaganda and to disseminate inaccurate statements that prop up the party. Every bit as timeless and relevant as it has ever been. View all 36 comments. Shelves: 4-star-reads. In some twisted form, everything reflects the truth of reality.

Of course there are exaggerations, though nothing is far from plausibility. We are controlled by our governments, and often in ways we Good Book Company Christmas Books are not consciously aware of. Advertisements, marketing campaigns and political events are all designed for us to elicit a certain response and think in a desired way. Cultural brainwashing becomes the chief goal. Assimilation into a passionless and completely ignorant mind-set becomes the most effective means of keeping the population down.

Subjugation becomes normality. The streets are claustrophobic and the people the workers can escape nothing. Every action, every word spoken, is recorded. The police are ready to grab anyone who steps remotely out of line. If language can be broken down into the absolute basics, the simplest and ordinary units, then people can only express themselves on a very minor level.

They cannot think beyond their daily tasks because there are no words that connote dreams and fantasy. Step out of line and you are killed, though not before being dragged to room for torture and even stronger methods of thought control.

As such through the plot the book depicts a stark transformation, a transformation of man who was once willing to fight and to think but falls into one of the ingenious traps big brother sets for him to expose his criminality. He shows us that we are not so far from big brother as we may think. View all 15 comments.

I've put off writing a review for because it's simply too daunting to do so. I liked even better after a second reading bumping it up from a 4 star to a 5 star because I think that, given the complexity of the future created by Orwell, multiple readings may be needed to take it all in.

I thought it was genius the first time and appreciated that genius even more the second time. Orwell had a daunting task: creating a future nearly half a century away from the time period in which he w I've put off writing a review for because it's simply too daunting to do so.

Orwell had a daunting task: creating a future nearly half a century away from the time period in which he was writing. This future had to be its own complex, independent society, but it also had to be the natural end result of the totalitarianism Orwell witnessed in the communist and socialist regimes of World War II. That's part of the horror of this future is a recognizable one, even in the 21st century.

It's easy to see how those in control can, through manipulation and propaganda, maintain that control simply for the sake of sating their own power hunger.

It's easy to say "no one could ever tell me what to think or what to do," but the Party's use of Big Brother, the Thought Police, the Two-Minute Hate, and Doublethink make it easy to see how a person's ability to think independently and discern fiction from reality can be eroded when there is no touchstone to fact.

Revising and rewriting the past to make certain that Big Brother and the Party are always correct has effectively eliminated historical accuracy. How can one think and reason in a society where everything is a fabrication? Another facet of that I find fascinating is the relationship between Winston and Julia. Winston claims Julia is a "rebel from the waist down," engaging in promiscuity and hedonistic indulgences forbidden by the Party.

She doesn't care about social injustice or defining "reality"; she only longs for what will make her feel good in the moment and only rebels far enough to get what she wants. By comparison, Winston is an intellectual rebel, constantly worrying over the issues of truth and freedom and the real, unvarnished past, but limited in how far he's willing to push the boundaries until he meets Julia. Together, they make a complete rebellion--physical and mental, but apart they find themselves impotent to stand up to the Party.

Cross posted Good C# Books Reddit at This Insignificant Cinder View all 17 comments. Nov 09, Leo. Is Orwell turning in his grave? Does his epitaph read. Don't say I never told you so! Which pigeon hole? What label? What career? When a car driver loses control of the vehicle and strays from the path that was ahead, the car careers off the road.

One might crash. One is no longer on the journey one originally set out on. One is lost. Off the beaten track. So, when one is a child and asked what career one wants, esoterically it means how can one be swayed or crashed and stopped from what one may want to be when one grows up.

The only answer a child should give to their teacher indoctrinater is These authorities with all the powers? Deciding what we say, or do, or go, from their Ivory Towers A deviant neighbour moves in next door, behaviour abnormal, and hoarding trash Puts his waste in his shed, a festering, mouldy stash Attracting rats, mice, flies and vermin of all kinds Breaking other residents resolve, distorting their minds For when the community complain about it, every day, week in week out, all the time These authorities point the finger at us, accuse us of a Bloody Hate Crime!

Rationale has been replaced, with the word Hate As the lines blur, in this New World Order, is it too late? To change this world? To take a stance? Maybe our last Chance! This world is going to Hell in a Shitstorm! If we don't restore the Earth's Balance. Crawling all over society Police or Po-Lice? These parasites, are only there to Scare To enforce Order, in the chaos they Create On behest of the Magicians behind the curtains, the One's that preach Hate.

In this Cube, this false construct, this Square. So look around, see the whole, and Beware! I am full aware of what is going on in this pursuit for a New World Order, an Old World Order, whereby the void between the few and the majority broadens.

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