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Plank Forming Jig | Boat plans, Boat building, Model ships

Hollow-hull construction is difficult and therefore avoided by many model ship builders. Real ships are built like that; so are ship models in world-famous museums. After several years of experimenting, we finally discovered a method in to make good solid hull for small warships and Coast Guards. The proprietary method can be applied to some small hulls of commercial ships and motor boats. No matter how hard we tried, the newfound method couldn't pass our high accuracy standard on larger hulls.

The video shows the lengthy process of making the planks starting at Plank-on-frame hulls are much more time-consuming than solid hull carving but why model ship building hull planking 2019 model ship experts use it? Because it is a must for the foundation of a genuine model. In this video you can also see the model ship building hull planking 2019 cool tools.

Ancient Vessels. Tall Ships. Pirate Ships. Classic Boats. Classic Yachts. Modern Yachts. Ocean Liners. Cruise Ships. Model ship building hull planking 2019 War. Spanish War. Coast Guards. Metal Models. Other models. Large Models.

Small Models. Unique Gifts. Display cases. Repair Service. Special Models. Remote Control. View Car t. About Us. Why Us. Contact Us. Work Opportunity. F eedback. To avoid the strenuous process of a plank-on-frame construction, many model ship makers choose to carve ship hulls from wood log.

In this video, fast forward to for the section in which the instructor uses visual cues for planing. A hull's unique curves cannot be accurately duplicated by visual estimates like .

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One of the best types of wood to use for the hull is basswood. It is fine-grained and carves and sands easily. If you cannot find a block thick enough for the entire hull you may have to glue together thinner pieces. Avoid this if you can as the glue is often harder than the basswood, and causes problems when sanding.

Other types of wood that will work include Poplar, Aspen, and knot-free pine, but all those are less desirable than basswood. Once you have your block of wood, make sure you have at least one square corner, see Figure 5.

The two sides that are square to each other will be the bottom and side that will rest on the saw table when you are cutting. Draw the center-line for the waterline plan on the square side of the block that you want to be the bottom of the hull. Measure this line from the square edge rather than trying to find the middle of the block. This will make sure your center-line is square with the square edge, since the block may not be exactly the same width from one end to the other.

Line up the waterline plan with the center-line you just drew, and mark the station lines on the block, see Figure 6. Using your square, continue the section lines up the other square side of the block. Carefully draw the center-line up both ends and across the top of the block. Draw the section lines on the other side and top of the block, being careful to keep them lined up with the two sides you know are square, see Figure 7.

Attach the cutting plans to the NON-square sides we use spray adhesive for this , so the sides you know are square will rest on the saw table when you cut. In Figure 8, the square sides of the block are on the bottom and back sides as seen in the photo. Since the keel is flat for this vessel, we lined up the edge of the keel with the edge of the block when gluing the sheer plan to the block.

This eliminates most of the saw cut along the bottom of the hull. Be careful to make sure the section lines match up, see Figure 8. The 4th photo shows what the completed assembly looks like.

You should lay your keel assembly over the Frame Plan drawing to be sure that it matches as closely as possible. In the next step you will make and attach the sternpost and stern deadwood to the keel.

The final assembly of the keel structure is to add the sternpost as shown in the 1st photo and the stern deadwood as shown in the other photos. Wood needed for this step: 1 5" x 3" x. The 1st photo shows that the keel is tapered at the stern. This is simple to shape with your Xacto knife and 22 blade. By scraping the surface of the keel on both sides, you can reduce the thickness of the keel at the sternpost.

The tapering should begin where frame "23" is located. The sternpost is made from a single piece of wood that is.

The piece of wood must first be cut to length, and the lower joint must be cut out. This can be done with an Xacto. Use the Frame Plan drawing to ensure that the sternpost is set at the proper angle on the keel. You can rubber cement a template taken from the Frame Plan drawing to the wood so that the joint can be cut and the overall shape of the sternpost can be cut out. You will notice that the sternpost tapers from top to bottom.

It also tapers from side to side so that the lower end matches the width of the keel. After shaping the sternpost, glue it to the keel using Weldbond. Lay the keel assembly over your Frame Plan drawing to make sure that the angle of the sternpost is correct. Leave the assembly alone until the glue has dried. While the glue is drying on your sternpost, cut out the stern deadwood on your scroll saw.

Use a template taken from the Frame Plan drawing, and rubber cement it to the piece of wood. It's best to cut the angled lower end first on the Byrnes saw so that you have two straight edges.

Then the remainder can be cut on the scroll saw. The deadwood is attached to the keel and sternpost as seen in the 3rd photo. Use Weldbond to glue it. It should be aligned side to side on the keel so that it is centered on the keel. This extension of the rabbet joint is "L" shaped.

You can see a faint pencil line on the keel in the 3rd photo where the rabbet joint needs to be extended. This can be done with your Xacto knife. Next, you need to taper the stern deadwood in the corner where it meets the sternpost. If you look at the 3rd photo which shows a "before" shot of the stern deadwood, and look at the 5th photo, you will see how the deadwood has been shaped with a hobby knife so that the aft corner area is recessed.

This is necessary so that if planking were applied to the lower hull, it would be flush with the sternpost where the planks lay across the deadwood.

You can make a template of the curved area that is tapered by tracing the bottom of frames 25 through 28 shown on the Frame Plan drawing. The frames will attach to the side of the deadwood later on, so the deadwood must be flat and perpendicular to the keel in the area where the frames attach. However, the area below the frames should be tapered so that the recessed lip formed by the deadwood is the same width from end to end.

This is all part of the rabbet joint where the planking would lie against the frames and deadwood. If you look at the 5th photo, you can see that the rabbet joint also extends upward across the deadwood where it is attached to the sternpost.

The shape goes from an "L" shape at the corner of the keel and sternpost, to a "U" shape as it extends upward across the deadwood to the top of the sternpost. The sternpost helps to form the rabbet joint just as the fore deadwood did at the bow. Keep in mind that the purpose of the rabbet joint is to enable the planking to form a water tight seal where it meets the keel, fore deadwood, and stern deadwood. The last photo shows the keel fully assembled.

A contrasting piece of wood has been glued to the bottom of the keel serving as the false keel. I like to use a contrasting wood for the false keel because it just gives the structure some class. Cant frames are actually half frames. Instead of sitting on top of the keel as the full frames do, cant frames attach to the side of the fore deadwood at the bow and the side of the deadwood at the stern.

Wood needed for this step: 22 24" x 1" x. Making the cant frames is not much different than making the full frames. You start with a frame blank that is two layers thick.

These layers have two pieces each with staggered joints as shown in the 1st photo. After the parts are cut out, the layers are glued up separately. Then the 2 layers are glued together as shown in the 2nd photo. And finally, the frame pattern is glued to the frame blank and cut out on the scroll saw. Of course you need a left side and a right side frame as shown in the 3rd and 4th photos.

Be sure to number each frame as many of them are similar in shape. The frames are finished in the same manner as before. You might wonder why I finish the frames now when they have to be sanded later to fair the hull out.

I put a finish on my frames before assembly for two reasons. First, it will be more difficult to apply the finish once the frames are in the building jig because there's only a small space between each frame. Second, the finish helps in the fairing process by showing any areas that have not been completely sanded. After fairing the sanding and smoothing out of the hull surface , the finish on the surface of the frames is gone and must be reapplied.

However, applying the finish to the hull surface is much easier than applying it between each frame. We're almost ready to start assembling our model. But before we can do that, we need to construct the building jig. As I mentioned earlier, the jig is needed to hold the framework together and in proper alignment.

The jig style is commonly referred to as the "Hahn" style jig. Wood needed for this step: 1 24" x 12" x. Most hobby shops and craft stores sell this plywood made by Midwest. The ZIP file you downloaded includes a drawing of the jig.

The center area must be cut out with a scroll saw. The notches in the center of the jig will hold the frames in alignment until the hull has been faired and planked. The notches are cut in the thicker piece of plywood first. Use the drawing with the file name "Building Jig". There are 3 parts to this drawing that you will need to print out. They each have an alignment black line for aligning one with the other. The 2nd piece, shown in the 1st photo, does not have any notches cut into it, but the center area is still cut and removed.

This piece is glued to the underside of the thicker piece and serves as a shelf for the frames to sit on when they are glued into the jig. Use the drawing with the file name "Building Jig Shelf" as a template to cut the center out. The pine or poplar wood strips are used to build a frame around the jig thus providing a good stiff edge that will help to make the jig rigid. By raising the surface of the jig up off of the work table surface, you won't have to worry about accidentally gluing the jig to the table surface when you start gluing the frames into the notches in the next step of these instructions.

You can use a regular table saw with a finishing blade to cut the plywood in half. The loss of a little bit of wood due to the kerf of the blade will be okay. Just be sure to align the center line of the drawing with one edge of the wood when you cut the center area out on the scroll saw.

The drawing is be rubber cemented to the plywood for cutting on the scroll saw. The drawing is not as wides as the plywood.

Cut the drawing down the center line and align the center line with the edge of the plywood. Align the forward end with the forward edge and the aft end with the aft edge. Then you can cut out the center notched area on the scroll saw. The reason I had you cut the plywood in half was to make it easier to cut the notches.

One edge of the plywood is used to align the center line of the jig pattern. After the notches are cut out according to the Jig drawing, the two pieces are butted together and glued. Then cut the center area out on the scroll saw. Be sure to cut on the inside line, that is, the line inside the center line. The second, parallel line, is merely there for reference. That area outlined by the two lines will form the shelf that the frames will sit on.

By sandwiching the two layers of plywood together, you have the completed jig. You can see how I used small clamps to glue the two layers together as well as the jig base parts. The outside edges of the shelf piece will have to be trimmed to fit inside the pine or poplar boards that form the base of the jig. There is one additional set of parts I make for my jigs that clamp the stem of the keel and the sternpost in position over the building jig.

It's simple to make and the photos show how it's made and how it's used. Theses clamps do not get glued however. By design, they are screwed to the jig base so that they can be removed easily later on. Once the keel has been clamped into the jig, it is being held in alignment on the center line by these clamping pieces. These clamping pieces are made from poplar. They are 6" x 6". A 1" tab at the bottom enables these pieces to be screwed to the base of the jig surface so that they can be removed later on.

You will need the drawings labeled "Keel Clamp Fore. Make two each. Pre drill the holes in the tab so that the wood does not split when you screw them to the jig surface. You will notice that the inside vertical edge is notched. When the two piece are put together, this notch is at the precise height to allow the stem at the fore end and the sternpost at the aft end sit on top of the tab.

These clamps hold the keel centered over the building jig so that when the frames are inserted into their respective notches in the jig, the notch in the center of the frame will fit into the notch in the keel.

This is all by design and will enable you to frame the model with assurance that the framework is perpendicular and square to the keel thus producing a very straight and fair model.

In the next step, you will add the full frames to the building jig. Now you're ready to start framing your model. This will be a two step process. First all of the full frames will be installed in the jig and glued to the keel. The second step will be to add the cant frames at the bow and stern and finish the hull by fairing it out with sandpaper. The sequence of photos shows the installation of the frames in the building jig.

I like to start by installing the first and last full frames and then fill in the area between them. The reason is that the first and last frame will then provide the support of the keel at both ends while the other frames are being added. The frames are glued into their corresponding jig notches using 5 minute epoxy.

The epoxy is also used to glue the frames to the keel. Now you can see how the bottom of the frames meet the rabbet joint. Imagine how a plank laying across the frames will fit into this joint thus providing a good seal to keep water out.

Technically, if you planked the entire hull of this model, it would float in water without leaks, assuming your planks were also sealed with glue on their edges.

I used mini-clamps to clamp the frames in the jig until the epoxy dries. Only mix enough epoxy to glue one or two frames into the jig at a time. It sets up fast so you have to work fast, but once you get the hang of it you will get into a rhythm. Since there are only 23 full frames in this model, it can be fully framed easily in a couple of hours.

Don't take those clamps off until the glue has set up though. In the next step, the cant frames will be added. Have fun! As I mentioned earlier, the cant frames are half frames, and they get glued directly to the sides of the fore deadwood at the bow and the deadwood at the stern.

They are epoxied into the jig and to the deadwood. Starting at the bow, the first photo shows 2 of the cant frames glued to the side of the deadwood.

Notice that the frames sit on an angle. That means that the foot of the frame has to be beveled at the proper angle for the frame to sit properly in the jig. Fortunately I included this bevel line on the cant frame drawings. The bevel is trimmed from the line of the top surface, outward to the edge of the bottom surface. I've included photos of the forward most cant frame that clearly shows what the bevel looks like as well as a few more photos showing the cant frames at the bow.

Also,notice that each bow cant frame is butted up against the previous frame installed. You will need to use a 22 Xacto to cut the bevel. You should also scratch the surface of the deadwood with your Xacto to rough it up some and remove some of the finish on it before you epoxy the frame to the deadwood. The bevel in the forward cant frames gets greater and greater until you reach frame 34 which has the bevel across the entire length of the frame.

Any portion of the frame that extends into the rabbet joint should be trimmed after the epoxy has set so that the frames produce a smooth and continuous line across the top edge of the rabbet line.

The aft cant frames are different than the bow frames in that they do not but up against each other. So a pattern is employed taken from the Frame Plan drawing to mark the location of each frame.

The aft cant frames do not have as pronounced of a bevel cut into the foot of the frame either. The remaining sequence of photos should explain how these frames are glued. Once all of the frames are installed, as shown in the last photo, the clamps at the bow and stern are removed by simply removing the screws.

This gives you easy access to the entire hull when faring it out. But before the hull can be faired, the stern transom must be framed. We'll cover the process in the next step of these instructions. Framing the stern transom might be the most difficult part of the model to build. The stern transom is the aft end of the ship. On ships of a later time period, the transom became more and more complex. Wood needed for this step: 1 5" x.

The 1st photo shows the framed transom. In the 2nd photo you see a piece of wood with some rectangles drawn on it. This is called the "wing transom", and every ship had one. Use the template with the file name "Wing Transom. The template can be rubber cemented to the piece of wood if you like. It's probably easiest to simply cut the piece to shape using your Xacto and a 22 blade. The rectangles are going to be cut into notches that the transom frames will sit in.

The transom frame shape is also on the same template file as the wing transom. You will need to make 6 of these frames so print out 6 copies of the template and rubber cement each one on the piece of transom frame wood.

Cut them out on your scroll saw. The notches in the wing transom are cut using a hobby knife as shown in the next 3 photos. You can see the depth of these notches. By setting your calipers to this depth, you can mark a line across the aft edge of the wing transom, and cut the notches to the line.

The wing transom is installed so that it sits on top of the sternpost. It has a notch cut in the center on the bottom surface. Keep in mind that the model is upside down, so even though it looks like the wing transom is under the sternpost, technically the wing transom is sitting on top of the sternpost.

When installing the wing transom, use carpenter's glue to attach it to the sternpost and the aft side of the last cant frame. The angled edge should match the angle of that cant frame. The trick is to be sure that it is level and that a measurement of height on both sides is the same.

This can be seen in photos 5, 6 and 7. In photos 7 through 14, you can see how additional timbers are added below the wing transom based on the ship sitting upright. Those timbers are called transoms also and act as fillers for the planking to lay against. All ships had these filler timbers. They helped to fill in the lower stern area. Use the transom wood strip to cut these pieces out making them slightly wider than the frame as shown in the photos.

They are spaced. These pieces butt up against the sternpost and are glued to the post and to the aft side of the last frame in the model. Photos 7 through 14 show how these timbers are installed and eventually sanded to finish off the lower stern area of the model.

Photos 15 through 21 show the transom frames installed. These fit into the notches made earlier in the wing transom. They not only give the aft end of the ship a framework but also serve to frame the windows of the great cabin. The great cabin, found on most wooden ships of this size or larger, was the Captain's quarters.

In later years, it became a pretty elaborate room with all kinds of amenities. The spacing of the notches in the top surface of the wing transom is such that the transom frames have the same amount of space between them. The transom frames fit into these notches and sit on top of the surface of the framing jig.

They angle inward slightly and a piece of scrap wood acts as a stop pushing against the outside edges of the frames. Glue the frames to the wing transom but do not glue them to the jig surface. You can tack glue the scrap piece of wood to the jig surface. Stretching across the transom frames is a horizontal timber.

This piece is called the lower counter frame and fits across the knuckle of the transom frames. Make it longer than is needed and then cut off the excess wood after it has been installed. A scale drawing of the stern of the model is provided in your ZIP file which may help in taking measurements for locating parts.

It is called "Aft Drawing. Notches are cut into the counter frame at each transom frame location so that it will fit flush with the outside surface of the transom frames.

Corresponding notches were also cut into each transom frame. The area between this timber and the wing transom forms what is called the counter, which is later planked leaving an opening for the rudder. Photos 28, 29 and 30 show the attachment of a second cross timber I call the deck line frame. This cross timber meets the deck clamp that stretches from one end of the deck to the other which will be covered in a later step.

Notice that the deck line frame has a slight curvature to it. It was not bent this way but instead cut from the wood strip. You should refer to the drawing with the file name "Aft Drawing. Then transfer that measurement to your model to mark the location of the timber. To make this timber, first cut the strip of wood to length leaving a slight overhang on each side.

Then shape the curvature in two dimensions as shown in the photo. Notches are cut in it to fit over the transom frames. Corresponding notches are cut into the transom frames using a hobby knife so that when installed, the piece will be flush with the outside sufrace of the transom frames.

Everything is sanded smooth after installation. We're almost finished now. In the next series of photos for this step, you see a template used that was taken from the Frame Plan drawing of the profile of the model. This template helps to locate a horizontal timber I call the filling frame cross timber that will help close in the gap between the last frame of the ship and the outer most transom frame. This timber is shown on your Frame Plan drawing in the same color as the frames and may be difficult to distinguish from the deck clamp shown in magenta.

As I mentioned earlier, the deck line frame extends across the stern transom at the same location as the deck clamp thus joining the right side clamp with the left side clamp.

The two ends of the timber you need to make has a notch at the fore end so that it fits around the last frame in the ship and a bevel at the aft end Model Ship Building Hull Planking Co that matches the angle of the transom frame. This can be seen in the last photo of the series.

It is also glued against the inside edge of the deck line frame that was just installed. A notch is cut into the cross piece where that filler frame goes.

The filler frame timber has a matching notch and sits on top of the building jig base. The lower end of the filling frame meets the inside edge of the last transom frame. The photos show this placement. One more step to complete the framing of the stern transom is left. Some scrap filler pieces are added on each side of the counter area I mentioned earlier.

They are glued to the outside surface of the outer most transom frame. Then everything is sanded and blended to form a smooth transition of the counter as seen in the final photos for this step. This completes the complex construction of the stern transom. If you've made it this far, you are to be congratulated. I promise it gets easier from here! As you can see from the 1st photo in this step, the model has been removed from the building jig, which is no longer needed because the planking you are about to install now holds the framework together.

But before we can get to this point, we have to fair out the hull. Wood needed for this step: Fairing the hull is the process of sanding the hull smooth so that it no longer has that stair stepped effect. The test for smoothness is by visually sighting down the hull as you hold the model at eye level and by laying a thin strip of wood against the hull at various points to see if it touches each and every frame and lays flat.

You cannot lay planking if the hull is not fair. Various sanding blocks are used to fair the hull. I like to use a plastic sanding block called the "mini-sander" found in most hobby shops and shown in the 2nd photo. It has two pieces of yellow plastic with teeth in them and a rubber pad that wraps around it. Strips of sandpaper can be purchased as belts that wrap around the two plastic pieces.

The plastic pieces slide outward catching on their teeth to lock and tighten them against the sandpaper. The nice thing about this sander is the rubber pad which works well on curved surfaces such as the hull of a model ship. Start with 80 grit sandpaper and aggressively sand the surface of the frames blending each one to the next and so forth. It will take some sanding to get the bow area faired as it has the sharpest curves.

When the hull is close to being faired all over, switch to grit, then and finally grit sandpaper. The next 5 photos show the hull after it has been faired out. Now the planking can be laid. Typically model ship builders like to leave the planking off of the lower hull of a true plank on frame model so that the intricate details of the frames can be displayed. There is actually some historical models know as Admiralty Models in various museums that are constructed in this manner.

When a ship was going to be built, a model was made showing off the framework that would be used for its construction. The model was presented to the Admiralty Board for approval and often times, the plans for the model were also used to build the actual ship. So, given the historical nature of admiralty models, I'm only going to cover how to plank the upper hull area.

Typically modelers will break a ship's hull into two major sections - the area above the wales and the area below them. The "wales" are thick timbers across the center area of the ship going horizontally. The acted like a belt that holds up your trousers.

They were thicker than any of the other planks on the hulls. Most modelers like to use a contrasting wood for the wales such as ebony or walnut.

I chose ebony for my Hannah model. In the next photo you can see a template cut from a manila folder. Use a copy of the Frame Plan to make this template. First cut the drawing along the line that is the top surface of the building jig. Then cut on the green line that is the bottom edge of the wale plank. After cutting the drawing, rubber cement it Model Ship Building Vise Volume to the manila folder and cut it on the same lines as well. To mark the line of the wale plank, place the template on the surface of the building jig and align the frames on the drawing with the frames on the model, then mark each frame with a pencil where the wale line intersects the frames.

Once the line has been marked, you're ready to start. Because the wales are thick,. Cut strips of wood that are. You can use soft basswood for the first 5 layers because the final finished layer will cover them up color their edges black to match the black ebony. A quick five minute soak in water will soften the basswood so that it bends easily.

Planks on a real ship were typically about 24' in length. Start at the bow. First mark a line on the stem where the wale will tuck into the rabbet joint.

Now you see why you cut that rabbet joint into the stem. Using the Frame Plan, the bottom edge of the bottom wale meets the stem at a point exactly 3. With that point marked, take your first basswood plank and glue it into the rabbet joint and bend it around the hull keeping the bottom edge aligned with the marks you made earlier. You can use a 24" length of wood for the first 5 layers because they will be covered over with the finishing layer.

It helps to put glue on a few frames at a time. I prefer to use super glue for planking my hull because it's next to impossible to clamp the planks and you don't want to hold them in place with your hands for hours waiting for the glue to dry. Super glue sets up almost instantly, especially if the planks are moist, so make sure you have the planks in the correct position.

By gluing a few frames at a time, you can add glue to the surface of the frames, press and hold the plank against the glue for a minute, then repeat the process. Let the aft end of the planking extend slightly beyond the stern transom for now. You can trim it all up and sand it flush later on.

After the first layer is added, go ahead and add the remaining layers, again starting at the bow and working your way aft. Be sure to tuck the end into the rabbet joint.

Add the finished layer but cut those planks to a length of approximately 6". You want to make sure that the ends of these planks end in the middle of a frame. This means that some may be slightly less than 6" and some may be slightly longer than 6". Start at the bow and work your way aft as you did before.

Congratulations, you've begun your hull planking! The next 5 rows of planking is. You won't need to layer any more of the rows. If you look at the 9th photo in this step, you can see that I've added some planks on the counter starting at the wing transom. They've been sanded, and you can see how the wale ends where these planks begin.

If you go forward to the 13th photo you can see that I've planked the entire counter area and sanded it smooth. You should plank the couter before you add the outer hull planks so that the outer hull planks cover the edges of the counter planks. As the 20th photo shows, 5 rows of planking were added above the wales.

That will bring the planking close to the top of the ship's framework at the bow, once it is cut from the jig. The next plank to go on will be a piece of molding. Like molding in a house, the moldings on a ship's hull had a decorative edge. You can make this edge by cutting the profile of the molding into a razor blade using a thin cutoff wheel in your Dremel tool.

The 19th photo in this series shows such a scraper made from a single edge razor blade. Let me also mention that the ends of your 6" planks need to be staggered. You should lay the first row above the wales so that the butt joint ends 2 frames before the butt joints of the wales. You want to repeat this pattern of moving back 2 frames for three rows of planking.

On the fourth row, the butt joints should go back to aligning with the butt joints of the wales. This is a common pattern and follows certain rules used in planking the hull of a ship. You can see in the 20th photo that some of the frames have ben partially cut and removed. Specifically the fore side of 2 frames has been removed. This is part of the design of this ship. Because the upper hull does not have to be as strong as the lower hull, frames were typically thinner to reduce weight.

So, from the top edge of each frame going from the aft most frame to the point where the quarterdeck begins, I removed the forward half of the frame. Exacto makes a small blade with teeth in it like a saw 13 which can be used to cut the forward half of each frame at the top edge of the last row of planking added.

The second cut was made at a point above the area where the last plank will be laid. This is shown on your Frame plans, and measurements can be taken from the plans at each Model Ship Building From Scratch Examples frame to establish this second point.

Use a 22 Xacto blade to then cut and remove this half of the frame. Be careful that you don't damage the frame as you cut away the forward half and don't go beyond the forward end of the quarterdeck which should be shown on your plans as frame Although the forward frames must also have half removed, there are gunports to deal with that will affect the location of the deck, which in turn affects where you need to cut the frames.

I'll address that in a later step. Now we can make our molding. Swiss pear wood is pear wood that has been steamed. Steaming turns the wood pink in color, and it makes a nice contrasting color that works well with the beige boxwood and white holly used above the molding. By scraping the strip with the razor, the shape cut into the razor will form the shape of the molding.

Pretty neat trick, huh? I think some of the mystery behind how these models are made is beginning to emerge. The molding can be laid as a long, single strip if you wish. It becomes the top most plank at the bow, but at the stern, additional planking is necessary to cover the area where the quarterdeck is located. To give the model more contrast, I added a row of. Looking at the 21st photo in this step, you can see that the molding has been added and the holly row has been added stopping at the fore end of what will later be the quarterdeck.

Another row of molding is added, then 3 rows of plum are added and the planking is finished off with another row of molding. Photo 23 shows these final rows of planking added. If it is not too late, consider not having the swimming body look like a smallpox survivor and use a smooth copper product - in place of an out of scale - too few anyway - embossed product. The veneer will require a heavy precise straight edge and a sharp knife - most of us seem to prefer a 11 style edge.

Using a luthier's knife and a leather strop with gold or green compd - used frequently - will aid in developing better working habits. Wow, thanks to everyone helping me out here. I will take what you have said and do some more research. Im not sure if its something I want to undertake right now, or if If I want to wait to do some planking on my second ship. I faked the coppering too.

My hull was dented and gouged so I used acrylic modeling paste then two coats of krylon spray primer. I painted the hull with acrylic then scribed the planking details. For your Wales just add a plank over the existing planking. Thanks again everyone, I will check out those hobby stores and make a decision, I will update my decision on my Build-log.

You can post now and register later. If you have an account, sign in now to post with your account. Paste as plain text instead. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. If you enjoy building ship models that are historically accurate as well as beautiful, then The Nautical Research Guild NRG is just right for you.

We provide support to our members in their efforts to raise the quality of their model ships. The pages of the Journal are full of articles by accomplished ship modelers who show you how they create those exquisite details on their models, and by maritime historians who show you the correct details to build. The Journal is available in both print and digital editions. Go to the NRG web site www.

Building, Framing, Planking and plating a ships hull and deck. Adding planks to a solid hull. Reply to this topic Start new topic. Recommended Posts.





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